Review: Amy Ryan gives a moving performance in ‘Abundant Acreage Available’ winner of Best Screenplay at the Tribeca Film Festival

From writer/director Angus MacLachlan and Executive Producer Martin Scorsese, ABUNDANT ACREAGE AVAILABLE tells the story of a family in flux. Still reeling over the recent death of their father, brother and sister Jesse & Tracy (Terry Kinney & Amy Ryan) are attempting to settle into their new lives in his absence. Their quiet and simple existence is unexpectedly disrupted by the sudden arrival of three mysterious brothers, camping on their land and possessing a surprising connection to their family farm. The two sets of siblings are set on a direct collision course that will change all of their lives, for better or for worse. Tackling complicated issues of family legacies, and anchored by an amazing set of performances, the film is a brilliant showcase for all involved.

 

In Theaters September 29, 2017 at Cinema Village in New York
on demand October 6, 2017

Written & Directed by: 
Angus MacLachlan (Academy Award-nominated film Junebug)

Executive Produced by:
Martin Scorsese

Starring: 
Amy Ryan (Academy Award nominee for Gone Baby Gone, Birdman)
Terry Kinney (“Billions,” “Oz”) 
Steve Coulter (The Wizard of Lies, “House of Cards”)
Francis Guinan (Hannibal, Constantine)
Max Gail (42, “Barney Miller”)

Told almost entirely outdoors in the cold winter, Abundant Acreage Available, is a slice-of-life tale that surprises and moves you. Amy Ryan’s heartfelt performance reveals a woman who is struggling to come to terms with the loss of her father as three brothers show up to reclaim their father’s land.

I especially enjoyed the dynamic between the two sets of siblings. Tracy and her brother, Jesse, both took care of their father until his recent passing. When three brothers show up, their own complicated history interferes but also strengthens their bond.

Secrets, illness, despair, loneliness, all of it pulls you into thinking how you would handle the same situation. You never know what’s around the next corner, but leaning on your sibling is not to be taken for granted.

