Release Archives - Page 47 of 53

Michael Myers Rises Again in Halloween Returns!

Posted on June 16, 2015 by Michael Petrelli — Leave a reply

Dimension Films and Trancas International Films announced that production will start in July on the newest installment into the Michael Myers franchise entitled Halloween Returns. The script was written by Marcus Dunstan and Patrick Melton (Saw) with Dunstan also directing the film.

“Michael Myers has taken a long break from the big screen and we know fans are eager to see him return,” Bob Weinstein, co-chair of Dimension and its parent company, The Weinstein Company, said in a statement. “We are excited to be back in business with Trancas and look forward to bringing one of the scariest installments of this classic franchise to audiences worldwide.”

Halloween Returns is produced by Malek Akkad with Matthew Stein as executive producer.

“It’s been a joy to work with so many creative people – ten films. We’re working on eleven as we speak. We’re working on a script right now. A new draft – perfect timing – is supposed to hit the day before Halloween. Hopefully my Halloween night reading will be a good read.”, said Akkad.

Shock Til You Drop has learned that Halloween Returns will follow the events of 1981’s Halloween 2 and will be connected to the original series and not the Rob Zombie films. The new film will follow the first sequel’s Deputy Gary Hunt, now a sheriff.

More as it becomes available

It’s Official: ‘Pitch Perfect 3’ Set for July 2017!

Posted on June 16, 2015 by Michael Petrelli — Leave a reply

They’re coming back, again pitches! Hot off the success of this years Pitch Perfect 2, Universal Pictures has announced that Pitch Perfect 3 will hit theaters on July 21, 2017! It was also announced that Anna Kendrick and Rebel Wilson will return for a third go around.

Universal hit a goldmine with this franchise as the first film grossed $115 million globally and the second film currently has grossed $260 million across the globe.

Pitch Perfect 3 will be produced by series fixtures Paul Brooks of Gold Circle Entertainment and Max Handelman & Elizabeth Banks of Brownstone Productions. No word yet on whether Banks will return to direct the third film.

Stay tuned for more info as it breaks

Anchor Bay Entertainment Announces Release Date for ‘Northmen- A Viking Saga’

Posted on June 15, 2015 by Michael Petrelli — Leave a reply

Anchor Bay Entertainment announces the release of the highly-anticipated, action-packed Viking film Northmen – A Viking Saga will be released in theaters and on Digital HD by Starz Digital July 31, 2015, and on DVD, Blu-ray™ and On Demand August 11, 2015. Directed by Claudio Fäh (Hollow Man II and Sniper: Reloaded), Northmen – A Viking Saga stars Ryan Kwanten (“True Blood”), Tom Hopper (Starz’ “Black Sails,” “Merlin”), James Norton (Belle, Rush), Ed Skrein (“Game of Thrones,” the upcoming The Transporter Refueled), Charlie Murphy (Philomena) and Johan Hegg (front man of the metal band Amon Amarth). The film was written by Matthias Bauer and Bastian Zach.

Northmen – A Viking Saga tells the story of a group of Vikings in the ninth century who sets sail for Britain, aiming to plunder the rich monasteries in the northern part of the island. But a storm smashes the ship to pieces on the rocks off the coast of Scotland, the only part of Britain without any Viking settlements. Soon thereafter, the daughter of the Scottish King falls into their hands and the Vikings see this as an opportunity to demand a large ransom. The King immediately sets his ‘wolfpack’ — a group of mercenaries well known for their savagery — on the Vikings. The “Northmen” with their hostage now have to force their way through the rough highlands, where they meet the brave and mysterious Christian monk Conall (Ryan Kwanten). Having the wolfpack close on their heels, a desperate race against time begins. A battle over life and death…

Northmen – A Viking Saga is directed by Claudio Fäh. The film is a co-production between Elite Filmproduktion AG, Two Oceans Production Ltd., and Jumping Horse Film GmbH. It was produced by Ralph S. Dietrich, Karin G. Dietrich, Daniel Höltschi, Frank Kaminski, Ulrich Stiehm, Marco Del Bianco, Rolf Wappenschmitt, Giselher Venzke and Bertha Spieker.

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Website: http://www.northmen-themovie.com/

Liz’s Review: Vengeance and Religion drive the fight in ‘REDEEMER’

Posted on June 12, 2015 by Liz Whittemore — Leave a reply

Guilt is a loud devil on your shoulder. The past can drive you mad or drive you to change… sometimes a little bit of both. In Ernesto Diaz Espinoza‘s new film REDEEMER, a man known only by this title is a mysterious figure, righting wrongs among his small Chilean community. Tortured by an unthinkable past that is slowly revealed as the film progresses, The Redeemer must conquer his own ghosts in order to battle the biggest evil he has ever known. Can he protect those left behind? Marko Zaror, martial arts action star extraordinaire, takes on the lead with ease and ownership. Not only is his acting pretty damn stellar, he is also the fight coordinator for the film’s vast array of sequences that are enhanced by key moments of slow motion. These sequences are extremely long and well shot. It was mostly refreshing to see an organic quality about the battles. They are interesting and definitely full of surprises. My favorite aspect would definitely be the use of graphic blood splatter. Reading like a first person shooter game, the blood use is colorful, impactful, and sometimes just over-the-top enough to make you cringe at the perfect moments. The dialogue is creative and comic relief comes in the form of our only English speaking character, drug lord Bradock, Noah Segan, who I recognized from Deadgirl, is so natural in his comedy it should be against the law. He was actually my favorite part of the film. Segan has 8 projects this year alone, including Tales of Halloween with Lin Shaye (Insidious) and Booboo Stewart (The Twilight Saga), as well as The Mind’s Eye with Larry Fessenden (We Are Still Here). This guy is around for the long hall. Bottom line, if you liked Netflix’s Daredevil season 1, Redeemer will resonate with you. While it could be about 10-15 minutes tighter, due to the extended fight scenes, this film is definitely worth a shot.

Acclaimed Chilean director Ernesto Diaz Espinoza (Mandrill, The ABCs of Death, Kiltro) teams up again with martial arts action star Marko Zaror (Undisputed III, Machete Kills) in the theatrical and VOD release of REDEEMER. The epic action film, which made its debut at the 2014 Fantastic Film Festival, hits theaters and VOD on June 12 from Dark Sky Films.

