Tribeca Film Festival review: ‘KING JACK’ astounds.

KingJack_press_1 Tribeca

Kids are cruel. No matter what socio-economic background they come from, children can be just as vindictive and creative in their torture of one another as grown adults. In Felix Thompson‘s new coming of age narrative KING JACK, we route for one boy in particular. Pushed around by school bullies and antagonized by his older brother, Jack is a typical teenager simply trying to find his place in the world like any other. When Jack’s aunt becomes ill, a cousin moves into the house, displacing any sense of privacy. Given the task of looking after his younger relative only lessens his already weak facade of coolness. Stalked by one serious older bully and his cronies, Jack must come to terms with the cycle of hereditary violence and find out what courage and manhood truly mean.

KingJack_press_2 Tribeca

Felix Thompson‘s does double duty as writer and director. Organically shot and tenderly written, Thompson brings real truth to a script that could have easily been formulaic. Moments of real fear and embarrassment come to life on screen. These are the moments that bring us back to a time that may not have been our favorite but were essential in shaping who we became as adults.

TFF15-King-JackYoung lead Charlie Plummer is a phenomenon. One would almost think this was a documentary with a performance so incredibly natural. It’s a gutsy role for an actor his age to take on, and he absolutely nails it. In fact, the entire cast is top notch. Not a single beat is missed. Again, a huge nod to Thompson’s ability to direct a cast mainly comprised of teens. Cory Nichols, as cousin Ben, gives a noteworthy performance. Cute, funny, and honest,  I hope we see much more of him in the future.

KING JACK is successful on so many levels. Though, admittedly, at moments it is hard to watch. The film will resonate with anyone who has come home crying, anyone who has been called names, anyone who has felt alone. What makes KING JACK difficult to watch is the very thing that makes it great. I highly recommend you take the entire family to see this feature. Parents: It’s a great insight into what your kids experience with the added complication of technology. Kids: You might just find that Mom and Dad can relate to your life in ways you never thought possible.

You can still catch two more screenings of KING JACK at the festival!!

7:30 PM – FRI 4/24 REGAL CINEMAS BATTERY PARK 11-9
2:30 PM – SUN 4/26 BOW TIE CINEMAS CHELSEA 8
To find out more about this film, check out the Tribeca Film Festival Guide 2015

‘Jurassic World’ Releases Three New Posters and a New Trailer!

jurassicworldheader

Universal Pictures has released a three new posters and a trailer for the upcoming Jurassic World and we have them for you below!

Twenty-two years after the events of Jurassic Park, Isla Nublar now features a fully functioning dinosaur theme park, Jurassic World, as originally envisioned by John Hammond. After 10 years of operation and visitor rates declining, in order to fulfill a corporate mandate, a new attraction is created to re-spark visitor’s interest, which backfires horribly.

The movie stars Chris Pratt (Guardians of the Galaxy), Bryce Dallas Howard (The Village), Ty Simpkins (Iron Man 3), Jake Johnson (Let’s Be Cops), Nick Robinson (The Kings of Summer), Irrfan Khan (Life of Pi), Vincent D’Onofrio (Netflix’s Daredevil), BD Wong (Jurassic Park), Omar Sy (X-Men: Days of Future Past), Judy Greer (Tomorrowland), Katie McGrath (NBC’s Dracula), Lauren Lapkus (Blended) and Andy Buckley (Bridesmaids).

Jurassic World hits theaters on June 12, 2015 in 3D, 2D and IMAX theaters

 

Interesting News Out of Star Wars Celebration Regarding the Upcoming Star Wars Standalone Film ‘Rogue One’

death-star

More information has dropped this weekend at Star Wars Celebration, this time regarding the upcoming Star Wars standalone film Rogue One. The film, it has been revealed, will follow a band of resistance fighters uniting for a daring mission to steal the Death Star plans. The film will take place between Episode III and Episode IV, but closer to “A New Hope.”

The news was revealed at a panel with Lucasfilm president Kathleen Kennedy, Lucasfilm SVP of development Kiri Hart and Rogue One director Gareth Edwards. The director of the other untitled Star Wars stand-alone project, Josh Trank, was also supposed to be in attendance to discuss his project, but the director had to cancel due to illness.

Rogue One teaser trailer was shown and a description of the events was captured by Variety and reads as follows:

The Rogue One teaser opened with a somewhat idyllic bird’s-eye view of a lush forest planet, showing a TIE fighter soaring above the trees before the camera pulled back to reveal the Death Star in close orbit. The teaser utilized one of Alec Guinness’ lines from “A New Hope” in voiceover, as Obi-Wan Kenobi explained, “For over a thousand generations the Jedi Knights were the guardians of peace and justice in the Old Republic. Before the dark times. Before the Empire.”

 

The final moments of the teaser ended on a chilling note, as garbled distress messages from what sounded like soldiers or pilots crackled over a radio frequency, before the sound and title card fizzled out as if the signal had been abruptly cut off.

You can read more about the project on the trades page.

Star Wars: Rogue One is scheduled to be released in December 2016

Tribeca Film review: Richard Gere gives and gives as ‘Franny’

FRANNY_press_1 TribecaFranny – tickets still available!

As someone who loves to give, I am aware there are boundaries of that giving that can make people feel uncomfortable. Although his heart is in the right place, Franny gladly crosses those boundaries. While there are several moments that hit an emotional nerve, it wasn’t enough to make up for the uneven story.

FRANNY_Press_3 Tribeca

Richard Gere stars as Franny, a wealthy philanthropist who has become addicted to morphine after a tragic accident involving his best friends. He’s been very reclusive until their daughter, Olivia (Dakota Fanning) comes back into his life. Franny showers her and her new husband with everything they could ever want.

The movie has many themes and is unable to execute any of them fully. It shifts from being about family, to a story of addiction to what it means to give too much. Franny is clearly troubled from his past yet we’re only given a glimpse into any of it.

FRANNY_Press_2 TribecaA missed opportunity was to really show how someone with so much wealth and resources can have their addiction overlooked. There were hints, but it inevitably failed. While Richard Gere delivers a powerful performance, it loses something by the lack of solid supporting cast storylines. It was ultimately predictable and flat.