10 North American Premieres at the New York Film Festival

Ismael’s Ghosts
Description: Phantoms swirl around Ismael (Mathieu Amalric), a filmmaker in the throes of writing a spy thriller based on the unlikely escapades of his brother, Ivan Dedalus (Louis Garrel). His only true source of stability, his relationship with Sylvia (Charlotte Gainsbourg), is upended, as is the life of his Jewish documentarian mentor and father-in-law (László Szabó), when Ismael’s wife Carlotta (Marion Cotillard), who disappeared twenty years earlier, returns, and, like one of Hitchcock’s fragile, delusional femmes fatales, expects that her husband and father are still in thrall to her. A brilliant shape-shifter—part farce, part melodrama—Ismael’s Ghosts is finally about the process of creating a work of art and all the madness required. A Magnolia Pictures release.
Directed By: Arnaud Desplechin
Festivals: New York Film Festival (2017),Cannes Film Festival (2017)
Section of NYFF: Main Slate
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Let the Sun Shine In
Description: Juliette Binoche is both incandescent and emotionally raw in Claire Denis’s extraordinary new film as Isabelle, a middle-aged Parisian artist in search of definitive love. The film moves elliptically, as though set to some mysterious bio-rhythm, from one romantic/emotional attachment to another: from the boorish married lover (Xavier Beauvois); to the subtly histrionic actor (Nicolas Duvauchelle), also married; to the dreamboat hairdresser (Paul Blain); to the gentle man (Alex Descas) not quite ready for commitment to . . . a mysterious fortune-teller. Appropriately enough, Let the Sun Shine In (very loosely inspired by Roland Barthes’s A Lover’s Discourse) feels like it’s been lit from within; it was lit from without by Denis’s longtime cinematographer Agnès Godard. It is also very funny. A Sundance Selects release.
Directed By: Claire Denis
Festivals: New York Film Festival (2017)
Section of NYFF: Main Slate
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Lover for a Day
Description: Lover for a Day is an exquisite meditation on love and fidelity that recalls Garrel’s previous NYFF selections Jealousy (NYFF 2013) and In the Shadow of Women (NYFF 2015). After a painful breakup, heartbroken Jeanne (Esther Garrel) moves back in with her university professor father, Gilles (Eric Caravaca), to discover that he is living with optimistic, life-loving student Ariane (newcomer Louise Chevillotte), who is the same age as Jeanne. An unusual triangular relationship emerges as both girls seek the favor of Gilles, as daughter or lover, while developing their own friendship, finding common ground despite their differences. Gorgeously shot in grainy black and white by Renato Berta (Au revoir les enfants), Lover for a Day perfectly illustrates Garrel’s poetic exploration of relationships and desire. A MUBI release.
Directed By: Philippe Garrel
Festivals: New York Film Festival (2017),Cannes Film Festival (2017)
Section of NYFF: Main Slate
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Mrs. Hyde
Description: Serge Bozon’s eccentric comedic thriller is loosely based on Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde, with many a twist. Mrs. Géquil (Isabelle Huppert), a timid and rather peculiar physics professor, teaches in a suburban technical high school. Apart from her quiet married life with her gentle stay-at-home husband, she is mocked and despised on a daily basis by pretty much everyone around her—headmaster, colleagues, students. During a dark, stormy night, she is struck by lightning and wakes up a decidedly different person, a newly powerful Mrs. Hyde with mysterious energy and uncontrollable powers. Highlighted by Bozon’s brilliant mise en scène, Isabelle Huppert hypnotizes us again, securing her place as the ultimate queen of the screen.
Directed By: Serge Bozon
Festivals: New York Film Festival (2017),Locarno International Film Festival (2017)
Section of NYFF: Main Slate
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Piazza Vittorio