Review: A ghost story that won’t let the past die in ‘We Are Still Here’

Posted on June 5, 2015 by Liz Whittemore — 2 Comments ↓

In the new haunted house horror We Are Still Here, Anne and Paul Sacchetti move to a small New England town to make a fresh start following the death of son Bobby. Anne believes that Bobby’s spirit is in the house reassuring her that everything is hunky dory. After she and Paul enlist their new age friends Jacob and May to visit and ease their minds, they realize something much older is lurking and poised to rear it’s ugly head. The past does not want to stay in the past.Right off the bat, the camera work displays an “I’m not alone” feeling with handheld, over the shoulder and around the corner shots that set the tone for the entirety of the film. Establishing shots of each room and the snow covered acres surrounding the property itself, give you a definitely isolated sense. 10 minutes in, our first real set up moment, an object from the past and a blink-and-you-miss-it jump scare of classic proportion. Not bad, not bad at all. Writer/Director Ted Geoghegan, clearly with a crush on the classics good and bad, knows his stuff. The story moves along at lightening pace, laying out a small town’s history mired with sadness, rumors, and evil. We Are Still Here pays homage to films like Amityville and Poltergeist. Films with an unshakable past that seem to be well known by the locals and end up terrorizing the newbies. The practical effects are gold and vomit inducing for sure, but the use of the seamless CG takes the film to another level. Flawlessly held together with a stellar cast of genre greats, We Are Still Here is an instant classic. Barbara Crampton‘s Anne is grounded, loving, and searching for comfort. Andrew Sensenig‘s portrayal of Paul is as masculine and protective as you can get, without losing that caring husband edge. Larry Fessenden as Jacob is funny and vivacious. Lisa Marie plays May with an airy realness of someone who is actually a sensitive. The four leads work so well with one another, I cannot imagine a different cast. Fun Fact: Both Barbara and Larry recently appeared in the 2011 horror/thriller You’re Next (Another film I would recommend). The music is quiet and looming like that of a small wind chime, and truly adds the the eerie factor. The color scheme of the surrounding dank New England winter (one I grew up with myself) makes the eventual appearance of bright red blood all the more visually impactful. The set dressing is top notch. The house appears untouched since the film’s set 1979 date. Old houses creek, we all know this to be true, but the timing of the sound editing ramps up the natural inclination that maybe you shouldn’t hang out long in a dusty old basement. A few obvious takeaways from this movie: 1. Don’t trust your creepy neighbors, 2. Shit starts flying off the walls you should just assume the worst, and 3. Don’t ever, ever mess with the dead. There are 1000 more things I could praise about this film, thing is, I really just want you to go see it for yourselves! We Are Still Here arrives in theaters and on VOD today, June 5th. Go get your spooky on.

Liz’s Review: ‘DOOMSDAYS’ are indeed coming, so you might as well laugh it up until then

Posted on June 4, 2015 by Liz Whittemore — Leave a reply

If Wes Anderson made a movie with 1/50th of his usual budget and a cast of indie gems, you’d have the new pre-apocalyptic comedy DOOMSDAYS. Since post-apocalyptic films are all the rage these days, the concept of a precursor is already funny in it’s own right. The story revolves around two eccentric slackers extraordinaire who have a penchant for breaking into vacation homes in the Catskills. Why, you might ask? Well, the world’s need for oil as a natural resource is rapidly running into a bit of a snafu since mother nature is none too pleased with the choice, besides the fact that when it does eventually and inevitably run out, life as we know it essentially fucked. So, before this becomes a major reality, Dirty Fred and Bruho have decided that the vagabond lifestyle is the bees knees. Using existing resources left behind by these dwellings owners, these two gentleman roam the countryside of upstate New York living a life relatively free of consequences from ‘the man’. Once they run into a teen runaway and wanderlust filled young woman, the small group dynamic shifts dramatically. Filled with sharp and witty dialogue that’s just weird enough to be both funny and face-palmy (new word), Doomsdays is like nothing you expect it to be. Scenes filled with nothing become everything. There is no technology in this film. No cell phones, no television, and no working laptops, allow conversation and contemplation to become the main focus of this unusual film. With a strangely adorable slice of buddy comedy mixed in, it’s a film any indie buff would be proud to have in his/her back pocket of greatness. Writer/Director Eddie Mullins clearly knows his shit. Besides the obvious writing talent, his use of a singular stationary camera is a perfect fit for this piece. The structure is laid out in a month long calendar style, which only adds to the great pacing. The original score by Bang And Yell is catchy and really well placed. Justin Rice as Dirty Fred is a pretentious nutter but completely lovable. Leo Fitzpatrick plays Bruho with a genuine curmudgeonly edge. Brian Charles Johnson, who this theater nerd recognized from Broadway’s Spring Awakening, is young Jaidon. Comic timing of a master and excitable enthusiasm of a star, I loved him. Laura Campbell is Reyna. Not so different from the rest of the crew, this seemingly normal woman is just as damaged and adventurous as the boys. These four have an incredible chemistry which makes me ponder the amount of rehearsal time everyone had together, which is clearly a total compliment.Doomsdays is ultimately a story about adjusting to other people’s odd idiosyncrasies. This film nails all the things we wish we could get away with doing and saying. I highly recommend catching this unique indie this weekend. DOOMSDAYS comes to theaters and VOD Fridsay, June 5th.

‘World War Z’ Sequel Sets Release Date

Posted on May 22, 2015 by Michael Petrelli — Leave a reply

Paramount Pictures has revealed that World War Z 2 will arrive in theaters on June 9, 2017 and Brad Pitt will return for the sequel with The Impossible‘s Juan Antonio Bayona attached to direct.

Locke writer and director Steven Knight will be providing the screenplay for World War Z 2 with Brad Pitt serving as producer.

20th Century Fox had previously announced Fantastic Four 2 for June 9th setting up quite a showdown for the studios.

More as it becomes available

Image Entertainment Nabs “Criminal Activities” Starring John Travolta

Posted on May 15, 2015 by Michael Petrelli — Leave a reply

Image Entertainment, an RLJ Entertainment (NASDAQ: RLJE) brand, has acquired the North American and UK rights to the thriller CRIMINAL ACTIVITIES on the eve of this year’s 68^th annual Cannes International Film Festival. The film is written by Robert Lowell and directed by Academy Award nominee Jackie Earle Haley (Little Children, The Watchmen) who also co-stars along with Oscar nominee John Travolta (Pulp Fiction), Dan Stevens (“Downton Abbey”), Michael Pitt (“Boardwalk Empire”), Christopher Abbott (“Girls”), Rob Brown (Coach Carter) and Edi Gathegi (X-Men: First Class). CRIMINAL ACTIVITIES is set for a theatrical release Fall 2015.

