I’m Baaaaaack….and Here’s My Top 50 of the Decade

Hello all! It’s been nigh on four years since I last dropped some knowledge on you here at Reel News Daily. I went off and got a Master’s degree, new job and all that, but have still been rocking films from all over the world. I’m happy to be back in the fold here at Reel News Daily and look forward to contributing more this year. Don’t you feel lucky?

So, I figured my phoenix rising from the ashes post should be something that might start a little conversation – my Top 50 films of the last decade. There were so many great films to choose from, which made this list very difficult. After two days of whittling it down and moving films around, I feel confident with what I decided on. I’m sure I missed a few of your favorites, but this is my list so you’ll just have to deal with it.

Here we go:

50) Shoplifters (2018) dir. by Hirokazu Koreeda
49) Spider-Man: Into the Spider-Verse (2018) dir. by Bob Perischetti, Peter Ramsey & Rodney Rothman
48) Gone Girl (2014) dir. by David Fincher
47) A Hidden Life (2019) dir. by Terrence Malick
46) Annihilation (2018) dir. by Alex Garland
45) Under the Skin (2013) dir. by Jonathan Glazer
44) Her (2013) dir. by Spike Jonze
43) The Favourite (2018) dir. by Yorgos Lanthimos
42) Take Shelter (2011) dir. by Jeff Nichols
41) Leviathan (2012) dir. by Lucien Castaing-Taylor & Verena Paravel
40) Upstream Color (2013) dir. by Shane Carruth
39) Death of Stalin (2017) dir. by Armando Iannucci
38) Columbus (2017) dir. Kogonada
37) Holy Motors (2012) dir. by Leos Carax
36) Shame (2011) dir. by Steve McQueen
35) Scott Pilgrim Vs. the World (2010) dir. by Edgar Wright
34) Midnight in Paris (2011) dir. by Woody Allen
33) Stories We Tell (2012) dir. by Sarah Polley
32) Cold War (2018) dir. by Pawel Pawlikowski
31) Mad Max: Fury Road (2015) dir. by George Miller
30) Inside Llewyn Davis (2013) dir. by Ethan & Joel Coen
29) The Look of Silence (2015) dir. by Joshua Oppenheimer
28) We Need to Talk About Kevin (2011) dir. by Lynne Ramsay
27) BlacKkKlansman (2018) dir. by Spike Lee
26) First Reformed (2017) dir. by Paul Schrader
25) Carol (2015) dir. by Todd Haynes
24) Winter’s Bone (2010) dir. by Debra Granik
23) Citizenfour (2014) dir. by Laura Poitras
22) Animal Kingdom (2010) dir. by David Michôd
21) A Separation (2011) dir. by Asgar Farhadi
20) Meek’s Cutoff (2010) dir. by Kelly Reichardt
19) La La Land (2016) dir. by Damien Chazelle
18) Phantom Thread (2018) dir. by Paul Thomas Anderson
17) The Lobster (2015) dir. by Yorgos Lanthimos
16) Calvary (2014) dir. by John Michael McDonagh
15) Best of Enemies: Buckley Vs. Vidal (2015) dir. by Robert Morgan & Morgan Neville
14) Looper (2012) dir. by Rian Johnson
13) Frances Ha (2013) dir. by Noah Baumbach
12) Beasts of the Southern Wild (2012) dir. by Benh Zeitlin
11) Lady Bird (2018) dir. by Greta Gerwig
10) A Girl Walks Home Alone at Night (2014) dir. by Ana Lily Amirpour
9) Moonlight (2016) dir. by Barry Jenkins
8) Only Lovers Left Alive (2013) dir. by Jim Jarmusch
7) Zero Dark Thirty (2012) dir. by Kathryn Bigelow
6) The Tree of Life (2014) dir. by Terrence Malick
5) You Were Never Really Here (2017) dir. by Lynne Ramsay
4) Ex Machina (2014) dir. by Alex Garland
3) Melancholia (2011) dir. by Lars Von Trier
2) The Act of Killing (2012) dir. by Joshua Oppenheimer

1) The Master (2012) dir. by Paul Thomas Anderson

So there you have it. It was a tough job, but I was happy to do it. Here are a few that nearly made the list: Everybody Wants Some!! (underrated Richard Linklater that more people should watch), Tomas Alfredson’s slow burn spy thriller Tinker Tailor Soldier Spy and Paul Thomas Anderson’s hippie noir adaptation of Thomas Pynchon’s Inherent Vice. Admittedly, it was hard to weave many of the films from 2019 into the list as they’ll need to sit me a longer. I will say that Bong Joon Ho’s Parasite and Noah Baumbach’s Marriage Story nearly edged their way on.

Here’s to hoping that the next ten years brings as many great films as the last ten have.

New York Film Festival announces Mike Mill’s ’20th Century Women’ as centerpiece

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NYFF54 Centerpiece 20th Century Women courtesy A24

The Film Society of Lincoln Center announces the selection of 20th Century Women, written and directed by Mike Mills (Beginners), as the Centerpiece of the 54th New York Film Festival (September 30 – October 16). The gala screening on Saturday, October 8, will be the film’s World Premiere.

