Netflix News: The Bluths are back May 29th for Season 5 of ‘Arrested Development’

In the aftermath of Cinco de Quatro, the Bluth family are all facing one question, that no one quite has the answer to; where is Lucille Two? As this Netflix (semi) original series returns on May 29th, the Bluths are back together, and finally getting the award they think they deserve – for family of the year. A development which will help Lindsay as she begins her campaign for Congress, to become ‘part of the problem’. But whatever happens, Michael will always come back to save the family. Probably. Visit VoteBluth.com for updates from the Bluth for Family of the Year campaign.

Review: ‘And Then I Go’ will haunt every parent in America.

AND THEN I GO

In the cruel world of junior high, Edwin suffers in a state of anxiety and alienation alongside his only friend, Flake. Misunderstood by their families and demoralized at school daily, their fury simmers quietly until an idea for vengeance offers them a terrifying release. Based on the acclaimed novel “Project X” by Jim Shepard, this unflinching look at adolescence explores how the powerful bonds of childhood friendship and search for belonging can become a matter of life or death.

With two small children, I now have a whole new set of anxiety as I research schools. I remember how bullying affected me when I was middle-school age. But with social media and the lack of consequences I have seen surrounding some children’s behavior, I am increasingly nervous about what my kids are getting themselves into through no fault of their own. My sister is newly a fulltime school counselor. The lack of coping skills and the increase of online harassment makes these kids more vulnerable than ever before. She job has quickly transformed from a few state-mandated cases into the disciplinary dumping ground for her particular administration. The uphill battle keeps getting higher.

The new film And Then I Go looks deep inside the isolation of two young boys as they are tormented by issues at home and school, some of their own doing and some by association. Performances from Melanie Lynskey and Justin Long are equal parts exhausted parents and concerned, loving individuals. They are caught in a cycle of changing behavior typical of their older son’s environment and a second child whose innocence is still intact due to age and personality. You feel for all parties involved and if you’re a parent yourself, can understand the look of desperation and quick jump to judgment.
The anchors of the film are undoubtedly our pair of lost boys, Arman Darbo and Sawyer Barth. These two give performances that will leave you breathless. The emotional depths to which these two have to go are heartbreaking and raw. Some moments are so natural you will wonder if there is a script at all. We will be seeing much more from these two in the future. Tony Hale and Carrie Preston offer us an insight into the minds of school staff and the attention they try to give to all their students. They are in the same mindset as parents emotionally and mentally. Exhaustive attempts to serve each child as an individual either stick or they don’t. All we can do is our best and remember why we do the jobs in the first place.
From the opening voiceover, there is an air of anxiety and melancholy. A deep seeded feeling of dread looms over the film as the plot rolls along. The cinematography and lighting are key to setting the film’s mood and tone. It’s a beautiful thing to behold, truly. While I was able to figure out where the film was headed, I was so invested in the characters that I was rooting for a different outcome throughout. You cannot help but hope that something or someone will intervene. But as a former teacher, I have seen the overcrowding and felt the burnout in taking work home, yet trying desperately to keep track of not only the kids in my own class but others. Resources being slashed left and right doesn’t help administration, teachers, and parents to do their very best. We are only human. I for one will be seeking out Jim Shepard‘s novel, “Project X”, immediately. And Then I Go should be required viewing for every adult in America today.

The Orchard will release AND THEN I GO On Digital and On Demand April 17, 2018.

The film features a stellar cast led by Justin Long (Yoga Hosers, Tusk, Accepted), Melanie Lynskey (“Castle Rock,” “Togetherness,” Heavenly Creatures), Tony Hale (“Arrested Development,” “Veep”), Melonie Diaz (Fruitvale Station, The Belko Experiment), Carrie Preston (“Claws,” “True Blood”), and powerful performances from teenage actors Arman Darbo (Defenders of Life) and Sawyer Barth (Super Dark Times).

 

Review: ‘Wildling’ is dark, coming of age tale.

WILDLING

 **WORLD PREMIERE – 2018 SXSW FILM FESTIVAL**

The feature debut from Fritz Böhm, WILDLING is a spellbinding take on the werewolf legend starring Independent Spirit Award Nominee Bel Powley (The Diary of a Teenage Girl), SAG Award® Winner Liv Tyler (Lord of the Rings, Armageddon) and Academy Award® Nominee Brad Dourif (One Flew Over Cuckoo’s Nest, Child’s Play).

 WILDLING is a unique dark fantasy tale centered on young Anna (Powley) who has been raised in isolation by a man she knows only as Daddy (Dourif) who has done everything possible to conceal the truth about the girl’s origins from her. But when the teenage Anna is suddenly thrust into the real world under the protection of no-nonsense police officer Ellen Cooper (Tyler), it soon becomes clear that the young woman is far from ordinary. Unable to adjust to a normal life, Anna finds herself drawn instead to the wild freedom of the forest while struggling to resist the growing bloodlust that has awakened inside her. This moodily atmospheric thriller combines supernatural scares with a myth-like tale of self-discovery.