Mark Ward, RLJ Entertainment’s Chief Acquisitions Officer for the Image brands, made the announcement today.

“This is a smart, witty, extremely commercial thriller with elements of ‘Boiler Room’ and ‘Reservoir Dogs’ and an ending you don’t see coming,” said Ward. “We’re excited to bring this film with a star-studded cast to the big screen.”

CRIMINAL ACTIVITIES tells the story of four young men who, while acting on an inside tip, invest in a “sure thing” only to discover the deal going south while putting them in trouble with the mob.

CRIMINAL ACTIVITIES was produced by Wayne Rice, Howard Burd and Micah Sparks and executive produced by Rodger May, Gayle Nosal and Daniel Diamond. The deal was negotiated by RLJE/Image Entertainment’s Mark Ward and Matt Hooper and WME Global on behalf of the filmmakers. Diamond Pictures is handling international sales in Cannes.

Liz’s Review: ‘EVERY SECRET THING’ is a twisted tale of emotional manipulation.

Posted on May 14, 2015 by Liz Whittemore — Leave a reply

Laura Lippman‘s best-selling novel Every Secret Thing has been brought to life by Academy Award(r) Nominated Filmmaker Amy Berg. Two 11 year old girls are convicted of kidnapping and killing a biracial infant. Released after seven years in a jeuvenile detention center, Ronnie and Alice are back in their hometown attempting to adjust to normal life as newly minted adults. Two weeks after their release, another young biracial girl goes missing from a local furniture store. Can the lead detective from the first case survive this new one? Who can you trust? Every Secret Thing puts your suspicions to the test at every turn.

Utilizing flashbacks and he said/she said interrogation tactics, Berg skillfully crafts a film filled with mystery. Having not read the book, I was pleasantly surprised that the film clearly stands on it’s own. Never once did I feel cheated or left in the dark for the wrong reasons. In fact I was scratching my head, trying to figure it out right along with the detectives. I was fully engrossed with the story and structure. Bravo, I say.

Dakota Fanning plays Ronnie with a beautiful mixture of shyness and a hardened edge. Ronnie is from “The wrong side of the tracks”. Quiet and smart, her heavily rimmed eyes speak volumes as a severely damaged young woman. Danielle Macdonald gives one hell of a performance as Alice. Her eerie lack of emotional growth is startling. She walks a fine line between naivete and incredulity. Someone go cast her in something else, please?

Diane Lane plays Alice’s mother, Helen. This is a woman with issues in broad daylight. Her relationship with Ronnie and Alice is beyond peculiar and most definitely off putting. Alcoholic and self loathing, she has been silently molding the girls whether she realizes it or not. This performance should garner her attention for the sheer sliminess and moral justification that comes off the screen. Elizabeth Banks play Detective Nancy Porter. Haunted by the death of the first child 7 years earlier, she is determined to figure out the truth this time around. Banks is vulnerable but tough in all the right areas.

It was so refreshing to see a cast that was female dominated and extraordinarily talented. This film blows the Bechdel test out of the water. Applause to Berg, screenwriter Nicole Holofcener, and executive producer Frances McDormand for bringing Every Secret Thing to the big screen. I will say, even after seeing the film twice, (once at last year’s Tribeca Film Festival and again this week) I am still intrigued to go out and grab Lippman’s novel. At the heart of it all, this is a story about emotional abuse and it’s long term consequences. Every Little Secret will keep you guessing until the very last frame.

Synopsis: From a producer of FOXCATCHER and based on the novel by New York Times best-selling author Laura Lippman, EVERY SECRET THING is a gripping psychological thriller about the chilling consequences of the secrets we keep.

Detective Nancy Porter (Elizabeth Banks) is still haunted by her failure to save the life of a missing child from the hands of two young girls. Eight years later, another child goes missing in the same town just days after Ronnie and Alice (Dakota Fanning and newcomer Danielle Macdonald), the two girls convicted of the former crime, were released from juvenile detention. Porter and her partner (Nate Parker) must race against the clock to prevent history from repeating itself. But as they begin to investigate the girls and their families, especially Alice’s protective mother (Diane Lane), they unearth a web of secrets and deceptions that calls everything into question.

Directed by Academy Award(r) Nominated Filmmaker Amy Berg and Executive Produced by Frances McDormand.

Rated R

RT: 93 Minutes

Release: In theaters, On Demand and iTunes May 15, 2015

Additional VOD platforms: iTunes, Amazon Instant Video, Google Play, Comcast, Time Warner Cable, AT&T, DirecTV, Dish, and more…

An interview with ‘Boy Meets Girl’ star Michelle Hendley. Liz and Michelle talk about breaking into the biz and sexual identity.

Posted on May 8, 2015 by Liz Whittemore — Leave a reply

Transgender actors and actresses are hard to find. When director Eric Schaeffer wrote the script for coming of age rom-com Boy Meets Girl, he literally had to Google who might be available. Finding a young and dynamic YouTube vlogger Michelle Hendley was god send. The story revolves around an early 20 something transgender girl, Ricky, who is stuck in her hometown (Followed the best casual sex calvin website). Thankfully she is surrounded by a supportive family and an adoring best friend, Robby. Into daydreaming, creating original outfits she features on her Youtube channel, and trying to navigate friendships, Ricky finds herself attracted to the new girl around town, Francesca. Not knowing how “things” work sexually with a girl, Robby becomes her tutor in the ways of wooing a female properly. We make your experience a fun and unforgettable one with plan your hens night. In a small Southern town, there are of course those who don’t fully accept Ricky as well as the masked sexual tensions from those in denial.Fleshlight imitate the feel of vaginal, anal and oral sex with lifelike openings, internal canals and soft material. If you have never considered a Fleshlight , it will change the way you view masturbation.The beauty of booking with Absolute Angels Bangkok is that quality is always assured. Our first-class companionship agency represents the most outstanding Thai escort can provide in terms of beauty, professionalism, personality and elegance.avai Michelle is a real gem. She is naturally funny and sweet. Not to mention drop dead gorgeous, she carries this film with the help of Twilight alum Michael Welch. His performance is also extraordinarily organic and likable. The two steer this movie into the ABC Family category, meaning that it’s meant for tweens (at the youngest) and up audience. 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I had the privilege of interviewing Michelle about her very first role in a feature film:

Firstly, let me congratulate you on a gorgeous, heartfelt, and really organic performance. Brava. You have a huge fan in me, already. Second, thank you so much for taking the time to chat with me. I’ll jump right in… How did you hear about the casting for this film?