Zack Snyder Reveals ‘Batman v Superman: Dawn of Justice’ Posters

Batman-v-Superman-Dawn-of-Justice-Logo

Following the release of the teaser trailer a few days back, director Zack Snyder has unveiled the teaser posters for the film. You can check them out below.

The film stars Henry Cavill reprising his role as Clark Kent/Superman, and Ben Affleck assuming the role of Bruce Wayne/Batman with Gal Gadot as Diana Prince/Wonder Woman, and Amy Adams, Laurence Fishburne and Diane Lane returning from Man of SteelJesse Eisenberg will also star as Lex Luthor along with Jeremy Irons as Alfred, and Holly Hunter in a yet to be announced role. Jason Momoa will also be making an appearance as Aquaman, but the significance of his role has yet to be announced.

Batman v Superman: Dawn of Justice opens in theaters March 25, 2016

3 docs you simply must see at the Tribeca Film Festival

Birth of Sake_Press_2The Birth of Saké – RUSH tickets available

Feeling stressed? Can’t get your mind to relax? Take a trip to Japan and follow a group of men who dedicate half of their year to making saké. The group of men eat, sleep, laugh and cry together all while preserving the centuries-old tradition.

The passion of the brewmaster Yamamoto and his young apprentice, Yasuyuki is where the heart of the story lies. They each care so much about not only the tradition, but the people they work with on a day-to-day basis.

The gorgeous imagery is enhanced by slowmotion and a calming score. Whether you’re a lover of saké or not, you’ll appreciate the amount of work that goes into its creation.

Orion is his iconic eagle suit. Photo credit Sun Records

Orion is his iconic eagle suit. Photo credit Sun Records

Orion: The Man Who Would Be King – hurry, tickets still available!

Everyone has heard of Elvis, but only a fraction have heard of Orion aka Jimmy Ellis. When Jimmy Ellis sang, he sounded like the legendary Elvis. His talent was brought to new heights when Elvis died and people didn’t want to let go. Never an impersonator, Jimmy did capitalize on this coincidence and attempt stardom on his own.

Jimmy himself tells us his tale through audio interviews. Told with a candid and revealing, yet loving hand, Orion: The Man Who Would Be King is ultimately a story about fame sought, found and lost.

Whether you liked Elvis’ music or not, you’ll be captivated by a man who lived large and went after his dreams.

Code_web_02CODE: Debugging the Gender Gap – tickets are going fast!

When I was choosing classes for my first year of high school, I chose to take Technical Drafting. It seemed interesting to me. It never occurred to me that I’d be the only girl in the class. I was bullied every day. I was called unspeakable names behind the teacher’s back. I heard tales of how there were girls who had taken the class and dropped out. I’m sure I must have considered dropping the class, but I have no recollection of it.

I wasn’t the best in the class, but I was always willing to learn and tried my very best. My teacher, Mr Huff, was the kindest, most encouraging man and brought me to every tournament and entered me in every competition eligible. I rarely placed, but I got to see that there were girls in classes like mine at other schools. I was not alone.

Just before seeing this film I had made the decision to learn to code. In the few info sessions at bootcamps for code that I’ve attended, I can see that the gap is still there, but it’s much more encouraging than just twenty years ago.

Instead of focusing on one aspect of the gender gap in coding, this film really shows that everyone has something to give. The field of information technology is only getting bigger and we need all hands on deck. The more diverse the people building the future technologies are, the better the world is for it.

New ‘Fantastic Four’ Trailer and Poster are Here!

fantasticfour_header.jpg-9122327665

20th Century Fox has released a new trailer and poster for their upcoming Fantastic Four reboot and we have them for you below!

The film, a contemporary re-imagining of Marvel’s original and longest-running superhero team, centers on four young outsiders who teleport to an alternate and dangerous universe, which alters their physical form in shocking ways. Their lives irrevocably upended, the team must learn to harness their daunting new abilities and work together to save Earth from a former friend turned enemy.

The film stars Miles Teller as Reed Richards (Mr. Fantastic), Kate Mara asSue Storm (The Invisible Woman), Michael B. Jordan as Johnny Storm (The Human Torch) and Jamie Bell as Ben Grimm (The Thing). Toby Kebbell will also star as the films villain Doctor Doom.

Fantastic Four hits theaters on August 7

ffposter_0

Tribeca Film Festival interview: ‘THE ADDERALL DIARIES’ director Pamela Romanowsky talks fated moments in making the film.

Stephen Elliott (James Franco) and Neil Elliott (Ed Harris)Anna Kooris

Stephen Elliott (James Franco) and Neil Elliott (Ed Harris)Anna Kooris

Director Pamela Romanowsky‘s debut feature is not a meek choice. Tackling the page to screen adaptation of Stephen Elliott‘s memoir THE ADDERALL DIARIES seems like something that was written in the stars. Speaking of stars, the film is lead by an outstanding performance by James Franco as a pill popping, destructive behavior addicted, emotionally ravaged man. Under the guise of writer’s block, Stephen lets himself become distracted by a murder case that seems to resonate with his memories of the past; memories that have made him a famous author so far. When his father’s ghost returns to haunt him, life spirals into an seemingly endless line of poor life choices. One person’s truth may not be what it seems.
On the heels of TRUE STORY, Franco plays Elliott with a ferocity that is totally organic. Hitting highs and lows so sharp, I can safely say I am impressed. Ed Harris portrays his strong willed father. A constant trigger throughout the film, this role was made for Harris, literally. Amber Heard is beautiful and honest as a NYT journalist fighting childhood demons of  her own. Christian Slater is charming as ever and a master of emotional disguise as the subject Stephen longs to understand. Cleverly edited and stunningly shot, THE ADDERALL DIARIES is a sensory and emotional overload of a film. You will find something that connects with you, I guarantee it.

I was fortunate enough to sit down with Pamela Romanowsky and talk about the journey that became this project.

Liz:  Just saw the movie and I really liked it. How did you happen upon Stephen’s novel?