Description: Abel Ferrara’s new documentary is a vivid mosaic/portrait of Rome’s biggest public square, Piazza Vittorio, built in the 19th century around the ruins of the 3rd century Trofei di Mario. The Piazza is now truly a crossroad of the modern world: it offers a perfect microcosm of the changes in the west brought by immigration and forced displacement. Ferrara, now a resident of Rome himself, talks with African musicians and restaurant workers, Chinese barkeeps and relocated eastern Europeans, homeless men and women, artists, members of the right wing movement CasaPound Italia, filmmaker Matteo Garrone, actor Willem Dafoe, and others, all with varying opinions about the vast changes they’re seeing in their neighborhood and world.
Directed By: Abel Ferrara
Festivals: New York Film Festival (2017)
Section of NYFF: Spotlight on Documentary
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Speak Up
Description: Each year at the University of Saint-Denis in the suburbs of Paris, the Eloquentia competition takes place to determine the best orator in the class. Speak Up (À voix haute – La Force de la Parole) follows the students, who come from a variety of family backgrounds and academic disciplines, as they prepare for the competition while coached by public-speaking professionals like lawyers and slam poets. Through the subtle and intriguing mechanics of rhetoric, these young people both reveal and discover themselves, and it is impossible not to be moved by the personal stories that surface in their verbal jousts, from the death of a Syrian nightingale to a father’s Chuck Norris–inspired approach to his battle with cancer. Without sentimentality, Speak Up proves how the art of speech is key to universal understanding, social ascension, and personal revelation.
Directed By: Stéphane de Freitas
Festivals: New York Film Festival (2017)
Section of NYFF: Spotlight on Documentary
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The Meyerowitz Stories (New and Selected)
Description: Noah Baumbach revisits the terrain of family vanities and warring attachments that he began exploring with The Squid and the Whale in this intricately plotted story of three middle-aged siblings (Adam Sandler, Ben Stiller, and Elizabeth Marvel) coping with their strong-willed father (Dustin Hoffman) and the flightiness of his wife (Emma Thompson). Baumbach’s film never stops deftly changing gears, from surges of pathos to painful comedy and back again. Needless to say, this lyrical quicksilver comedy is very much a New York experience. A Netflix release.
Directed By: Noah Baumbach
Festivals: New York Film Festival (2017),Cannes Film Festival (2017)
Section of NYFF: Main Slate
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The Rape of Recy Taylor
Description: On the night of September 3, 1944, a young African-American mother from Abbeville, Alabama, named Recy Taylor was walking home from church with two friends when she was abducted by seven white men, driven away and dragged into the woods, raped by six of the men, and left to make her way home. Against formidable odds and endless threats to her life and the lives of her family members, Taylor bravely spoke up and pressed charges. Nancy Buirski’s passionate documentary shines a light on a case that became a turning point in the early Civil Rights Movement, and on the many formidable women—including Rosa Parks—who brought the movement to life.
Directed By: Nancy Buirski
Festivals: New York Film Festival (2017),Venice Film Festival (2017)
Section of NYFF: Spotlight on Documentary
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The Worldly Cave
Description: Anonymous figures are diminished against unforgiving environs, both natural and man-made, in Zhou’s expansive cross-continental diary, featuring monumental views of the Incheon Sea, the Balearic island of Menorca, and the Sonoran Desert that serve to visualize the infinitesimal stature of the human race.
Directed By: Zhou Tao
Festivals: New York Film Festival (2017)
Section of NYFF: Projections
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Tonsler Park
Description: Election Day, 2016. Kevin Jerome Everson and his 16mm camera quietly observes a community of mostly African-American voters and volunteers at a local polling precinct in Charlottesville, Virginia. Emerson’s film captures everyday faces and the general optimistic atmosphere with a casual formal elegance.
Directed By: Kevin Jerome Everson
Festivals: New York Film Festival (2017)
Section of NYFF: Projections
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9 World Premieres at New York Film Festival

