‘LIZZIE LAZARUS’ (Popcorn Frights 2024) A twisty horror mystery destined for cult status.

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LIZZIE LAZARUS

LizzieLazarus

Filmmaker Aviv Rubinstien gives Popcorn Frights 2024 audiences a reason to stand up and cheer with LIZZIE LAZARUS. Set in 1990, Bethany’s sister dies in a car crash on the way to her house. Lizzie’s mental state causes Bethany to question if her death was intentional. Enlisting the assistance of Lizzie’s ex, Eli, truth is stranger than fiction.

Tommy Oceanak‘s cinematography got a vehement “Hell Yeah” from me during the first frame. Opening with a song by Megan Oesterreich, in the titular role, I thought the film was a horror musical. I was mistaken, making the moment all the more delightful. Oesterreich is so likeable as Lizzie. I would watch a franchise surrounding Lizzie and Bethany.

Omar Maskati balances genuine feelings and suspect behavior. Rubinstien does an expert job at keeping you guessing, and Maskati leans into the crumbs, dropped one at a time. Lianne O’Shea gives Bethany a smart-aleck edge that lures you in. She is quippy and self-assured. O’Shea owns the frame, daring Maskati to keep up.

The screenplay utilizes conspiracy theories, scientific studies, and their naturally sparked debate from one intellectual to another. It’s easy to see that Bethany believes Eli has something to do with Lizzie’s demise, asking pointed questions along their clandestine midnight trek. She is suspicious and relentless in her pursuit to do right by her sister. Eli does not do himself any favors with a combative attitude. Secrets and confessions spill as they try to reach their destination and begin a reanimation ritual.

LIZZIE LAZARUS is a feminist-driven narrative that reels you in at every turn. Reveal after reveal keeps you on the hook. The finale is beyond satisfying for genre fans, anyone with sisters, and spooky girls alike.

YEAR: 2024

COUNTRY: USA

RUNTIME: 91 min

DIRECTOR: Aviv Rubinstien

WRITER: Aviv Rubinstien

STARRING: Omar Maskati, Lianne O’Shea, Megan Oesterreich

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‘BIRTHRITE’ (Popcorn Frights 2024) A seriously twisted, small-town tale that terrifies.

popcorn frights 2024 logoBIRTHRITE

Birthrite

Director Ross Partridge brings a dark and nuanced story to Popcorn Frights 2024 audiences. When a pregnant woman inherits a country home, she and her girlfriend move in with happy expectations. But something from the town’s past looms over everyone.

Medical gaslighting, similar to Kindred, details authentic feelings of pregnant individuals, loss or not. But, BIRTHRITE‘s sinister underpinnings weave small-town history and their occult connections. The script from Patch Darragh and Erin Gann is seriously twisted. Reveal after reveal keeps you in a constant state of confusion and intrigue.

The cast is spectacular. Michael Chernus (Werewolves Within) and Owen Campbell (My Heart Can’t Beat Unless You Tell It To)provide outstanding performances. Jennifer Lafleur gives Rosalie this eerie balance of loving care and dark self-interest. She steals every scene.

Juani Feliz plays Maya with a grounded love for Alice. She 100% holds her own in the everchanging emotional atmosphere. Alice Kremelberg gives Wren desperation and fear only a mother knows. It is an intense turn brimming with surprise after surprise.

Fall On Your Sword delivers a classic haunted house of dread style score. It reminded me of the opening theme song for the Nickelodeon show Are You Afraid of the Dark? BIRTHRITE mixes the chaos of pregnancy and delves into witchcraft with such complexity it makes your head spin. The film is so layered you cannot help but be captivated. This one will stick with you long after the screen goes black.

YEAR: 2024

COUNTRY: USA

RUNTIME: 100 min

DIRECTOR: Ross Partridge

WRITER: Patch Darragh, Erin Gann

STARRING: Alice Kremelberg, Juani Feliz, Michael Chernus, Jennifer Lafleur

 
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‘THE NIGHT IS YOUNG’ (Popcorn Frights 2024) Love bites, but only if you’re lucky in Patrick Rea’s newest film.

popcorn frights 2024 logoTHE NIGHT IS YOUNG

TheNightIsYoung
Director Patrick Rea’s THE NIGHT IS YOUNG comes to Popcorn Frights 2024. Jumping on the content creator subgenre, or perhaps a page out of the REC playbook, this vampire romance uses all the best tropes for a breezy homegrown horror. 

Jake Jackson wears all the hats as cinematographer, special effects makeup artist, and Nora’s brother Jake. We only see him briefly at the end of the film because he’s but a voice behind the lens for the entirety of the film. He’s fantastic. 

Rea co-writes with star Sarah McGuire. I could have watched her dating shenanigans for another hour. McGuire gives Nora a relatable vibe, owning each moment with ease. Her chemistry with Valerie Bates (Emelia) feels incredibly natural. I’m excited to see what she does next.

