‘MEADOWLARKS’ (TIFF 50) A meditation on collective grief and healing

tiff-toronto-international-film 2025 posterMEADOWLARKS

meadowlarks_stills_tiff_2.49.2Based in part on her 2017 film BIRTH OF A FAMILY, Tasha Hubbard brings her scripted narrative debut to TIFF 50. MEADOWLARKS stars Michael Greyeyes, Carmen Moore, Alex Rice, and Michelle Thrush as four Cree siblings who were separated by the Sixties Scoop, who are meeting for the first time as adults.
 
Human complexity, set against a stunning backdrop, never overshadows the tragedy in their collective truth. Hubbard dives headfirst into the Scoop’s hideous history, but never shoves our faces in it. Her approach is gentle. For any viewer who somehow has zero knowledge, you’re about to learn the hard way. You will feel compelled to go down a Google search rabbit hole.
 
meadowlarks 2Performances are fantastic. Each character is incredibly nuanced. Four siblings with varying goals for the trip and vastly different personalities. But what links them is far deeper than the ways in which they were raised by white families.
 
Each sibling chooses connection in small ways. Hubbard taps into the unconscious need for space when emotionally overstimulated, and it is awe-inspiring. MEADOWLARKS is an experiment in empathy and grief through shared trauma. The quiet compassion will undoubtedly take you on a journey through sadness and hope.

Director:
Tasha Hubbard is a Cree filmmaker from Peepeekisis Cree Nation, Saskatchewan. She is a director and writer, known for Two Worlds Colliding (04), nîpawistamâsowin: We Will Stand Up (19), and Singing Back the Buffalo (24). Meadowlarks (25) is her feature debut.

Smiling person wearing Arctic Fox winter hat and headset microphone in black and white portrait

 

 

Cast
Michael Greyeyes
Carmen Moore
Alex Rice
Michelle Thrush
Cinematography
James Klopko
Editing
Simone Smith
Executive Producer
Betty Ann Adam
Producers
Tyler Hagan
Julia Rosenberg
Production Companies
Experimental Forest Films
January Media
Production Designer
Louisa Birkin
Costume Designer
Carmen Thompson
Screenplay
Tasha Hubbard
Emil Sher
Sound
Coby DeGroot
Original Score
Todor Kobakov
Publicist
Star PR
Canadian Distributor
Mongrel Media

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TIFF22 review: Marie Clements’ ‘BONES OF CROWS’ is an exquisite cinematic experience of trauma and hope.

BONES OF CROWS

Centuries of trauma reveal themselves on the big screen in the TIFF22 feature film BONES OF CROWS by writer-director Marie ClementsIt’s a visceral but undeniably important watch. The film occurs over the span of 100 years. Watching the Catholic church, aided by the government, nonchalantly discussing the planned eradication of the poor is infuriating. Indigenous children were ripped from the arms of their parents, under threat of incarceration, and placed in residential homes run by severe priests and nuns. Children were stripped of their culture and used as lab rats. The number of children buried in unmarked graves is unfathomable. 

In the film, we bounce in time as unresolved trauma and abuse rear their ugly head through decades. Actress Grace Dove plays Aline Spears beginning at age 16. Once a promising concert pianist, her hopes and dreams were dashed by physical, psychological, and sexual abuse. Her memories, accompanied by those of one of her siblings and husband, intertwine to paint a harrowing picture of torture and fear. But, the pain inflicted upon her never extinguishes her soul. As she endures continued racism, Aline has the last word through a chance visit to the Vatican and the legacy of her children. 

While BONES OF CROWS predominantly follows the fallout of one family, their story is tragically universal. Dove carries the weight of the film on her shoulders, reminding the audience of the strength of the Canadian native population. Her unrelenting and raw bravery lets the audience reside in her psyche with a quiet discomfort needed for BONES OF CROWS to succeed as it does.

The beauty and triumph of BONES OF CROWS occur in unexpected moments. The appearance of the titular birds becomes a recurring theme of hope. You cannot ignore the striking cinematography. The film’s finale is a much-needed emotional catharsis. When you hear and feel the song “You Are My Bones,’ co-written by Marie Clements, you won’t be able to hold back any longer. Bones of Crows is a soul-changing film. It’s simply exquisite storytelling. TIFF22 audiences are privileged to experience this first. BONES OF CROWS is a jaw-dropping cinematic experience. 


An epic account of the life of Cree matriarch Aline Spears that spans generations, Marie Clements’ Bones of Crows is a powerful indictment of the abuse of Indigenous peoples as well as a stirring story of resilience and resistance.

This programme contains scenes that may distress some viewers, especially those who have experienced harm, abuse, violence, and/or intergenerational trauma due to colonial practices.

Support is available 24 hours a day for anyone affected by their experience at residential schools and for those who may be triggered by content dealing with residential schools, child abuse, emotional trauma, and racism. The national Indian Residential Schools Crisis Line is available at 1-866-925-4419.


Canada, 2022
English, Cree, ʔayʔajuθəm, Italian
WORLD PREMIERE
127 minutes
Director
Marie Clements
Cast
Grace Dove, Phillip Forest Lewitski, Alyssa Wapanatâhk, Michelle Thrush, Glen Gould, Gail Maurice, Carla Rae, Cara Gee, Rémy Girard, Karine Vanasse, Jonathon Whitesell, Patrick Garrow, Summer Testawich, Sierra McRae, Tanaya Beatty, Joshua Odjick, Alanis Obomsawin