15 U.S. Premieres of the New York Film Festival

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A Skin So Soft
Description: Studiously observing the world of male bodybuilding, Denis Côté’s A Skin So Soft (Ta peau si lisse) crafts a multifaceted portrait of six latter-day Adonises through the lens of their everyday lives: extreme diets, training regimens, family relationships, and friendships within the community. Capturing the physical brawn and emotional complexity of its subjects with wit and tenderness, this companion piece to Cote’s singular animal study Bestiaire (2012) is a self-reflexive rumination on the long tradition of filming the human body that also advances a fascinating perspective on contemporary masculinity.
Directed By: Denis Côté
Festivals: New York Film Festival (2017),Locarno International Film Festival (2017)
Section of NYFF: Spotlight on Documentary
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BOOM FOR REAL The Late Teenage Years of Jean-Michel Basquiat
Description: Sara Driver’s documentary is both a celebration of and elegy for the downtown New York art/music/film/performance world of the late 1970s and early ’80s, through which Jean-Michel Basquiat shot like a rocket. Weaving Basquiat’s life and artistic progress in and out of her rich, living tapestry of this endlessly cross-fertilizing scene, Driver has created an urgent recollection of freedom and the aesthetic of poverty. Graffiti meets gestural painting, hip hop infects rock and roll and visa versa, heroin comes and never quite goes, night swallows day, and everybody looms as large as they feel like looming on the crumbling streets of the Lower East Side.
Directed By: Sara Driver
Festivals: New York Film Festival (2017)
Section of NYFF: Spotlight on Documentary
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BPM (Beats Per Minute)
Description: In the early 1990s, ACT UP—in France, as in the U.S.—was on the front lines of AIDS activism. Its members, mostly gay, HIV-positive men, stormed drug company and government offices in “Silence=Death” T-shirts, facing down complacent suits with the urgency of their struggle for life. Robin Campillo (Eastern Boys) depicts their comradeship and tenacity in waking up the world to the disease that was killing them and movingly dramatizes the persistence of passionate love affairs even in dire circumstances. All the actors, many of them unknown, are splendid in this film, which not only celebrates the courage of ACT UP but also tacitly provides a model of resistance to the forces of destruction running rampant today. A release of The Orchard.
Directed By: Robin Campillo
Festivals: New York Film Festival (2017),Cannes Film Festival (2017)
Section of NYFF: Main Slate
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https://youtu.be/FduQRG2JRtU

Caniba
Description: The latest by the makers of Leviathan (NYFF50) is a harrowing engagement with the sheer presence of a man who did the unthinkable: Issei Sagawa, who became a tabloid magnet after killing and cannibalizing a woman in Paris in 1981. Caniba moves past sensationalism to immerse viewers in an unnervingly intimate encounter with Sagawa, who has since lived off his notoriety (as a sexploitation star and manga author), and his brother and primary caretaker. The filmmakers use this modern-day instance of cannibalism, long a subject of anthropological study, to raise questions about repulsion, desire, madness, and more. Audacious and unflinching, Caniba compels us to reckon with the most extreme limits of human behavior.
Directed By: Véréna Paravel,Lucien Castaing-Taylor
Festivals: New York Film Festival (2017), Venice Film Festival (2017)
Section of NYFF: Projections
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Dragonfly Eyes
Description: Chinese visual artist Xu Bing’s ambitious debut feature follows an ill-fated romance through a frightening and faceless urban environment, using only closed-circuit surveillance footage. Constructing a fictitious narrative from real-world encounters and frequently spectacular images, Xu turns the story of a young man attempting to relocate his object of desire into a cogent analysis of postmodern identity and digitally mediated communication.
Directed By: Xu Bing
Festivals: New York Film Festival (2017),Locarno International Film Festival (2017),Toronto Film Festival (2017)
Section of NYFF: Projections
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Félicité
Description: The new film from Alain Gomis, a French director of Guinea-Bissauan and Senegalese descent, is largely set in the roughest areas of the rough city of Kinshasa in the Democratic Republic of the Congo. Here, a woman named Félicité (Véro Tshanda Beya Mputu) scrapes together a living as a singer in a makeshift bar (her accompanists are played by members of the Kasai Allstars band). When her son is seriously injured in an accident, she goes in search of money for his medical care and embarks on a double journey: through the punishing outer world of the city and the inner world of the soul. Félicité is tough, tender, lyrical, mysterious, funny, and terrifying, both responsive to the moment and fixed on its heroine’s spiritual progress. A Strand Releasing release.
Directed By: Alain Gomis
Festivals: New York Film Festival (2017),Berlin Film Festival (2017)
Section of NYFF: Main Slate
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Good Luck
Description: In his first solo feature in eight years, Ben Russell takes us deep into the unforgiving copper mines of Serbia. When we emerge, we’re thousands of miles away, amongst an illegal band of gold miners in the Suriname jungle. The physical demands of labor, as well as the transformative power of music, connect these communities, each equally fortified by the realities of capital and a spirit of masculine camaraderie.
Directed By: Ben Russell
Festivals: New York Film Festival (2017),Locarno International Film Festival (2017)
Section of NYFF: Projections
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Jane
Description: In 1960, Dr. Louis Leakey arranged for a young English woman with a deep love of animals to go to Gombe Stream National Park near Lake Tangyanika. The Dutch photographer and filmmaker Hugo van Lawick was sent to document Jane Goodall’s first establishment of contact with the chimpanzee population, resulting in the enormously popular Miss Goodall and the Wild Chimpanzees, the second film ever produced by National Geographic. One hundred hours of Lawick’s original footage was rediscovered in 2014. From that material, Brett Morgen (Kurt Cobain: Montage of Heck) has created a vibrant film experience, giving new life to the experiences of this remarkable woman and the wild in which she found a home. A National Geographic Documentary Films release.
Directed By: Brett Morgen
Festivals: New York Film Festival (2017)
Section of NYFF: Spotlight on Documentary
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Occidental
Description: In a boho Parisian hotel, two sexually and politically ambiguous Italians romp through a succession of blatantly artificial, anachronistically decorated set pieces, stoking the prejudices of staff members and fellow guests. Outside, riots rage and protesters march, threatening to spill into the increasingly feverish atmosphere gathering indoors. French-Algerian artist Neïl Beloufa’s second feature—reminiscent of films by Bertrand Bonello and the stage-derived works of Alain Resnais—confirms the arrival of a uniquely provocative, socially attuned filmmaker.
Directed By: Neïl Beloufa
Festivals: New York Film Festival (2017)
Section of NYFF: Projections
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https://youtu.be/JPkDpozVdnA

Sea Sorrow
Description: Vanessa Redgrave’s debut as a documentary filmmaker is a plea for a compassionate western response to the refugee crisis and a condemnation of the vitriolic inhumanity of current right wing and conservative politicians. Redgrave juxtaposes our horrifying present of inadequate refugee quotas and humanitarian disasters (like last year’s clearing of the Calais migrant camp) with the refugee crises of WWII and its aftermath, recalled with archival footage, contemporary news reports and personal testimony—including an interview with the eloquent Labor politician Lord Dubs, who was one of the children rescued by the Kindertransport. Sea Sorrow reaches further back in time to Shakespeare, not only for its title but also to further remind us that we are once more repeating the history that we have yet to learn.
Directed By: Vanessa Redgrave
Festivals: New York Film Festival (2017),Cannes Film Festival (2017)
Section of NYFF: Spotlight on Documentary
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Spoor
Description: Janina Duszejko (Agnieszka Mandat) is a vigorous former engineer, part-time teacher, and animal activist, living in a near wilderness on the Polish-Czech border, where hunting is the favored year-round sport of the corrupt men who rule the region. When a series of hunters die mysteriously, Janina wonders if the animals are taking revenge, which doesn’t stop the police from coming after her. A brilliant, passionate director, Agnieszka Holland—who like Janina comes from a generation that learned to fight authoritarianism by any means necessary—forges a sprawling, wildly beautiful, emotionally enveloping film that earns its vision of utopia. It’s at once a phantasmagorical murder mystery, a tender, late-blooming love story, and a resistance and rescue thriller.
Directed By: Agnieszka Holland,Kasia Adamik
Festivals: New York Film Festival (2017),Berlin Film Festival (2017)
Section of NYFF: Main Slate
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The Day After
Description: Hong continues in the openly emotional register of his On the Beach at Night Alone, also showing in this year’s Main Slate. Shot in moody black and white, The Day After opens with book publisher Bongwan (Kwon Hae-hyo) fending off his wife’s heated accusations of infidelity. At the office, it’s the first day for his new assistant, Areum (Kim Min-hee), whose predecessor was Bongwan’s lover. Mistaken identity, repetition compulsion, and déjà vu figure into the narrative as the film entangles its characters across multiple timelines through an intricate geometry of desire, suspicion, and betrayal. The end result is one of Hong’s most plaintive and philosophical works.
Directed By: Hong Sang-soo
Festivals: New York Film Festival (2017),Cannes Film Festival (2017)
Section of NYFF: Main Slate
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https://youtu.be/FObtBK0CB9I

The Florida Project
Description: A six-year-old girl (the remarkable Brooklynn Prince) and her two best friends run wild on the grounds of a week-by-week motel complex on the edge of Orlando’s Disney World. Meanwhile, her mother (talented novice Bria Vinaite) desperately tries to cajole the motel manager (an ever-surprising Willem Dafoe) to turn a blind eye to the way she pays the rent. A film about but not for kids, Baker’s depiction of childhood on the margins has fierce energy, tenderness, and great beauty. After the ingenuity of his iPhone-shot 2015 breakout Tangerine, Baker reasserts his commitment to 35mm film with sun-blasted images that evoke a young girl’s vision of adventure and endurance beyond heartbreak. An A24 release.
Directed By: Sean Baker
Festivals: New York Film Festival (2017)
Section of NYFF: Main Slate
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Western
Description: As its title suggests, German director Valeska Grisebach’s first feature in a decade is a supremely intelligent genre update that recognizes the Western as a template on which to draw out eternal human conflicts. In remote rural Bulgaria, a group of German workers are building a water facility. Meinhard (Meinhard Neumann), the reserved newbie in this all-male company, immediately draws the ire of the boorish team leader, not least for his willingness to mingle with the wary locals. Cast with utterly convincing nonprofessional actors, Western is a gripping culture-clash drama, attuned both to old codes of masculinity and new forms of colonialism. A Cinema Guild release.
Directed By: Valeska Grisebach
Festivals: New York Film Festival (2017),Cannes Film Festival (2017)
Section of NYFF: Main Slate
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Zama
Description: The great Lucrecia Martel ventures into the realm of historical fiction and makes the genre entirely her own in this adaptation of Antonio di Benedetto’s 1956 classic of Argentinean literature. In the late 18th century, in a far-flung corner of what seems to be Paraguay, the title character, an officer of the Spanish crown (Daniel Giménez Cacho) born in the Americas, waits in vain for a transfer to a more prestigious location. Martel renders Zama’s world—his daily regimen of small humiliations and petty politicking—as both absurd and mysterious, and as he increasingly succumbs to lust and paranoia, subject to a creeping disorientation. Precise yet dreamlike, and thick with atmosphere, Zama is a singular and intoxicating experience, a welcome return from one of contemporary cinema’s truly brilliant minds.
Directed By: Lucrecia Martel
Festivals: New York Film Festival (2017)
Section of NYFF: Main Slate
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Review: ‘Thirst Street’… Just Look Up “Thirsty” On Urban Dictionary