Cielo
Description: The first feature from Alison McAlpine, director of the beautiful 2008 “nonfiction ghost story” short Second Sight, is a dialogue with the heavens—in this case, the heavens above the Andes and the Atacama Desert in northern Chile, where the sky “is more urgent than the land.” McAlpine keeps the vast galaxies above and beyond in a delicate balance with the earthbound world of people, gently alighting on the desert- and mountain-dwelling astronomers, fishermen, miners, and cowboys who live their lives with reverence and awe for the skies. Cielo itself is an act of reverence and awe, and its sense of wonder ranges from the intimate and human to the vast and inhuman.
Directed By: Alison McAlpine
Festivals: New York Film Festival (2017)
Section of NYFF: Spotlight on Documentary
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Hall of Mirrors
Description: In this lively documentary portrait, the great nonpartisan investigative reporter Edward Jay Epstein, still going strong at 81, takes us through his most notable articles and books, including close looks at the findings of the Warren Commission, the structure of the diamond industry, the strange career of Armand Hammer, and the inner workings of big-time journalism itself. These are interwoven with an in-progress investigation into the circumstances around Edward Snowden’s 2013 leak of classified documents, resulting in Epstein’s recently published, controversial book How America Lost Its Secrets: Edward Snowden, the Man and the Theft. One of the last of his generation of journalists, the energetic, articulate, and boyish Epstein is a truly fascinating character.
Directed By: Ena Talakic,Ines Talakic
Festivals: New York Film Festival (2017)
Section of NYFF: Spotlight on Documentary
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Joan Didion: The Center Will Not Hold
Description: Griffin Dunne’s years-in-the-making documentary portrait of his aunt Joan Didion moves with the spirit of her uncannily lucid writing: the film simultaneously expands and zeroes in, covering a vast stretch of turbulent cultural history with elegance and candor, and grounded in the illuminating presence and words of Didion herself. This is most certainly a film about loss—the loss of a solid American center, the personal losses of a husband and a child—but Didion describes everything she sees and experiences so attentively, so fully, and so bravely that she transforms the very worst of life into occasions for understanding. A Netflix release.
Directed By: Griffin Dunne
Festivals: New York Film Festival (2017)
Section of NYFF: Spotlight on Documentary
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Last Flag Flying
Description: In Richard Linklater’s lyrical road movie, as funny as it is heartbreaking, three aging Vietnam-era Navy vets—soft-spoken Doc (Steve Carell), unhinged and unfiltered Sal (Bryan Cranston), and quietly measured Mueller (Laurence Fishburne)—reunite to perform a sacred task: the proper burial of Doc’s only child, who has been killed in the early days of the Iraq invasion. As this trio of old friends makes its way up the Eastern seaboard, Linklater gives us a rich rendering of friendship, a grand mosaic of common life in the USA during the Bush era, and a striking meditation on the passage of time and the nature of truth. To put it simply, Last Flag Flying is a great movie from one of America’s finest filmmakers. An Amazon Studios release.
Directed By: Richard Linklater
Festivals: New York Film Festival (2017)
Section of NYFF: Opening Night
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No Stone Unturned
Description: Investigative documentary filmmaker Alex Gibney—best known for 2008’s Oscar-winning Taxi to the Dark Side, Enron: The Smartest Guys in the Room, and at least a dozen others—turns his sights on the 1994 Loughinisland massacre, a cold case that remains an open wound in the Irish peace process. The families of the victims—who were murdered while watching the World Cup in their local pub—were promised justice, but 20 years later they still didn’t know who killed their loved ones. Gibney uncovers a web of secrecy, lies, and corruption that so often results when the powerful insist they are acting for the greater good.
Directed By: Alex Gibney
Festivals: New York Film Festival (2017)
Section of NYFF: Spotlight on Documentary
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The Opera House
Description: Renowned documentarian Susan Froemke takes viewers through the history of the Metropolitan Opera via priceless archival stills, footage, and interviews (with, among many others, the great soprano Leontyne Price). The film follows the development of the glorious institution from its beginnings at the old opera house on 39th Street to the storied reign of Rudolph Bing to the long-gestating move to Lincoln Center, the construction of which traces a fascinating byway through the era of urban renewal and Robert Moses’s transformation of New York. Most of all, though, this is a film about the love for and devotion to the preservation of an art form and the upkeep of a home where it can live and thrive.
Directed By: Susan Froemke
Festivals: New York Film Festival (2017)
Section of NYFF: Special Events
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Trouble No More
Description: Like every other episode in the life of Bob Dylan, the “born again” period that supposedly began with the release of Slow Train Coming (1979) and supposedly ended with Shot of Love (1981) has been endlessly scrutinized in the press. Less attention has been paid to the magnificent music he made. This very special film consists of truly electrifying video footage, much of it thought to have been lost for years and all newly restored, shot at shows in Toronto and Buffalo on the last leg of the ’79-’80 tour (with an amazing band: Muscle Shoals veteran Spooner Oldham and Terry Young on keyboards, Little Feat’s Fred Tackett on guitar, Tim Drummond on bass, the legendary Jim Keltner on drums and Clydie King, Gwen Evans, Mona Lisa Young, Regina McCrary and Mary Elizabeth Bridges on vocals) interspersed with sermons written by Luc Sante and beautifully delivered by Michael Shannon. More than just a record of some concerts, Trouble No More is a total experience.
Directed By: Jennifer Lebeau
Festivals: New York Film Festival (2017)
Section of NYFF: Special Events
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Voyeur
Description: Gerald Foos bought a motel in Colorado in the 1960s, furnished the room with louvered vents that allowed him to spy on his guests, and kept a journal of their sexual encounters…among other things. As writer Gay Talese, who had known Foos for more than three decades, came close to the publication of his book The Voyeur’s Motel (preceded by an excerpt in The New Yorker), factual discrepancies in Foos’s account emerged, and documentarians Kane and Koury were on hand to record some wild encounters between the veteran New York journalist and his enigmatic subject. A Netflix release.
Directed By: Myles Kane,Josh Koury
Festivals: New York Film Festival (2017)
Section of NYFF: Spotlight on Documentary
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Wonder Wheel
Description: In a career spanning 50 years and almost as many features, Woody Allen has periodically refined, reinvented, and redefined the terms of his art, and that’s exactly what he does with his daring new film. We’re in Coney Island in the 1950s. A lifeguard (Justin Timberlake) tells us a story that just might be filtered through his vivid imagination: a middle-aged carousel operator (Jim Belushi) and his beleaguered wife (Kate Winslet), who eke out a living on the boardwalk, are visited by his estranged daughter (Juno Temple)—a situation from which layer upon layer of all-too-human complications develop. Allen and his cinematographer, the great Vittorio Storaro, working with a remarkable cast led by Winslet in a startlingly brave, powerhouse performance, have created a bracing and truly surprising movie experience. An Amazon Studios release.
Directed By: Woody Allen
Festivals: New York Film Festival (2017)
Section of NYFF: Closing Night
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https://youtu.be/L7pw_1Jogd4