Pamela: Well, there are two parts to this story. I first happened upon it because I live near a really great independent bookstore called “Word” in Greenpoint. I saw it in the window and that is often how I buy books, ” What does Word have?” So I just read it as a casual reader and loved it, thought about it a lot, it really stayed with me. It’s the kind of story that takes a lot of processing. Then separately from that, James Franco and I went to grad school together and are good friends and we hadn’t worked together yet. Then I had the opportunity to make the short with him for The Color of Time. We had a great creative connection and a great time working together. James approached me with The Adderall Diaries. I actually just found out yesterday that it was the first book he optioned.

L: He is such a fan of page to screen, all of which so far have been really successful. It’s such a bold move because it can go so wrong.

P: He picks Difficult books.

L: He really does.

P:  It was a really great moment of synchronicity. He wanted to help me make my first feature and with a book we both loved.

L: I think his performance was one of his best and so clearly has a lot to do with your relationship. You had such a great cast full of talent. Ed Harris, what a juicy role for him. I also really enjoyed the juxtaposition of memories talk to me about the editing choices.

P: I developed the visual style with my DP who was also a collaborator from grad school. I met a lot of my people there. Bruce also shot my piece for The Color of Time so we had already talked about how to approach memories cinematically. We used steady cam alot because it felt organic. This is a character who is always in motion, and practically it allowed us to shoot quickly, to be intuitive, to find shots within the scene as we went. And the use of slow motion… you know memory is such a hard thing to describe to someone else but to me, the things that you tend to recall over and over are these small moments and details so it almost like you’re seeing it in slow motion.

L: it is incredibly effective. It is so aesthetically beautiful.

Did you guys have a lot of rehearsal time? Everything feels really organic. Yet there are some truly physically demand scenes.

P: I think as is often in indie film, but I had the advantage of knowing a lot of these actors and Ed, I met at the Sundance Directors Lab.

L: Had he been cast already or did he just come in and read for you?

P: No, he was my advisor at the lab. Coincidentally he was also the person I wrote this role for! His photo was on my writing board the whole time but I never actually thought I was going to get a chance to meet him. So when we were at Sundance, low and behold Ed Harris walks in and I was like ” Oh my God, Ed Harris is here!” It just happened that he was there, it just happened that he was my advisor, and it just happened to be the week I was shooting my father/son scene. So when he was leaving I had to tell him, “You know, thank you so much for helping me and so I wrote this role for you and I don’t know if you’d ever think about doing it but I am gonna keep asking you forever.”  And truthfully I didn’t have a back-up plan, I didn’t see anyone else playing this role. It took me 9 months to talk him into it. So I had a lot  of time to talk it over with him. It was the same with all the other actors. Rehearsal is really important so right before we would shoot each scene I would kick everyone out and we would run the scene through.

L:  As soon as I walked out of the theater I said, “I have to buy this book now. I am completely intrigued. I have to read it.” It has so many relevant issues that even if you’ve never experienced them personally, you would gravitate towards this story. We all have our own way to interpret what our memories are. And I think the older you get and the longer you live with your interpretation, that becomes your truth. It was beautiful to see that on screen. Thank you so much for talking with me.

P: Thank You! Enjoy the rest of your fest!

L: You too! I look forward to talking to you for whatever comes next.


THE ADDERALL DIARIES ticket and showtime information can be found here in the Tribeca Film Festival Guide 2015.

TFF 2015 NARRATIVE FEATURE

Release Year: 2015

Runtime: 87 minutes

Directed By: Pamela Romanowsky

Country: USA

Elliott (James Franco), a once-successful novelist inflicted with writer’s block and an Adderall addiction strives to escape his problems by delving into the world of a high-profile murder case. Amber Heard, Ed Harris, and Cynthia Nixon co-star in this adaptation of Elliott’s best-selling memoir. | Read More

Tribeca Red Carpet Photos: Shia LaBeouf looking angry & Director Alma Ha’rel at ‘LoveTrue’

Alma Har'el, Love True - Photo Credit: Natalie Samuel, Luna Rouge Pictures

Alma Har’el, Love True – Photo Credit: Natalie Shmuel, Luna Rouge Pictures

Alma Har'el & Rafael Marmor, Love True - Photo Credit: Natalie Samuel, Luna Rouge Pictures

Alma Har’el & Rafael Marmor, Love True – Photo Credit: Natalie Shmuel, Luna Rouge Pictures

Shia LaBeouf, Love True - Photo Credit: Natalie Samuel, Luna Rouge Pictures

Shia LaBeouf, Love True – Photo Credit: Natalie Shmuel, Luna Rouge Pictures

Tribeca Red Carpet Photos: James Franco, Cynthia Nixon, Christian Slater, Amber Heard & Ed Harris in ‘The Adderall Diaries’

Amber Heard - The Adderall Diaries - Photo Credit: Natalie Samuel, Luna Rouge Pictures

Amber Heard – The Adderall Diaries – Photo Credit: Natalie Shmuel, Luna Rouge Pictures

Only RUSH tickets are available for The Adderall Diaries – as you can see it’s a star-studded cast! Look for Liz’s review and interview soon!

James Franco - The Adderall Diaries - Photo Credit: Natalie Samuel, Luna Rouge Pictures

James Franco – The Adderall Diaries – Photo Credit: Natalie Shmuel, Luna Rouge Pictures

Ed Harris - The Adderall Diaries - Photo Credit: Natalie Samuel, Luna Rouge Pictures

Ed Harris – The Adderall Diaries – Photo Credit: Natalie Shmuel, Luna Rouge Pictures

Cynthia Nixon - The Adderall Diaries - Photo Credit: Natalie Samuel, Luna Rouge Pictures

Cynthia Nixon – The Adderall Diaries – Photo Credit: Natalie Shmuel, Luna Rouge Pictures

Christian Slater - The Adderall Diaries - Photo Credit: Natalie Samuel, Luna Rouge Pictures

Christian Slater – The Adderall Diaries – Photo Credit: Natalie Shmuel, Luna Rouge Pictures

Timothée Chalamet - The Adderall Diaries - Photo Credit: Natalie Samuel, Luna Rouge Pictures

Timothée Chalamet – The Adderall Diaries – Photo Credit: Natalie Shmuel, Luna Rouge Pictures

Can’t make it to the Tribeca Film Festival? These movies have distribution and will be available to watch soon!