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Thirst Street

Theatrical Release (NYC): September 20, 2017

Theatrical Release (LA): September 29, 2017

Guest review from Reel Reviews Over Brews

Alone and depressed after the suicide of her lover, American flight attendant Gina (Lindsay Burdge) travels to Paris and hooks up with nightclub bartender Jerome (Damien Bonnard) on her layover. But as Gina falls deeper into lust and opts to stay in France, this harmless rendezvous quickly turns into unrequited amour fou. When Jerome’s ex Clemence (Esther Garrel) reenters the picture, Gina is sent on a downward spiral of miscommunication, masochism, and madness. Inspired by European erotic dramas from the ’70s, Thirst Street burrows deep into the delirious extremes we go to for love.

Thirsty
1. Too eager to get something (especially play)
2. Desperate
That is the Urban Dictionary definition for “thirsty.” Boy it is spot on for this film. Thirst Street is one trippy ride down the rabbit hole of obsession. The film is set in Paris, but not the romanticized verizon commonly seen in movies, but it’s darker edge. The director did a great job finding that darker tone with the characters and night clubs throughout the film. The plot is right out of a guy’s nightmare. Gina (Lindsay Burdge) hooks-up with Jerome (Damien Bonnard), a random guy from a club, and slowly becomes “a stage five clinger.” Yikes! She goes to extremes trying to keep Jerome for herself. Lindsay Burdge is actually the best part of this movie! She killed it. She certainly made us feel that she is this obsessive, crazy one night hookup you are desperately trying to get rid of. Thirst Street is labeled a drama, but for some guys, it could be viewed as a horror. Would we recommend going to theaters to see it? No. Save your money. It could be a Netflix hidden gem to watch one day, hopefully not with a date though… we don’t want them getting any ideas.

Reel ROB Rating: 2.5 out of 5 stars

Post Credits Scene: No

We want to thank our friends at Reel News Daily for allowing us to do this guest review for them!

Review: ‘Indivisible’ takes the family bond to the extreme.

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INDIVISIBLE
(Indivisibili)In a complex and incredibly nuanced new film, sisters must decide if physical and emotional separation is what they need to survive. Indivisible is a story of exploitation and personal desire.
Daisy and Viola are conjoined twin sisters living in the suburbs of Naples. They are blessed with beautiful voices and, thanks to their performances at local weddings, communions, and baptisms, have become the breadwinners for their entire family. Kept isolated from the world by their exploitative father, their lives are turned upside down when one of them falls in love for the first time… and they discover that it is possible for them to be separated.
Angela and Marianna Fontana play conjoined twins Dasy and Viola. Sought after for their singing talents and local idolatry, everyone wants a piece of them. Born into a selfish family living off the girls’ fame, they are forced to perform, threatened by guilt and permeating greed. While one sister yearns to be surgically divided, the other feels devastated by the idea. In bold performances from these real-life twins, we are rooting for their ultimate happiness. Despite being attached at the hip, each young woman gives a brilliant performance. Full of dreams and determination, these ladies own the screen is presence and ability. Battling religious fanaticism and the seduction of escapism, our leading ladies ooze with charisma. Indivisible takes a heartfelt and intimate approach to dismiss the sideshow mentality. Every theme in this script is some sort of double entendre. With beautiful cinematography on top of a clever and unexpected script, Indivisible is one of a kind.
The film is currently playing in New York City and opens theatrically in Los Angeles today. A national rollout will follow.

100 mins | Italy | in Italian with English subtitles | 2016

Written and Directed by Edoardo De Angelis
**NORTH AMERICAN PREMIERE – TORONTO INTERNATIONAL FILM FESTIVAL 2016**
**WORLD PREMIERE – 73RD VENICE INTERNATIONAL FILM FESTIVAL**

**OPENING NIGHT – OPEN ROADS**

NYFF Live – FREE Talks at the New York Film Festival

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NYFF55 talks also include On Cinema: Richard Linklater and Directors Dialogues with Lucrecia Martel, Agnès Varda & JR, Hong Sang-soo, and Philippe Garrel

The Film Society of Lincoln Center announces the lineup for the sixth edition of free talk series NYFF Live during the 55th New York Film Festival (September 28 – October 15). HBO® is the presenting sponsor of NYFF Live, which features actors, directors, writers, critics, and other industry insiders participating in daily evening discussions from September 29 – October 13 in the Amphitheater at the Elinor Bunin Munroe Film Center.

NYFF55 Directors Dialogues, for which HBO® is also the presenting sponsor, include conversations with Main Slate filmmakers Lucrecia Martel, Agnès Varda & JR, Hong Sang-soo, and Philippe Garrel. This year’s On Cinema features Opening Night filmmaker Richard Linklater (Last Flag Flying) in an in-depth discussion with NYFF Director Kent Jones about films that have influenced and inspired him, illustrated with film clips.

NYFF Live features panels on The Square, The Meyerowitz Stories (New and Selected), The Florida Project, and other films from NYFF55, as well as discussions with festival talent including Vanessa Redgrave, Luca Guadagnino, and Claire Denis. For updates and additional details about panelists and moderators, visit filmlinc.org. NYFF Live is organized by FSLC Deputy Director Eugene Hernandez and Brian Brooks, FSLC’s Manager of Talks and Artist Programs.

Free tickets to both NYFF Live and Directors Dialogues events will be distributed at the Elinor Bunin Munroe Film Center box office (144 West 65th Street, between Broadway and Amsterdam) on a first-come, first-served basis starting one hour prior to the talks. Limit one ticket per person, subject to availability. For those unable to attend, video from these events will be available online at filmlinc.org.

The 18-day New York Film Festival highlights the best in world cinema, featuring works from celebrated filmmakers as well as fresh new talent. The selection committee, chaired by Jones, also includes Dennis Lim, FSLC Director of Programming; Florence Almozini, FSLC Associate Director of Programming; and Amy Taubin, contributing editor for Film Comment and Artforum.

Friday, September 29
7:00PM     Ruben Östlund, The Square
8:00PM     VR and the Future of Virtual Production by Lucasfilm

Saturday, September 30
6:00PM     On Cinema: Richard Linklater
7:00PM     Gamescape: The Revenge of Full Motion Video
8:00PM     IndieWire Screen Talk LIVE podcast with Eric Kohn & Anne Thompson

Sunday, October 1
3:00PM      HBO Directors Dialogues: Lucretia Martel
7:00PM     Film Comment: The Cinema of Experience
8:00PM     Serge Bozon & Isabelle Huppert, Mrs. Hyde

Monday, October 2
6:00PM     HBO Directors Dialogues: Agnès Varda & JR
7:00PM     Noah Baumbach, The Meyerowitz Stories (New and Selected)
8:00PM     NYFF Shorts Filmmakers

Tuesday, October 3
7:00PM     Making The Florida Project: Sean Baker & Chris Bergoch

Wednesday, October 4
7:00PM     Making Call Me by Your Name: Luca Guadagnino, Armie Hammer, and Michael Stuhlbarg

Thursday, October 5
7:00PM     Spotlight on Documentary Filmmakers

Friday, October 6
7:00PM     Documenting Creativity: Griffin Dunne, Rebecca Miller, Susan Lacy, Josh Koury & Myles Kane

Saturday, October 7
7:00PM     Film Comment: Filmmakers Chat

Sunday, October 8
7:00PM     Vanessa Redgrave, Sea Sorrow

Monday, October 9
7:00PM     Greta Gerwig, Lady Bird
8:00PM     HBO Directors Dialogues: Hong Sang-soo

Tuesday, October 10
7:00PM     Field of Vision Presents
8:00PM     HBO Directors Dialogues: Philippe Garrel

Wednesday, October 11
7:00PM     Keeping Cultural Borders Open: Laurie Anderson and special guests

Thursday, October 12
7:00PM     Real Characters: Writing Biopics and Origin Stories

Friday, October 13
7:00PM     Film Comment: Festival Wrap
8:00PM     Access New Audiences: Wonderstruck & The Blind Boys of Alabama

Friday, September 29
7:00pm
Ruben Östlund, The Square
Swedish filmmaker Ruben Östlund’s The Square won the coveted Palme d’Or at Cannes this year. The satirical drama, starring Claes Bang and Elisabeth Moss, follows a well-heeled contemporary art curator at a Stockholm museum who falls prey to a pickpocketing scam, triggering an overzealous response and then a crisis of conscience. Östlund, whose features also include Play and Force Majeure, will talk about writing and directing The Square, which plays at this year’s NYFF.

8:00pm
VR and the Future of Virtual Production by Lucasfilm
Demo and Talk with Rachel Rose, Jose Perez, and Nick Rasmussen
From the depths of earth’s oceans to galaxies far, far away, VR allows us to be anyone, go anywhere, and see anything. Lucasfilm and its visual effects division, Industrial Light & Magic, have harnessed the power of this medium to create a new Virtual Production toolset, allowing filmmakers to build and scout a virtual set, manipulate props, puppeteer characters and vehicles, even compose shots to create virtual storyboards. It’s a game-changing application that is easy to learn, allowing storytellers to focus on the elements that blend together to form great stories. The creators of the toolset will participate in a conversation about the development of the platform and its potential to impact the filmmaking process, followed on Saturday by a public demonstration that will allow audiences to experience the system first hand.

Saturday, September 30
6:00pm
On Cinema: Richard Linklater
In this annual special event, NYFF Director Kent Jones sits down with world-renowned filmmakers for an in-depth talk about films that have influenced and inspired them, illustrated with film clips. This year, Jones will talk with Richard Linklater, whose intensely emotional comic drama Last Flag Flying is this year’s opening night selection, and whose many superb films (Slacker, Dazed and Confused, Waking Life, and Boyhood, to name just a few) have been genuine gifts to modern American cinema.

