Review: Now on VOD, ‘Creedmoria’ has quirk for days.

SYNOPSIS
Candy injects the “fun” in her dysfunctional life. When your brother is found by a neighbor naked and drunk, you’re stuck with a caveman of a boyfriend, you have a dickhead boss, and the madness of everyday life competes with your mother’s need to appear “normal,” you have to peek between the cracks to find the warm rays of hope. But, maybe normalcy is just a construct for other people. And, maybe breaking out of the institution is more important than fitting in. After years of trying to save those she loves, it’s time for Candy to save herself.

Creedmoria is like the lovechild of John Waters and Baz Luhrmann during the Strictly Ballroom years. With hilariously over the top, almost caricature archetypes, this film has everything you’d want in a dysfunctional family comedy set in the 80’s. Hyper-saturated fashion and a kick-ass soundtrack, not excluded. Terrific performances from the entire cast lend to loving these characters even if some of them are meant for you to hate. Oh, and real-life Creedmoor psychiatric institution residents wandering in and out of scenes adds another layer of weirdness. They remind me of The Transylvanians from The Rocky Horror Picture Show for some odd reason and contribute another dimension of, “Sure, why not.” to the plot. But the script does tackle a ton of real issues; narcissistic parenting, bullying, misogyny, sexual orientation, addiction, just to name a few. That being said, it certainly doesn’t stop Creedmoria from being a fun coming of age flick with some serious sass and laughs.

Released on VOD May 15th

Directed, Written and Produced by Alicia Slimmer
Executive Produced by Clifton Leaf
Cinematography by Boa Simon
Editor by Ben Insler
Trailer Editor by Kevin von Puttkammer 
Distributed by Francisco Productions LLC
 
Starring: Stef Dawson, Rachel DeBenedet, Ray Abruzzo, Ryan Weldon, James Kelley, Steve Cavanaugh, Giuliana Carullo

Review: ‘Dating My Mother’ is a codependency coming-of-age story.

cid:image002.png@01D3E23D.636433B0

DATING MY MOTHER

STARRING KATHRYN ERBE, KATHY NAJIMY,

JAMES LeGROS AND INTRODUCING PATRICK REILLY

Unemployed and living in his New Jersey hometown, brash screenwriter Danny (Patrick Reilly) spends his days practicing yoga, sipping red wine, and power-walking with his mother Joan (Kathryn Erbe). But when she reveals she’s seeing another man, their version of domestic bliss comes crashing down.

DATING MY MOTHER follows the intimate and tumultuous relationship between a single mother and her gay son as they navigate the dizzying world of online dating. While they search for their versions of Mr. Right, mother and son discover that sometimes you need to be apart in order to grow together.

Dating My Mother has a story that not’s new but is being presented in a fresh way. Mother and son have a codependent relationship that appears more like a marriage than parent-child. When both thrust themselves into online dating (one more reluctantly than the other) we are treated to a fun cinematic visual of tinder, rather than the old putting text messages up on the screen bit that has been so popular as of late. The moments are raunchy and funny, make no mistake. It was like you are watching visually some of the written guides at girlfriendactivationsystemreview.net. Kathryn Erbe is incredibly convincing as a Mom, Joan, who has enabled her son’s attitude toward life. Patrick Reilly as Danny is a great representation of some of an overwhelmed and perhaps ill-equipped kids just out of college. His vapid and annoyed response to life is amusing and relatable. The gem of this film has to be Kathy Najimy‘s role of Lisa, an overly encouraging friend with sass and brass. She is the key to laughs and to the plot actually moving forward as it needs to with her words of wisdom. The film does a nice job examining the dynamic of mothers and gay sons. There is a protective nature that’s really lovely to witness but it’s the line between friend and parent that’s the most important to track.

DATING MY MOTHER was written and directed by Mike Roma and produced by Ashley Hillis.  It stars Patrick Reilly, Kathryn Erbe, Kathy Najimy, James LeGros, Michael Rosen, and Paul Iacono. The film has a running time of 84 minutes. Gravitas Ventures released DATING MY MOTHER on VOD and across all other digital platforms on May 8, 2018.

Tribeca Film Festival Reviews: ‘Cargo’ & ‘The Night Eats The World’ breathe new life into the zombie genre.

Cargo

Director: Ben Howling, Yolanda Ramke

Writer: Yolanda Ramke

Producers: Samantha Jennings, Kristina Ceyton, Russell Ackerman, John Schoenfelder, Mark Patterson

Cast: Martin Freeman, Anthony Hayes, Susie Porter

Stranded in rural Australia in the aftermath of a violent pandemic, an infected father desperately seeks a new home for his infant child, and a means to protect her from his own changing nature.