Misery Loves Comedy PosterMisery Loves Comedy – VOD now, In theaters April 24th

Directed by Kevin Pollak. (USA) – New York Premiere, Documentary.
Kevin Pollak directs this insightful documentary that examines the quasi-obsessive need for a comic to connect with an audience.
Conducting interviews with some of the biggest names in comedy including Jimmy Fallon, Amy Schumer, Jim Gaffigan, Judd Apatow, Larry David, and more, Pollak delves into the psyche to find out what led them to life in stand-up, and ruminates on whether you must be miserable to be a comedian. A Tribeca Film release.

 

Good KillGood Kill – In theaters May 1st

Directed and written by Andrew Niccol. (USA) – U.S. Premiere, Narrative.
Major Tommy Egan (Ethan Hawke) is fighting a war from the safety of a Nevada trailer, but commitment to the mission comes at a price. Gattaca director Andrew Niccol reunites with Ethan Hawke for this timely drama about the human costs of advanced war technology. Co- starring January Jones and Zoe Kravitz. An IFC Films Release.

Stephen Graham as David Knight in Hyena Courtesy Tribeca FilmHyena – In theaters May 1st

Directed and written by Gerard Johnson. (UK) – U.S. Premiere, Narrative.
Michael Logan (Peter Ferdinando) may be a corrupt, coke-addled cop, but he’s a bad lieutenant with a conscience. After years of dodging the same laws he was assigned to uphold, Michael suddenly finds himself trying to change while safeguarding a young Albanian woman from the sex trade. Equal parts grit and neon, Hyena blurs the line between cop and criminal and exposes the illicit underworld inhabited by London’s most ruthless policemen. A Tribeca Film release.

Kurt CobainKurt Cobain: Montage of Heck – HBO May 8th

Directed by Brett Morgen. (USA) – New York Premiere, Documentary.
Kurt Cobain, legendary lead singer, guitarist, and songwriter of Nirvana, remains an icon 20 years after his death. This first-ever fully authorized documentary feature, Kurt Cobain: Montage of Heck is a raw and visceral journey through Cobain’s personal archive of art, music (both his most famous and some that’s never been heard), written word, and never-before-seen home movies with animation and revelatory interviews from his family and closest confidantes. An HBO Documentary Film in association with Universal Pictures presentation.

MaggieMaggie – In theaters May 8th

Directed by Henry Hobson, written by John Scott 3. (USA) – World Premiere, Narrative.
There’s a deadly zombie epidemic threatening humanity, but Wade (Arnold Schwarzenegger), a small-town farmer and family man, refuses to accept defeat even when his daughter Maggie (Abigail Breslin) becomes infected. As Maggie’s condition worsens and the authorities seek to eradicate those with the virus, Wade is pushed to the limits in an effort to protect her. Joely Richardson co-stars in this post-apocalyptic thriller. Lionsgate/Roadside Attractions release.

Thought Crimes_Press_2 TribecaThought Crimes – HBO May 11th

Directed by Erin Lee Carr. (USA) – World Premiere, Documentary.
Convicted yet then acquitted of conspiring to kidnap, rape, kill, and eat several women, NYPD officer Gilberto Valle quickly rose to infamy as New York’s own “Cannibal Cop”. With exclusive access to Valle, Erin Lee Carr’s unflinching documentary asks a fundamental question that challenges our beliefs about the criminal justice system, and even the very nature of right and wrong: can you be guilty of a crime you only thought about committing? An HBO Documentary Film.

Far From Men_press_1 TribecaFar From Men (Loin des Hommes) – In theaters May 15th

Directed and written by David Oelhoffen. (France) – U.S. Premiere, Narrative.
During the height of the Algerian War, an unlikely bond forms between a reserved French teacher (Viggo Mortensen) and the elusive dissident (Reda Kateb) he must turn over to the authorities. Based on a short story by Albert Camus, David Oelhoffen’s classically conceived period Western is a tense and timely study of war’s political and personal sacrifices. In French with subtitles. A Tribeca Film release.

Silas Selleck (Michael Fassbender) and Jay Cavendish (Kodi Smit-McPhee) in SLOW WEST, an A24 release. Photography by Robbie Ryan

Silas Selleck (Michael Fassbender) and Jay Cavendish (Kodi Smit-McPhee) in SLOW WEST, an A24 release.
Photography by Robbie Ryan

Slow West – In theaters May 15th

Directed by John Maclean. (UK, New Zealand) – New York Premiere, Narrative.
At the end of the nineteenth century, 16-year-old Jay Cavendish (Kodi Smit-McPhee) journeys across the American frontier in search of the woman he loves. He is joined by Silas (Michael Fassbender), a mysterious traveler, and hotly pursued by an outlaw (Ben Mendelsohn) along the way. Sundance 2015 World Cinema Grand Jury Prize: Dramatic. An A24/DIRECTV release.

Cillian Murphy as Ivan Photo by Allen Fraser, Courtesy of Sony Pictures Classics

Cillian Murphy as Ivan
Photo by Allen Fraser, Courtesy of Sony Pictures Classics

Aloft – In theaters May 22nd

Directed and written by Claudia Llosa. (Canada, France, Spain) – New York Premiere, Narrative. In parallel narratives, single-mother Nana (Jennifer Connelly) has a mysterious experience at the hands of a traveling healer, years later her troubled son Ivan (Cillian Murphy) sets out in search of his now absent mother. Academy Award®–nominee Claudia Llosa’s (The Milk of Sorrow) decade-spanning family drama is a dreamlike rumination on faith, forgiveness, and family, set against an otherworldly frozen landscape. A Sony Pictures Classics Release.