7:00pm
Gamescape: The Revenge of Full Motion Video
It’s 1983. You find yourself in an arcade in the ’burbs. Among the future classics—Galaga, Space Invaders, Donkey Kong—you find something different: Sega’s Astron Belt or Cinematronics’ Dragon’s Lair, games that eschewed pixelated sprites for video and vivid animation. Full Motion Video games were movies you could play—to a point: the technical execution left something to be desired. Games were unreliable, systems crashed, and FMV all but disappeared. But FMV is making a comeback as creators breathe new life into this 35-year-old form. The 2017 edition of Gamescape celebrates some of the best new FMV work and looks back on titles both famous and infamous from the golden age of the arcade. GameScape is co-curated by Clara Fernandez-Vara, of the NYU Game Center.

8:00pm
IndieWire Screen Talk LIVE podcast with Eric Kohn & Anne Thompson
Take a seat to watch IndieWire’s Chief Film Critic Eric Kohn and Editor at Large Anne Thompson engage in film debate and banter as they record the next episode of their popular podcast, Screen Talk. Kohn and Thompson will give their takes on the first weekend of the New York Film Festival, and talk about how awards season is shaping up.

Sunday, October 1
3:00pm
HBO Directors Dialogues: Lucrecia Martel
A singular artist working in cinema today, Argentinean director Lucrecia Martel makes films that are unlike any others. This year, Zama, showcased in the Main Slate, marks Martel’s fourth feature and fourth New York Film Festival appearance, following La Cienaga (2001), The Holy Girl (2004), and The Headless Woman (2009). Join Martel for a discussion of her films and her remarkable latest, an adaptation of a classic Argentinean novel, set in the late 18th century.

7:00pm
Film Comment: The Cinema of Experience
At this year’s NYFF, filmmakers are rising to the challenge of representing race and immigration at a pivotal time in our nation’s history. Our guests will discuss how cinematic technique is used to reflect such experiences and what is different about the latest generation of storytelling. Moderated by Film Comment Editor-in-Chief Nicolas Rapold, and featuring critic Teo Bugbee, writer-programmer Ashley Clark, and writer-filmmaker Farihah Zaman.

8:00pm
Serge Bozon & Isabelle Huppert, Mrs. Hyde
Academy Award nominee Isabelle Huppert headlines Serge Bozon’s eccentric comedic thriller loosely based on Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde. Huppert plays a timid physics professor at a suburban high school constantly mocked by colleagues and students. During a stormy night, she is struck by lightning, and wakes up as the newly powerful Madame Hyde. Meet Huppert as she talks about transforming into this character, and her career in movies and television; and Bozon, who will share his experiences making the movie.

Monday, October 2
6:00pm
HBO Directors Dialogues: Agnès Varda & JR
At age 89, legendary French filmmaker Agnès Varda has collaborated with 34-year-old visual artist JR on a remarkable new film, titled Faces Places. In it, the two of them journey from one rural French village to another, meeting people, taking their photographs, and printing large-scale versions of them, placed grandly within the environments. The two artist friends will discuss their unique project and the wise and wonderful film that came out of it.

7:00pm
Noah Baumbach, The Meyerowitz Stories (New and Selected)
No stranger to the New York Film Festival, Noah Baumbach has presented The Squid and the Whale (2005), Margot at the Wedding (2007), and Frances Ha (2012) here. Baumbach returns this year with the comedic drama The Meyerowitz Stories (New and Selected), starring Dustin Hoffman, Adam Sandler, Ben Stiller, and Emma Thompson. The film harkens back to the themes of family vanities and warring attachments he has explored in previous movies. Baumbach will talk about writing the film, and working with a cast that includes screen legend Hoffman.

8:00pm
NYFF Shorts Filmmakers
For the past three years, the New York Film Festival has celebrated short form filmmakers living and working in the city. Meet the directors with films in the festival’s “New York Stories” program: Jason Giampietro (Unpresidented), Adinah Dancyger (Cheer Up Baby), Ashley Connor and Joe Stankus (The Layover), Kevin Wilson, Jr. (My Nephew Emmett), John Wilson (The Road to Magnasanti) and Pacho Velez & Yoni Brook (Mr. Yellow Sweatshirt).

Tuesday, October 3
7:00pm
Making The Florida Project: Sean Baker & Chris Bergoch
Sean Baker (writer-director-producer-editor) and Chris Bergoch (writer-producer) collaborated on The Florida Project, which is having its U.S. premiere at the New York Film Festival. In this discussion, they’ll delve into the particulars of how The Florida Project was conceived and executed through its various stages in development. Set over one summer, the film follows precocious six-year-old Moonee as she courts mischief and adventure with her ragtag playmates and bonds with her rebellious but caring mother, all while living in the shadow of nearby Disney World.

Wednesday, October 4
7:00pm
Making Call Me by Your Name: Luca Guadagnino, Armie Hammer, and Michael Stuhlbarg
Luca Guadagnino’s film has already caused a sensation at the Sundance, Berlin, and Toronto film festivals. Based on the book by André Aciman and from a screenplay by James Ivory, Call Me by Your Name centers on the son of an American professor who falls for the graduate student who comes to study and live with his family in their northern Italian home during the summer. Join Guadagnino and actors Armie Hammer and Michael Stuhlbarg as they talk about what is sure to be one of the most debated films of the fall.

Thursday, October 5
7:00pm
Spotlight on Documentary Filmmakers
The amount of nonfiction films has skyrocketed since the turn of the century. Festivals around the world have celebrated the form, while critics and filmgoers have increasingly included docs on their roster of films to see. The group of filmmakers showing at this year’s NYFF—including Alison McAlpine (Cielo), Nancy Buirski (The Rape of Recy Taylor), Ena and Ines Talakic (Hall of Mirrors), among others—represent a cross-section of some of the most compelling documentarians working today.

Friday, October 6
7:00pm
Documenting Creativity: Griffin Dunne, Rebecca Miller, Susan Lacy, Josh Koury & Myles Kane
Many documentaries showing at this year’s NYFF focus on the lives and work of major writers and artists. At this talk, the directors behind four of these films will speak about their processes in representing creative people onscreen: Griffin Dunne, on creating a portrait of his aunt in Joan Didion: The Center Will Not Hold; Rebecca Miller, on the long road to constructing a documentary on her father in Arthur Miller: Writer; Susan Lacy, who traces the private, public, and artistic development of one of cinema’s true giants in Spielberg; and Josh Koury & Myles Kane on Voyeur, which closely followed Gay Talese as he worked on his controversial book The Voyeur’s Motel.

Saturday, October 7
7:00pm
Film Comment: Filmmakers Chat
For the second year, Film Comment gives you the rare chance to see some of today’s most important filmmakers in dialogue with each other. A selection of NYFF directors past and present will talk together about their influences and inspirations in a discussion moderated by the magazine’s editor-in-chief Nicolas Rapold, with filmmakers Claire Denis (Let the Sun Shine In) and Joachim Trier (Thelma).

Sunday, October 8
7:00pm
Vanessa Redgrave, Sea Sorrow
Her career as an actor has spanned six decades, but Academy Award winner Vanessa Redgrave has now become a documentary director with Sea Sorrow, a timely examination of the world’s urgent migrant crisis. Redgrave will be joined by producer Carlo Gabriel Nero to discuss what moved her to take on the project and how she set out to accomplish her filmmaking goals.

Monday, October 9
7:00pm
Greta Gerwig, Lady Bird
Greta Gerwig is a familiar presence at the New York Film Festival, seen in films such as Frances Ha (2012), Eden(2014), and 20th Century Women (2016). Gerwig has returned to the festival this year as a filmmaker, presenting her directorial debut, Lady Bird, starring Saoirse Ronan as an artistically inclined young woman trying to define herself in the shadow of her mother (Laurie Metcalf) and searching for an escape route from her hometown of Sacramento. Join Gerwig as she talks about segueing to behind the camera and telling a story that comes from a very personal place.

8:00pm
HBO Directors Dialogues: Hong Sang-soo
Beyond prolific, South Korean director Hong Sang-soo has presented new films in NYFF’s Main Slate for five years in a row. And this year, he has two new movies: The Day After, a black-and-white tale of mistaken identity, déja vu, and adultery; and On the Beach at Night Alone, an achingly personal response to public scandals surrounding his romantic life, starring Kim Min-hee (The Handmaiden). Hong will be on-hand to discuss these intimate, dialogue-driven, comic-tinged dramas.

Tuesday, October 10
7:00pm
Field of Vision Presents
Since its launch in 2013, Field of Vision has been a trailblazer in producing and championing short-form documentaries about developing and ongoing stories from around the world. This evening will spotlight three current films, featuring clips and discussions with their filmmakers. These include Marshall Curry’s A Night at the Garden, about a chilling rally held in New York nearly 80 years ago and which has resonance today; Josh Begley’s Best of Luck with the Wall, which gives perhaps the first true look at the consequences of Trump’s proposed wall between the U.S. and Mexico; and a sneak from Farihah Zaman and Jeff Reichert’s latest project, American Carnage, about the films and politics of Breitbart News chief and former Trump adviser Steve Bannon.

8:00pm
HBO Directors Dialogues: Philippe Garrel
French master Philippe Garrel represents a strain of modernist cinema that stretches from the post–New Wave era to today, as evidenced by three of his films showing during NYFF this year. We’re pleased to present his newest film, the penetrating meditation on relationships and fidelity Lover for a Day, showing in the Main Slate, as well as restorations of his La Révélateur, made while the events of May ’68 were unfolding, and his devastatingly personal 1979 film L’Enfant secret. And we’re thrilled to have Garrel at this rare public appearance.

Wednesday, October 11
7:00pm
Keeping Cultural Borders Open: Laurie Anderson and special guests
This year at the New York Film Festival, hundreds of artists and activists will band together to launch The Federation. Formed by Laurie Anderson, Laura Michalchyshyn, and Tanya Selvaratnam in response to the increased xenophobia and closing of physical borders, The Federation is a coalition of individuals and organizations committed to keeping cultural borders open and recognizing how essential artistic experiences are to fostering compassion, critical thinking, and joy. Join Anderson, Selvaratnam, Sara Driver, Barbet Schroeder, and other special guests for a discussion about the aims of the initiative and the role artists play in combatting cultural barriers. Presented with The Federation

Thursday, October 12
7:00pm
Real Characters: Writing Biopics and Origin Stories
One of the deepest connections we can have to a movie is through fully conceptualized, credible characters. Without them, even the most engrossing plot may not resonate. The Writers Guild of America, East brings together the creators behind some unforgettable recent movie characters to tell us how they made them intriguing and believable. Presented with WGA East

Friday, October 13
7:00pm
Film Comment: Festival Wrap
In what is becoming an annual tradition, Film Comment contributing critics and editors gather for the festival’s last weekend and talk about the films they’ve seen, discussing—or arguing about—the selections in the lineup, from Main Slate and beyond.