Utilizing security footage and Jake’s real-time video maintains a sense of urgency during the countdown to sunrise. The reveal is unsurprising, but the why is much more fun for vampire canon nerds like me. THE NIGHT IS YOUNG is the definition of indie filmmaking. Taking a look at the credits, everyone had multiple roles. It’s a perfect runtime for the story. There is a solid set-up for a franchise, so color me intrigued.

DATE: Saturday, August 10
TIME: Video On Demand
VENUE: Digital Screening Room

YEAR: 2024

COUNTRY: USA

RUNTIME: 76 min

DIRECTOR: Patrick Rea

WRITER: Sarah McGuire, Patrick Rea

STARRING: Valeri Bates, Sarah McGuire, Jake Jackson

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‘CHATEAU’ (Popcorn Frights 2024) A solid sub genre entry with clever twists

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CHÂTEAU

ChateauFilmmaker Luke Genton tells the story of a wannabe influencer living in Paris looking for a hook. Short on cash, she accepts a cleaning job, not knowing the location is an infamous murder castle. Thinking this might be her internet 15 minutes, she brings her nonexistent audience on the job. CHÂTEAU gives Popcorn Frights 2024 the YouTube ghost-hunting treatment. 

Taking a page out of The Blair Witch Project and campy reality show Ghost Adventures, the format goes a step further, combining a lot of screen editing – past YouTube investigators, video calls, research blogs, and James’ real-time recordings. It is a clever move showing the audience her elaborate steady can rig. 

The location boasts stunning architectural features, a winding staircase, sprawling grounds, chandeliers, and a full-sized barn with creaky rafters. Genton does a fantastic job utilizing James’ particular room to shoot a lot of set-ups. As well as classic haunted house tropes, like lingering on over-the-shoulder door frames and panicked running in circles. 

The plot twist 30 minutes into the film caught me off guard. It was refreshing and kept me engaged. Another unexpected shift, delving into James’ unresolved trauma, sets the tone for the film’s remainder. The forced POV continues to be entirely unsettling. The jump scares are earned. The makeup team does a fine job with the progressive looks. 

The camera loves Colton Tran. He steals every scene he’s in. Tran is effortlessly charming, and I wanted to see more of him. That does not take anything away from Cathy Marks essentially performing a one-woman show. She’s likable and down-to-earth. Marks easily carries the film, ultimately grabbing viewers with her backstory.

Slow clap. One last twist takes the cake, and the final performance is smashing. Bravo. CHÂTEAU is a fun entry into the found footage subgenre. 

 

YEAR: 2024

COUNTRY: USA

RUNTIME: 83 min

DIRECTOR: Luke Genton

WRITER: Luke Genton

STARRING: Colton Tran, Cathy Marks

 
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‘STRANGE DARLING’ (Popcorn Frights 2024) Cat-and-mouse murder mayhem, the thriller you’ll never see coming

popcorn frights 2024 logoSTRANGE DARLING 

strange darling final poster

Kyle Gallner, undisputed Scream King (and my secret music boyfriend), stars alongside Willa Fitzgerald in JT Mollner‘s bonkers thriller STRANGE DARLING. Popcorn Frights 2024 audiences finally witness the unbelievable story of a famed serial killer. Told through six chapters, although nonlinear, this shocking film is here is f*ck you up. 

Opening with a Texas Chainsaw-inspired crawl, the audience is thrust into violent chaos, beginning with Chapter 3. The relentless pursuit and full-blown disturbing, but hold on a gosh darn minute. Christopher Robin Bell’s editing keeps us in a state of agitated panic. I know that device drives some people crazy. Here, it heightens every aspect of their dynamic. It all feels so personal that you need to comprehend the depravity. 

Augmented color choices in STRANGE DARLING give the film a devilish and addicting quality. The score is grating and decidedly ominous- A genuine compliment. The lighting is simply delicious. The soundtrack is fire, as the kids say. 

Gallner is a genius. This unhinged performance feels dangerous. Even more so than his role in The Passengers. Willa Fitzgerald delivers an award-worthy turn. She is fierce as hell and totally deranged. It is nothing short of a wow. 

Fitzgerald and Gallner’s chemistry is sick. There is an undeniable electricity between them, and it’s like watching a a sexy car crash happen in real time. The plot is spectacularly unpredictable. Don’t bother guessing from moment to moment, even though Mollner’s script hypes you up to do so. The sheer number of “Oh Shit” moments! Slow clap, sir.

If you want to talk about boundary-pushing movies, STRANGE DARLING is up there with the best. There is an eccentricity that lands somewhere between A Wounded Fawn and Megalomaniac. Yeah, I know that’s a broad spectrum. This twisted erotic fantasy bends until it breaks. It stokes a conversation about kink and consent, power and obsession, and, believe it or not, gender bias. The final shot is genre heaven. Few films are perfect. STRANGE DARLING is perfect.

YEAR: 2023

COUNTRY: USA

RUNTIME: 96 min

DIRECTOR: JT Mollner

WRITER: JT Mollner

STARRING: Willa Fitzgerald, Kyle Gallner, Barbara Hershey, Giovanni Ribisi

 

 

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