 

Cargo, starring Martin Freeman will undoubtedly rip your heart out if you are a parent. It’s a race against time form the very first scene. It contains an intriguing bit of cannon with respect to this particular zombie outbreak. I’m always curious how this will be addressed in the genre and in Cargo, it’s very different from what we’re used to seeing. This film has a wonderful pace. It is dark with a constant feeling of dread looming. Freeman plays a believably loving and caring father of his infant daughter. The action and terror are unrelenting. In the genre what more can you really ask for? The film will be coming to Netflix next Friday, May 18th!


The Night Eats The World

Directed by

Dominique Rocher

Writing Credits (in alphabetical order)

Pit Agarmen (novel)
Jérémie Guez (screenplay) (adaptation) (dialogue)
Guillaume Lemans (screenplay) (adaptation) (dialogue)
Dominique Rocher (screenplay) (adaptation) (dialogue)

The morning after a party, a young man wakes up to find Paris invaded by zombies.

The Night Eats The World is all about isolation. Sam is alone in his ex’s apartment, walls splattered with blood, and the other floors are not much better. Realizing the outside is even less safe, he begins to use his wits by gathering what he can find, little by little, staying organized but perhaps not sane. Actor Anders Danielsen Lie is in every single scene of the film. His performance is so engrossing that I almost missed his complete physical transformation along the way. He must remain as calm as possible, which is pretty difficult considering the circumstances. An interesting element to his character is that he is a musician. This becomes both an advantage and a misstep in the plot. We’ve all watched The Walking Dead for years now but off the top of my head, I’m not sure I would be as methodic in my solitary survival as Sam. While we don’t get any information about the outbreak specifically, it never stopped me from enjoying the film, rooting for Sam to stay alive. Sometimes you don’t need it all spelled out for you, sometimes great storytelling is more than enough. 

Tribeca Film Festival Review: ‘Here and Now’ is sensational.

On the eve of a major performance at the iconic Birdland Jazz Club, Vivienne Carala (Sarah Jessica Parker) receives shocking news during a doctor’s visit that turns her world upside down. She struggles to deal with the devastation during rehearsals with her band and her manager (Common) and attempts to avoid her overbearing mother (Jacqueline Bisset). Finally, as she contemplates sharing the news with her ex and her teen daughter, Vivienne finds solace in the streets of New York City, where she reflects on her past and her future.

​​

Here and Now is the reason we still sit in a dark theater to experience a film. Sarah Jessica Parker is breathtaking and raw. The sound editing is stuff dreams are made of. It is noticeably heightened and for good reason. People’s cell conversations accost her while music fills the gaps in between. We track her in real time because time and sound and regret are the keys to this elegant film. Along with some stunning handheld camera work, there is simply not a hair out of place in this film’s storytelling. Here and Now explores the human connection between beauty and loss and life choices. You will be moved in ways you will never see coming. Check out the clip below for a slice of heaven that is Here and Now. *Formally titled Blue Night*

TRAILER:

 

Tribeca Film Festival Review: ‘Tully’ is the perfect movie to see this weekend.

Diablo Cody, Jason Reitman, and Charlize Theron have managed to capture the very essence of what Motherhood feels like on a primal level. Wrapped in wit and honesty, Tully encapsulates the sheer exhaustion, frustration, elation, confusion, anger, pride, adoration and everything in between. It’s in the film’s specificity that creates a sense of, “Oh, my God, yes. Finally, someone gets it!” Spilled breastmilk, changing diapers, juggling schedules, sleep deprivation, the feeling of complete isolation. As a mother of a 1 and 2-year-old, while portions of the premiere audience laughed, I teared up and nodded because while it was indeed hilarious, it was also so true. I have experienced every single moment Theron’s character does in some form or fashion. We are living the same truth. Cody has a knack for turning the ordinary into extraordinary with her scripts. Theron is as real and charismatic as ever. The film is an opportunity for Mothers to feel seen and heard. It is an opportunity for their partners to peer behind the ever-cracking facades of messy buns, leggings, and maybe a little mascara and chapstick if you’re lucky. Mother’s Day is this weekend. Go see this film and call your Mom, Wife, or Sister, and say, “Thank you, now how can I help?”

 

 

Tribeca Film Festival: ‘The Miseducation of Cameron Post’ is still happening

The Miseducation of Cameron Post
Feature Narrative
Country: USA
Director: Desiree Akhavan
Writer: Cecilia Frugiuele, Desiree Akhavan
Starring: Jennifer Ehle, John Gallagher Jr., Forrest Goodluck, Sasha lane, Chloë Grace Moretz
After Cameron is caught making out with another girl on prom night, her conservative guardians send her to gay conversion therapy. There, she forges an unlikely community with her fellow teens in this Sundance-winning coming of age story.
Official Selection of the 2018 Sundance Film Festival

Releasing August 10, 2018 from FilmRise

Melissa:

You might expect a combustible teenage tale of rebelling against a terrible situation, but instead, the story is nuanced and quietly chilling. Set not so long ago, the most disturbing thing is that it could be set today. This is not a bubbly teenage coming-of-age story.