There are many elements of Wildling that excited me. The cast is beyond excellent. Bel Powley is undeniably a star. As she never seems to age, she can continue to portray exceedingly young characters. Her onscreen presence is captivating. And while she actually speaks relatively few lines in the film, she owns each scene she appears in. Liv Tyler is as elegant as ever. Never doubt her ability to completely inhabit any role. Brad Dourif is scary as hell. He makes your skin crawl in the best way possible. The lighting is truly something to behold. Extra attention to the sound mixing plays perfectly on the audience’s sense of dread or wonder, depending on the moment to moment needs of the plot.

After all of the positives, I would be remiss if I didn’t mention the rushed feel of the story. Much of the plot seems to be missing as if there is an entire section of canon that was left out for runtime. I have so many questions pertaining to missing elements (I won’t be too specific because of spoilers) and I was a genuinely baffled by their absence. Some serious plot holes. The emotional transition of all the major players was swifter than feel natural under the circumstances. Finally, if I hadn’t seen Netflix’s original series Big Mouth, perhaps I wouldn’t be so bothered by the final creature FX.

Wilding has a graphic novel turned feature film feeling to it. It’s most definitely entertaining and worth the watch. You can watch the trailer below.

IFC Midnight will release the upcoming thriller WILDLING in theaters in NYC and LA as well as on VOD and Digital HD on April 13.

Netflix News: Could have been a woman on the moon – documentary of the ‘Mercury 13’

I can’t wait to see this story!

Premiering on Netflix April 20, 2018

Directed by: David Sington and Heather Walsh

On April 9, 1959, NASA introduced their first astronaut class of all men, Mercury 7, to the world. This is the story of the 13 women who were just as deserving of their place in space.

Mercury 13 is a remarkable story of the women who were tested for spaceflight in 1961 before their dreams were dashed in being the first to make the trip beyond Earth. NASA’s ‘man in space’ program, dubbed ‘Project Mercury’ began in 1958. The men chosen – all military test pilots – became known as The Mercury 7. But away from the glare of the media, behind firmly closed doors, female pilots were also screened. Thirteen of them passed and, in some cases, performed better than the men. They were called the Mercury 13 and had the ‘right stuff’ but were, unfortunately, the wrong gender. Underneath the obsession of the space race that gripped America, the women were aviation pioneers who emerged thirsty for a new frontier, but whose time would have to wait. The film tells the definitive story of thirteen truly remarkable women who reached for the stars but were ahead of their time. A Netflix original documentary directed by David Sington (The Fear of 13) and Heather Walsh.

**Official Selections of the 2018 San Francisco International Film Festival and the 2018 Hot Docs Canadian International Documentary Festival **

Please visit netflix.com/mercury13 for more information.

Review: ‘ The Endless’ is an unsettling trip.

THE ENDLESS

Directed by Justin Benson & Aaron Moorhead

Written by Justin Benson

Starrs Justin Benson, Aaron Moorhead, Callie Hernandez, Emily Montague, Lew Temple, Tate Ellington, James Jordan

Synopsis: Following their Lovecraftian modern cult classic SPRING, acclaimed filmmakers Moorhead and Benson return with this mind-bending thriller that follows two brothers who receive a cryptic video message inspiring them to revisit the UFO death cult they escaped a decade earlier. Hoping to find the closure that they couldn’t as young men, they’re forced to reconsider the cult’s beliefs when confronted with unexplainable phenomena surrounding the camp. As the members prepare for the coming of a mysterious event, the brothers race to unravel the seemingly impossible truth before their lives become permanently entangled with the cult.

The Endless is a truly mindbending cinematic experience. The story alone is strange enough but when combined with breathtaking cinematography and some serious FX, you’ve got one of the coolest films so far this year. It addresses the question of cult mentality and what we consider to be familial relationships. The Endless begs for multiple viewings and not just because you think you might be able to figure out exactly what’s happening, though that’s definitely a reason. You’ll come back for cool visuals, solid performances from the entire cast, and really snappy dialogue. There is so much going on in this film that your brain may not be able to keep up with all the awesome being thrown its way. More than once, I literally said aloud, “How’d the hell did they do that?!” Benson and Moorhead have undoubtedly given us a cult classic. To think this was all done on a limited indie budget is downright mind-blowing. The Endless will surprise you and keep you on your toes until the very final frame.
Check out the trailer below:

Opening in New York April 6th and Los Angeles April 13th with a national rollout to follow

TRT: 112 minutes

Country: USA

Language: English

Directors: Justin Benson and Aaron Moorhead

Writer: Justin Benson

Cast: Justin Benson, Aaron Moorhead, Callie Hernandez, Emily Montague, Lew Temple, Tate Ellington, James Jordan

 

Review: ‘VIRGINIA MINNESOTA’ is a quirky and heartfelt road movie.