JimmysHall_Press_1 TribecaJimmy’s Hall – In theaters May 30th

Directed by Ken Loach, written by Paul Laverty. (UK, Ireland, France) – North American Premiere, Narrative.
James Gralton returns from exile and reopens a public dancehall, bravely pushing back against the sharply drawn religious and political margins of his time. Ken Loach (Winner, Palme-d’or 2006, The Wind that Shakes the Barley) paints a romantic drama about a leftist leader, and a 1930s Ireland that celebrates free speech and thought in the face of oppressive dogma. A Sony Pictures Classics Release.

Hungry Hearts_0341Hungry Hearts – In theaters June 5th

Directed by Saverio Costanzo. (Italy) – U.S. Premiere, Narrative.
After a chance meeting and a whirlwind romance in New York City, Jude (Adam Driver) and Mina (Alba Rohrwacher) become pregnant. Convinced their child will be harmed by the pollutions in the outside world, Mina becomes consumed by protecting her baby, forcing Jude to recognize a terrible truth about why his son’s life could be in danger. A Sundance Selects Release.

Angry Sky_Press_3 TribecaAngry Sky – ESPN 30 for 30 June 8th

Directed by Jeff Tremaine. (USA) – World Premiere, Documentary.
In the 1960s, truck-driver Nick Piantanida discovered skydiving, and set out to break the world record for highest parachute jump by taking a helium balloon to the edge of space. Over the course of a year, his dream to launch the first civilian space program drove him to obsession. An ESPN Films release.

Wolfpack_Press_1 TribecaThe Wolfpack – In theaters June 12th

The Wolfpack, directed by Crystal Moselle. (USA) – New York Premiere, Documentary. Everything the Angulo brothers know about the outside world they learned from obsessively watching movies. Shut away from bustling New York City by their overprotective father, they cope with their isolation by diligently re-enacting their favorite films. When one of the brothers escapes, the world as they know it will be transformed. A Magnolia Release.

OVERNIGHT_Press_2 TribecaThe Overnight – In theaters June 19th

Directed and written by Patrick Brice. (USA) – New York Premiere, Narrative.
Alex and Emily have just moved to LA with their young son. Eager to make new friends, they accept an invitation to a party from the father of their son’s playground mate. After the kids fall asleep, the “playdate” takes a bizarre turn in this racy and hilarious romp. Featuring Judith Godrèche, Taylor Schilling, Jason Schwartzman, and Adam Scott. A release by The Orchard.

Cartel Land-#1 - Autodefensa member standing guard in Michoacán, Mexico, from CARTEL LAND, a film by Matthew HeinemanCartel Land – In theaters July 3rd

Directed by Matthew Heineman. (USA, Mexico) – New York Premiere, Documentary.
A portrait of two men, both leaders of small paramilitary groups that police different sides of the Mexican drug war. With unprecedented access, this film brings forward deep questions about the breakdown of order and entanglement of modern-day vigilante movements at a time when the government cannot provide basic security for its people. In Spanish and English with subtitles. A release by The Orchard.

Sleeping With Other People_Press_1 TribecaSleeping With Other People – In theaters August 21st

Directed and written by Leslye Headland. (USA) – New York Premiere, Narrative.
Jason Sudeikis and Alison Brie star as two romantic failures whose years of serial infidelity and self-sabotage have led them to swear that their relationship will remain strictly platonic. But can love still bloom while you’re sleeping with other people? Writer/director Leslye Headland’s (Bachelorette) sexy romantic comedy co-stars Amanda Peet, Adam Scott, and Natasha
Lyonne. An IFC Films Release.

Down in The Valley_Press_2 TribecaDown in the Valley – ESPN 30 for 30

Directed by Jason Hehir. (USA) – World Premiere, Documentary.
How far would you go to save your hometown team? For many Sacramento residents, faced with the nearly certain relocation of their beloved Kings, no boardroom was too distant. One native son proved it. Follow former NBA superstar turned Sacramento mayor Kevin Johnson as he battles owners and executives to keep the Kings at home, in this roaring testament to the passion and power of the small-market fan. An ESPN Films release.

Grandma_Press_1 TribecaGrandma – TBD

Directed and written by Paul Weitz. (USA) – New York Premiere, Narrative.
Reeling from a recent breakup and still mourning the loss of her longtime partner, once-famous poet Elle Reid (Lily Tomlin) is surprised to find her teenage granddaughter on her doorstep in need of $600 and a ride. The two embark on an all-day road trip that ends up rattling skeletons and digging up secrets all over town. Co-starring Julia Garner, Marcia Gay Harden, Judy Greer, Laverne Cox, and Sam Elliott. A Sony Pictures Classics release.

Scottish Highlands Photo credit: Kino Lorber

Scottish Highlands Photo credit: Kino Lorber

Steak (R)evolution – TBD

Directed and written by Franck Ribière, co-written by Vérane Frédiani (France) – International Premiere, Documentary.
Grass fed, grain finished, intricately marbled, and dry aged — the concept of what makes the best steak varies greatly, and it continues to evolve as we move toward more sustainable farming practices. In this gourmet, across-the-world road trip, chefs, farmers, butchers, journalists and other experts weigh in on the various factors at play to help us understand the (r)evolution taking place right now and the challenges ahead. In English, French with subtitles. A Kino Lorber release.

Diplomat_Press_1 TribecaThe Diplomat – HBO will air the film this fall in commemoration of the 20th anniversary of the Dayton Peace Accords, which ended the war in Bosnia and was one of Richard Holbrooke’s greatest foreign policy achievements.

Directed by David Holbrooke. (USA) – World Premiere, Documentary.
With the insightful The Diplomat, David Holbrooke attempts the seemingly insurmountable: capturing the legacy of his larger-than-life father, Ambassador Richard Holbrooke, revealing an inside view of US foreign policy from Vietnam to Afghanistan. Interviewing an impressive array of world leaders, David grapples with Holbrooke’s public versus private personas, creating a sensitive portrait of fatherhood, ambition, and the force required to affect change throughout the world. An HBO Documentary Film.

Zack Snyder Comments on Why You SHOULD Go to Monday’s ‘Batman v Superman’ IMAX Event

BatmanEarlier tonight, Warner Brothers released the trailer for the highly anticipated Batman v Superman: Dawn of Justice ahead of Monday’s IMAX event screening event leaving many to wonder if it was even worth it to attend, well, the director has spoken and he wants to assure you that you ain’t seen nuttin yet!