Liz:

Melissa is right, the scenarios depicted in this film are absolutely still occurring in 2018. Being touted as  “gender confusion” in the film, I have no doubt this is damaging stuff to young people. It’s an important narrative to study in an everchanging inclusive environment. Chloë Grace Moretz as Cameron gives the audience a brave and honest performance. The writing and directing are fantastic. The film will both comfort and disturb audiences and the best ways possible. Through Cameron’s Miseducation, the world will learn.

Tribeca Film Festival: ‘Back Roads’ is rural noir

Back Roads
Feature Narrative
Country: USA
Director: Alex Pettyfer
Writer: Adrian Lyne, Tawni O’Dell
Starring: Juliette Lewis, June Carryl, Nicola Peltz, Jennifer Morrison, Alex Pettyfer
A young man cares for his sisters after their mother is imprisoned for murdering their abusive father. When he strikes up an affair with a married woman, long-dormant family secrets bubble to the surface in this noir thriller.

No distribution as of posting.

Melissa:

Alex Pettyfer directs himself in the main role of a man who has a lot on his mind. Just when you think his life can’t get worse, something else emerges. While some saw his performance as flat, I found it incredibly nuanced and full of pain.

Liz:

This film is the epitome of dysfunctional family life. The plot twists are endless and it is truly emotionally taxing to watch. While the storytelling is dark, it delves deep into issues ranging from depression, guilt, and gender stereotyping. I couldn’t find a loose thread in the acting department and Pettyfer‘s particular performance is gripping.

TFF Review: ‘Dead Women Walking’

Dead Women Walking
Feature Narrative
Country: USA
Director: Hagar Ben-Asher
Writer: Hagar Ben-Asher
Starring: Ashton Sanders, June Carryl, Colleen Camp, Lynn Collins, Dot Marie Jones, Dale Dickey

Nine vignettes depict the stages leading to execution for women on death row in this emotional account of the human toll of the death penalty—on both the inmates and those they encounter in their final hours.

Dead Women Walking is an all our emotional gut-punch. It forces you to confront the reality of humanity rather than the crime. From 14 days to mere minutes prior execution time, the vignettes capture moments of healing, despair, acceptance, and the regrets of these very different women. There is no doubt that this film is one hell of an ensemble piece. Each breathtaking and nuanced performance will touch your soul in an extraordinary way. Adding to the brilliant writing is the specific choice of song for each character. Dead Women Walking‘s structure walks the perfect line between pragmatic and poetic. You will be moved, no matter what your political views are,  no matter if you are the victim of a crime, or you think you have no interest in the subject matter. Dead Women Walking will take your preconceived notions of female death row inmates and destroy them.

Tribeca Film Festival 2018 Review: ‘Slut in a Good Way’

Slut in a Good Way
Feature Narrative
Country: Canada
Director: Tribeca Film Festival 2018 Review: ‘Slut in a Good Way’
Writer: Catherine Léger
Starring: Vassili Schneider, Anthony Therrien, Alex Godbout, Romane Denis, Rose Adam, Marguerite Bouchard
Three 17-year-old girlfriends get a job at the Toy Depot for the holiday season and become smitten with the guys who work alongside them in this charming teen sex comedy.

Slut in a Good way has a throwback John Hughes feel to it from the humor to the themes, tot the use of specific music choices. It examines the tumultuous nature of female relationships and how they can turn on a dime. The film features three archetypes, The Virgin, The Rebel Activist, and The Newly Sexually Independent Girl. Double standards and slut-shaming are rampant, but that’s what makes the script whip-smart and funny.

Review: ‘Wildling’ is dark, coming of age tale.

WILDLING

 **WORLD PREMIERE – 2018 SXSW FILM FESTIVAL**

The feature debut from Fritz Böhm, WILDLING is a spellbinding take on the werewolf legend starring Independent Spirit Award Nominee Bel Powley (The Diary of a Teenage Girl), SAG Award® Winner Liv Tyler (Lord of the Rings, Armageddon) and Academy Award® Nominee Brad Dourif (One Flew Over Cuckoo’s Nest, Child’s Play).

 WILDLING is a unique dark fantasy tale centered on young Anna (Powley) who has been raised in isolation by a man she knows only as Daddy (Dourif) who has done everything possible to conceal the truth about the girl’s origins from her. But when the teenage Anna is suddenly thrust into the real world under the protection of no-nonsense police officer Ellen Cooper (Tyler), it soon becomes clear that the young woman is far from ordinary. Unable to adjust to a normal life, Anna finds herself drawn instead to the wild freedom of the forest while struggling to resist the growing bloodlust that has awakened inside her. This moodily atmospheric thriller combines supernatural scares with a myth-like tale of self-discovery.