8:00pm
Access New Audiences: Wonderstruck & The Blind Boys of Alabama
Join Michele Spitz (Woman of Her Word) and Jo-Ann Dean (SIGNmation) for a discussion on how filmmakers and distributors can increase audience outreach and box-office by incorporating accessible language components for both Deaf and Blind communities. Participating are Deaf actors Lauren Ridloff, Anthony Natale, and John McGinty, featured in NYFF Centerpiece Wonderstruck; Leslie McCleave, producer-director of How Sweet the Sound: The Blind Boys of Alabama; and award-winning audio producer, director, and engineer Cliff Hahn. The panelists will provide insight on budgeting, grant opportunities, and how American Sign Language (ASL), Audio Description (AD) and Open/Closed Captioning (OC/CC) are inclusive assets. ASL Interpretation Provided. Presented with NYWIFT

Review: Amy Ryan gives a moving performance in ‘Abundant Acreage Available’ winner of Best Screenplay at the Tribeca Film Festival

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From writer/director Angus MacLachlan and Executive Producer Martin Scorsese, ABUNDANT ACREAGE AVAILABLE tells the story of a family in flux. Still reeling over the recent death of their father, brother and sister Jesse & Tracy (Terry Kinney & Amy Ryan) are attempting to settle into their new lives in his absence. Their quiet and simple existence is unexpectedly disrupted by the sudden arrival of three mysterious brothers, camping on their land and possessing a surprising connection to their family farm. The two sets of siblings are set on a direct collision course that will change all of their lives, for better or for worse. Tackling complicated issues of family legacies, and anchored by an amazing set of performances, the film is a brilliant showcase for all involved.

 

In Theaters September 29, 2017 at Cinema Village in New York
on demand October 6, 2017

Written & Directed by: 
Angus MacLachlan (Academy Award-nominated film Junebug)

Executive Produced by:
Martin Scorsese

Starring: 
Amy Ryan (Academy Award nominee for Gone Baby Gone, Birdman)
Terry Kinney (“Billions,” “Oz”) 
Steve Coulter (The Wizard of Lies, “House of Cards”)
Francis Guinan (Hannibal, Constantine)
Max Gail (42, “Barney Miller”)

Told almost entirely outdoors in the cold winter, Abundant Acreage Available, is a slice-of-life tale that surprises and moves you. Amy Ryan’s heartfelt performance reveals a woman who is struggling to come to terms with the loss of her father as three brothers show up to reclaim their father’s land.

I especially enjoyed the dynamic between the two sets of siblings. Tracy and her brother, Jesse, both took care of their father until his recent passing. When three brothers show up, their own complicated history interferes but also strengthens their bond.

Secrets, illness, despair, loneliness, all of it pulls you into thinking how you would handle the same situation. You never know what’s around the next corner, but leaning on your sibling is not to be taken for granted.

Review: ‘GIRL FLU’ is contagious fun.

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Growing up is awkward. No one is ever really prepared to deal with puberty, whether it’s the child or the parent. In Dorie Barton‘s brilliant directorial debut, Girl Flu, one little girl isn’t the only one that comes face to face with what it means to become a woman.

Synopsis:

Bird, 12, has to become a woman whether she wants to or not when – in the worst week of her life – she gets her first period, is ditched by her impulsive, free spirited mom, and learns that you can never really go back to The Valley.

 

Girl Flu is truly an endearing film. Funny, relatable, and just enough edge to surpass the afterschool special pigeonhole, it’s a directorial debut that Dorie Barton can be proud of. Whether the reality of the plot is who is really raising whom, we are treated to some incredibly sold performances from the entire cast. Katee Sackhoff (Battlestar Galactica) brings Jenny to life; an ill-equipped, young mother, raising a 12-year-old, who never quite grew up herself. Her crunchy and pot smoking morning rituals annoy the hell out of her daughter and her boyfriend, played by Jeremy Sisto (Waitress). Sackhoff is a beautiful balance of super flighty and genuinely sincere. Sisto, solid as ever, navigates his evolving feelings for mother and daughter alike adding to the heart and humor of a universal milestone. Heather Matarazzo (Welcome to the Dollhouse), as mom Jenny’s best friend, is damn hilarious. Not surprising for Matarazzo, as she lights up the screen in every role she plays. The real breakout star, without a doubt, is our major lead Jade Pettyjohn (School of Rock) as Bird. Humiliated and bullied, surviving on the resiliency she’s been forced to develop, she is whip-smart, vulnerable, and a total pro in this role. Irrational child logic is what makes this script so honestly entertaining. We laugh because we’ve been there. The cool soundtrack is the perfect addition. It’s been a fan favorite at over two dozen film festivals so far and it’s easy to see why. You can catch GIRL FLU on VOD (Amazon, iTunes, Google Play) today, September 29. Check out the trailer below!

 

Review: ‘Literally, Right Before Aaron’ takes the cake.

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 LITERALLY, RIGHT BEFORE AARON

There is always that one questionable guest at a wedding. You might think to yourself, “How the Hell did they get invited and who do they know?” In the case of the new rom-com, LITERALLY, RIGHT BEFORE AARON, turns out the Bride invited him.

 

Carrot is the main ingredient of a carrot cake and consists of large amounts of sugar like sugar beets. It was used during the medieval age as sweet ingredient in sweet cake. The carrot cake is a sweet gourmet cake prepared through the mixture of grated carrot and butter. The process of cooking results to soft carrot and the cake has dense and soft texture. The carrots themselves improve and add to the appearance, texture, and flavor of the cake. You can find more info here about the Durian Cake Collection.

You could add ingredients to your carrot cake to make it more personal, depending on your taste buds. You could sprinkle it with raisins, nuts, coconut or pineapple. The serving of carrot cake may be either plain, with glazed or topped with white icing. It can also be served topped with cream cheese icing and chopped walnuts.

There are spongy to heavy, crumbly-moist to sticky-wet, light to dark and spongy to heavy. Some are leavened or unleavened, square or oblong, round shape, fairy cakes, dusting with icing sugar and more.

The cake is called Whisky and is a most loved traditional cake. It is made with Scotch whisky and feels crumbly and light on the palate. It has candied peesl and light fruits such as sultanas, cherries, currents and raisins. This cake is loved by those who are not fond of moist and very rich textured cakes.

Another Christmas cake is the apple crème Christmas cake. It particularly consists of rich mix of finely sliced apples. It is usually mixed with raisins and other fruit. It also has cream cheese, heavy whipping cream, and eggs.

Christmas cake in certain occasion is even added with coins as touch pieces for good luck. The coins may be 3d piece, silver, or six pences wrapped in grease proof paper packages.

Synopsis: Still reeling from his breakup, Adam (Justin Long) is devastated when he learns that his ex (Cobie Smulders) is engaged. What’s worse is he’s invited to the wedding. When Adam returns home for the festivities, he must confront his unresolved feelings and an uncertain future in hopes of convincing himself and everyone else that he is truly happy for her. There he discovers the comedy in romance, the tragedy of letting go and the hard truth about growing up.

Justin Long has always been on my radar as far back as I can remember. His comic timing and boyish charm are pretty hard to compete with onscreen. This is no less true in his role as Adam. On screen for the entirety of the film, Long’s emotional journey is written both within the quippy dialogue and all over his face. Funny, heartbreaking, endearing, and relatable, there isn’t an audience member out there that won’t find something earnest to latch onto. While familiar sounding in plot, I never found the script cliche’ thanks to writer/director Ryan Eggold. Showcasing solid performances from Cobie Smulders, Kristen Schaal, John Cho, and Ryan Hansen, Literally, Right Before Aaron marries our own insecurities with the emotional roller-coaster that is love. For Eggold, it’s merely the beginning of a long career at the helm of a film. For Long, it’s further proof he’s being underestimated in the industry.
You can catch the film in theaters and on VOD this Friday.

In Theaters and On Demand September 29, 2017

Starring: Justin Long, Cobie Smulders, Ryan Hansen, John Cho, Kristen Schaal, Dana Delany, Peter Gallagher, Lea Thompson, and Luis Guzmán