 Daniel Stine’s feature film debut, Virginia Minnesota, received its world premiere on March 2nd at the Cinequest Film Festival and stars a primarily female cast led by Aurora Perrineau and Rachel Hendrix.

Two young women, torn apart by a childhood tragedy, unexpectedly reunite and embark on an illuminating 24-hour journey, where they unlock memories of long forgotten innocence and what it means to truly believe.

This unexpected indie takes your heart by surprise within minutes. It’s part folklore, part road movie, and all charm. When four girls are called together to hear the reading of the will of their former headmistress, sparks fly and memories burn with truth and misunderstanding. I was not expecting this story to turn into a road movie at all, although with a character that is a suitcase with a personality (you’ll just have to watch to understand what I mean) I guess I should have predicted it in hindsight. While a small piece of the plot does revolve around a fiancé, the dialogue definitely passes The Bechdel Test with flying colors. Aurora Perrineau and Rachel Hendrix have a chemistry that is fun and comfortable.They challenge one another at every turn making Virginia Minnesota just as delightful as it is insightful. Guilt, repressed feelings and some seriously quirky encounters create a truly lovely and endlessly engrossing film.

VIRGINIA MINNESOTA – Trailer from Daniel Stine on Vimeo.

Virginia Minnesota premiered at the 2018 Cinequest Film Festival on March 2nd at 9:30 PM.

Virginia Minnesota was recently awarded the Global Grand Jury award for Best Hollywood Film at the Hollywood Film Festival (HFF), with Aurora Perrineau and Rachel Hendrix receiving special mention as Exceptional Emerging Artists. The film is produced by Rushaway Pictures, with cinematography by Pedro Ciampolini and a score by Gary Dworetsky.

Review: ‘Keep The Change’ is a laugh out loud funny and charming as hell.

Set in New York, the story centers on the struggles of David as he comes to terms with his own high-functioning autism, when he unexpectedly falls for a quirky and outgoing woman whose lust for life both irks and fascinates him. Keep the Change is based on an award-winning short film developed by Rachel Israel and Brandon Polansky that was inspired by Polansky’s experiences at Adaptations, a community for adults on the autism spectrum.

Keep The Change premiered last year at The Tribeca Film Festival to rave reviews and won awards for best U.S. narrative feature and best new narrative director along with a special mention for the Nora Ephron Prize.

This film is a sidesplitting winner. Outside of the documentary genre, we’re not often let into the world of adults on the autism spectrum. Keep The Change follows the beginnings of a relationship between two very different individuals who are ultimately seeking to be accepted and cherished for who they are. The issues of self-love, sexuality, class, are addressed in endearing and tongue-in-cheek ways. Newcomers and leads Brandon Polansky and Samantha Elisofon have an insane chemistry. The two appear to be polar opposites making their banter all the more entertaining. Any time you pit a glum and cynical individual against an outgoing and seemingly innocent one, interesting things are bound to happen. The dialogue is biting, witty, and oftentimes offensive, keeping the viewer on their toes and thoroughly amused. Writer/director Rachel Israel has given us a true gem. This unique romcom will undoubtedly charm the pants off of you and teach you some much-needed tolerance.

Kino Lorber will open the film in New York on March 16th at the Quad Cinema, in Los Angeles on April 20th at Laemmle Town Center and Laemmle Royal Theatre followed by a national rollout.

Keep The Change stars newcomers Brandon Polansky and Samantha Elisofon. Written and directed by Rachel Israelthe film also stars veteran actress Jessica Walter (“Arrested Development”), Tibor Feldman and non-professional actors with Autism, Nicky Gottlieb and Will Deaver. 

Review: ‘The Leisure Seeker’ is ultimately relationship goals.

In Select Theaters March 9th

THE LEISURE SEEKER stars Academy Award-winner® Helen Mirren and two-time Golden Globe-winner® Donald Sutherland as a runaway couple on an unforgettable journey in the faithful old RV they call the Leisure Seeker. The couple travels from Boston to The Ernest Hemingway Home in Key West, recapturing their passion for life and their love for each other on a road trip that provides revelation and surprise right up to the very end.