There are many elements of Wildling that excited me. The cast is beyond excellent. Bel Powley is undeniably a star. As she never seems to age, she can continue to portray exceedingly young characters. Her onscreen presence is captivating. And while she actually speaks relatively few lines in the film, she owns each scene she appears in. Liv Tyler is as elegant as ever. Never doubt her ability to completely inhabit any role. Brad Dourif is scary as hell. He makes your skin crawl in the best way possible. The lighting is truly something to behold. Extra attention to the sound mixing plays perfectly on the audience’s sense of dread or wonder, depending on the moment to moment needs of the plot.

After all of the positives, I would be remiss if I didn’t mention the rushed feel of the story. Much of the plot seems to be missing as if there is an entire section of canon that was left out for runtime. I have so many questions pertaining to missing elements (I won’t be too specific because of spoilers) and I was a genuinely baffled by their absence. Some serious plot holes. The emotional transition of all the major players was swifter than feel natural under the circumstances. Finally, if I hadn’t seen Netflix’s original series Big Mouth, perhaps I wouldn’t be so bothered by the final creature FX.

Wilding has a graphic novel turned feature film feeling to it. It’s most definitely entertaining and worth the watch. You can watch the trailer below.

IFC Midnight will release the upcoming thriller WILDLING in theaters in NYC and LA as well as on VOD and Digital HD on April 13.

Review: ‘ The Endless’ is an unsettling trip.

THE ENDLESS

Directed by Justin Benson & Aaron Moorhead

Written by Justin Benson

Starrs Justin Benson, Aaron Moorhead, Callie Hernandez, Emily Montague, Lew Temple, Tate Ellington, James Jordan

Synopsis: Following their Lovecraftian modern cult classic SPRING, acclaimed filmmakers Moorhead and Benson return with this mind-bending thriller that follows two brothers who receive a cryptic video message inspiring them to revisit the UFO death cult they escaped a decade earlier. Hoping to find the closure that they couldn’t as young men, they’re forced to reconsider the cult’s beliefs when confronted with unexplainable phenomena surrounding the camp. As the members prepare for the coming of a mysterious event, the brothers race to unravel the seemingly impossible truth before their lives become permanently entangled with the cult.

The Endless is a truly mindbending cinematic experience. The story alone is strange enough but when combined with breathtaking cinematography and some serious FX, you’ve got one of the coolest films so far this year. It addresses the question of cult mentality and what we consider to be familial relationships. The Endless begs for multiple viewings and not just because you think you might be able to figure out exactly what’s happening, though that’s definitely a reason. You’ll come back for cool visuals, solid performances from the entire cast, and really snappy dialogue. There is so much going on in this film that your brain may not be able to keep up with all the awesome being thrown its way. More than once, I literally said aloud, “How’d the hell did they do that?!” Benson and Moorhead have undoubtedly given us a cult classic. To think this was all done on a limited indie budget is downright mind-blowing. The Endless will surprise you and keep you on your toes until the very final frame.
Check out the trailer below:

Opening in New York April 6th and Los Angeles April 13th with a national rollout to follow

TRT: 112 minutes

Country: USA

Language: English

Directors: Justin Benson and Aaron Moorhead

Writer: Justin Benson

Cast: Justin Benson, Aaron Moorhead, Callie Hernandez, Emily Montague, Lew Temple, Tate Ellington, James Jordan

 

10 Feature Narratives by Female Directors on Liz’s watchlist at the Tribeca Film Festival

This year’s festival demographic for female directors has gone up to 46%. That is huge. Here are 10 feature-length narratives by female directors that I am looking forward to catching. Bonus: Most of these films also focus on a female protagonist.

All About Nina
Feature Narrative
Country: USA
Director: Eva Vives
Writer: Eva Vives
Starring: Mary Elizabeth Winstead, Common, Chace Crawford, Clea DuVall, Kate del Castillo, Beau Bridges, Eva Vives
Nina Geld’s passion and talent have made her a rising star in the comedy scene, but she’s an emotional mess offstage. When a new professional opportunity coincides with a romantic one, she is forced to reckon with the intersection of her life and her art

Click for tickets


Daughter of Mine (Figlia mia)
Feature Narrative
Country: Italy, Germany, Switzerland
Director: Laura Bispuri
Writer: Laura Bispuri, Francesca Manieri
Starring: Michele Carboni, Udo Kier, Sara Casu, Alba Rohrwacher, Valeria Golino
On the windswept coast of Sardinia, two women compete for the affections of 10-year old Vittoria: her troubled, alcoholic birth mother Angelica and her doting adoptive mother Tina.

Click for tickets


Dead Women Walking
Feature Narrative
Country: USA
Director: Hagar Ben-Asher
Writer: Hagar Ben-Asher
Starring: and Ashton Sanders, June Carryl, Colleen Camp, Lynn Collins, Dot Marie Jones, Dale Dickey
Nine vignettes depict the stages leading to execution for women on death row in this emotional account of the human toll of the death penalty—on both the inmates and those they encounter in their final hours.