Written, Edited and Directed by: Ryan Eggold

10 North American Premieres at the New York Film Festival

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Ismael’s Ghosts
Description: Phantoms swirl around Ismael (Mathieu Amalric), a filmmaker in the throes of writing a spy thriller based on the unlikely escapades of his brother, Ivan Dedalus (Louis Garrel). His only true source of stability, his relationship with Sylvia (Charlotte Gainsbourg), is upended, as is the life of his Jewish documentarian mentor and father-in-law (László Szabó), when Ismael’s wife Carlotta (Marion Cotillard), who disappeared twenty years earlier, returns, and, like one of Hitchcock’s fragile, delusional femmes fatales, expects that her husband and father are still in thrall to her. A brilliant shape-shifter—part farce, part melodrama—Ismael’s Ghosts is finally about the process of creating a work of art and all the madness required. A Magnolia Pictures release.
Directed By: Arnaud Desplechin
Festivals: New York Film Festival (2017),Cannes Film Festival (2017)
Section of NYFF: Main Slate
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Let the Sun Shine In
Description: Juliette Binoche is both incandescent and emotionally raw in Claire Denis’s extraordinary new film as Isabelle, a middle-aged Parisian artist in search of definitive love. The film moves elliptically, as though set to some mysterious bio-rhythm, from one romantic/emotional attachment to another: from the boorish married lover (Xavier Beauvois); to the subtly histrionic actor (Nicolas Duvauchelle), also married; to the dreamboat hairdresser (Paul Blain); to the gentle man (Alex Descas) not quite ready for commitment to . . . a mysterious fortune-teller. Appropriately enough, Let the Sun Shine In (very loosely inspired by Roland Barthes’s A Lover’s Discourse) feels like it’s been lit from within; it was lit from without by Denis’s longtime cinematographer Agnès Godard. It is also very funny. A Sundance Selects release.
Directed By: Claire Denis
Festivals: New York Film Festival (2017)
Section of NYFF: Main Slate
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Lover for a Day
Description: Lover for a Day is an exquisite meditation on love and fidelity that recalls Garrel’s previous NYFF selections Jealousy (NYFF 2013) and In the Shadow of Women (NYFF 2015). After a painful breakup, heartbroken Jeanne (Esther Garrel) moves back in with her university professor father, Gilles (Eric Caravaca), to discover that he is living with optimistic, life-loving student Ariane (newcomer Louise Chevillotte), who is the same age as Jeanne. An unusual triangular relationship emerges as both girls seek the favor of Gilles, as daughter or lover, while developing their own friendship, finding common ground despite their differences. Gorgeously shot in grainy black and white by Renato Berta (Au revoir les enfants), Lover for a Day perfectly illustrates Garrel’s poetic exploration of relationships and desire. A MUBI release.
Directed By: Philippe Garrel
Festivals: New York Film Festival (2017),Cannes Film Festival (2017)
Section of NYFF: Main Slate
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Mrs. Hyde
Description: Serge Bozon’s eccentric comedic thriller is loosely based on Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde, with many a twist. Mrs. Géquil (Isabelle Huppert), a timid and rather peculiar physics professor, teaches in a suburban technical high school. Apart from her quiet married life with her gentle stay-at-home husband, she is mocked and despised on a daily basis by pretty much everyone around her—headmaster, colleagues, students. During a dark, stormy night, she is struck by lightning and wakes up a decidedly different person, a newly powerful Mrs. Hyde with mysterious energy and uncontrollable powers. Highlighted by Bozon’s brilliant mise en scène, Isabelle Huppert hypnotizes us again, securing her place as the ultimate queen of the screen.
Directed By: Serge Bozon
Festivals: New York Film Festival (2017),Locarno International Film Festival (2017)
Section of NYFF: Main Slate
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Piazza Vittorio
Description: Abel Ferrara’s new documentary is a vivid mosaic/portrait of Rome’s biggest public square, Piazza Vittorio, built in the 19th century around the ruins of the 3rd century Trofei di Mario. The Piazza is now truly a crossroad of the modern world: it offers a perfect microcosm of the changes in the west brought by immigration and forced displacement. Ferrara, now a resident of Rome himself, talks with African musicians and restaurant workers, Chinese barkeeps and relocated eastern Europeans, homeless men and women, artists, members of the right wing movement CasaPound Italia, filmmaker Matteo Garrone, actor Willem Dafoe, and others, all with varying opinions about the vast changes they’re seeing in their neighborhood and world.
Directed By: Abel Ferrara
Festivals: New York Film Festival (2017)
Section of NYFF: Spotlight on Documentary
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Speak Up
Description: Each year at the University of Saint-Denis in the suburbs of Paris, the Eloquentia competition takes place to determine the best orator in the class. Speak Up (À voix haute – La Force de la Parole) follows the students, who come from a variety of family backgrounds and academic disciplines, as they prepare for the competition while coached by public-speaking professionals like lawyers and slam poets. Through the subtle and intriguing mechanics of rhetoric, these young people both reveal and discover themselves, and it is impossible not to be moved by the personal stories that surface in their verbal jousts, from the death of a Syrian nightingale to a father’s Chuck Norris–inspired approach to his battle with cancer. Without sentimentality, Speak Up proves how the art of speech is key to universal understanding, social ascension, and personal revelation.
Directed By: Stéphane de Freitas
Festivals: New York Film Festival (2017)
Section of NYFF: Spotlight on Documentary
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The Meyerowitz Stories (New and Selected)
Description: Noah Baumbach revisits the terrain of family vanities and warring attachments that he began exploring with The Squid and the Whale in this intricately plotted story of three middle-aged siblings (Adam Sandler, Ben Stiller, and Elizabeth Marvel) coping with their strong-willed father (Dustin Hoffman) and the flightiness of his wife (Emma Thompson). Baumbach’s film never stops deftly changing gears, from surges of pathos to painful comedy and back again. Needless to say, this lyrical quicksilver comedy is very much a New York experience. A Netflix release.
Directed By: Noah Baumbach
Festivals: New York Film Festival (2017),Cannes Film Festival (2017)
Section of NYFF: Main Slate
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The Rape of Recy Taylor
Description: On the night of September 3, 1944, a young African-American mother from Abbeville, Alabama, named Recy Taylor was walking home from church with two friends when she was abducted by seven white men, driven away and dragged into the woods, raped by six of the men, and left to make her way home. Against formidable odds and endless threats to her life and the lives of her family members, Taylor bravely spoke up and pressed charges. Nancy Buirski’s passionate documentary shines a light on a case that became a turning point in the early Civil Rights Movement, and on the many formidable women—including Rosa Parks—who brought the movement to life.
Directed By: Nancy Buirski
Festivals: New York Film Festival (2017),Venice Film Festival (2017)
Section of NYFF: Spotlight on Documentary
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The Worldly Cave
Description: Anonymous figures are diminished against unforgiving environs, both natural and man-made, in Zhou’s expansive cross-continental diary, featuring monumental views of the Incheon Sea, the Balearic island of Menorca, and the Sonoran Desert that serve to visualize the infinitesimal stature of the human race.
Directed By: Zhou Tao
Festivals: New York Film Festival (2017)
Section of NYFF: Projections
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Tonsler Park
Description: Election Day, 2016. Kevin Jerome Everson and his 16mm camera quietly observes a community of mostly African-American voters and volunteers at a local polling precinct in Charlottesville, Virginia. Emerson’s film captures everyday faces and the general optimistic atmosphere with a casual formal elegance.
Directed By: Kevin Jerome Everson
Festivals: New York Film Festival (2017)
Section of NYFF: Projections
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9 World Premieres at New York Film Festival

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Cielo
Description: The first feature from Alison McAlpine, director of the beautiful 2008 “nonfiction ghost story” short Second Sight, is a dialogue with the heavens—in this case, the heavens above the Andes and the Atacama Desert in northern Chile, where the sky “is more urgent than the land.” McAlpine keeps the vast galaxies above and beyond in a delicate balance with the earthbound world of people, gently alighting on the desert- and mountain-dwelling astronomers, fishermen, miners, and cowboys who live their lives with reverence and awe for the skies. Cielo itself is an act of reverence and awe, and its sense of wonder ranges from the intimate and human to the vast and inhuman.
Directed By: Alison McAlpine
Festivals: New York Film Festival (2017)
Section of NYFF: Spotlight on Documentary
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Hall of Mirrors
Description: In this lively documentary portrait, the great nonpartisan investigative reporter Edward Jay Epstein, still going strong at 81, takes us through his most notable articles and books, including close looks at the findings of the Warren Commission, the structure of the diamond industry, the strange career of Armand Hammer, and the inner workings of big-time journalism itself. These are interwoven with an in-progress investigation into the circumstances around Edward Snowden’s 2013 leak of classified documents, resulting in Epstein’s recently published, controversial book How America Lost Its Secrets: Edward Snowden, the Man and the Theft. One of the last of his generation of journalists, the energetic, articulate, and boyish Epstein is a truly fascinating character.
Directed By: Ena Talakic,Ines Talakic
Festivals: New York Film Festival (2017)
Section of NYFF: Spotlight on Documentary
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Joan Didion: The Center Will Not Hold
Description: Griffin Dunne’s years-in-the-making documentary portrait of his aunt Joan Didion moves with the spirit of her uncannily lucid writing: the film simultaneously expands and zeroes in, covering a vast stretch of turbulent cultural history with elegance and candor, and grounded in the illuminating presence and words of Didion herself. This is most certainly a film about loss—the loss of a solid American center, the personal losses of a husband and a child—but Didion describes everything she sees and experiences so attentively, so fully, and so bravely that she transforms the very worst of life into occasions for understanding. A Netflix release.
Directed By: Griffin Dunne
Festivals: New York Film Festival (2017)
Section of NYFF: Spotlight on Documentary
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Last Flag Flying
Description: In Richard Linklater’s lyrical road movie, as funny as it is heartbreaking, three aging Vietnam-era Navy vets—soft-spoken Doc (Steve Carell), unhinged and unfiltered Sal (Bryan Cranston), and quietly measured Mueller (Laurence Fishburne)—reunite to perform a sacred task: the proper burial of Doc’s only child, who has been killed in the early days of the Iraq invasion. As this trio of old friends makes its way up the Eastern seaboard, Linklater gives us a rich rendering of friendship, a grand mosaic of common life in the USA during the Bush era, and a striking meditation on the passage of time and the nature of truth. To put it simply, Last Flag Flying is a great movie from one of America’s finest filmmakers. An Amazon Studios release.
Directed By: Richard Linklater
Festivals: New York Film Festival (2017)
Section of NYFF: Opening Night
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No Stone Unturned
Description: Investigative documentary filmmaker Alex Gibney—best known for 2008’s Oscar-winning Taxi to the Dark Side, Enron: The Smartest Guys in the Room, and at least a dozen others—turns his sights on the 1994 Loughinisland massacre, a cold case that remains an open wound in the Irish peace process. The families of the victims—who were murdered while watching the World Cup in their local pub—were promised justice, but 20 years later they still didn’t know who killed their loved ones. Gibney uncovers a web of secrecy, lies, and corruption that so often results when the powerful insist they are acting for the greater good.
Directed By: Alex Gibney
Festivals: New York Film Festival (2017)
Section of NYFF: Spotlight on Documentary
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The Opera House
Description: Renowned documentarian Susan Froemke takes viewers through the history of the Metropolitan Opera via priceless archival stills, footage, and interviews (with, among many others, the great soprano Leontyne Price). The film follows the development of the glorious institution from its beginnings at the old opera house on 39th Street to the storied reign of Rudolph Bing to the long-gestating move to Lincoln Center, the construction of which traces a fascinating byway through the era of urban renewal and Robert Moses’s transformation of New York. Most of all, though, this is a film about the love for and devotion to the preservation of an art form and the upkeep of a home where it can live and thrive.
Directed By: Susan Froemke
Festivals: New York Film Festival (2017)
Section of NYFF: Special Events
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Trouble No More
Description: Like every other episode in the life of Bob Dylan, the “born again” period that supposedly began with the release of Slow Train Coming (1979) and supposedly ended with Shot of Love (1981) has been endlessly scrutinized in the press. Less attention has been paid to the magnificent music he made. This very special film consists of truly electrifying video footage, much of it thought to have been lost for years and all newly restored, shot at shows in Toronto and Buffalo on the last leg of the ’79-’80 tour (with an amazing band: Muscle Shoals veteran Spooner Oldham and Terry Young on keyboards, Little Feat’s Fred Tackett on guitar, Tim Drummond on bass, the legendary Jim Keltner on drums and Clydie King, Gwen Evans, Mona Lisa Young, Regina McCrary and Mary Elizabeth Bridges on vocals) interspersed with sermons written by Luc Sante and beautifully delivered by Michael Shannon. More than just a record of some concerts, Trouble No More is a total experience.
Directed By: Jennifer Lebeau
Festivals: New York Film Festival (2017)
Section of NYFF: Special Events
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Voyeur
Description: Gerald Foos bought a motel in Colorado in the 1960s, furnished the room with louvered vents that allowed him to spy on his guests, and kept a journal of their sexual encounters…among other things. As writer Gay Talese, who had known Foos for more than three decades, came close to the publication of his book The Voyeur’s Motel (preceded by an excerpt in The New Yorker), factual discrepancies in Foos’s account emerged, and documentarians Kane and Koury were on hand to record some wild encounters between the veteran New York journalist and his enigmatic subject. A Netflix release.
Directed By: Myles Kane,Josh Koury
Festivals: New York Film Festival (2017)
Section of NYFF: Spotlight on Documentary
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Wonder Wheel
Description: In a career spanning 50 years and almost as many features, Woody Allen has periodically refined, reinvented, and redefined the terms of his art, and that’s exactly what he does with his daring new film. We’re in Coney Island in the 1950s. A lifeguard (Justin Timberlake) tells us a story that just might be filtered through his vivid imagination: a middle-aged carousel operator (Jim Belushi) and his beleaguered wife (Kate Winslet), who eke out a living on the boardwalk, are visited by his estranged daughter (Juno Temple)—a situation from which layer upon layer of all-too-human complications develop. Allen and his cinematographer, the great Vittorio Storaro, working with a remarkable cast led by Winslet in a startlingly brave, powerhouse performance, have created a bracing and truly surprising movie experience. An Amazon Studios release.
Directed By: Woody Allen
Festivals: New York Film Festival (2017)
Section of NYFF: Closing Night
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https://youtu.be/L7pw_1Jogd4

