RENT OR BUY
Blade Runner 2049
Officer K (Ryan Gosling), a new blade runner for the Los Angeles Police Department, unearths a long-buried secret that has the potential to plunge what’s left of society into chaos. His discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former blade runner who’s been missing for 30 years.
- Achievement in cinematography: Roger A. Deakins
- Achievement in production design: Production Design: Dennis Gassner; Set Decoration: Alessandra Querzola
- Achievement in sound editing: Mark Mangini and Theo Green
- Achievement in sound mixing: Ron Bartlett, Doug Hemphill and Mac Ruth
- Achievement in visual effects: John Nelson, Gerd Nefzer, Paul Lambert and Richard R. Hoover
Dunkirk
In May 1940, Germany advanced into France, trapping Allied troops on the beaches of Dunkirk. Under air and ground cover from British and French forces, troops were slowly and methodically evacuated from the beach using every serviceable naval and civilian vessel that could be found. At the end of this heroic mission, 330,000 French, British, Belgian and Dutch soldiers were safely evacuated.
- Achievement in cinematography: Hoyte van Hoytema
- Achievement in directing: Christopher Nolan
- Achievement in editing: Lee Smith
- Achievement in music written for motion pictures (Original score): Hans Zimmer
- Best motion picture of the year: Emma Thomas and Christopher Nolan, Producers
- Achievement in production design: Production Design: Nathan Crowley; Set Decoration: Gary Fettis
- Achievement in sound editing: Richard King and Alex Gibson
- Achievement in sound mixing: Mark Weingarten, Gregg Landaker and Gary A. Rizzo
Beauty and the Beast
Belle (Emma Watson), a bright, beautiful and independent young woman, is taken prisoner by a beast (Dan Stevens) in its castle. Despite her fears, she befriends the castle’s enchanted staff and learns to look beyond the beast’s hideous exterior, allowing her to recognize the kind heart and soul of the true prince that hides on the inside.
- Achievement in costume design: Jacqueline Durran
- Achievement in production design: Production Design: Sarah Greenwood; Set Decoration: Katie Spencer
Victoria & Abdul
Abdul Karim arrives from India to participate in Queen Victoria’s golden jubilee. The young clerk is surprised to find favor with the queen herself. As Victoria questions the constrictions of her long-held position, the two forge an unlikely and devoted alliance that her household and inner circle try to destroy. As their friendship deepens, the queen begins to see a changing world through new eyes, joyfully reclaiming her humanity.
- Achievement in costume design: Consolata Boyle
- Achievement in makeup and hairstyling: Daniel Phillips and Lou Sheppard
Last Men in Aleppo
Members of the volunteer group White Helmets offer aid to the wounded during the Syrian civil war.
- Best documentary feature: Feras Fayyad, Kareem Abeed and Søren Steen Jespersen
Baby Driver
Talented getaway driver Baby (Ansel Elgort) relies on the beat of his personal soundtrack to be the best in the game. After meeting the woman (Lily James) of his dreams, he sees a chance to ditch his shady lifestyle and make a clean break. Coerced into working for a crime boss (Kevin Spacey), Baby must face the music as a doomed heist threatens his life, love and freedom.
- Achievement in film editing: Paul Machliss and Jonathan Amos
- Achievement in sound editing: Julian Slater
- Achievement in sound mixing: Julian Slater, Tim Cavagin and Mary H. Ellis
War for the Planet of the Apes
Caesar (Andy Serkis) and his apes are forced into a deadly conflict with an army of humans led by a ruthless colonel (Woody Harrelson). After the apes suffer unimaginable losses, Caesar wrestles with his darker instincts and begins his own mythic quest to avenge his kind. As the journey finally brings them face to face, Caesar and the colonel are pitted against each other in an epic battle that will determine the fate of both of their species and the future of the planet.
- Achievement in visual effects: Joe Letteri, Daniel Barrett, Dan Lemmon and Joel Whist
Loving Vincent
Loving Vincent is the world’s first fully painted feature film produced by Oscar-
- Best animated feature film of the year: Dorota Kobiela, Hugh Welchman and Ivan Mactaggart





This new limited series will strike a chord with a wider audience than one might think. Based on the Anthony Award-winning international bestseller by Caleb Carr, The Alienist possesses underpinnings of feminism, glorious period set and dress, and a chemistry between cast members that is electric. These characters are fully fleshed out and Bruhl, Evans, and Fanning do not disappoint. Daniel Bruhl‘s Holmes-esque portrayal of Dr. Kreizler is striking. Seeing Evans as almost a number two in masculinity is a true testament to his abilities. Fanning walks a beautiful line between the inherent misogyny of the times and fearlessness.
The forensics are graphic, be forewarned. The show airs at 9 pm and would be incredibly inappropriate for a younger audience but is sheer perfection for psychological thriller/horror fans. The introduction to forensic psychology and science is both a joy and disturbing to behold. Not even halfway through the premiere and I was fully invested in the story. The Alienist is great television.










































You might think that a film without a single word of dialogue would be difficult or tedious to watch. You’d be completely wrong in the case of festival favorite, Driftwood. After a young woman washes up on shore, an older man “rescues” her and brings her to his home to recoup. But all is not what it seems from the very beginning. The relationship between the two is unsettling at every turn. Is the woman an amnesiac? Performances from all three cast members are equally intriguing. Each wanting for something completely different. Again… all without dialogue! The viewer’s insinuations make this story a unique emotional journey. Writer/director Paul Taylor has done something so new and strange, easily running the gambit of humorous to patriarchal grotesque, Driftwood will leave you scratching your head and wanting to watch again and again. The impact is undoubtedly endless.
Check out the film’s chilling trailer below…







A BETTER MAN
If you’ve ever been a victim, A Better Man feels surprising and cathartic. While this is Attiya and Steve’s story, Attiya becomes our emotional surrogate. With so many victims coming forward in this tumultuous climate, especially over the past year, this film is very timely. 1 in 2 women has experienced physical, verbal, emotional and/or sexual abuse in her lifetime. To have the opportunity to revisit an old relationship in a safe and constructive environment might not be on everyone’s bucket list, but I know from firsthand experience that I would gladly take part in such a chance… but perhaps that is a hasty statement. Until it is real, these are just words. Attiya is a brave woman. Steve is a remorseful man. Let it be known, I am not a fan of Steve here, but do acknowledge that not every abuser would be so open and willing to offer a public apology and seek counseling sitting directly across from his victim. A Better Man is a film that is important for audiences to see and I for one hope that they absorb it for the powerful piece it truly is.
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