Click for tickets


Egg
Feature Narrative
Country: USA
Director: Marianna Palka
Writer: Risa Mickenberg
Starring: Gbenga Akinnagbe, David Alan Basche, Alysia Reiner, Anna Camp, Christina Hendricks
In provocateur Marianna Palka’s sharp and unflinching satire, two couples and a surrogate lay bare the complications, contradictions, heartbreak, and absurdities implicit in how we think about motherhood. Click for tickets


Lemonade (Luna de Miere)
Feature Narrative
Country: Romania, Canada, Germany, Sweden
Director: Ioana Uricaru
Writer: Tatiana Ionașcu, Ioana Uricaru
Starring: Ruxandra Maniu, Milan Hurduc, Dylan Scott Smith, Steve Bacic, Mălina Manovici
Mara hopes to move her son from Romania to the U.S. and obtain a green card. But bureaucratic processes give way to authoritarian nightmares in this simmering social drama about American immigration and the institutional corruption of power.

Click for tickets


Little Woods
Feature Narrative
Country: USA
Director: Nia DaCosta
Writer: Nia DaCosta
Starring: Tessa Thompson, Lily James, Luke Kirby, James Badge Dale, Lance Reddick, Nia DaCosta
In this dramatic thriller set in the fracking boomtown of Little Woods, North Dakota, two estranged sisters are driven to extremes when their mother dies, leaving them with one week to pay back her mortgage.

Click for tickets


Mapplethorpe
Feature Narrative
Country: USA
Director: Ondi Timoner
Writer: Ondi Timoner
Starring: Mark Moses, McKinley Belcher III, Brandon Sklenar, John Benjamin Hickey, Marianne Rendón, Matt Smith
In the late 1960s, art-school dropout Robert Mapplethorpe moves into the Chelsea Hotel with dreams of stardom. He quickly becomes the enfant terrible of the photography world as the downtown counterculture of 1970s New York reaches its zenith.

Click for tickets


O.G.
Feature Narrative
Country: USA
Director: Madeleine Sackler
Writer: Stephen Belber
Starring: David Patrick Kell, Boyd Holbrook, Mare Winningham, Theothus Carter, William Fichtner, Jeffrey Wright
An inmate entering the final weeks of a twenty-plus-year sentence must navigate between old loyalties and a new protégé, while he also grapples with the looming uncertainty of his return to life outside bars.

Click for tickets


Slut in a Good Way
Feature Narrative
Country: Canada
Director: Sophie Lorain
Writer: Catherine Léger
Starring: Vassili Schneider, Anthony Therrien, Alex Godbout, Romane Denis, Rose Adam, Marguerite Bouchard
Three 17-year-old girlfriends get a job at the Toy Depot for the holiday season and become smitten with the guys who work alongside them in this charming teen sex comedy.

Click for tickets


Untogether
Feature Narrative
Country: USA
Director: Emma Forrest
Writer: Emma Forrest
Starring: Scott Caan, Jennifer Grey, Alice Eve, Billy Crystal, Ben Mendelsohn, Lola Kirke, Jemima Kirke, Jamie Dornan
Former writing prodigy Andrea tries not to fall for her one-night stand, while her sister Lisa throws herself into a newfound religious zeal (and the arms of her charismatic rabbi) to avoid the truth about her current relationship in this multi-character romantic drama.

Click for tickets

Tribeca Film Festival: Tickets now available for 4 screenings at Beacon Theatre – ‘Love, Gilda’ ‘Scarface’ Schindler’s List’ ‘Unbanned: The Legend of AJ1’

In Love, Gilda, director Lisa D’Apolito uses rare personal recordings and journal entries to tell Radner’s story in her own words. Along the way, friends and admirers, including Amy Poehler, Cecily Strong, Lorne Michaels, and a host of others, offer their most cherished memories of this brilliant trailblazer.

SCREENING TIMES

WED 4/18 7:00 PM Beacon ADD BUY NOW
THU 4/19 9:30 PM Regal Cinemas Battery Park 11-5 ADD REDEEM
TUE 4/24 4:00 PM Regal Cinemas Battery Park 11-11 ADD REDEEM
THU 4/26 9:45 PM Regal Cinemas Battery Park 11-11 ADD REDEEM

Brian De Palma filtered Howard Hawks’s 1932 classic Scarface through The Godfather’s somber consideration for the humanizing motives of corrupt men. It went on to receive three Golden Globe nominations and has become one of the most referenced films in pop culture. Al Pacino delivers his riskiest performance in a career-defining role, garnering a cult following for the film. Revisit the gangland masterpiece thirty-five years later, a rich, harrowing, eminently quotable ride to excess and self-destruction that laid the groundwork for the myriad of anti-hero stories to come.