Review: ‘The Houses October Built 2’ scares up some déjà vu.

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Recovering from the trauma of being kidnapped last Halloween by the Blue Skeleton – a group who take “extreme haunt” to another level – five friends decide they must face their fears in order to move on. Heading back out on the road to visit more haunted house attractions, signs of the Blue Skeleton start appearing again and a new terror begins…

 

THE HOUSES OCTOBER BUILT 2 is the sequel to the 2014 cult hit, and marks the return of Brandy Schaefer (“coffin girl” from The Houses October Built) along with the original filmmaking team of Director and Co-Writer Bobby Roe, Producer and Co-Writer Zack Andrews , and Producer Steven Schneider (Split, Insidious, Paranormal Activity).

This sequel essentially picks up where the first ends… so (SPOILER ALERT) everyone is actually alive. Surprise! The cops come to the rescue and it has all been for publicity and extreme scares thanks to The Blue Skeleton crew. Convenient, but alright let’s roll with it. What we’re really getting with The Houses October Built 2, is The Houses October Built but with even less of a narrative. The first hour, exactly like the first film is a massive ad for all the top haunted houses across the US. The only added storyline is the fact that Brandy a.k.a. “coffin girl” is famous on Youtube and now everyone wants the group to visit their attraction and they will pay them… as long as Brandy is present. Problem being, she is understandably traumatized by her experience being kidnapped and emotionally tortured. Cajoled into a tentative travel schedule, our five experience The Zombie 5k, Zombie Pubcrawl, and a few other new Halloween fan favorites. Every once in a while we get what appears to be a snippet of plot thrown into the roughly hour and a half runtime, but basically, it doesn’t really amount to much until the final 25 minutes. Yes, it’s got a clever ending but that doesn’t save the fact that the acting is underwhelming and the guys, consistently disregarding Brandy’s feelings are kind of the only real villains in the film. If you’re looking to try out haunted houses of various kinds but don’t actually have the nerve to do it yourself, then The Houses October Built 2 might be up your alley. You can catch the trailer below for a sneak peek into the sequel and can catch it in theaters or on demand starting today.

RLJ Entertainment will release the upcoming horror film THE HOUSES OCTOBER BUILT 2 in theaters and available On Demand / Digital HD September 22, 2017.

Review: ‘Shot’… A Roller Coaster of Emotions

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Shot

Theatrical Release: September 22, 2017

Guest review from Reel Reviews Over Brews

A gripping drama about three lives irrevocably changed when a gun is accidentally fired on a busy Los Angeles street, Shot is a visceral roller coaster ride unflinchingly exploring the consequences of gun violence in America.

Shot begins as sound mixer Mark Newman (Noah Wyle), is pumping up the volume on a bloody shootout scene in an action film. Hours later, after an argument with his wife Phoebe (Sharon Leal), Mark is suddenly felled by a real random bullet, and lies bleeding on the pavement with a chest wound. With Phoebe desperately trying to stop the bleeding, they both agonizingly wait for an ambulance to arrive as Mark fights for his life. Meanwhile, hidden behind a fence across the street, a teenager, Miguel (Jorge Lendeborg Jr.), watches in horror with the still smoking gun in his hand. A gun that was just handed to him by his cousin and meant to protect him against gang bullies.

From the moment the shot rings out, Jeremy Kagan’s camera in real time daringly follows Mark from the street, to stretcher, to gurney, to examining table, as we watch the paramedics and medical teams in full life-saving mode. Through the imaginative use of split-screen, Kagan juxtaposes Mark’s medical crisis with Miguel’s moral one, as we simultaneously see the frightened young man wrestle with the fact that an innocent man was injured – or worse – as a direct result of his actions.

Shot takes an approach that we haven’t seen before by following the lives of three people after a shooting happens. From smoking gun to rehab. The struggles vary between each individual. Whether it be the victim, friend/family to the victim, or the shooter. A very eye opening hour and a half about how dangerous guns are and how, at any moment, your life could change forever. It goes without saying that Noah Wyle is a great actor and doesn’t let you down in Shot. Co-stars Sharon Leal and Jorge Lendeborg Jr. are no amateurs either. This cast was put together very well. We like how Shot did a lot of scenes in split screen showing how Mark and Miguel’s lives were being impacted. Jeremy Kagan did an amazing job with these angles and the detail that went into every “shot.” There were some scenes that could have been shortened or weren’t even needed, but overall the movie got its point across. Shot is a roller coaster of emotions and it certainly took us along for the ride. This is a movie that you can wait to view at home instead of spending the time/money to see it in theaters, but it’s definitely worth the watch.

*Guns kill 90 US citizens and hospitalize 200 EVERY DAY. Go to www.shotmovie.org to take action towards ending gun violence.”

Reel ROB Rating: 3.5 out of 5 stars

Post Credits Scene: No

We want to thank our friends at Reel News Daily for allowing us to do this guest review for them!

Review: ‘Elizabeth Blue’ is Gold!

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Elizabeth Blue

Theatrical Release: September 22, 2017

Guest review from Reel Reviews Over Brews

Recently released from a psychiatric hospital, Elizabeth (Anna Schafer) returns to her Los Angeles apartment where she lives with her fiancé, Grant (Ryan Vincent). With the guidance of her new psychiatrist, Dr. Bowman (Adewale Akinnuoye-Agbaje), and the unfaltering support of Grant, Elizabeth works at regaining control of her mental stability and her life as she begins to plan their wedding. Struggling to navigate daily voices, hallucinations, anxiety, failing medications and her judgmental, unsupportive mother, Carol (Kathleen Quinlan), Elizabeth fears that Grant will leave her as she clings to hope that love will truly conquer all – even mental illness.

Wow… Give Elizabeth Blue all the awards. For Vincent Sabella’s first film, he absolutely nailed it! Mental illness is no joke and Elizabeth Blue shows you that. This is an intimate look into struggling with a mental illness like never seen before. We always see/hear stories about people not taking their medications because they “feel fine and healthy” and this brings us face to face with that struggle through the eyes of Elizabeth. It was very powerful and left us moved by the performances. Anna Schafer as Elizabeth was excellent! She had us completely caught up in her story and her struggle with schizophrenia and OCD. This movie will definitely put her on the map. Adewale Akinnuoye-Agbaje and Kathleen Quinlan were also great in their selective roles! Everyone knows someone who is, or is themselves, affected by mental illness so this movie will impact everyone in a different way. There are a few scenes we felt could have been cleaned up a bit because they were dragging on, but all in all, that is just nit picking for complaints. It is a must see for everyone. Our jaws are still on the ground! Elizabeth Blue is GOLD!

*Anyone can experience mental health problems. Friends and family can make all the difference in a person’s recovery process. If a friend or family member is showing signs of a mental health problem or reaching out to you for help, offer support.*

Reel ROB Rating: 4.75 out of 5 stars

Post Credits Scene: No

We want to thank our friends at Reel News Daily for allowing us to do this guest review for them!

Where you can watch the 2010 New York Film Festival selections

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The Social Network
Description: Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the co-founder who was later squeezed out of the business because the predictive analytics they’d done didn’t bade well for the company.
Directed By: David Fincher
Festivals: New York Film Festival (2010)
Section of NYFF: Opening Night
Where to watch: Rent/Buy only

The Tempest
Description: A shipwreck casts members of a royal court ashore on a mysterious island. Their fateful arrival is no accident, for it was engineered by Prospera (Helen Mirren), a sorceress whom these men banished, and who now plans to take vengeance on them. With the help of Caliban and Ariel, her sometimes-unwilling aides, Prospera brings her powers to bear on her former tormentors. Then love casts a spell on her daughter and the king’s son, and Prospera is powerless to intervene.
Directed By: Julie Taymor
Festivals: New York Film Festival (2010)
Section of NYFF: Centerpiece
Where to watch: Rent/Buy only

Hereafter
Description: A drama centered on three people — a blue-collar American, a French journalist and a London school boy — who are touched by death in different ways.
Directed By: Clint Eastwood
Festivals: New York Film Festival (2010)
Section of NYFF: Closing Night
Where to watch: CINEMAX

Another Year
Description: A look at four seasons in the lives of a happily married couple and their relationships with their family and friends.
Directed By: Mike Leigh
Festivals: New York Film Festival (2010),Cannes Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: Sundance NOW

https://youtu.be/LAFdApnxmk4

Aurora
Description: An apartment kitchen: a man and a woman discuss Little Red Riding Hood, their voices hushed, mindful of waking the little girl sleeping next room. Waste land on the city outskirts: behind a line of abandoned trailers, the man silently watches what seems to be a family. The same city, the same man: driving through traffic with two hand-made firing pins for a hunting rifle. The man is 42 years old, his name – Viorel. Troubled by obscure thoughts, he drives across the city to a destination known only to him.
Directed By: Cristi Puiu
Festivals: New York Film Festival (2010),Cannes Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: Fandor