So there you have it….the event will feature additional footage not seen yet as well as “swag” to be provided to all attendees!

Many screenings are all ready sold out, but you can check to see if your city is available at http://www.batmanvsupermandawnofjustice.com/imax/

The Official ‘Batman v Superman: Dawn of Justice’ Trailer is Here!

Batman-v-Superman-Dawn-of-Justice-LogoAfter having their bubble burst yesterday by the leaked international trailer, Warner Bros. has released the first full trailer for Batman v Superman: Dawn of Justice ahead of Mondays unveiling and we have it for you below!

 

Batman v Superman: Dawn of Justice will open in theaters on March 25, 2016

Marvel Developing a New TV Project with With ABC and ’12 Years A Slave’ Producer!

Marvel_Studios

EW is reporting that Oscar-winning writer and producer of 12 Years a Slave, John Ridley, is teaming up with Marvel Studios for a new superhero television project on ABC.

Details are being kept under wraps, but the article does make the claim that the deal involves reinventing an existing Marvel superhero character or property for the network. It should be noted that this project is not the same as the rumored Agents of S.H.I.E.L.D. spinoff series, but rather an entirely new project.

With a vast amount of characters currently existing in the Marvel Universe, the options are limitless, but one character that could make sense would be Blade. Marvel reacquired the rights to the character back in 2013 and since then there has been no news on a resurrection of the property. Could now be the time to see the Vampire hunter make his return?

Stay tuned to RND for updates

Jeremy’s Review/Interview: Mary Elizabeth Winstead Is Outstanding in Chris Messina’s Lovely Directorial Debut ‘Alex of Venice’ + interview with Mary herself(!)

Alex of Venice - Poster Living in Middle America, I sometimes miss seeing films until way after their release. It’s part of my lot in life and I have learned to accept this. Films that appear at festivals sometime don’t get picked up for distribution and are lost in cinematic purgatory. Lucky for me, as well as all of you out there who weren’t lucky enough to make it to Tribeca last April, Chris Messina‘s directorial debut Alex of Venice was picked up and is now about to hit theaters and VOD this weekend. Featuring an absolutely stunning performance by Mary Elizabeth Winstead along with a solid supporting cast including Don Johnson, Derek Luke, Katie Nehra and Messina as well, Alex of Venice should be on your radar.

AOV mewPerhaps the best thing about this film is that the story is one we’ve seen a ton before – a young couple splits because one of them, in this case Alex (Winstead) is shirking her wifely, motherly and daughterly responsibilities because of her devotion to her job (in this case a lwayer for an environmental activism group). Why is this a good thing , you ask? Well, let me tell you…because what happens after the split occurs. The focal point is Alex (as you might guess from the title of the film) and her search for who she is, who she really is. She got pregnant and had a baby when she was 19 with her now husband George (Messina). But something is clearly missing, the fact that she was never able to have the life of a young adult since she was busy being a mother and wife.

AOV 2When George, who was a stay-at-home dad, leaves, Alex has to step up with her son Dakota (Skyler Gaertner) as well as her aging father (Don Johnson) who might have a touch of Alzheimer’s. Couple all of this with the fact that she has a huge case she is working on for her job and she is in over her head. Lucky for her, her sister Lily (Katie Nehra, also one of the screenwriters of the film) happens to show up just when needed. Lily injects some adrenaline into a stagnant family giving it some life, some good and some bad. As Alex starts getting her feet under her without George around, she unexpectedly starts a fling with the man (Derek Luke) whom she is litigating against in the big case at work. So everything really teeters in the balance with Alex as she tries to figure out who she is now without deep-sixing everyone around her.

AOV 1

As I stated above, this crown jewel of this film is Mary Elizabeth Winstead‘s performance as Alex. Pitch perfect, she has really stepped up her game lately. This film comes on the heels of another stunning performance in Faults (see my review here), so we are getting her at what seems to be her best right now, so even keeled and relatable that it’s nearly impossible not to identify with the characters she inhabits. And as good as she is, the other actors in the film were spot-on as well, mainly Don Johnson, who really surprised me in his role as a former TV actor trying to get back in the game by being in a stage production of Chekov‘s The Cherry Orchard. The delicate way he illuminates his character’s struggles with memory loss is impressive. I never thought he had it in him. Likewise, Katie Nehra brings a much needed sense of comedy and carefree nature to a story that hits pretty hard in spots.

AOV 3 nehra

I think that one of the strengths of the script is that it doesn’t lollygag when it comes to getting right into the story. George leaves in nearly the opening scene of the film. As the title suggests, this is a film about Alex, so if we had to slog through messy sequences about the decline of the relationship, it would take away from her journey. I think the strongest scene in the film happens when George finally reappears at a time of especially high need for Alex and as their encounter extends into the next day, they both get closure as they officially breaks things off. While that doesn’t seem important at its base, it’s the tender way that it was handled both in the writing and the direction of the scene. It’s little things like these that can make these smaller movies so damn memorable and it seems obvious that all parties were clicking on the same cylinder here.

Alex of Venice is wonderful film and I think there’s something in it for everyone. So instead of trudging out to see films like Paul Blart Mall Cop 2 this weekend, take a chance and check this one out. It is quite delightful.

And speaking of delightful, I was incredibly fortunate to snag a few minutes with Ms. Winstead herself to talk about the film and a few other trifles. Here’s what I felt like I looked like when I was interviewing her:

me as scoot pilgrim

And here’s what she had to say:

I really liked your chemistry with Katie Nehra as sisters. What was there, if any, as far as a rehearsal schedule? Was it an asset having her in the film with you since she was part of the writing team?

We didn’t have a lot of time together before shooting. I  had one rehearsal with Chris and Don and we played some of the scenes. The dynamic [between Katie and I] came about organically. Chris created a great atmosphere on set. The whole experience was incredibly collaborative. The vibe on set was one where everyone had a voice. My ideas were very welcome because of this. I love working that way. I love having the ability to lend my voice.