SCREENING TIMES

THU 4/19 7:00 PM Beacon ADD BUY NOW

Steven Spielberg’s 1993 epic masterpiece Schindler’s List remains one of contemporary cinema’s most challenging and sensitive portraits on the human toll of the Holocaust. Anchored by stunning performances from Liam Neeson, Ralph Fiennes, and Ben Kingsley, the film received acclaim and went on to win seven Academy Awards, including Best Picture and Best Director, with an additional five nominations. Twenty-five years later, Schindler’s List continues to be widely considered to be one of the most important films of all time.

SCREENING TIMES

THU 4/26 6:30 PM Beacon ADD BUY NOW

Through interviews with Michael Jordan, Spike Lee, and more, this vibrant documentary tells the origin story of the Air Jordan, and the impact it had on sports, hip-hop, and the birth of sneaker culture.

SCREENING TIMES

FRI 4/27 8:00 PM Beacon ADD BUY NOW
SAT 4/28 7:00 PM Cinépolis Chelsea 9 ADD REDEEM
SUN 4/29 9:30 PM Regal Cinemas Battery Park 11-5 ADD REDEEM

Review: ‘VIRGINIA MINNESOTA’ is a quirky and heartfelt road movie.

 Daniel Stine’s feature film debut, Virginia Minnesota, received its world premiere on March 2nd at the Cinequest Film Festival and stars a primarily female cast led by Aurora Perrineau and Rachel Hendrix.

Two young women, torn apart by a childhood tragedy, unexpectedly reunite and embark on an illuminating 24-hour journey, where they unlock memories of long forgotten innocence and what it means to truly believe.

This unexpected indie takes your heart by surprise within minutes. It’s part folklore, part road movie, and all charm. When four girls are called together to hear the reading of the will of their former headmistress, sparks fly and memories burn with truth and misunderstanding. I was not expecting this story to turn into a road movie at all, although with a character that is a suitcase with a personality (you’ll just have to watch to understand what I mean) I guess I should have predicted it in hindsight. While a small piece of the plot does revolve around a fiancé, the dialogue definitely passes The Bechdel Test with flying colors. Aurora Perrineau and Rachel Hendrix have a chemistry that is fun and comfortable.They challenge one another at every turn making Virginia Minnesota just as delightful as it is insightful. Guilt, repressed feelings and some seriously quirky encounters create a truly lovely and endlessly engrossing film.

VIRGINIA MINNESOTA – Trailer from Daniel Stine on Vimeo.

Virginia Minnesota premiered at the 2018 Cinequest Film Festival on March 2nd at 9:30 PM.

Virginia Minnesota was recently awarded the Global Grand Jury award for Best Hollywood Film at the Hollywood Film Festival (HFF), with Aurora Perrineau and Rachel Hendrix receiving special mention as Exceptional Emerging Artists. The film is produced by Rushaway Pictures, with cinematography by Pedro Ciampolini and a score by Gary Dworetsky.

Review: ‘Keep The Change’ is a laugh out loud funny and charming as hell.

Set in New York, the story centers on the struggles of David as he comes to terms with his own high-functioning autism, when he unexpectedly falls for a quirky and outgoing woman whose lust for life both irks and fascinates him. Keep the Change is based on an award-winning short film developed by Rachel Israel and Brandon Polansky that was inspired by Polansky’s experiences at Adaptations, a community for adults on the autism spectrum.

Keep The Change premiered last year at The Tribeca Film Festival to rave reviews and won awards for best U.S. narrative feature and best new narrative director along with a special mention for the Nora Ephron Prize.

This film is a sidesplitting winner. Outside of the documentary genre, we’re not often let into the world of adults on the autism spectrum. Keep The Change follows the beginnings of a relationship between two very different individuals who are ultimately seeking to be accepted and cherished for who they are. The issues of self-love, sexuality, class, are addressed in endearing and tongue-in-cheek ways. Newcomers and leads Brandon Polansky and Samantha Elisofon have an insane chemistry. The two appear to be polar opposites making their banter all the more entertaining. Any time you pit a glum and cynical individual against an outgoing and seemingly innocent one, interesting things are bound to happen. The dialogue is biting, witty, and oftentimes offensive, keeping the viewer on their toes and thoroughly amused. Writer/director Rachel Israel has given us a true gem. This unique romcom will undoubtedly charm the pants off of you and teach you some much-needed tolerance.

Kino Lorber will open the film in New York on March 16th at the Quad Cinema, in Los Angeles on April 20th at Laemmle Town Center and Laemmle Royal Theatre followed by a national rollout.

Keep The Change stars newcomers Brandon Polansky and Samantha Elisofon. Written and directed by Rachel Israelthe film also stars veteran actress Jessica Walter (“Arrested Development”), Tibor Feldman and non-professional actors with Autism, Nicky Gottlieb and Will Deaver. 

Review: ‘The Leisure Seeker’ is ultimately relationship goals.