Where you can watch the 2010 New York Film Festival selections

The Social Network
Description: Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the co-founder who was later squeezed out of the business because the predictive analytics they’d done didn’t bade well for the company.
Directed By: David Fincher
Festivals: New York Film Festival (2010)
Section of NYFF: Opening Night
Where to watch: Rent/Buy only


The Tempest
Description: A shipwreck casts members of a royal court ashore on a mysterious island. Their fateful arrival is no accident, for it was engineered by Prospera (Helen Mirren), a sorceress whom these men banished, and who now plans to take vengeance on them. With the help of Caliban and Ariel, her sometimes-unwilling aides, Prospera brings her powers to bear on her former tormentors. Then love casts a spell on her daughter and the king’s son, and Prospera is powerless to intervene.
Directed By: Julie Taymor
Festivals: New York Film Festival (2010)
Section of NYFF: Centerpiece
Where to watch: Rent/Buy only


Hereafter
Description: A drama centered on three people — a blue-collar American, a French journalist and a London school boy — who are touched by death in different ways.
Directed By: Clint Eastwood
Festivals: New York Film Festival (2010)
Section of NYFF: Closing Night
Where to watch: CINEMAX


Another Year
Description: A look at four seasons in the lives of a happily married couple and their relationships with their family and friends.
Directed By: Mike Leigh
Festivals: New York Film Festival (2010),Cannes Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: Sundance NOW

https://youtu.be/LAFdApnxmk4


Aurora
Description: An apartment kitchen: a man and a woman discuss Little Red Riding Hood, their voices hushed, mindful of waking the little girl sleeping next room. Waste land on the city outskirts: behind a line of abandoned trailers, the man silently watches what seems to be a family. The same city, the same man: driving through traffic with two hand-made firing pins for a hunting rifle. The man is 42 years old, his name – Viorel. Troubled by obscure thoughts, he drives across the city to a destination known only to him.
Directed By: Cristi Puiu
Festivals: New York Film Festival (2010),Cannes Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: Fandor


Carlos
Description: The story of Venezuelan revolutionary Ilich Ramírez Sánchez, who founded a worldwide terrorist organization and raided the 1975 OPEC meeting.
Directed By: Olivier Assayas
Festivals: New York Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: FilmStruckNetflix

https://youtu.be/KAHR_4GENkg


Certified Copy
Description: In Tuscany to promote his latest book, a middle-aged British writer meets a French woman who leads him to the village of Lucignano. While there, a chance question reveals something deeper.
Directed By: Abbas Kiarostami
Festivals: New York Film Festival (2010),Cannes Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: huluFilmStruckSundance NOW


Film Socialisme
Description: A symphony in three movements. Things such as a Mediterranean cruise, numerous conversations, in numerous languages, between the passengers, almost all of whom are on holiday… Our Europe. At night, a sister and her younger brother have summoned their parents to appear before the court of their childhood. The children demand serious explanations of the themes of Liberty, Equality and Fraternity. The movie draws concepts from places like https://www.salesforce.com/blog/2017/07/20-quotes-about-equality.html about equality, and in which sense, are portrayed in a vague manner with the pith of equality remaining the same. Our humanities. Visits to six sites of true or false myths: Egypt, Palestine, Odessa, Hellas, Naples and Barcelona.
Directed By: Jean-Luc Godard
Festivals: New York Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: tubiTV


Inside Job
Description: Takes a closer look at what brought about the 2008 financial meltdown.
Directed By: Charles Ferguson
Festivals: New York Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: hulu

https://youtu.be/bYm_oEO5iyE


Meek’s Cutoff
Description: Settlers traveling through the Oregon desert in 1845 find themselves stranded in harsh conditions.
Directed By: Kelly Reichardt
Festivals: New York Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: Netflix, Fandor, Sundance NOW


Mysteries of Lisbon
Description: Follows a jealous countess, a wealthy businessman, and a young orphaned boy across Portugal, France, Italy and Brazil where they connect with a variety of mysterious individuals.
Directed By: Raúl Ruiz
Festivals: New York Film Festival (2010),Toronto Film Festival (2017),Toronto Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: Fandor


Of Gods and Men
Description: Under threat by fundamentalist terrorists, a group of Trappist monks stationed with an impoverished Algerian community must decide whether to leave or stay.
Directed By: Xavier Beauvois
Festivals: New York Film Festival (2010),Cannes Film Festival (2010),Telluride Film Festival (2010),Toronto Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: Rent/Buy only

https://youtu.be/BgztlkthVGg


Oki’s Movie
Description: A love story between a middle-aged professor, a young student who prepares a movie and a student/film-maker who drinks too much.
Directed By: Sang-soo Hong
Festivals: New York Film Festival (2010),Venice Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: amazon Prime