While there are admittedly a few bumps in the road during The Leisure Seeker, as a whole the film is a beautiful journey through one couple’s history. Slight pacing issues and superfluous scenes aside, the heart of this film is the love between two people who adore one another to the core. As a granddaughter that has been witness to dementia, the disease can be an exhausting trip minute to minute. Donald Sutherland undoubtedly gives an award-winning performance, navigating memory loss through ever-changing beats. I counted no less than four distinctive version of the same man portrayed on screen by Sutherland. For Helen Mirren, this role feels like a bit of a departure. It is one that requires both a facade and unadulterated softness. The chemistry between these our stars is movie magic. If you have ever experienced two people who are so lovingly interdependent, then this film will resonate with you in between the dialogue. The care with which Mirren’s character takes in protecting her husband countered by the real moment to moment human frustration of this burden are palpable. The film may not be everyone’s cup of teas, as you will certainly be more affected if you have lived through these circumstances. The Leisure Seeker is not a glamorous film. It is raw and poignant in its quiet.

 

Review: ‘The Vanishing of Sidney Hall’ weighs heavy.

The idea of personal responsibility can be a double-edged sword. It can be our life’s motivating factor or our downfall. In the new film The Vanishing of Sidney Hall, one young man’s past has an effect on the entire world around him.

After publishing a bestselling novel based on the death of one of his high school classmates, the controversial writer Sidney Hall (Logan Lerman) finds himself catapulted to unexpected fame and renown. His relationship with his girlfriend (Elle Fanning) begins to fall apart as the dark consequences of the book intrude on their life together, and he disappears without a trace. Nearly a decade later, an enigmatic detective searches for the missing author, whose books are connected to a string of mysterious arsons.

There was something about this film that really affected me throughout its nonlinear two-hour run. The script tackles issues from resentment to guilt, human connection to the feeling of powerlessness. With the award-winning performances from no less than four cast members, including Logan Lerman, Elle Fanning, Michelle Monohan, and Blake Jenner, The Vanishing of Sidney Hall has a twisted plot that pulls your emotions in various directions throughout. The one overall theme here is undoubtedly sadness. The film has a heaviness that is unshakeable. It’s a strangely perfect companion piece to Netflix‘s 13 Reason’s Why, and without going into too much detail (because I want you to see it) the film’s themes are universally relevant. The film’s score acts as an emotional and nostalgic catalyst to the time jumps. Despite the terrible beard on Logan Lerman throughout a third of the film, he gives the audience a multilayered and tragic performance that makes Sidney Hall what it is. Speaking of tragic, Blake Jenner plays a seemingly typical jock with a hard-on for bullying but it’s his character’s home life that haunts many others in the film. A massive departure from his role in GLEE, I hope Jenner gets some much-deserved attention from this one. Elle Fanning is ever surprising as a bold, unique, and confident girl next door (or across the street to be exact) saddled with both the romantic and strained man Lerner becomes. Michelle Monaghan plays against type as Sidney’s mother. A woman’s whose vitriol and resentment make her loathsome. The cast boasts other heavy hitters like Kyle Chandler and Nathan Lane. There is not a weak link in the entire ensemble.  I can tell you, you won’t be able to guess how this one wraps up. The Vanishing of Sidney Hall is fraught with love but mostly the loss of it. Be prepared prior to viewing.

THE VANISHING OF SIDNEY HALL  

Exclusively on Direct TV on January 25th & In Theaters on March 2nd

Director by:  Shawn Christensen (Academy Award Winner – Curfew, Abduction,)

Written by: Shawn Christensen & Jason Dolan

THE VANISHING OF SIDNEY HALL stars Logan Lerman (Perks of Being a Wallflower, Indignation), Elle Fanning (Super 8, Maleficent, The Neon Demon)Michelle Monaghan (“True Detective,” Gone Baby Gone, Source Code)Kyle Chandler (“Friday Night Lights”, “Bloodline”, and Manchester By The Sea) and Nathan Lane (“Modern Family,” The “People v. O. J. Simpson: American Crime Story”).

Watch Now: Special conversation with Oscar-nominated director, Steve James about ‘Abacus: Small Enough to Jail’

VERA SUNG, JILL SUNG AND FATHER THOMAS SUNG IN THE SAFETY DEPOSIT BOX DEPARTMENT OF THEIR BANK IN A SCENE FROM OSCAR-NOMINATED “ABACUS: SMALL ENOUGH TO JAIL” DIRECTED BY STEVE JAMES. PHOTO COURTESY OF PBS DISTRIBUTION/KARTEMQUIN FILMS

Last year, Liz reviewed this last much-needed documentary last November for DOC NYC. Available now on Amazon Prime. In any case, you can view a conversation with the director at 12:30 pm at https://www.westdoconline.com/steve-james-episode-6-live.

  • NOMINEE – STEVE JAMES, OUTSTANDING DIRECTING DIRECTORS GUILD OF AMERICA AWARDS
  • WINNER – BEST POLITICAL DOCUMENTARY CRITICS’ CHOICE DOCUMENTARY AWARDS
  • THREE NOMINATIONS CRITICS’ CHOICE DOCUMENTARY AWARDS
  • NOMINEE – BEST DOCUMENTARY NATIONAL BOARD OF REVIEW
  • NOMINEE – BEST DOCUMENTARY CHICAGO FILM CRITICS ASSOCIATION

Abacus: Small Enough to Jail tells the incredible saga of the Chinese immigrant Sung family, owners of Abacus Federal Savings of Chinatown, New York.