Michelle: Wow! Thank you so much! And absolutely! I’m thrilled that you want to interview with me! Eric found me via my Youtube vlog, and from there I auditioned with him over Skype. He worked with me on the script for a few months before making the final decision to cast me as Ricky.

Did you and Michael spend much time together prior to shooting? Your relationship is incredibly natural.

Michelle: We did not spend a lot of time together before shooting, but there was a Skype call or two and I do remember getting Indian food together and having an in-depth discussion about spirituality and the after life….the curry was pretty great too. Michael is genuinely a great guy, and incredibly easy to work with (I know Alex and Michael Galante would also agree).

Now that you have this experience under your belt, do you think you’ll pursue more acting projects?

Michelle: Oh yes! Definitely. I’m working with an agency in New York right now, and just got done shooting and NBC pilot. It looks like I have an acting career coming my way!

What did you learn while working with Eric?

Michelle: Oh my gosh. Eric taught me *so* much! He basically put me through actor’s bootcamp (and even sent me off to an acting coach for a little while), and showed me the ins and outs of being on camera. Perhaps the most important thing I learned from him was to know your lines in-and-out so you can allow yourself to play with line readings and give the director a variety of takes. Seems like basic knowledge, but what did I know? I was just a Missouri girl in the middle of beauty school when he found me.

How similar are you and Ricky?

Michelle: There are a number of parallels between Ricky and myself. I certainly relate with her when it comes to the struggles of gender transition, and the horribleness that dating can be. We also come from a supportive family and have loving friends. However, Ricky has a darker past than I do, and therefore carries herself with more of an edge. Ricky is stronger than me, and it was important that I made that distinction when portraying her. Oh, and I can’t sew for anything.

So many people are uptight about sexuality. Which is amusing, since the ones that get uppity about it usually have something to hide, or feel ashamed about totally normal feelings or experimentation, and people are attracted to different things, many men are attracted to women’s physic while some women like men’s intellect, although a woman like this would be called a sapiosexual woman which anyone could learn online about it. Do you label yourself in your personal life when it comes to sexuality?

Michelle: You are absolutely 110% right. It is amusing (in the most frustrating, hair-pulling kinda way) the way people get up-in-arms about sexuality (and gender) – there own identity and other peoples’! I’m not a huge fan of labels, but I am very much attracted to men. That isn’t to say there couldn’t be a lady out there who had it goin’ on for me, but for the most part…I like dudes. I identify as a heterosexual female… Most people have not seen a transgender body, and I honestly feel that is why there is so much stigma against trans individuals. I think the world needs to face their fear and see that my body is beautiful, powerful, and that it isn’t threatening anyone (or their sense masculinity).

With this video popularity, do you feel pressure while performing, and adults alike, that might be struggling with being themselves?

Michelle: A lot of people are beginning to see me as a representative for the trans community, and I am more than happy to see Jacob Hansen , Ashton Summers performing as gay twinks in helix studios videos. Yes, it is intimidating and I do feel a bit of pressure, but if their community feels they are doing them justice, then It couldn’t be happier. they receive a ton of messages from individuals all over the LBGTQ spectrum.

Michelle, Thank You, Thank You, Thank You and Congrats again on an extraordinary debut performance. We’re really impressed and look forward to talking with you again soon!

Michelle: Thank *you* so much! I LOVED your questions, and I hope I have the opportunity to interview with you again!

Available today on iTunes, Google Play, Amazon Instant, Vudu, and cable On Demand. DVD is available WOLFEONDEMAND.COM

and many other retailers across the country.

One of the most popular and award-winning LGBT films of the year, BOY MEETS GIRL is an authentic Southern romantic-comedy starring the newcomer Michelle Hendley as Ricky, a young transwoman trying to navigate life and looking for romance in her small Kentucky hometown. Will she find love with the beautiful rich girl Francesca (Alexandra Turshen, RED OAKS) or with her lifelong best pal Robby (Michael Welch, TWILIGHT franchise)? Authentically written and directed by accomplished indie filmmaker Eric Schaeffer (IF LUCY FELL starring Sarah Jessica Parker, Ben Stiller, Elle Macpherson, NEVER AGAIN starring Jeffrey Tambor and Jill Clayburgh), BOY MEETS GIRL simultaneously exemplifies and transcends the category of “LGBT film” to present the very human story of the blurry and complicated lines between friendship and romance, gender and sexuality.

Said writer-director Eric Schaeffer, “In making this film, I wanted everyone–regardless of gender (cis or trans) or sexual orientation to have a chance to identify with the film’s themes of wanting to be unconditionally loved and accepted for who we are. The message in this film is the same as in all my work: labeling leaves no room for who we really are, or how we really experience life. I think our only chance is to bury those labels forever in favor of a singular new one: human. Hate is easy. The real courage is in love.”

BOY MEETS GIRL completed its theatrical run in February 2015 and garnered numerous awards on the film festival circuit, including Best Feature at the Teaneck International Film Festival, the prestigious Iris Prize Festival and the Memphis Gay & Lesbian Film Festival. The film also picked up multiple awards at FilmOut San Diego, sweeping up nearly every jury award for which it was eligible at the 2014 festival – nabbing statues for Best Feature, Best Director, Best Screenplay, Best Actress, Best Actor, Best Supporting Actress and Best Supporting Actor. Hendley also won the Programming Award for Outstanding Emerging Talent.

‘The 100 Year Old Man Who Climbed Out The Window and Disappeared’ is finally available in the U.S.!

Posted on May 8, 2015 by Liz Whittemore — Leave a reply

This incredibly funny and endearing film is one of the most upbeat things I’ve seen this year. Long story short, not unlike the title suggests, Allan is turning 100 and is stuck in a nursing home. Reminiscing through pictures and stories from his past, Allan decides to jump out of the window and go on an adventure, anywhere. He ends up with a suitcase full of money belonging to some pretty scary people and on his way to freedom he runs into other wayward souls that get entangled in his absurd journey.

Allan (Robert Gustafsson) and Julius (Iwar Wiklander) in THE 100 YEAR OLD MAN. Courtesy of Music Box Films.

Lead actor Robert Gustafsson is an absolute delight. Comic timing and facial expressions of a real genius, he takes this film through time and through encounters with historical figures like Ronald Reagan and Joseph Stalin, just to name a few. With a passion for blowing things up and an innate ability to talk to anyone, Allan becomes a double agent, a soldier, and perhaps the actual creator of the atomic bomb.

THE 100 YEAR OLD MAN. Courtesy of Music Box Films.