Poetry
Description: A sixty-something woman, faced with the discovery of a heinous family crime and in the early stages of Alzheimer’s disease, finds strength and purpose when she enrolls in a poetry class.
Directed By: Chang-dong Lee
Festivals: New York Film Festival (2010),Cannes Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: tubiTV


Post Mortem
Description: In Chile, 1973, during the last days of Salvador Allende’s presidency, an employee at a Morgue’s recording office falls for a burlesque dancer who mysteriously disappears.
Directed By: Pablo Larraín
Festivals: New York Film Festival (2010),Venice Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: Rent/Buy only


The Robber
Description: A story based on Johann Rettenberger, an Austrian marathon runner and a bank robber.
Directed By: Benjamin Heisenberg
Festivals: New York Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: FilmStruck, vudu Movies On Us


Silent Souls
Description: Present days. A man and his companion go on a journey to cremate the dead body of the former beloved wife, on a riverbank in the area where they spent their honeymoon.
Directed By: Aleksey Fedorchenko
Festivals: New York Film Festival (2010),Venice Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: amazon Prime, Fandor


The Strange Case of Angelica
Description: The line between reality and fantasy blurs for a photographer (Ricardo Trêpa) when a dead bride appears to come to life through his camera lens.
Directed By: Manoel de Oliveira
Festivals: New York Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: Fandor


Tuesday After Christmas
Description: Middle-aged Paul (Mimi Branescu) lives in a pleasant Bucharest apartment with his wife, Adrianna (Mirela Oprisor), and their 9-year-old daughter. But unbeknown to Adrianna, Paul is also having an affair with the family’s dentist, Raluca (Maria Popistasu). As Christmas approaches, Paul finds himself forced to choose between the woman with whom he has shared the last decade of his life and the passionate new partner who has given him a revitalized image of himself.
Directed By: Radu Muntean
Festivals: New York Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: Fandor


Uncle Boonmee Who Can Recall Past Lives
Description: Afflicted with kidney disease, Uncle Boonmee (Thanapat Saisaymar) is preparing himself for death. He has assembled his relatives in the countryside, convinced he will die within a few days. The ghost of his wife appears and offers guidance on his journey into the beyond, while his estranged son materializes in the guise of a jungle creature. Surrounded by his loved ones, Uncle Boonmee reflects on memories of his past lives, and he decides he must visit a special place before he goes.
Directed By: Apichatpong Weerasethakul
Festivals: New York Film Festival (2010)
Section of NYFF: Main Slate
Where to watch: Fandor


Ready to buy some New York Film Festival Tickets? These are the most limited

Wonder why these are the most limited? I did too, so here’s what I found out.

Check here for the latest on NYFF tickets

Most of these go on sale at noon today, so make sure you choose wisely!

Mrs. Hyde – Oct 1, 12:30pm, Walter Reade Theater – Limited Tickets
The Other Side of Hope – Oct 10, 8:30pm, Howard Gilman Theater
Spoor – Oct 1, 12pm, Howard Gilman Theater
Thelma – Oct 7, 12pm, Howard Gilman Theater

  • Mrs. Hyde
  • Serge Bozon
  • 2017
  • France
  • 95 minutes

Serge Bozon’s eccentric comedic thriller is loosely based on Robert Louis Stevenson’s The Strange Case of Dr Jekyll and Mr. Hyde, with many a twist. Mrs. Géquil (Isabelle Huppert), a timid and rather peculiar physics professor, teaches in a suburban technical high school. Apart from her quiet married life with her gentle stay-at-home husband, she is mocked and despised on a daily basis by pretty much everyone around her—headmaster, colleagues, students. During a dark, stormy night, she is struck by lightning and wakes up a decidedly different person, a newly powerful Mrs. Hyde with mysterious energy and uncontrollable powers. Highlighted by Bozon’s brilliant mise en scène, Isabelle Huppert hypnotizes us again, securing her place as the ultimate queen of the screen.

This film was first screened at the Locarno International Film Festival in Switzerland.

Isabelle Huppert is a veteran of the New York Film Festival having starred in several over the past 10 years alone. She starred in two features last year, Elle (where she was nominated for an Academy Award) and Things To Come.

