Review: ‘The Man Who Killed Don Quixote’ is Terry Gilliam’s fantastic passion project.

The Man Who Killed Don Quixote 

Toby (Driver), a cynical advertising director, finds himself trapped in the outrageous delusions of an old Spanish shoe-maker (Pryce) who believes himself to be Don Quixote. In the course of their comic and increasingly surreal adventures, Toby is forced to confront the tragic repercussions of a film he made in his idealistic youth – a film that changed the hopes and dreams of a small Spanish village forever. Can Toby make amends and regain his humanity? Can Don Quixote survive his madness and imminent death? Or will love conquer all?

Decades in the making, The Man Who Killed Don Quixote is finally coming to the big screen. It was worth the wait. Adam Driver plays a young director taking on his own passion project under the financial thumb of studio execs, locals, and his own ego. No doubt is the film about as metaphorical as you can get for the wild ups and downs the legendary Terry Gilliam has endured in bringing this film to fruition. Poking fun at itself and the industry at every turn, it must have been truly cathartic for Gilliam to shoot. The visuals and writing are all so satisfying you’ll want to applaud at the twists and turns along the way. Though admittedly, you’ll most likely be just as confused as both Driver and “Don Quixote” himself, Jonathan Pryce. One of the film’s best moments perfectly sums up the controlled chaos that is this epic story. “Try to keep up with the plot.’ To which Adam Driver‘s Toby replies, “There’s a plot?!”

Having watched, there is no way these roles would have been better served by other actors. Pryce walks the perfect line between madness and sadness. His commitment from beat to beat is the glue that keeps the story moving along its absurdist pace. But it is Driver who had me belly laughing every time a “FUCK” was spewed with genuine intention. I’ll have to go back and watch again if only to count the number of “F” words, each precisely placed and completely warranted. It’s sheer perfection. There is no doubt that Toby is Terry… and Don Quixote. The love that is so obviously infused within the film will be evident to anyone familiar with Gilliam and his fantastic passion project. It’s a combination of hilarity and insanity. The Man Who Killed Don Quixote and filmmakers like Terry Gilliam are the reasons we go to the movies.

Screen Media will then give the film a theatrical run starting April 19th.

The Man Who Killed Don Quixote stars Adam Driver, Jonathan Pryce, Stellan Skarsgard, Olga Kurylenko and Jordi Molla.

Jeremy’s Review: Terry Gilliam’s ‘The Zero Theorem’ a Return to Glory

zero-theorem-posterAs a long-time fan of Terry Gilliam’s films, it’s been a while since one of them really resonated with me. It’s not that the films he’s directed haven’t been good, but they haven’t quite lived up to the early work with Monty Python or films like the stone-cold classic Brazil, The Fisher King or 12 Monkeys. The productions of his films are legendary for the mishaps that befall them – The Adventures of Baron Munchausen, the ill-fated production of The Man Who Killed Don Quixote (chronicled quite beautifully in Fulton & Pepe‘s Lost in La Mancha) and The Imaginarium of Dr. Parnassus which was derailed by the death of Heath Ledger come quickly to mind. Fortunate for us all, The Zero Theorem hits familiar Gilliam themes and is a return to form of an old master. Read More →