Accused of mortgage fraud by Manhattan District Attorney Cyrus R. Vance, Jr., Abacus becomes the only U.S. bank to face criminal charges in the wake of the 2008 financial crisis. The indictment and subsequent trial forces the Sung family to defend themselves – and their bank’s legacy in the Chinatown community – over the course of a five-year legal battle.

Review: ‘The Boy Downstairs’ feels close to home.

The Boy Downstairs stars Zosia Mamet (“Girls”) as Diana, a twenty-something writer who moves back to New York City after a two-year stint in London. Upon finding the perfect apartment in Brooklyn, she realizes her downstairs neighbor is actually her ex-boyfriend Ben (Matthew Shear, Mistress America) whose heart she broke when she left town. After an awkward reunion, Diana proclaims her intentions for a genuine friendship. But as old wounds are opened, both Diana and Ben are forced to confront the true nature of their feelings.

 

Mamet gives a deliciously sardonic lean to the role that is funny and honest. The manic ways of Shoshanna Shapiro are nowhere in site. This should put Mamet on some serious casting lists. First-time writer-director Sophie Brooks shows us how a person can have a hold on your soul years after parting ways. The script is really smart and refreshing. It doesn’t glamorize the requisite navigation through adult relationships, those messy, real-life moments are the little things that stick with us in the end. Reality is much more awkward and The Boy Downstairs does not shy away from confrontation or feelings. It allows the audience to reflect on their own past emotional conflicts and in this film’s particular case, flashback sequences are the backbone of the plot. Strong performances from Matthew Shear and Dierdre O’Connell make The Boy Downstairs what it is. The chemistry is astounding. Being a grownup is complicated enough, so once you introduce the complexities of love and friendship, all hell will break loose, even if it’s a quiet thing. You can see The Boy Downstairs in theaters today.

 

 

Netflix News: ‘Benji’ is back to steal your heart

I LOVED Benji growing up. I had an almost life-size stuffed animal of him and rented the 2nd movie in the semi-series, For the Love of Benji, so many times that I’m sure my sister can’t stand him. The trailer looks adorable and pulls the same heartstrings. And guess what? The son of the original director is directing!

Directed By: Brandon Camp (LOVE HAPPENS)
Produced By: Brandon Camp and Jason Blum (GET OUT, THE VISIT, WHIPLASH)
Starring: Kiele Sanchez (“Lost”, “The Glades”), Gabriel Bateman (”Stalker”) and Darby Camp (“Big Little Lies”)

A modern day retelling of the classic, the story of Benji follows one orphaned puppy and Carter and Frankie, two capricious New Orleans school kids who strike up a friendship with the tenacious street dog.  When danger befalls them and they end up kidnapped by robbers who are in over their heads, Benji and his scruffy sidekick come to the rescue.

Written and directed by Brandon Camp, whose father Joe Camp created the original, Benji is produced by Jason Blum and Brandon Camp.  The film stars Kiele Sanchez, Gabriel Bateman and Darby Camp.

Facebook: facebook.com/GenuineBenji
Instagram: instagram.com/GenuineBenji
Twitter: twitter.com/GenuineBenji
#BenjiTheMovie

Review: ‘PERMISSION’ allows an audience to ask ‘what if?’ for themselves.

***Official Selection of the 2017 Tribeca Film Festival***

Anna (Rebecca Hall) and Will (Dan Stevens), were each other’s first every-things: first kiss, first love, first and only relationship. Now, 10 years in, at Anna’s 30th birthday party, as Will is about to propose, the couple’s best friend makes a drunken toast, suggesting that they should sleep around before their inevitable marriage. The joke lands like a lead balloon, but the thought lingers until Anna proposes that they try opening their relationship – as a sexual experiment. Together, they venture out of the purely monogamous boundaries of their relationship and, along the way, evolve.

Permission is one of the most honest portrayals of how awkward true intimacy is. When you are so comfortable with someone to the point of predictability, does that have the potential to become a death sentence for a relationship? Life’s ‘what ifs” are some of the most tempting ideas a person can entertain. The chemistry between the entire cast is palpable. You will find yourself falling in love with Hall and Stevens and definitely crushing on Arnaud, Gershon, Craig, Spector, and Sudeikis. This true ensemble of actors along with writer/director Brian Crano has given us a gift. What may appear on the surface as small moments in the script are incredibly impactful due to some really brilliant acting and writing. Permission has an authenticity that sneaks up on you. It’s those moments that define the story and make it so relatable. The music is perfectly paired with each scene, almost becoming its own fly on the wall secondary cast member. Overall, the film is a refreshing look at adult relationships and how to find horny contacts. It’s fun and engrossing and different. It dares to challenge the typical rom-com genre and that’s why you should seek it out.