TICKETS


Leave it to Aki Kaurismäki (Le Havre, NYFF 2011), peerless master of humanist tragicomedy, to make the first great fiction film about the 21st century migrant crisis. Having escaped bombed-out Aleppo, Syrian refugee Khlaed (Sherwan Haji) seeks asylum in Finland, only to get lost in a maze of functionaries and bureaucracies. Meanwhile, shirt salesman Wikström (Sakari Kuosmanen) leaves his wife, wins big in a poker game, and takes over a restaurant whose deadpan staff he also inherits. These parallel stories dovetail to gently comic and enormously moving effect in Kaurismäki’s politically urgent fable, an object lesson on the value of compassion and hope that remains grounded in a tangible social reality. A Janus Films release.

Won Best Director at the Berlin Film Festival where it first screened.

TICKETS


  • Spoor
  • Agnieszka Holland, in cooperation with Kasia Adamik
  • 2017
  • Poland/Germany/Czech Republic
  • 128 minutes

Janina Duszejko (Agnieszka Mandat) is a vigorous former engineer, part-time teacher, and animal activist, living in a near wilderness on the Polish-Czech border, where hunting is the favored year-round sport of the corrupt men who rule the region. When a series of hunters die mysteriously, Janina wonders if the animals are taking revenge, which doesn’t stop the police from coming after her. A brilliant, passionate director, Agnieszka Holland—who like Janina comes from a generation that learned to fight authoritarianism by any means necessary—forges a sprawling, wildly beautiful, emotionally enveloping film that earns its vision of utopia. It’s at once a phantasmagorical murder mystery, a tender, late-blooming love story, and a resistance and rescue thriller.

Won the Silver Bear at the Berlin Film Festival. Official Entry from Poland for Best Foreign Language Film to the Academy Awards.

TICKETS


  • Thelma
  • Joachim Trier
  • 2017
  • Norway/Sweden/France
  • 116 minutes

In the new film from Joachim Trier (Reprise), an adolescent country girl (Eili Harboe) has just moved to the city to begin her university studies, with the internalized religious severity of her quietly domineering mother and father (Ellen Dorrit Petersen and Henrik Rafaelsen) always in mind. When she realizes that she is developing an attraction to her new friend Anja (Okay Kaya), she begins to manifest a terrifying and uncontrollable power that her parents have long feared. To reveal more would be a crime; let’s just say that this fluid, sharply observant, and continually surprising film begins in the key of horror and ends somewhere completely different. A release of The Orchard.

Warning: This film contains flashing lights which may not be suitable for photosensitive epilepsy. Viewer discretion is advised. 

Screened at the Toronto Film Festival. Official entry from Norway for Best Foreign Language Film for the Academy Awards.

TICKETS

HBO announced a bunch of stuff – Find out when ‘Curb Your Enthusiasm’ finally returns

  • Curb Your Enthusiasm – New Season October 1st
  • Jon Stewart to headline 2 comedy specials
  • Drama series The Deuce, starring James Franco (x 2) and Maggie Gyllenhaal, debuts Sept. 10
  • Documentary lineup for second half of 2017

 


Curb Your Enthusiasm – New Season October 1st

The Emmy®– and Golden Globe-winning comedy series CURB YOUR ENTHUSIASM, starring Larry David, returns for its ten-episode ninth season SUNDAY, OCT. 1 (10:00-10:30 p.m. ET/PT), on HBO. The show stars “Seinfeld” co-creator David as an over-the-top version of himself in an unsparing but tongue-in-cheek depiction of his life.

The new season brings back cast favorites Cheryl Hines as Cheryl, Jeff Garlin as Jeff, Susie Essman as Susie and J.B. Smoove as Leon, as well as series veterans Richard Lewis, Bob Einstein, Ted Danson and Mary Steenburgen.

Also appearing on CURB YOUR ENTHUSIASM this season are Elizabeth Banks, Ed Begley, Jr., Carrie Brownstein, Bryan Cranston, Lauren Graham, Jimmy Kimmel, Nick Offerman, Nasim Pedrad and Elizabeth Perkins.

Season nine directors include Jeff Schaffer, Larry Charles, Robert B. Weide, Jessie Nelson and Bryan Gordon.

CURB YOUR ENTHUSIASM was created by Larry David; executive produced by Larry David, Jeff Garlin and Jeff Schaffer.