In Select Theaters March 9th

THE LEISURE SEEKER stars Academy Award-winner® Helen Mirren and two-time Golden Globe-winner® Donald Sutherland as a runaway couple on an unforgettable journey in the faithful old RV they call the Leisure Seeker. The couple travels from Boston to The Ernest Hemingway Home in Key West, recapturing their passion for life and their love for each other on a road trip that provides revelation and surprise right up to the very end.

While there are admittedly a few bumps in the road during The Leisure Seeker, as a whole the film is a beautiful journey through one couple’s history. Slight pacing issues and superfluous scenes aside, the heart of this film is the love between two people who adore one another to the core. As a granddaughter that has been witness to dementia, the disease can be an exhausting trip minute to minute. Donald Sutherland undoubtedly gives an award-winning performance, navigating memory loss through ever-changing beats. I counted no less than four distinctive version of the same man portrayed on screen by Sutherland. For Helen Mirren, this role feels like a bit of a departure. It is one that requires both a facade and unadulterated softness. The chemistry between these our stars is movie magic. If you have ever experienced two people who are so lovingly interdependent, then this film will resonate with you in between the dialogue. The care with which Mirren’s character takes in protecting her husband countered by the real moment to moment human frustration of this burden are palpable. The film may not be everyone’s cup of teas, as you will certainly be more affected if you have lived through these circumstances. The Leisure Seeker is not a glamorous film. It is raw and poignant in its quiet.

 

Review: ‘The Vanishing of Sidney Hall’ weighs heavy.

The idea of personal responsibility can be a double-edged sword. It can be our life’s motivating factor or our downfall. In the new film The Vanishing of Sidney Hall, one young man’s past has an effect on the entire world around him.

After publishing a bestselling novel based on the death of one of his high school classmates, the controversial writer Sidney Hall (Logan Lerman) finds himself catapulted to unexpected fame and renown. His relationship with his girlfriend (Elle Fanning) begins to fall apart as the dark consequences of the book intrude on their life together, and he disappears without a trace. Nearly a decade later, an enigmatic detective searches for the missing author, whose books are connected to a string of mysterious arsons.

There was something about this film that really affected me throughout its nonlinear two-hour run. The script tackles issues from resentment to guilt, human connection to the feeling of powerlessness. With the award-winning performances from no less than four cast members, including Logan Lerman, Elle Fanning, Michelle Monohan, and Blake Jenner, The Vanishing of Sidney Hall has a twisted plot that pulls your emotions in various directions throughout. The one overall theme here is undoubtedly sadness. The film has a heaviness that is unshakeable. It’s a strangely perfect companion piece to Netflix‘s 13 Reason’s Why, and without going into too much detail (because I want you to see it) the film’s themes are universally relevant. The film’s score acts as an emotional and nostalgic catalyst to the time jumps. Despite the terrible beard on Logan Lerman throughout a third of the film, he gives the audience a multilayered and tragic performance that makes Sidney Hall what it is. Speaking of tragic, Blake Jenner plays a seemingly typical jock with a hard-on for bullying but it’s his character’s home life that haunts many others in the film. A massive departure from his role in GLEE, I hope Jenner gets some much-deserved attention from this one. Elle Fanning is ever surprising as a bold, unique, and confident girl next door (or across the street to be exact) saddled with both the romantic and strained man Lerner becomes. Michelle Monaghan plays against type as Sidney’s mother. A woman’s whose vitriol and resentment make her loathsome. The cast boasts other heavy hitters like Kyle Chandler and Nathan Lane. There is not a weak link in the entire ensemble.  I can tell you, you won’t be able to guess how this one wraps up. The Vanishing of Sidney Hall is fraught with love but mostly the loss of it. Be prepared prior to viewing.

THE VANISHING OF SIDNEY HALL  

Exclusively on Direct TV on January 25th & In Theaters on March 2nd

Director by:  Shawn Christensen (Academy Award Winner – Curfew, Abduction,)

Written by: Shawn Christensen & Jason Dolan

THE VANISHING OF SIDNEY HALL stars Logan Lerman (Perks of Being a Wallflower, Indignation), Elle Fanning (Super 8, Maleficent, The Neon Demon)Michelle Monaghan (“True Detective,” Gone Baby Gone, Source Code)Kyle Chandler (“Friday Night Lights”, “Bloodline”, and Manchester By The Sea) and Nathan Lane (“Modern Family,” The “People v. O. J. Simpson: American Crime Story”).

Watch Now: Special conversation with Oscar-nominated director, Steve James about ‘Abacus: Small Enough to Jail’

VERA SUNG, JILL SUNG AND FATHER THOMAS SUNG IN THE SAFETY DEPOSIT BOX DEPARTMENT OF THEIR BANK IN A SCENE FROM OSCAR-NOMINATED “ABACUS: SMALL ENOUGH TO JAIL” DIRECTED BY STEVE JAMES. PHOTO COURTESY OF PBS DISTRIBUTION/KARTEMQUIN FILMS

Last year, Liz reviewed this last much-needed documentary last November for DOC NYC. Available now on Amazon Prime. In any case, you can view a conversation with the director at 12:30 pm at https://www.westdoconline.com/steve-james-episode-6-live.