Permission is in theaters today! Check out the trailer below.

Starring Rebecca Hall (Christine, Professor Marston and the Wonder Women), Dan Stevens (Beauty and the Beast, Downton Abbey)Gina Gershon (Empire), Francois Arnaud (Midnight Texas), David Joseph Craig (The Gift), Morgan Spector (Chuck, Boardwalk Empire), and Jason Sudeikis

Written and Directed By Brian Crano (A Bag of Hammers, Dog Food)

Produced by Rebecca Hall, Margot Hand, Girl Tharan, Joshua Thurston

Netflix News: First guests on ‘The Joel McHale Show: with Joel McHale’

The new weekly series launches Sunday, February 18 on Netflix with guest Kevin Hart and appearances by Alison Brie, Mike Colter, Paul Reiser, Jodie Sweetin and Jim Rash.

The Joel McHale Show with Joel McHale is a new, weekly half-hour topical series that takes a sharp, absurdist look at pop culture and news from across the globe. It’s a fast and funny distillation of everything people are talking about that week. Featuring celebrity guests, comedy sketches, and insane video clips from the worldwide realms of TV, sports, politics, celebrity culture, and every corner of the internet, The Joel McHale Show with Joel McHale is destination viewing for comedy lovers, or people who just really, really like green screens.

The show is hosted and executive produced by Joel McHale. Paul Feig, KP Anderson, Jessie Henderson, Brad Stevens, and Boyd Vico also serve as executive producers. The Joel McHale Show with Joel McHale is produced by Pygmy Wolf Productions, Free Period Productions, and Feigco Entertainment in association with Lionsgate Television.

Netflix News: Filter, sort & search for original series & movies in 2018 & beyond

Netflix loves to be cryptic about their releases. I’ve started a fun little database in Airtable to keep track. Feel free to filter, sort and search. I’ll be updating to add more ways to search; it’s a work-in-progress. Let me know if you have any suggestions!

  • What’s new today?
  • What are the newest movies?
  • What are the newest series?
  • What’s coming up in the next month?
  • What’s the latest stand-up comedy specials?

All these questions and more are now at your fingertips! See below or you can always find it on our homepage.

Read More →

Review: ‘KILL ORDER’ feels unfinished in a good way.

In KILL ORDER, chaos erupts when a group of armed men break into a high school classroom. They target David, a quiet kid who secretly suffers from unexplained memories of a horrifying past. Tapping into a previously unknown strength, David fights off his attackers and goes on the run. With his life and the lives of his loved ones in jeopardy, David must master the use of his new superhuman strength and fighting skills to find the people responsible and get his revenge.

The Mark brothers have given us an incredibly fun and action-packed martial arts indie. Writer/director James Mark brings his stuntman background to the big screen with a film filled with intrigue and some seriously intense fight sequences. The CG actually adds to the Resident Evil video game feel of the flashbacks. Younger Mark brother, Chris, in the role of David is able to utilize his own stuntman skills to his character’s advantage. The fight choreo is high impact and just downright cool to watch. Mark’s moment to moment emotional ride is also pretty impressive. It’s a really great initial jump into the world of leading man. The superb editing builds upon the script’s mystery. And while the ending leaves much to be answered, the film feels like the first in a series of graphic novel inspired stories. There is a ton of potential for Kill Order to become a franchise.

You can check out the trailer below and catch the film today!

RLJ Entertainment, Inc. is set to release the action/sci-fi film KILL ORDER on VOD, Digital HD and on DVD on Feb. 6, 2018.  Written and directed by James Mark (Jumper), KILL ORDER stars Chris Mark (Suicide Squad), Daniel Park (Pacific Rim), Denis Akiyama (Pixels), Melee Hutton (Beautiful People), Jessica Clement (“Pure”), Jason Gosbee (Suicide Squad), Reuben Langdon (Ant-Man) and Alain Moussi (Kickboxer: Vengeance).

ABOUT RLJE FILMS

An RLJ Entertainment, Inc. brand (NASDAQ: RLJE), RLJE Films features include Once Upon a Time in Venice starring Bruce Willis, Bushwick with Dave Bautista and Brittany Snow, Pilgrimage with Tom Holland, Jon Bernthal and Richard Armitage, and Brawl in Cell Block 99 from writer/director S. Craig Zahler (Bone Tomahawk) and starring Vince Vaughn, Don Johnson and Jennifer Carpenter. These titles are distributed in multiple formats including theatrical, VOD, DVD, Blu-Ray, and digital download. www.us.rljentertainment.com.

Westworld Season 2 Official Super Bowl Ad Debuts

                                                    A new chapter begins.