Carlos
Description: The story of Venezuelan revolutionary Ilich Ramírez Sánchez, who founded a worldwide terrorist organization and raided the 1975 OPEC meeting.
Directed By: Olivier Assayas
Festivals: New York Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: FilmStruckNetflix

https://youtu.be/KAHR_4GENkg

Certified Copy
Description: In Tuscany to promote his latest book, a middle-aged British writer meets a French woman who leads him to the village of Lucignano. While there, a chance question reveals something deeper.
Directed By: Abbas Kiarostami
Festivals: New York Film Festival (2010),Cannes Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: huluFilmStruckSundance NOW

Film Socialisme
Description: A symphony in three movements. Things such as a Mediterranean cruise, numerous conversations, in numerous languages, between the passengers, almost all of whom are on holiday… Our Europe. At night, a sister and her younger brother have summoned their parents to appear before the court of their childhood. The children demand serious explanations of the themes of Liberty, Equality and Fraternity. The movie draws concepts from places like https://www.salesforce.com/blog/2017/07/20-quotes-about-equality.html about equality, and in which sense, are portrayed in a vague manner with the pith of equality remaining the same. Our humanities. Visits to six sites of true or false myths: Egypt, Palestine, Odessa, Hellas, Naples and Barcelona.
Directed By: Jean-Luc Godard
Festivals: New York Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: tubiTV

Inside Job
Description: Takes a closer look at what brought about the 2008 financial meltdown.
Directed By: Charles Ferguson
Festivals: New York Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: hulu

https://youtu.be/bYm_oEO5iyE

Meek’s Cutoff
Description: Settlers traveling through the Oregon desert in 1845 find themselves stranded in harsh conditions.
Directed By: Kelly Reichardt
Festivals: New York Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: Netflix, Fandor, Sundance NOW

Mysteries of Lisbon
Description: Follows a jealous countess, a wealthy businessman, and a young orphaned boy across Portugal, France, Italy and Brazil where they connect with a variety of mysterious individuals.
Directed By: Raúl Ruiz
Festivals: New York Film Festival (2010),Toronto Film Festival (2017),Toronto Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: Fandor

Of Gods and Men
Description: Under threat by fundamentalist terrorists, a group of Trappist monks stationed with an impoverished Algerian community must decide whether to leave or stay.
Directed By: Xavier Beauvois
Festivals: New York Film Festival (2010),Cannes Film Festival (2010),Telluride Film Festival (2010),Toronto Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: Rent/Buy only

https://youtu.be/BgztlkthVGg

Oki’s Movie
Description: A love story between a middle-aged professor, a young student who prepares a movie and a student/film-maker who drinks too much.
Directed By: Sang-soo Hong
Festivals: New York Film Festival (2010),Venice Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: amazon Prime

Poetry
Description: A sixty-something woman, faced with the discovery of a heinous family crime and in the early stages of Alzheimer’s disease, finds strength and purpose when she enrolls in a poetry class.
Directed By: Chang-dong Lee
Festivals: New York Film Festival (2010),Cannes Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: tubiTV

Post Mortem
Description: In Chile, 1973, during the last days of Salvador Allende’s presidency, an employee at a Morgue’s recording office falls for a burlesque dancer who mysteriously disappears.
Directed By: Pablo Larraín
Festivals: New York Film Festival (2010),Venice Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: Rent/Buy only

The Robber
Description: A story based on Johann Rettenberger, an Austrian marathon runner and a bank robber.
Directed By: Benjamin Heisenberg
Festivals: New York Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: FilmStruck, vudu Movies On Us

Silent Souls
Description: Present days. A man and his companion go on a journey to cremate the dead body of the former beloved wife, on a riverbank in the area where they spent their honeymoon.
Directed By: Aleksey Fedorchenko
Festivals: New York Film Festival (2010),Venice Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: amazon Prime, Fandor

The Strange Case of Angelica
Description: The line between reality and fantasy blurs for a photographer (Ricardo Trêpa) when a dead bride appears to come to life through his camera lens.
Directed By: Manoel de Oliveira
Festivals: New York Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: Fandor

Tuesday After Christmas
Description: Middle-aged Paul (Mimi Branescu) lives in a pleasant Bucharest apartment with his wife, Adrianna (Mirela Oprisor), and their 9-year-old daughter. But unbeknown to Adrianna, Paul is also having an affair with the family’s dentist, Raluca (Maria Popistasu). As Christmas approaches, Paul finds himself forced to choose between the woman with whom he has shared the last decade of his life and the passionate new partner who has given him a revitalized image of himself.
Directed By: Radu Muntean
Festivals: New York Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: Fandor

Uncle Boonmee Who Can Recall Past Lives
Description: Afflicted with kidney disease, Uncle Boonmee (Thanapat Saisaymar) is preparing himself for death. He has assembled his relatives in the countryside, convinced he will die within a few days. The ghost of his wife appears and offers guidance on his journey into the beyond, while his estranged son materializes in the guise of a jungle creature. Surrounded by his loved ones, Uncle Boonmee reflects on memories of his past lives, and he decides he must visit a special place before he goes.
Directed By: Apichatpong Weerasethakul
Festivals: New York Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: Fandor

Now THIS is a movie poster: ‘Thirst Street’

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Don’t think this tells you anything? Oh yes, it does. It tells you this is not a blockbuster and likely to have unconventional storylines.

Alone and depressed after the suicide of her lover, American flight attendant Gina (Lindsay Burdge, A TEACHER) travels to Paris and hooks up with nightclub bartender Jerome (Damien Bonnard, STAYING VERTICAL) on her layover. But as Gina falls deeper into lust and opts to stay in France, this harmless rendezvous quickly turns into unrequited amour fou. When Jerome’s ex Clemence (Esther Garrel) reenters the picture, Gina is sent on a downward spiral of miscommunication, masochism, and madness. Inspired by European erotic dramas from the ’70s, THIRST STREET burrows deep into the delirious extremes we go to for love.

Lindsay Burdgem, Damien Bonnard, Esther Garrel, Lola Bessis
Narrated by Academy Award-winner Anjelica Huston.

Release Dates:          Sept 20, 2017 – NYC – Quad Cinema
Sept 29, 2017 – LA – Laemmle TBC
— Additional cities nationwide to follow —

Review: ‘WETLANDS’ blows by with little gusto.

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Synopsis: Babel “Babs” Johnson (Adewale Akinnuoye-Agbaje) is a police detective who finds himself assigned to a precinct in the Wetlands, the no-man’s land surrounding Atlantic City, within eyeshot of the once fancy and now dilapidated hotels and boardwalk, but a world away.  A year ago, he was a top cop in Philadelphia, but mysterious circumstances intervened and now he finds himself back home and back in the lives of his estranged daughter, Amy (Celeste O’Connor), and still-bitter ex-wife, Savannah (Heather Graham)

 

Surrounded by locals, Surfer Girl (Reyna de Courcy), a surfboard builder who has dreams of moving to Hawaii to ply her trade; and Kate (Jennifer Ehle), a local news anchor; and local thugs Jimmy (Louis Mustillo) his boss, Lollipop (Barry Markowitz); and with a new partner, a fun-loving gambling addict named Paddy Sheehan (Christopher McDonald), Babs slowly adjusts to life back on the beat.

 

Meanwhile, as the region prepares for a massive, late-season hurricane, the storm threatens to destroy the Wetlands… and the lives of some of its inhabitants.

Wetlands tries really hard to be a noir that never really pans out. It’s painfully slow and rather cliche in its character development. With such a heavy-hitting cast, it is difficult to walk them try so hard at something that doesn’t give them, or the audience, enough to care about. What information we do have about Babs, comes in what feels like misplaced and piecemeal black & white flashbacks. The nonchalance of the shadiness that’s occurring in this town makes it all the more underwhelming. 

While beautifully shot, with sweeping shots of the rundown boardwalk, that’s just about the only pretty thing about Wetlands. I was left with an overall feeling of, “Meh.” This cast deserved a whole hell of a lot more by way of character development. There is never any feeling of genuine urgency, and with one of the major plot points being an impending hurricane, it certainly seems like that should have been quite the priority.

WETLANDS – starring Adewale Akinnuoye-Agbaje (Suicide Squad, ABC’s “Ten Days in the Valley,” TV’s “Oz,” “Lost”),Heather Graham (The Hangover, TV’s “Californication”), Jennifer Ehle (Zero Dark Thirty, Fifty Shades of Grey, TV’s “A Gifted Man”) and Christopher McDonald(Requiem for a Dream, TV’s “The Good Wife,” “Boardwalk Empire”).

The film is written and directed by first-time filmmaker Emanuele Della Valle and will be released in theaters on September 15th.

 

 

Review: ‘Against The Night’… Not As Predictable As We Thought

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Against The Night

Theatrical Release: September 15, 2017

Guest review from Reel Reviews Over Brews

Against The Night is a thriller that follows nine friends into an abandoned prison to film a ghost hunting video. Hank (Luke Persiani), is a filmmaker who set up this whole adventure. It is his idea to film the ghost hunting video so he can hit the fast track to becoming a big director. When Hank (Luke Persiani) disappears, everyone is pointing fingers and placing blame on one another. They work together to try to uncover the truth and quickly realize that they may not be alone.

Going into this we thought it was going to be another lame attempt at a Blair Witch Project type movie… well, we were kind right. Against The Night has its hits and misses. More misses than hits, but it really wasn’t far away from being a good movie. Seeing as though we are from just outside of Philadelphia, we found it pretty cool that the prison they were filming in was Holmesburg Prison. Director, Brian Cavallaro certainly did his research on the prison because they implemented a lot of factual knowledge about it into Against The Night. The biggest miss to us, however, was the acting. It just made the movie feel more like a teen comedy. We couldn’t relate to any of the actors. They were all too stiff and goofy. With better acting, Against The Night gets a higher rating from us for sure. We did like how the they made Sean (Tim Torre) and Rachel (Hannah Kleeman) work together even though they were ex lovers. That’s always a nice spin to put on thrillers. Our favorite part about this movie was the fact that the entire time we kept telling ourselves, “this movie is wayyyyyyy too predictable.” Well, guess what? Once the ending came around, it wasn’t very predictable at all and when we can’t predict an ending to a movie it makes us love it that much more! Go into this with an open mind and try look past the acting, we think you just may like it!

Reel ROB Rating: 2 out of 5 stars

Post Credits Scene: No

We want to thank our friends at Reel News Daily for allowing us to do this guest review for them!