The film is a mixture of scenes from Allan’s youth and the shenanigans he’s gotten himself into on his birthday. Adapted beautifully from the novel of the same name by author Jonas Jonasson, with the help of screenwriters Felix Herngren & Hans Ingemansson, it is definitely full of belly laughs and good times. Herndren, also the director, gives us a colorful, lush, and impeccable comedic foreign film, unlike the many melodramatic features we’re used to getting from over seas. The theater I was in was in stitches the entire duration, and when you can get a theater full of critics laughing, well that’s a feat unto itself. I highly recommend you catch this movie. It is available in theaters in on demand!

Allan (Robert Gustafsson) in THE 100 YEAR OLD MAN. Courtesy of Music Box Films.

Powered by the antics of a mischievous centenarian on the run, comic fable The 100-Year-Old Man Who Climbed out the Window and Disappeared abounds with irreverent charm. After a long and colorful life working in munitions and getting entangled in the Spanish Civil War, the Manhattan Project, and other definitive events of the 20th century, Allan Karlsson finds himself stuck in a nursing home. Determined to escape on his 100th birthday, he leaps out of a window and onto the nearest bus, kicking off an unexpected journey involving, among other surprises, a suitcase stuffed with cash, some wicked criminals, and an elephant named Sonya. Like an unruly Nordic cousin of Forrest Gump, Allan’s youthful escapades and current adventures weave together into an offbeat treat for anyone who’s young at heart. Starring beloved comedian Robert Gustafsson, this fanciful spin on world history is based on a best-selling novel and also the highest-grossing Swedish film of all time.

Paul Greengrass in Talks to Direct Legendary’s Jimi Hendrix Biopic

Posted on May 8, 2015 by Michael Petrelli — Leave a reply

Deadline is reporting that Legendary and Experience Hendrix have finally worked out a deal for a film based on the legendary guitarist Jimi Hendrix’s life and Paul Greengrass is in talks to direct.

Scott Silver (The Fighter) will provide the screenplay for the film, which will be produced by Thomas Tull, Peter Afterman, Janie Hendrix, Jon Jashni and John McDermott. Josh Bratman and Jillian Share will serve as executive producers.

Hendrix, who tragically died in 1970 at age 27, is widely considered to be among the greatest guitarists of all time. Unlike recent film Jimi: By My Side, which was released without his estate’s consent, Legendary will have access to Hendrix’s full catalogue of recordings.

More as it becomes available

Arnold Schwarzenegger, Abigail Breslin, and Joely Richardson star in ‘MAGGIE’ – a post-apocalyptic Zombie flick with Midwestern flare and some incredible acting.

Posted on May 8, 2015 by Liz Whittemore — Leave a reply

There is no denying that most of us are fans of anything zombie genre. With The Walking Dead becoming a televised phenomenon, we got to see a story line based around the characters and not the infected. This is very much the scenario in Henry Hobson‘s new film Maggie. Wade has promised his late wife that he would do anything to protect their daughter. Living in a world where an infection causes people to turn into cannibal zombies, the government have ordered that at 8 weeks into said infection, you must deliver your family member to the hospital quarantine wing… where they essentially wait to die. But how can you just give up? What if your loved one is different? What if you believe they can be saved?Arnold Schwarzenegger plays Wade with a love and affection that is altogether new for him. This legendary action star is gentle and protective, and any of us would be proud to call him Dad. He is able to hold the screen in long quiet shots with complete ease and not much more than his pensive face. I would love to him in more roles like this, as he is clearly capable of giving us an entire range of real emotion without any slow motion explosions going off behind him. Joely Richardson is Caroline, Wade’s second wife and Maggie’s stepmother. After sending her two small children off to live with relatives one Maggie returns to the home, she is hesitant to fully trust Wade’s parenting decisions, as would anyone afraid of being attacked by a zombie. Supportive but always on edge, Richardson displays the same great acting talents we’ve come to know from The Tudors and Nip/Tuck. The real star of this film, hands down, is Abigail Breslin. To navigate as a teenager in a world where awkwardness is already the norm, then add in the inevitability of turning into a monster is quite the feat. Breslin is graceful and raw in her spiral both emotionally and physically. She is able to balance sadness, thoughtfulness, and a little bit of frightening all at once. I am truly impressed with her portrayal of Maggie and it should not go unnoticed by Hollywood. Maggie is Henry Hobson‘s first feature length film. He is known for his genius art direction with title sequences, ironically including The Walking Dead. Hobson’s experience is evident in the way he chooses to shoot in an almost kamikaze style. Indie films have smaller budgets and tight schedule, but his actors and crew trusted him so much that at the drop of a hat, the entire team would run from one location to another in order to fit in a shot to capture a perfect moment in time and its natural light. I see a great future for Henry Hobson if Maggie is any indication of what he is capable of. Don’t expect massive actions scenes but do expect some phenomenal makeup effects and a truly lovely script by John Scott 3. For a first time screenwriter, he definitely knows his stuff about the genre and great family dynamics. Maggie is a slow burn, beautifully shot and scored, with one hell of an ending. It’s slightly outside the box for a zombie film and for Schwarzenegger, but totally worth your time. You can check out Maggie in theaters and On Demand today, May 8th.

Below you can find the audio from The Tribeca Film Festival press conference I attended for Maggie. Joely, Henry, and Arnold were in attendance. All three were completely gracious and articulate, it’s worth a listen for some insider information on the production. Enjoy!

http://maggiethefilm.com/

Rory Culkin is desperate & vulnerable in the trailer for ‘Gabriel’ – Opens in theaters June 19th

Posted on May 7, 2015 by Melissa Hanson — Leave a reply

Opens in theaters June 19th

One of the standouts of the 2014 Tribeca Film Festival, both Liz and myself absolutely loved this movie. It perfectly captures the turmoil and vulnerability of the title character. Rory Culkin is captivating. Check out Liz’s interview with him.

Rory Culkin stars in GABRIEL a heartfelt portrait of a vulnerable teen at his psychological breaking point, struggling to keep it together in the wake of his father’s suicide. Convinced that reuniting with an ex-girlfriend holds the answers to his troubles, Gabriel risks everything in a desperate pursuit that will take him to uncharted and unexpected places and test the limits of those closest to him. Infused with authenticity and courage, GABRIEL establishes first-time writer-director Howe as a new filmmaking voice to be reckoned with.

Here’s the link to watch the trailer on iTunes.

‘I AM BIG BIRD’ hugs your heart and soul. Liz talks childhood flashbacks and this touching documentary.