The Emmy®-winning drama series WESTWORLD returns for its ten-episode second season SUNDAY, APRIL 22 (9:00-10:00 p.m. ET/PT), exclusively on HBO.

Youcan now see the WESTWORLD spot that premiered during Super Bowl LII, marking HBO’s first Super Bowl ad in 20 years. The WESTWORLD Season 2 Official Super Bowl ad was directed by series co-creator Jonathan Nolan.

All ten episodes of the critically acclaimed first season of WESTWORLD are available on HBO NOW, HBO GO, HBO On Demand and partners’ streaming platforms. The pilot episode is also available for nonsubscribers to watch for free on ‪HBO.com. In addition, fans and first-time viewers can catch up on  hbo.com/Westworld with episode guides, character profiles, exclusive behind-the-scenes videos and more.

Debuting on HBO in 2016 to become HBO’s most-watched freshman series ever, WESTWORLD is a dark odyssey about the dawn of artificial consciousness and the evolution of sin. The season one cast included Anthony Hopkins, Evan Rachel Wood, Thandie Newton, Ed Harris, Jeffrey Wright, James Marsden, Tessa Thompson, Sidse Babett Knudsen, Jimmi Simpson, Rodrigo Santoro, Shannon Woodward, Ingrid Bolsø Berdal, Ben Barnes, Simon Quarterman, Angela Sarafyan, Luke Hemsworth, Clifton Collins, Jr., Talulah Riley and Louis Herthum. Joining the season two cast are series regulars Katja Herbers, Gustaf Skarsgård and Fares Fares.

Season two credits: Created for television by Jonathan Nolan and Lisa Joy, who are executive producers with J.J. Abrams, Athena Wickham, Roberto Patino, Richard Lewis and Ben Stephenson. Production companies, Kilter Films and Bad Robot Productions in association with Warner Bros. Television; based on the film written by Michael Crichton.

This year’s Oscar-Nominated movies on HBO

Get Out

A black photographer’s weekend meeting his white girlfriend’s parents takes a terrifying turn in this horror hit from Jordan Peele.

  1. Performance by an actor in a leading role: Daniel Kaluuyain
  2. Achievement in directing: Jordan Peele
  3. Best motion picture of the year: Sean McKittrick, Jason Blum, Edward H. Hamm Jr. and Jordan Peele, Producers
  4. Original screenplay: Written by Jordan Peele

Kong: Skull Island

An expedition to a mythical island finds the place crawling with prehistoric dangers, led by the giant ape himself, King Kong.

  • Achievement in visual effects: Stephen Rosenbaum, Jeff White, Scott Benza and Mike Meinardus

Logan

A broken-down Logan (Hugh Jackman) comes to the aid of a young mutant girl who is just like him in this 3rd ‘Wolverine’ film.

  • Adapted screenplay: Screenplay by Scott Frank & James Mangold and Michael Green; Story by James Mangold

This year’s Oscar-Nominated movies to Rent or Buy

RENT OR BUY

Blade Runner 2049

Officer K (Ryan Gosling), a new blade runner for the Los Angeles Police Department, unearths a long-buried secret that has the potential to plunge what’s left of society into chaos. His discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former blade runner who’s been missing for 30 years.

  1. Achievement in cinematography: Roger A. Deakins
  2. Achievement in production design: Production Design: Dennis Gassner; Set Decoration: Alessandra Querzola
  3. Achievement in sound editing: Mark Mangini and Theo Green
  4. Achievement in sound mixing: Ron Bartlett, Doug Hemphill and Mac Ruth
  5. Achievement in visual effects: John Nelson, Gerd Nefzer, Paul Lambert and Richard R. Hoover

Dunkirk

In May 1940, Germany advanced into France, trapping Allied troops on the beaches of Dunkirk. Under air and ground cover from British and French forces, troops were slowly and methodically evacuated from the beach using every serviceable naval and civilian vessel that could be found. At the end of this heroic mission, 330,000 French, British, Belgian and Dutch soldiers were safely evacuated.

  1. Achievement in cinematography: Hoyte van Hoytema
  2. Achievement in directing: Christopher Nolan
  3. Achievement in editing: Lee Smith
  4. Achievement in music written for motion pictures (Original score): Hans Zimmer
  5. Best motion picture of the year: Emma Thomas and Christopher Nolan, Producers
  6. Achievement in production design: Production Design: Nathan Crowley; Set Decoration: Gary Fettis
  7. Achievement in sound editing: Richard King and Alex Gibson
  8. Achievement in sound mixing: Mark Weingarten, Gregg Landaker and Gary A. Rizzo

Beauty and the Beast

Belle (Emma Watson), a bright, beautiful and independent young woman, is taken prisoner by a beast (Dan Stevens) in its castle. Despite her fears, she befriends the castle’s enchanted staff and learns to look beyond the beast’s hideous exterior, allowing her to recognize the kind heart and soul of the true prince that hides on the inside.