Review: ‘Against The Night” has one big winner…

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presents

AGAINST THE NIGHT

AGAINST THE NIGHT is a psychological thriller that tests the boundaries of trust as nine friends sneak into an abandoned prison to film a ghost hunting video. When their friend, Hank, disappears, everyone is pointing fingers and placing blame until they realize they may not be alone.

Against the Night has a plot we’ve seen before… until it doesn’t. I have to admit, this film tries really hard to be unique but ultimately ends up being totally convoluted. There are moments in the script that are so far out in left field I literally said, “What?!” out loud as I watched. The practical effects don’t help, and the majority of the acting is pretty blah and even ventures into the downright atrocious. Oftentimes, the cast’s reactions, (mostly the girls) are completely unbelievable and frankly, don’t lend you to care about them. The chemistry is humming along one moment and nonexistent the next. The tropes seem forced and cobbled together without any flow to the story. While I did enjoy the opening setup and the use of multiple camera styles, Against the Night just didn’t work for me as a whole. The one saving grace in this film is actor Josh Cahn. Playing what feels akin to Jaimie Kennedy‘s role in SCREAM, Cahn is funny, likeable, and I wanted more of him on screen. I would watch an entire stand alone film with him as the lead, any day. This kid is a gem. If you do catch the film, he and the appearance of Frank Whaley as Detective Ramsey are worth their short amount of screen time. Check out the trailer below. As always, we want to know what you think, so those of you heading to the theater this weekend, tell us how Against the Night played out for you!

AGAINST THE NIGHT will be released theatrically in LA, NY and additional select markets on September 15.  The film has a running time of 86 minutes and will not be rated by the MPAA.

Ready to buy some New York Film Festival Tickets? These are the most limited

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Wonder why these are the most limited? I did too, so here’s what I found out.

Check here for the latest on NYFF tickets

Most of these go on sale at noon today, so make sure you choose wisely!

Mrs. Hyde – Oct 1, 12:30pm, Walter Reade Theater – Limited Tickets
The Other Side of Hope – Oct 10, 8:30pm, Howard Gilman Theater
Spoor – Oct 1, 12pm, Howard Gilman Theater
Thelma – Oct 7, 12pm, Howard Gilman Theater

  • Mrs. Hyde
  • Serge Bozon
  • 2017
  • France
  • 95 minutes

Serge Bozon’s eccentric comedic thriller is loosely based on Robert Louis Stevenson’s The Strange Case of Dr Jekyll and Mr. Hyde, with many a twist. Mrs. Géquil (Isabelle Huppert), a timid and rather peculiar physics professor, teaches in a suburban technical high school. Apart from her quiet married life with her gentle stay-at-home husband, she is mocked and despised on a daily basis by pretty much everyone around her—headmaster, colleagues, students. During a dark, stormy night, she is struck by lightning and wakes up a decidedly different person, a newly powerful Mrs. Hyde with mysterious energy and uncontrollable powers. Highlighted by Bozon’s brilliant mise en scène, Isabelle Huppert hypnotizes us again, securing her place as the ultimate queen of the screen.

This film was first screened at the Locarno International Film Festival in Switzerland.

Isabelle Huppert is a veteran of the New York Film Festival having starred in several over the past 10 years alone. She starred in two features last year, Elle (where she was nominated for an Academy Award) and Things To Come.

TICKETS

Leave it to Aki Kaurismäki (Le Havre, NYFF 2011), peerless master of humanist tragicomedy, to make the first great fiction film about the 21st century migrant crisis. Having escaped bombed-out Aleppo, Syrian refugee Khlaed (Sherwan Haji) seeks asylum in Finland, only to get lost in a maze of functionaries and bureaucracies. Meanwhile, shirt salesman Wikström (Sakari Kuosmanen) leaves his wife, wins big in a poker game, and takes over a restaurant whose deadpan staff he also inherits. These parallel stories dovetail to gently comic and enormously moving effect in Kaurismäki’s politically urgent fable, an object lesson on the value of compassion and hope that remains grounded in a tangible social reality. A Janus Films release.

Won Best Director at the Berlin Film Festival where it first screened.

TICKETS

  • Spoor
  • Agnieszka Holland, in cooperation with Kasia Adamik
  • 2017
  • Poland/Germany/Czech Republic
  • 128 minutes

Janina Duszejko (Agnieszka Mandat) is a vigorous former engineer, part-time teacher, and animal activist, living in a near wilderness on the Polish-Czech border, where hunting is the favored year-round sport of the corrupt men who rule the region. When a series of hunters die mysteriously, Janina wonders if the animals are taking revenge, which doesn’t stop the police from coming after her. A brilliant, passionate director, Agnieszka Holland—who like Janina comes from a generation that learned to fight authoritarianism by any means necessary—forges a sprawling, wildly beautiful, emotionally enveloping film that earns its vision of utopia. It’s at once a phantasmagorical murder mystery, a tender, late-blooming love story, and a resistance and rescue thriller.

Won the Silver Bear at the Berlin Film Festival. Official Entry from Poland for Best Foreign Language Film to the Academy Awards.

TICKETS

  • Thelma
  • Joachim Trier
  • 2017
  • Norway/Sweden/France
  • 116 minutes

In the new film from Joachim Trier (Reprise), an adolescent country girl (Eili Harboe) has just moved to the city to begin her university studies, with the internalized religious severity of her quietly domineering mother and father (Ellen Dorrit Petersen and Henrik Rafaelsen) always in mind. When she realizes that she is developing an attraction to her new friend Anja (Okay Kaya), she begins to manifest a terrifying and uncontrollable power that her parents have long feared. To reveal more would be a crime; let’s just say that this fluid, sharply observant, and continually surprising film begins in the key of horror and ends somewhere completely different. A release of The Orchard.

Warning: This film contains flashing lights which may not be suitable for photosensitive epilepsy. Viewer discretion is advised. 

Screened at the Toronto Film Festival. Official entry from Norway for Best Foreign Language Film for the Academy Awards.

TICKETS

Review: ‘THE LIMEHOUSE GOLEM’ gives us a theatrical look at murder and mayhem.

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 presents

THE LIMEHOUSE GOLEM

**World Premiere – Toronto International Film Festival 2016**

**Official Selection – Sitges Film Festival 2016**

The city of London is gripped with fear as a serial killer – dubbed The Limehouse Golem – is on the loose and leaving cryptic messages written in his victim’s blood.  With few leads and increasing public pressure, Scotland Yard assigns the case to Inspector Kildare (Bill Nighy) – a seasoned detective with a troubled past and a sneaking suspicion he’s being set up to fail.  Faced with a long list of suspects, including music hall star Dan Leno (Douglas Booth), Kildare must get help from a witness who has legal troubles of her own (Olivia Cooke), so he can stop the murders and bring the killer to justice.

Based on the novel “Dan Leno and the Limehouse Golem” by Peter Ackroyd, the film was written by the acclaimed writer Jane Goldman (Kingsmen, The Woman in Black), directed by Juan Carlos Medina (Painless) and produced by Stephen Woolley (Their Finest, Interview with a Vampire), Joanna Laurie (Hyena) and Elizabeth Karlsen (Carol).  The film stars Bill Nighy (Love Actually, Underworld), Olivia Cooke (Me and Earl and the Dying Girl, “Bates Motel”), Douglas Booth (Pride, Prejudice and Zombies, Noah), Daniel Mays (“Line of Duty”) and Eddie Marsan (Sherlock Holmes, “Ray Donovan.”) The Limehouse Golem is a whirlwind mystery. Jane Goldman has taken Peter Ackroyd‘s novel and brought it to life from page to screen and ultimately stage since much of the story revolves around live performances and theatrical ambition. The costumes and set are gorgeous, striking a perfect visual balance of play costumes and period dress. The dark Limehouse district scenes of macabre and the vibrant, hyper-saturated theater are striking in contrast. The story cannot help but grab you as you try to keep up with the suspects alongside Nighy‘s lead. The cast is a true ensemble of talent. Bill Nighy‘s role was originally meant for the late Alan Rickman, but once his health began to decline Nighy stepped into the role. The film is actually dedicated to Rickman’s memory. Nighy is brilliant and powerful as usual in his honest search for the truth. Olivia Cooke, who’s talent is grossly underrated, does a spectacular job as she navigates a complicated woman in Lizzie Cree. I would be remiss if I didn’t give a standing ovation, as it were, to Douglas Booth in his engrossing portrayal of real life actor Dan Leno. Funny, touching, purely entertaining, Booth owns this role. The script will keep you on your toes and with a murder mystery, what more can you ask for?

THE LIMEHOUSE GOLEM in Theaters, on VOD and Digital HD today September 8, 2017.

Review: ‘KILL ME PLEASE’ will bend your mind and throw you back in time.

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Bia (Valentina Herszage), Michele (Júlia Roliz), Mariana (Mariana Oliveira) and Renata (Dora Freind) are a clique of affluent high school girls. They waste away their days wandering the fields between the vertigo-inducing high rises in Barra da Tijuca, an affluent new neighborhood in Rio de Janeiro. Both privileged and abandoned by busy parents, the girls spend most of their time together.

When a wave of murders begins to terrorize the neighborhood, the girls develop a morbid curiosity with the victims – and lines separating life, desire and death begins to break down.

If you were a fan of IT FOLLOWS, then KILL ME PLEASE will strike a chord with you. With oversaturated moments in its cinematography to its perhaps allegorical message of teenage lust, this film is filled to the brim with bizarre but very real moments. Ghost stories are woven into the narrative as warnings or maybe even as excuses for avoiding sexual contact, all while an actual serial killer takes out young girls that bare a striking resemblance to our ingenue. As the viewer goes deeper into the mind of Bia, you begin to realize that this film is all of us growing up. Blissful ignorance, metaphors of self-doubt and self-sabotage bring back too many dark memories. Boasting an eclectic and truly kickass soundtrack, KILL ME PLEASE is a one of kind blend of horror and coming of age film that will throw you for a loop. The cast has a brilliant chemistry and director Anita Rocha da Silveira has quite a masterpiece on her hands. If you’re lucky enough to be in NYC today and LA in October, you can catch the film on the big screen. If not, you’ll have to wait until May to catch it on VOD and DVD. Until then, check out the trailer below, though truth be told, the film is on a whole other level than what you’ll see here.

 

September 1, 2017 – Alamo Drafthouse Brooklyn in New York, NY
October 13, 2017 – Arena Cinelounge in Los Angeles, CA

A VOD and physical media release are expected by May 2018.