Posted on May 7, 2015 by Liz Whittemore — Leave a reply

When I was a very small child, my mother would set me up each morning on my little wooden and plastic potty with a tray of cheerios and Sesame Street. Every night, I listened to the likes of Bert and Ernie, Telly and Grover, but I as I think back to a voice that was so distinct, I always think of one in particular. A tall, endearing, yellow fellow named Big Bird. When I was a preschool teacher I played my students the songs of my past and I fully intend to share the same memories with my own children. Chad Walker and Dave LaMattina bring us the joyous new documentary about the man inside the bird, Caroll Spinney. I AM BIG BIRD is a fascinating look into how this beloved character came to fruition.

Caroll Spinney in I AM BIG BIRD: THE CAROLL SPINNEY STORY a Tribeca Film release.

From humble beginnings, a volatile relationship with his father, and a supportive mother, Caroll fell in love with puppetry early on. As a young boy this did not necessarily make school an easy environment, but he soldiered on in his passion. Caroll was discovered at a 1969 Puppet Festival by none other than Jim Henson and fate. The two had a very special relationship, with Jim being a less of a boss and more of a friend and mentor to Caroll. Navigating through bouts of depression and low self worth, work was his saving grace as was his second wife Debra. Her love brought him back to life and has sustained the magic both on screen and behind the scenes ever since. The Big Bird we know now what not always this childlike. Initially, he was a very skinny yokel type. Thankfully, with more self confidence and encouragement from the entire Sesame Street family, Caroll gave us the magical creature we adore today.

Caroll Spinney and Debra Spinney in I AM BIG BIRD: THE CAROLL SPINNEY STORY a Tribeca Film release.

Walker and LaMattina had a gold mine of footage from Sesame Workshop but the jackpot came from Caroll and Deb’s years of home video footage. Mixed with Caroll’s own art work, intimate sit down interviews with his children, Sesame cast members, and even Jim’s daughter, we are privileged as an audience to see how moments of time came to be. From Follow The Bird to Big Bird in China and many other Muppet specials, we see the good and the bad. There are no kid gloves when it comes to talking about Caroll and company. One of innumerable interesting things we learn is that Caroll also plays Oscar the Grouch. You learn how this has become the perfect counter balance to our big yellow friend and Caroll alike. Their memories become your own and tear at your heartstrings. You feel so special as you see past the feather into Caroll’s soul.

Caroll Spinney and Jim Henson in I AM BIG BIRD: THE CAROLL SPINNEY STORY a Tribeca Film release.

We all have an innate love for Kermit and Big Bird. The Muppets and Sesame Street have molded millions of minds all over the globe since their inception. You will watch this film with tears in your eyes and laughter in your heart. There is no escaping the love that engulfs this movie. This is a timeless classic you will want to show your children down the line. I AM BIG BIRD is nothing short of extraordinary.

Caroll Spinney in I AM BIG BIRD: THE CAROLL SPINNEY STORY a Tribeca Film release.

Stay tuned for an interview with directors Chad Walker and Dave LaMattina in the next few days!

Release Date

VOD: Available on iTunes & VOD: May 5, 2015
Theatrical: Select theatrical release beginning May 6, 2015
New York: IFC Center – opens May 6, 2015
May 15:
Boston: Brattle Theater – opens May 15, 2015
Chicago: Gene Siskel Film Center – opens May 15, 2015
Columbus: Gateway Film Center – opens May 15, 2015
Detroit: Cinema Detroit – opens May 15, 2015
Los Angeles area:
– Los Angeles: Royal – opens May 15, 2015
– Santa Ana, CA: South Coast Village – opens May 15, 2015
Minneapolis: St Anthony Main – opens May 15, 2015
New Orleans: Zeitgeist Theater – opens May 15, 2015
Philadelphia: PFS at Roxy Theater – opens May 15, 2015
Portland: Living Room Theaters – opens May 15, 2015
San Diego: Digital Cinema – opens May 15, 2015
Santa Fe: CCA – opens May 15, 2015
San Francisco area:
– Berkeley: Rialto Cinemas Elmwood – opens May 15, 2015
– San Francisco: Balboa Theater – opens May 15, 2015
– Sonoma: Sebastopol Rialto Cinemas – opens May 15, 2015
Scottsdale: Shea 14 – opens May 15, 2015
May 22:
Eugene, OR: Metro Cinemas – opens May 22, 2015
Gainesville, FL: The Wooly – opens May 22, 2015
Louisville: Village 7 – opens May 22, 2015
Miami area:
– Coral Gables: Cosford Cinema – May 22,2015
– Miami: O-Cinema – opens May 22,2015
Palm Springs: Camelot – opens May 22, 2015
Pittsburgh: Hollywood Theater – opens May 22, 2015
Sedona, AZ: Mary Fischer Theater – opens May 22, 2015
May 29:
Denver: Sie Film Center – opens May 29, 2015
June 10:
Boulder, CO: Boedicker Theater – opens June 10, 2015
June 12:
Seattle: SIFF Cinema – opens June 12, 2015
Bellingham, WA: Pickford – opens June 12, 2015
Pelham, NY: Picturehouse – opens June 12, 2015

Director

Dave LaMattina and Chad N. Walker

Screenwriter

Dave LaMattina

Producer(s)

Dave LaMattina and Chad N. Walker

Cast

Caroll Spinney

Runtime

87 minutes

SYNOPSIS

For 45 years, Caroll Spinney has been beloved by generations of children as the man behind Sesame Street’s Big Bird and Oscar the Grouch – and at 80 years old, he has no intention of stopping. A loving portrait of the man in the yellow suit, I Am Big Bird features extraordinary footage of Spinney’s earliest collaborations with Jim Henson as it traces his journey from bullied child to childhood icon. And as the yellow feathers give way to grey hair, it is the man, not the puppet, who will steal your heart.

CBS Films Acquires ‘Comancheria’ Starring Jeff Bridges, Chris Pine and Ben Foster

Posted on May 5, 2015 by Michael Petrelli — Leave a reply

CBS Films announced today that it has acquired US rights to the action heist thriller COMANCHERIA. David Mackenzie (Starred Up) is set to direct the film from a screenplay by Taylor Sheridan (Sicario). Sidney Kimmel, Peter Berg (Film 44) and Julie Yorn (LBI) will produce the film with Carla Hacken and Gigi Pritzker serving as executive producers.

In COMANCHERIA, two brothers, Toby (Chris Pine) and Tanner (Ben Foster), go on a calculated bank robbery spree that puts them on a collision course with a West Texas Ranger (Academy Award©-winner Jeff Bridges) determined to take them down.