The affair with Derek Luke’s character struck me as quite odd for Alex. Here she is, totally dedicated to her job enough that she (maybe) neglects her husband, father and son. Would she really take a risk like this, especially if it could cost her her job at a time when she is most vulnerable? It seemed quite impetuous to me. Or do you think that openness of her world without George there alleviated some sort of pressure that had built up in the years they were together after she got pregnant?

I think a lot of her decisions cause her to regress to the time when she was a single person. She was stunted. She got pregnant and never had the chance to become a real person, to grow emotionally. She makes brash decisions which make sense given the circumstances of what she’s gone through. She doesn’t really know who she is.

Did you have any trepidation about working with a first time director in Chris Messina? Obviously he’s an accomplished actor, and I think the film turned out great. Curious what your thoughts were going into production.

I had never met him before, but I was a fan of his as an actor and in that sense, he had a taste level in roles that was high. He comes from theater background and these were all pretty good signs. I was excited about working with an actor. One of the problems of working with directors [that aren’t actors] is that they don’t understand how to work with actors. There’s a different grammar and vocabulary. He and I like to work the same way – make every moment real and authentic so it was a good collaboration.

I was curious about the part where George comes to get Alex after she and Lily have had the fight about Dakota missing school for a week while she’s on ecstasy. At first, I thought what Alex was going through was imagined, part of the trip she was on. That clearly wasn’t the case as the scene played out. Was there ever any discussion about the scene maybe going that way?

That’s interesting. That scene took a lot of different shapes. It was improved in so many different ways. Chris was shouting out different things for me to do and to say. Several shots were made that weren’t used. At one point, Chris shouted at me to start singing something and that’s what I did. I think it turned out perfectly.

This is a perfect segway into another aside, but I really love your record, Got a Girl, that you did with Dan the Automator. You have an unreal voice. I was curious why we aren’t hearing you on the soundtracks to the films you make. I know Brie Larson sang on the Scott Pilgrim Vs. the World soundtrack. I think this is something that we need.

(laughs) Thank you! I would love to do that. We’ll see…

You seem to toe the line between small dramas like this one and more specific genre fare (Final Destination 3, the Die Hard movies, Scott Pilgrim, etc.). Do you feel like you have a home in one area or do you feel like you have to do the moneymakers so you can do the passion projects like Alex of Venice?

I just like to do films that teach me, excite me and I want to work with people that are interesting and that I walk away from each project better than I was before it. I need to inhabit characters that will challenge me. I would love to do more comedy. I’m drawn to characters that have a little bit of everything going on. Be funny one minute and tragic another.

So that’s that. I want to give a big shout out to Mary for taking time to talk to me as I was huddled in my basement during a tornado warning (no joke). I wish her nothing but the best of luck in her career, both acting and in music (please, please make more records – the world needs them).

Be sure to catch Alex of Venice in theaters this weekend. Here’s the list of theaters where it is playing. It will also be available through VOD as well.

New ‘Jurassic World’ Poster Debuts Featuring Indominus Rex

JSW_FaceOff1Sht5_RGB_0415_1_WebMoments ago, director Colin Trevorrow debuted a new Jurassic World poster featuring Bryce Dallas Howard as Claire Dearing face to face with the Indominus Rex. This is the first of three new posters which will debut over the next few days concluding with a new trailer for the film on Monday.

Twenty-two years after the events of Jurassic Park, Isla Nublar now features a fully functioning dinosaur theme park, Jurassic World, as originally envisioned by John Hammond. After 10 years of operation and visitor rates declining, in order to fulfill a corporate mandate, a new attraction is created to re-spark visitor’s interest, which backfires horribly.

The movie stars Chris Pratt (Guardians of the Galaxy), Bryce Dallas Howard (The Village), Ty Simpkins (Iron Man 3), Jake Johnson (Let’s Be Cops), Nick Robinson (The Kings of Summer), Irrfan Khan (Life of Pi), Vincent D’Onofrio (Netflix’s Daredevil), BD Wong (Jurassic Park), Omar Sy (X-Men: Days of Future Past), Judy Greer (Tomorrowland), Katie McGrath (NBC’s Dracula), Lauren Lapkus (Blended) and Andy Buckley (Bridesmaids).

Jurassic World hits theaters on June 12, 2015

#JurassicWorld,

 

Watch Matthew McConaughey React To Viewing The New ‘Star Wars: The Force Awakens’ Trailer

matthew-mcconaughey-in-interstellar-movie-9

How would Mr. Alright Alright Alright react while watching the new Star Wars trailer? Well, we no longer have to guess as a fan spliced together scenes from Matthew McConaughey’s Interstellar and new the Star Wars trailer to make one epic YouTube video. Check it out below…

For those of you who haven’t seen Interstellar, the scene in question originally sees McConaughey’s character viewing messages sent from his family back on Earth. This is very funny so enjoy!

Jeremy’s Review – Dena Seidel’s Fantastic Antarctic Edge: 70° South Is Yet Another in a Series of Wake-Up Calls About Climate Change

antarctic_posterWhile it still absolutely amazes me that anyone can refute or deny that climate change is happening and changing the complexion of our planet, it doesn’t hurt to have as much ammunition to use to back it all up. Director Dena Seidel‘s Antarctic Edge: 70° South is in depth look at one of many projects scientists are undertaking to measure the damage being done to Antarctica and thus to the Earth.

antarctic edge 1

The film follows a group of scientists on their yearly sojourn to the western peninsula of Antarctica to conduct a series of tests covering everything from the amount of ice melt to the amount of krill in the water to the Adelie penguin populations and whether they are flourishing or not. And what is stressed is that Antarctica basically sets the tone for the weather on Earth. Because of the currents that swirl around it and push water throughout the planet, its health is of ultimate importance. As the Antarctic ice/snow melt, not only does the surface area that reflects sun/heat back into the atmosphere get smaller, but the water temperature rises allowing for massive storms like Hurricane Sandy to form as well as cut the ocean’s ability to trap carbon, which is phytoplankton use for photosynthesis to grow who, in turn, serve as food for krill who are likewise eaten by whales and penguins. Whew. So needless to say, this complicated series of events taking place in Antarctica effect the entire planet.