  1. Achievement in costume design: Jacqueline Durran
  2. Achievement in production design: Production Design: Sarah Greenwood; Set Decoration: Katie Spencer

Victoria & Abdul

Abdul Karim arrives from India to participate in Queen Victoria’s golden jubilee. The young clerk is surprised to find favor with the queen herself. As Victoria questions the constrictions of her long-held position, the two forge an unlikely and devoted alliance that her household and inner circle try to destroy. As their friendship deepens, the queen begins to see a changing world through new eyes, joyfully reclaiming her humanity.

  1. Achievement in costume design: Consolata Boyle
  2. Achievement in makeup and hairstyling: Daniel Phillips and Lou Sheppard

Last Men in Aleppo

Members of the volunteer group White Helmets offer aid to the wounded during the Syrian civil war.

  • Best documentary feature: Feras Fayyad, Kareem Abeed and Søren Steen Jespersen

Baby Driver

Talented getaway driver Baby (Ansel Elgort) relies on the beat of his personal soundtrack to be the best in the game. After meeting the woman (Lily James) of his dreams, he sees a chance to ditch his shady lifestyle and make a clean break. Coerced into working for a crime boss (Kevin Spacey), Baby must face the music as a doomed heist threatens his life, love and freedom.

  1. Achievement in film editing: Paul Machliss and Jonathan Amos
  2. Achievement in sound editing: Julian Slater
  3. Achievement in sound mixing: Julian Slater, Tim Cavagin and Mary H. Ellis

War for the Planet of the Apes

Caesar (Andy Serkis) and his apes are forced into a deadly conflict with an army of humans led by a ruthless colonel (Woody Harrelson). After the apes suffer unimaginable losses, Caesar wrestles with his darker instincts and begins his own mythic quest to avenge his kind. As the journey finally brings them face to face, Caesar and the colonel are pitted against each other in an epic battle that will determine the fate of both of their species and the future of the planet.

  • Achievement in visual effects: Joe Letteri, Daniel Barrett, Dan Lemmon and Joel Whist

Loving Vincent

Loving Vincent is the world’s first fully painted feature film produced by Oscar-winning studios Breakthru Films and Trademark Films.

  • Best animated feature film of the year: Dorota Kobiela, Hugh Welchman and Ivan Mactaggart

This year’s Oscar-Nominated movies on Netflix

Mudbound

Two Mississippi families — one black, one white — confront the brutal realities of prejudice, farming, and friendship in a divided World War II era.

  1. Performance by an actress in a supporting role: Mary J. Blige
  2. Achievement in cinematography: Rachel Morrison
  3. Achievement in music written for motion pictures (Original song): “Mighty River”
    Music and Lyric by Mary J. Blige, Raphael Saadiq and Taura Stinson
  4. Adapted screenplay: Screenplay by Virgil Williams and Dee Rees

Icarus

An American filmmaker and cyclist unwittingly wade into a global scandal when a Russian scientist leaks shocking details of a vast doping conspiracy.

  • Best documentary feature: Bryan Fogel and Dan Cogan

Strong Island

The forces of family, grief and racial injustice converge in this powerful documentary exploring the murder of filmmaker Yance Ford’s brother.

  • Best documentary feature: Yance Ford and Joslyn Barnes

Heroin(e)

This documentary follows three women — a fire chief, a judge, and a street missionary — as they battle West Virginia’s devastating opioid epidemic.

  • Best documentary short subject: Elaine McMillion Sheldon and Kerrin Sheldon

On Body and Soul

Two shy and socially awkward co-workers in Budapest form a special bond through a mysterious mystic connection that manifests in a dream.

  • Best foreign language film of the year: Hungary

The Boss Baby

A new baby’s arrival impacts a family, told from the point of view of a delightfully unreliable narrator — a wildly imaginative 7-year-old named Tim. The most unusual Boss Baby (Alec Baldwin) arrives at Tim’s home in a taxi, wearing a suit and carrying a briefcase. The instant sibling rivalry must soon be put aside when Tim discovers that Boss Baby is actually a spy on a secret mission, and only he can help thwart a dastardly plot that involves an epic battle between puppies and babies.

  • Best animated feature film of the year: Producers Tom McGrath and Ramsey Naito

Guardians of the Galaxy Vol. 2

Set to the sonic backdrop of Awesome Mixtape #2, Marvel Studios’ Guardians of the Galaxy Vol. 2 continues the team’s adventures as they traverse the outer reaches of the cosmos. The Guardians must fight to keep their newfound family together as they unravel the mystery of Peter Quill’s true origin.

  • Achievement in visual effects: Christopher Townsend, Guy Williams, Jonathan Fawkner and Dan Sudick