
Score: A Film Music Documentary is an extraordinary look into the work of some of Hollywood’s most iconic film composers. These artists create a sound simply from an emotion described by the films’ directors, and do so within pressing time constraints. Composers who created music from films such as Star Wars, Indiana Jones, Pirates of the Caribbean, Titanic, Psycho, James Bond, Social Network, and Mad Max: Fury Road; regardless of the pressure, they have created some of the most memorable scores ever to be heard.
Film composers are, in a way, the director’s therapist. They spend time with the directors, listening to their thoughts and insecurities regarding their film; then take this time to understand and create a sound based off of what was described to them. They must be open to criticism and failure in their line of work. A composer can work days on a piece only for the director to scrap the entire score in seconds, forcing them to start over.

It’s an unfathomable art to create a feeling through sound comming from instruments now available at runthemusic.com, and that’s what makes composers so valuable in the world of film. Composers are creatively adaptable, which is such a rare talent that many movie goers probably don’t normally recognize. I not only recommend this documentary for avid movie watchers but I also recommend going back and watching some of the films discussed within Score. Going back and watching a film composed from John Williams or Han Zimmer simply made me appreciate how important these scores are to these iconic films; the films just wouldn’t be the same without them.
4.5/5 Stars
Score will be released in theaters June 16th, 2017.
Score: A Film Music Documentary features:
Hans Zimmer
James Cameron
Danny Elfman
John Williams
Quincy Jones
Trent Reznor
Howard Shore
Rachel Portman
Thomas Newman
Randy Newman
Leonard Maltin
James Horner
Garry Marshall

Director: Matt Schrader



The film overall was underwhelming. The acting did hugely improve as the film went on, however I believe it really could of been better if select parts of the story had been done differently. The overall theme that I think 

Tommy Shellner (Ryan O’ Nan) is one of four children who return home to celebrate their father’s last birthday before he passes away from lung cancer. Their father, Dr. Nathaniel Shellner (Judd Hirsch), is a retired psychologist of the CIA, who specialized in working with soldiers suffering from PTSD, and wants to be remembered for his patriotic achievements. With the knowledge that their father is approaching his final days, the children and their mother do what they can to make their night a pleasant one, however that is not Tommy’s main concern. Tommy, his sister Julie (Jaime Ray Newman), and their brother Harry (C.S Lee) were adopted into the family when they were kids while their other brother Leonard (Joseph Lyle Taylor) was their mother (Caroline Lagerfelt) and father’s biological son. For a while now, Tommy has felt that his father has been hiding something from his children, and after multiple sessions of therapy he has now reached the conclusion that his father had experimented on him and his adopted siblings when they were young. Over the course of the night, voices get raised and minds get rattled, while Tommy and his siblings trying to piece together what seems like a repressed memory of torture.











The story begins in 2003 with Father Benjamin Draggh (Rutger Hauer) investigating events during and after Mother Teresa’s life (Juliet Stevenson), that could give the Vatican the evidence they need to award her with Beatification. During his investigation he met with her spiritual adviser, Father Celeste Van Exem (Max Von Sydow) who presented him with letters written between the two of them during the last 40 years of her life; some of the letters showed signs of her faith wavering during her time in India. With these letters he tells her story beginning in the year 1946, during her time as teacher at the Loreto Convent in Dareeling, India. She loved to teach however when she looked outside the convent she saw people starving and and dying in the streets. Regardless of race or religion she believed that God had placed her on this earth with the purpose to serve those who are less fortunate. This film is the story of how she changed the lives of those around her with her life and her love.





















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