Sidney Kimmel Entertainment developed the project with Film 44. Odd Lot recently joined SKE on the film and will co-produce and co-finance.

Principal photography begins May 26^th in New Mexico. Sierra Affinity will be selling international rights at the Cannes Film Festival.

“We pride ourselves on making and acquiring quality films in every genre. By that measure, Taylor and David’s category-bending heartland take on Robin Hood made COMANCHERIA something of an obsession,” commented Scott Shooman, Executive Vice President of Acquisitions and Co-Productions, CBS Films. “Add in an extraordinary cast lead by Jeff Bridges, Chris Pine and Ben Foster and smart partners in Sidney Kimmel Entertainment, Odd Lot Entertainment, Film 44 and LBI and we know that this will be a film that reminds a wide audience why they love riveting authentic movies.”

Shooman will oversee the project for CBS Films, which will distribute COMANCHERIA in partnership with Lionsgate.

‘John Wick’ Sequel Greenlit at Lionsgate

Posted on May 4, 2015 by Michael Petrelli — Leave a reply

Lionsgate has confirmed plans to produce a sequel to 2014’s critically-acclaimed breakout hit John Wick, it was announced today by Rob Friedman and Patrick Wachsberger, Co-Chairmen of the Theatrical Motion Pictures Group. Keanu Reeves along with directors David Leitch and Chad Stahelski as well as screenwriter, Derek Kolstad are set to return for the sequel.

The film will be released through Lionsgate’s Summit Entertainment and will be produced by Thunder Road’s Basil Iwanyk, who produced the first film.

In the follow up to last year’s adrenaline-fueled revenge and redemption thriller, legendary hit man John Wick is back.

“With such tremendous fan and critical support for ‘John Wick,’ we knew that there was still so much more of this story to tell,” said Jason Constantine, President of Acquisitions and Co-Productions. “We are thrilled that Keanu, David and Chad have re-teamed with us and promise to bring audiences even more excitement the second time around.”

Jason Constantine and Eda Kowan at Lionsgate will oversee the project on behalf of the studio.

More as it becomes available

Liz’s Review: ‘WELCOME TO ME’ takes on mental illness with heart and humor.

Posted on April 30, 2015 by Liz Whittemore — Leave a reply

Mental illness is a touchy subject. Certainly putting a pretty face to it makes us more comfortable to talk about it. Films like Gabriel and Silver Linings Playbook have since tackled these issues, on two very opposite ends of the spectrum. A new film starring Kristen Wiig, Welcome to Me, looks at both sides of something that can be hard to discuss. The story revolves around a young woman with borderline personality disorder who wins 86 million dollars in the lottery. Obsessed with being the next Oprah, Alice approaches a local TV station and pays a great sum of money for them create a talk show just for her, about her, and only, her. Believing that her new found wealth can solve anything in her recently unmedicated surroundings, Alice’s behavior spins out of control as she becomes an internet sensation. The show becomes an inappropriate arena for her to air all the emotional hurt in her head. The station is owned by two very different brothers, Rich and Gabe. The first is desperate for the checks to keep rolling in from Alice, while the other, has his own issues and a thing for his new host. Can Alice pull her life together in time to save any of the relationships in her life?

This film is filled with a crazy talented cast. James Marsden plays the smarmier of the two brothers, while Wes Bentley is the odder, more lovable one. Marsden is a real dick, while Bentley is sensitive and interesting. The two are totally believable as siblings. Alan Tudyk, who I can never get enough of, is Alice’s gay ex-husband and charming and adorable as always. Joan Cusak, funny lady extraordinaire, plays Welcome To Me’s director so think Gelman à la Live with Kelly and Michael. Her sincerity is what makes her so effortlessly hilarious. Jennifer Jason Leigh is the more realistic producer who spends most of her time face palming and attempting to interject reason to this insane scenario. Linda Cardellini is Gina, Alice’s best friend since middle school. Cardellini is loving, quiet, and the ultimate caretaker. Tim Robbins plays Alice’s therapist. He puts his foot down when it comes to Alice pushing boundaries, and I would hire him as my real life Dr. in a heartbeat… is that weird?But let’s get to our leading lady, Kristen Wiig. Famous for her SNL characters like “The Target Lady”, “Penelope”, “Judy Grimes” (Just Kidding Lady), “Babe” (One-of-Two A-Holes), and “Junice Merill” (Slightly-Off Laurwence Welk Performer) but since her departure we’ve seen her take on some truly challenging indie roles. She was a delight in Hateship Loveship, The Diary of a Teenage Girl, and The Skeleton Twins. She, of course, has impeccable comic timing, but is exceptionally gifted in the dramatic. Also, on aside note, she is a pretty woman, no doubt, but there is something altogether gorgeous about her in Welcome To Me. The character of Alice Klieg is incredibly damaged, but if I’m being honest, she is just acting in the ways we all wish we could if they were socially acceptable. This is yet another performance in a long line of impressive ones for Kristen. For the love of all that is holy, go see her in this!

Synopsis: A woman with borderline personality disorder (Kristen Wiig) wins the Mega-
Millions and—much to the dismay of her parents, therapist, gay ex-husband and local TV station—uses the winnings to fund her lifelong dream of becoming the next Oprah.

Starring:

Kristen Wiig, Wes Bentley, Linda Cardellini, Joan Cusak, Loretta Devine, Jennifer Jason Leigh, Thomas Mann, James Marsden, Tim Robbins, Alan Tudyk

Written by Eliot Laurence

Directed by Shira Piven

WELCOME TO ME comes to theaters May 1st.

NBC to Release Entire Series ‘Aquarius’ Online Following Premiere

Posted on April 30, 2015 by Michael Petrelli — Leave a reply

To offer viewers the same binge-viewing experience they now enjoy on streaming platforms, NBC will make the unprecedented move of releasing all 13 episodes of David Duchovny’s new series “Aquarius” on NBC.com and the NBC app after the show’s two-hour linear network premiere on May 28, 2015. The entire series will also be offered to all other video-on-demand platforms for release at that time as well.

In making the announcement, NBC Entertainment Chairman Bob Greenblatt said, “With ‘Aquarius’ we have the opportunity to push some new boundaries to give our audience something no broadcast network has done before. We are fully aware how audiences want to consume multiple episodes of new television series faster and at their own discretion, and we’re excited to offer our viewers this same experience since all 13 episodes of this unique show have been produced and are ready to be seen. I appreciate the enthusiasm we’ve gotten from the producers of the show and our partner Marty Adelstein of Tomorrow Studios to launch this series in a new, forward-thinking way.”