Available on Netflix

Mills’s texturally and behaviorally rich new comedy keeps redefining itself as it goes along, creating a moving group portrait of particular people in a particular place (Santa Barbara) at a particular moment in the 20th century (1979), one lovingly attended detail at a time. The great Annette Bening, in one of her very best performances, is a single mother raising her teenage son (newcomer Lucas Jade Zumann) in a sprawling bohemian house, shared by an itinerant carpenter (Billy Crudup) and a punk artist with a Bowie haircut (Greta Gerwig), and frequented by her son’s rebellious friend (Elle Fanning). 20th Century Women is warm, funny, and a work of passionate artistry.

New York Film Festival Director and Selection Committee Chair Kent Jones said, “I was taken aback by 20th Century Women. It’s made with an extraordinarily unusual level of craft and attention to detail, human and visual, which is now all but extinct. As someone who actually lived through 1979 in middle-class America, I will testify to the fact that Mike Mills and his remarkable cast approach the level of the uncanny. I felt like I was back there, with all the shared behaviors and worries, the divisions, the look and feel and smell of the world as it was.”

“Everyone who worked on this film is so honored we’re a part of NYFF,” said Mills. “It’s very exciting for me to premiere my film in the city where I discovered I wanted to be a writer and director, and at the film festival where I saw so many films that inspired me and truly showed me the way. My first film school was a combination of Kim’s Video on Avenue A, Theatre 80 St Marks, and all the innovations I saw at NYFF—so beginning this film’s public life here is especially meaningful to me.”

20th Century Women will be released by A24 in December. The film is produced by Megan Ellison of Annapurna Pictures, Anne Carey of Archer Gray, and Youree Henley.

The 17-day New York Film Festival highlights the best in world cinema, featuring works from celebrated filmmakers as well as fresh new talent. The selection committee, chaired by Jones, also includes Dennis Lim, FSLC Director of Programming; Florence Almozini, FSLC Associate Director of Programming; Amy Taubin, Contributing Editor, Film Comment and Sight & Sound; and Gavin Smith, who serves as a consultant.

Earlier this month, NYFF announced Ava DuVernay’s documentary The 13th as the Opening Night selection, the first-ever nonfiction work to open the festival.

Tickets for the 54th New York Film Festival will go on sale September 11. Becoming a Film Society Member at the Film Buff Level or above provides early ticket access to festival screenings and events ahead of the general public, along with the exclusive member ticket discount. Learn more at filmlinc.org/membership.

For even more access, VIP passes and subscription packages offer one of the earliest opportunities to purchase tickets and secure seats at some of the festival’s biggest events including Opening, Centerpiece, and Closing Nights. VIP passes also provide access to many exciting events, including the invitation-only Opening Night party, “An Evening With…” dinner, Filmmaker Brunch, and VIP Lounge. Benefits vary based on the pass or package type purchased. VIP passes and subscription packages are on sale now. Learn more at filmlinc.org/NYFF.

FILM SOCIETY OF LINCOLN CENTER
The Film Society of Lincoln Center is devoted to supporting the art and elevating the craft of cinema. The only branch of the world-renowned arts complex Lincoln Center to shine a light on the everlasting yet evolving importance of the moving image, this nonprofit organization was founded in 1969 to celebrate American and international film. Via year-round programming and discussions; its annual New York Film Festival; and its publications, including Film Comment, the U.S.’s premier magazine about films and film culture, the Film Society endeavors to make the discussion and appreciation of cinema accessible to a broader audience, as well as to ensure that it will remain an essential art form for years to come.

The Film Society receives generous, year-round support from American Airlines, The New York Times, HBO, The Kobal Collection, Variety, Loews Regency Hotel, the National Endowment for the Arts, and the New York State Council on the Arts.

Support for the New York Film Festival is also generously provided by Jaeger-LeCoultre.

For more information about the New York Film Festival, visit filmlinc.org/NYFF. For the latest news, subscribe to the festival’s newsletter, follow the festival on Facebook and Twitter, and use the hashtag: #NYFF.

Melissa’s Review: ‘The Humbling’ is Confusingly Brilliant

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The Humbling tells the story of aging, suicidal stage actor Simon Axler (Al Pacino) and his struggles to find passion for life again. Near his breaking point, he finds motivation in the form of a young and lustful lesbian, Pegeen Stapleford (Greta Gerwig), who has had a crush on Simon since childhood. As their relationship heats up, Simon has a hard time keeping up with the youthful and exuberant Pegeen. He feels more alive than ever before but with many disapproving people protesting their relationship, Simon must decide where his true passion lies. The Humbling is directed by Barry Levinson and also stars Kyra Sedgwick, Charles Grodin, Dianne Wiest, Dan Hedaya and Nina Arianda.

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