antarctic edge 4

Where Seidel really excels is presenting this complex information in a way that is comsumable for an average, non-science savvy viewer. The scientists, from the ornithologists studying the penguins to those studying the amount of carbon in krill urine, to the crew on the ship carrying these folks, are all incredibly charismatic and relatable. Without this, the material being presented might better be suited for a TedTalk than a documentary. This is a film that teaches as it unfolds, which is key. There has been several other Antarctica-focused films that have come out in the last few years, chief among them are Werner Herzog‘s Encounters at the End of the World and Anthony Powell‘s Antarctica: A Year on the Ice (read my review here), but none of them tackle this particular aspect of the Antarctic story. This film fills a unique space in the lore of the least populated continent on the planet and that brings the challenges that not only the continent faces but the Earth does to the forefront. And while there are many lasting images and warnings in the film, perhaps the most moving is by Philippines Climate Commissioner Naderev Sano, whose testimony at the very outset of the film highlighting what Super Typhoon Haiyan did to his country (as well as many other climate-related events) and the need for action. While I can’t find the specific clip in the film, this one covers some of the same pleas he makes.

antarctic edge 5

At 72 minutes, this film won’t hit you over the head with the information it presents. While the message the film contains is somewhat dire, it still has tinges of hope. What needs to be done to reverse climate change rests on the shoulders of the humans inhabiting the planet. Hopefully this film will add to the voices yelling in favor of action. I really enjoyed this film and I hope many more do as well.

Antarctic Edge: 70° South opens today at Quad Cinema in New York City. Here is a list of other upcoming screenings.

Here’s the trailer:

Tribeca Film Festival review: ‘COME DOWN MOLLY’ is a drug induced introspection

Come Down Molly_Press_4 Tribeca

COME DOWN MOLLY– Narrative, Drama, Comedy

While I have never done mushrooms, myself, I do know a few people who have. I’ve heard it all. “I was chased by giants bugs!”, “I felt one with nature.”, “It’s totally backed by science now.”  While the plot of Come Down Molly does revolve around a new mom taking a much deserved break to munch on some serious vegetation, honestly, the film isn’t really about drugs at all. It is is completely about identity. Oftentimes, new moms aren’t given a voice of their own. Feeling pressured by society to be perfect and to adore every single minuscule moment of their child’s life, they are merely human beings.  Every mother needs time to herself to maintain a sense of sanity and a sense of self. Molly takes the day to reconnect with her key group of male childhood friends. Just before venturing out into the vast wilderness of The Rocky Mountains, the group partakes in some recreational mushroom delicacies. Most of the movie is spent wandering the open fields and streams laughing and reminiscing.

Come Down Molly_Press_3 Tribeca

The dialogue feels super natural most likely due to the casting choices of  Writer/Director Gregory Kohn. Molly’s friends consist of Greg’s closest actor buddies. The seemingly improvised, hilariously witty repartee is key in convincing the audience to go along with a documentary style narrative. Eléonore Hendricks‘ performance is beautiful and down  to earth. She has an easy likability about her. Surrounded by the gentleman in the cast, sparks fly. The setting itself, is glorious. The quiet moments are some of the most prolific. Regardless of life experience, this film gives a solid voice to everyone struggling to maintain a sense of who they are and where they thought they’d be by now. Come Down Molly is a cinematic dream.

Come Down Molly_Press_2 Tribeca

Directed by: Gregory Kohn

In this expressionist odyssey exploring the lonely side of entering adulthood, struggling new mother Molly (Eléonore Hendricks) joins her old high school group of guy friends at a secluded mountain home. Amidst tears, laughter, and mushrooms, they connect with nature, one another, and themselves.

Find out more about Come Down Molly at Tribeca Film Festival Guide 2015

Tribeca Film Festival review: ‘Among The Believers’ will test your faith.

Among the Believers-00004 Tribeca

Aziz testing a young student on his “studies”.

AMONG THE BELIEVERS– Documentary

9/11 turned the world on it’s head. What we think we know about religion has been bundled into talking points by one side of the coin. Captured by fear and ignorance we label quickly but never rush to understand. Among the Believers is a riveting documentary that takes the audience inside the infamous Red Mosques and into the mind of Abdul Aziz Ghazi, ISIS supporter, Taliban ally, and teacher of the jihadist movement to children all over Pakistan. Acting a s “dean” Aziz takes children from poor Pakistani families under the guise that he will house, clothe and educate their children for them. What’s really going on is the indoctrination of oftentimes infantile members of a society that doesn’t know any better. These children “study” the Quran from sunrise until 9pm everyday. Not until they are deemed worthy do they even understand the verses they are forced to memorize and chant incessantly. Religion does funny things to people and, no matter which religion, extremists are out there.

Young girls have few choices in Pakistan. If she is not educated, she is often married off.

Young girls have few choices in Pakistan. If she is not educated, she is often married off.

This documentary is beautifully balanced with open minded Muslims living in the surrounding neighborhoods of the madrassah (Islamic seminaries) locations. Advocates like Dr. Pervez Hoodbhoy, speak out in public platforms, such as mass media outlets and lectures. The majority of Pakistan’s population is vehemently against the imposition of Sharia law throughout the country. The question continues to be; How do you fight religion? Among the Believers-00002 Tribeca

As an audience member you will endure a visceral reaction to the ideas onscreen. You will feel a passionate push back in one way or another. Among The Believers is sometimes difficult to watch, but I understand that it is a rather important film.

www.amongthebelieversfilm.com

To Learn More About Screenings of Among The Believers, visit

Tribeca Film Festival Guide 2015

Directed By: Hemal Trivedi and Mohammed Ali Naqvi

An unsettling and eye opening exploration into the spread of the radical Islamic school Red Mosque, which trains legions of children to devote their lives to jihad, or holy war, from a very young age. With incredible access and chilling footage, Among the Believers is a timely and relevant look into the causes that have led to the growth of radical Islam in Pakistan and around the world.