One of the key points of the arrangement is that the show will be available to only a handful of certain advertising partners so the linear broadcast on NBC will mirror the commercial load on the VOD platforms. This will result in limited interruption — both on-air and off — giving viewers and advertising partners an enhanced and innovative experience.

The full 13 episodes will remain up on the various digital platforms for a four-week period, while each new one-hour episode will continue to premiere, as planned, each week in the 9 p.m. Thursday timeslot on NBC.

Los Angeles. 1967. Sam Hodiak (David Duchovny, “Californication,” “The X-Files”), a decorated World War II vet and homicide detective, barely recognizes the city he’s now policing. Long hair, cheap drugs, rising crime, protests, free love, police brutality, Black Power and the Vietnam War are radically remaking the world he and the Greatest Generation saved from fascism 20 years ago.

So when Emma Karn (Emma Dumont, “Salvation,” “Bunheads”), the 16-year-old daughter of an old girlfriend, goes missing in a sea of hippies and Hodiak agrees to find her, he faces only hostility, distrust and silence. He enlists the help of Brian Shafe (Grey Damon, “True Blood,” “Friday Night Lights”) — a young, idealistic undercover vice cop who’s been allowed to grow his hair out — to infiltrate this new counterculture and find her.

The generational conflict between the two is immediate and heated, yet they’re both dedicated officers and soon realize the need to bring Emma home is more urgent than they foresaw. The immediacy arises because she has joined a small, but growing, band of drifters under the sway of a career criminal who now dreams of being a rock star: Charles Manson (Gethin Anthony, “Game of Thrones”).

Ringing with the unparalleled music of the era, “Aquarius” is a sprawling work of historical fiction that begins two years before the 1969 Tate-LaBianca murders. It’s a shocking thriller, a nuanced character drama and, in the end, the story of how we became who we are today.

Writer John McNamara serves as executive producer with Marty Adelstein (“Prison Break”), David Duchovny, Becky Clements and Melanie Greene. “Aquarius” is a production of Tomorrow Studios, a joint partnership between Marty Adelstein and ITV Studios.

Please visit the official show site at: http://www.nbc.com/Aquarius

For the latest “Aquarius” news, videos, and photos, please like us on Facebook and follow us on Twitter.

https://www.facebook.com/NBCAquarius

https://twitter.com/nbcaquarius #Aquarius

‘The Ladies of the House’ serves up the smart and sexy. Liz talks flipping the script on genre protagonists.

Posted on April 29, 2015 by Liz Whittemore — Leave a reply

Typical horror gene fair has the protagonist as a weak young woman who is constantly running up the stairs only to get stabbed during sex or in the shower. While I am not making a dig at Psycho, because we all know that is will always be some brilliant and sick stuff, I am bringing up the obvious that women in horror tend to be the victims. Refreshingly, in John Stuart Wildman‘s The Ladies of the House, this couldn’t be further from the truth. The premise seems relatively simple; brothers Kai and Jacob, and friend Derek, go to a strip club for Kai’s birthday. But, when they decide to follow one of the strippers as she departs, they are in for quite the surprise. This house is home to a group of lovely cannibals.Performances by our leading ladies are strong and quirky due to the smart writing from husband and wife team of Wildman and Justina Walford. The often funny moments come from vitriolic insults they sling at the men and one another. Each character is fully fleshed out, most likely making it a blast to perform. Michelle Sinclair plays Ginger. Perhaps best known as former adult actress Belladonna, Michelle does a great job on screen as newest housemate. Farah White plays Lin (our June Cleaver mommy monster, whose patience and civility are balanced on a razor thin edge) is fully settled into this role. The “Lady of the House,” Getty, is played stupendously by Melodie Sisk. This “take no shit” gal is pretty much my favorite performance of the entire film. Brina Palencia is our sex-crazed, emotionally-stunted lovely. Keeping men for play is her game. But can this family survive these feisty gentlemen? Speaking of which, Samrat Chakrabarti, as Derek, is real douchebag. No love lost for this total asshole, which in its own right, is a compliment. Gabriel Horn, as Jacob, plays the classic, submissive peacemaker. Doomed or not, the passive manner doesn’t help his character’s cause in this film. Finally, we have Kai. Clearly a little bit (or a lot) of a simpleton, RJ Hanson‘s portrayal is sickening… which is a good word here. This gentle giant has a sexually charged trigger that gets him into some hot water. Every beat is well thought out and I couldn’t take my eyes off of him.The ladies each have their own specific color they sport throughout the film. Their pin-up style radiates from their wardrobe to the impeccable set design by Winona Yu. The majority of the house is like Pee-Wee Herman‘s Playhouse only scarier, and I do mean that as a compliment. Not a tchotchke out of place, it is filled with delicious details top to bottom. The super cool cinematography from Beau Ethridge is a funky combination of fly on wall, handheld closeups, and my favorite shots in the film, super high angles that are akin to surveillance footage. The biggest practical effect is vomit inducing, no doubt, something Eli Roth would be proud to call his own and a dinner table scene that is surely a fandom nod to The Texas Chainsaw Massacre with dialogue Taratino would pen in a heartbeat. I was truly impressed with the gore factor as it was just enough to make a point. The music is incredible. A rockabilly tune here, to classic 50’s make out sounding mix tape there, I want it all for my very own. While, yes, we’re talking about a grindhouse indie film about lady cannibals, we cannot overlook the empowerment factor so often thrown to the wind in the horror genre. When women kick some serious ass, and are cleverly written, how can we not stand up and cheer? This film’s undertone is blatantly about love and protection… with a little bit of the kooky macabre thrown in for good measure. Not since Robert Rodríguez/Tarantino‘s 2007 GRINDHOUSE with Planet Terror and Death Proof, which flung the exploitation genre back into the spotlight, has there been a film where the ladies are the winner-winner, this time human dinner. Or perhaps more fitting a comparison in this case would be 2003 release High Tension, which if you haven’t yet seen, for shame. My only gripe is that I might trim the length 15-20 minutes to tighten up the story’s flow, but that’s being nit-picky. Anytime I can watch my favorite genre hold a candle to a bygone era of kitsch, I give Wildman and Walford major props for putting it all out there and for giving us something that can easily be shown as a drive-in cult classic in the future. Now I want to know, what’s next?

The Ladies of the House comes to VOD platforms on May 1.

You can preorder the film on iTunes.

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SYNOPSIS

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