  • NOMINEE – STEVE JAMES, OUTSTANDING DIRECTING DIRECTORS GUILD OF AMERICA AWARDS
  • WINNER – BEST POLITICAL DOCUMENTARY CRITICS’ CHOICE DOCUMENTARY AWARDS
  • THREE NOMINATIONS CRITICS’ CHOICE DOCUMENTARY AWARDS
  • NOMINEE – BEST DOCUMENTARY NATIONAL BOARD OF REVIEW
  • NOMINEE – BEST DOCUMENTARY CHICAGO FILM CRITICS ASSOCIATION

Abacus: Small Enough to Jail tells the incredible saga of the Chinese immigrant Sung family, owners of Abacus Federal Savings of Chinatown, New York.

Accused of mortgage fraud by Manhattan District Attorney Cyrus R. Vance, Jr., Abacus becomes the only U.S. bank to face criminal charges in the wake of the 2008 financial crisis. The indictment and subsequent trial forces the Sung family to defend themselves – and their bank’s legacy in the Chinatown community – over the course of a five-year legal battle.

Review: ‘The Boy Downstairs’ feels close to home.

The Boy Downstairs stars Zosia Mamet (“Girls”) as Diana, a twenty-something writer who moves back to New York City after a two-year stint in London. Upon finding the perfect apartment in Brooklyn, she realizes her downstairs neighbor is actually her ex-boyfriend Ben (Matthew Shear, Mistress America) whose heart she broke when she left town. After an awkward reunion, Diana proclaims her intentions for a genuine friendship. But as old wounds are opened, both Diana and Ben are forced to confront the true nature of their feelings.

 

Mamet gives a deliciously sardonic lean to the role that is funny and honest. The manic ways of Shoshanna Shapiro are nowhere in site. This should put Mamet on some serious casting lists. First-time writer-director Sophie Brooks shows us how a person can have a hold on your soul years after parting ways. The script is really smart and refreshing. It doesn’t glamorize the requisite navigation through adult relationships, those messy, real-life moments are the little things that stick with us in the end. Reality is much more awkward and The Boy Downstairs does not shy away from confrontation or feelings. It allows the audience to reflect on their own past emotional conflicts and in this film’s particular case, flashback sequences are the backbone of the plot. Strong performances from Matthew Shear and Dierdre O’Connell make The Boy Downstairs what it is. The chemistry is astounding. Being a grownup is complicated enough, so once you introduce the complexities of love and friendship, all hell will break loose, even if it’s a quiet thing. You can see The Boy Downstairs in theaters today.

 

 

Review: ‘PERMISSION’ allows an audience to ask ‘what if?’ for themselves.

***Official Selection of the 2017 Tribeca Film Festival***

Anna (Rebecca Hall) and Will (Dan Stevens), were each other’s first every-things: first kiss, first love, first and only relationship. Now, 10 years in, at Anna’s 30th birthday party, as Will is about to propose, the couple’s best friend makes a drunken toast, suggesting that they should sleep around before their inevitable marriage. The joke lands like a lead balloon, but the thought lingers until Anna proposes that they try opening their relationship – as a sexual experiment. Together, they venture out of the purely monogamous boundaries of their relationship and, along the way, evolve.

Permission is one of the most honest portrayals of how awkward true intimacy is. When you are so comfortable with someone to the point of predictability, does that have the potential to become a death sentence for a relationship? Life’s ‘what ifs” are some of the most tempting ideas a person can entertain. The chemistry between the entire cast is palpable. You will find yourself falling in love with Hall and Stevens and definitely crushing on Arnaud, Gershon, Craig, Spector, and Sudeikis. This true ensemble of actors along with writer/director Brian Crano has given us a gift. What may appear on the surface as small moments in the script are incredibly impactful due to some really brilliant acting and writing. Permission has an authenticity that sneaks up on you. It’s those moments that define the story and make it so relatable. The music is perfectly paired with each scene, almost becoming its own fly on the wall secondary cast member. Overall, the film is a refreshing look at adult relationships and how to find horny contacts. It’s fun and engrossing and different. It dares to challenge the typical rom-com genre and that’s why you should seek it out.

Permission is in theaters today! Check out the trailer below.

Starring Rebecca Hall (Christine, Professor Marston and the Wonder Women), Dan Stevens (Beauty and the Beast, Downton Abbey)Gina Gershon (Empire), Francois Arnaud (Midnight Texas), David Joseph Craig (The Gift), Morgan Spector (Chuck, Boardwalk Empire), and Jason Sudeikis

Written and Directed By Brian Crano (A Bag of Hammers, Dog Food)

Produced by Rebecca Hall, Margot Hand, Girl Tharan, Joshua Thurston