Jon Stewart to headline 2 comedy specials

Jon Stewart is set to headline two HBO comedy specials, it was announced today by Casey Bloys, president, HBO Programming. He will return to HBO for his first stand-up special since the 1996 HBO presentation “Jon Stewart: Unleavened,” with the date and location to be announced as they are confirmed.

Additionally, this fall Stewart will host the latest “Night of Too Many Stars” all-star benefit for NEXT For AUTISM, to be presented live from The Theater at Madison Square Garden in New York on Saturday, Nov. 18. The special will feature stand-up performances, sketches and short films. The comedy event was created by comedy writer and performer Robert Smigel to support autism schools, programs and services. NEXT for AUTISM (formerly New York Collaborates for Autism) is a non-profit organization that strategically designs, launches and supports innovative programs to improve the lives of people living with Autism Spectrum Disorder.

“We’re excited to bring Jon to the network with this pair of specials,” said Bloys. “We’ve all missed his uniquely thoughtful brand of humor.”

“I’m really thrilled to be able to return to stand-up on HBO,” adds Stewart. ”They’ve always set the standard for great stand-up specials. Plus, I can finally use up the last of the Saddam Hussein jokes left over from my first special.”

Jon Stewart became the host of “The Daily Show with Jon Stewart” in 1999, stepping down from the show in 2015. The series received 23 Primetime Emmys® and two Peabody Awards. Stewart hosted the Academy Awards® twice, in 2006 and 2008, and wrote the New York Times bestselling books “Earth (The Book): A Visitor’s Guide to the Human Race” and “America (The Book): A Guide to Democracy Inaction,” which was on the New York Times bestseller list for 18 consecutive weeks. He also wrote and directed the 2014 feature film “Rosewater.”

In addition to “Jon Stewart: Unleavened,” his first HBO stand-up special, his previous HBO credits include hosting the special “George Carlin: 40 Years of Comedy,” “Mr. Show with Bob and David” and a recurring role on “The Larry Sanders Show.”


Drama series The Deuce, starring James Franco (x 2) and Maggie Gyllenhaal, debuts Sept. 10

THE DEUCE chronicles that moment in time when sex went from being a back-alley, brown-paper-bag commodity to a billion-dollar universal in American life, a moment when ground zero for the earliest pioneers in the flesh trade was the midtown heart of the nation’s largest city, New York’s Times Square.

Titled after the local slang for New York’s fabled 42nd Street and starring James Franco and Maggie Gyllenhaal, THE DEUCE begins its eight-episode season SUNDAY, SEPT. 10 (9:00-10:20 p.m. ET/PT), followed by other episodes subsequent Sundays at the same time. The show was created by George Pelecanos and David Simon; George Pelecanos, David Simon, Nina K. Noble and James Franco executive produce.

THE DEUCE follows the rise of the porn culture in New York from the early 1970s through the mid-1980s, exploring the rough-and-tumble world of the sex trade from the moment when both a liberalizing cultural revolution in American sexuality and new legal definitions of obscenity created a billion-dollar industry that is now an elemental component of the American cultural landscape, with sites where you can see naked girls online all the time. Beginning in 1971, the show follows a cast of barkeeps, prostitutes, pimps, police and nightlife denizens as they swirl through a world of sex, crime, high times and violence and the porn business begins its climb from Mafia-backed massage parlors and film labs to legitimacy and cultural permanence.


Documentary lineup for second half of 2017

Upcoming HBO documentaries include (in chronological order):

BRILLO BOX  (3¢ OFF) (Aug. 7) blends a humorous family narrative with Pop Art history, following an iconic Andy Warhol work as it makes its way from a New York family’s living room to the contemporary global art market. Exploring the ephemeral nature of art and value and the decisions that shape a family’s history, the film debuts the week of Warhol’s 89th birthday. An official selection of the 54th New York Film Festival.  Directed by Lisanne Skyler.

CLINICA DE MIGRANTES (Sept. 25) is an affecting portrait of a volunteer-run health clinic that treats uninsured, undocumented immigrants, many of whom have left their families behind to come to America and perform physically exhausting labor for meager wages. With extraordinary access and moving vérité footage, it highlights these admirable doctors and the patients who have nowhere else to turn for health care. Directed by Max Pozdorovkin (HBO’s “Pussy Riot: A Punk Prayer”).

SPIELBERG (Oct. 7) pulls back the curtain on the remarkable career of Steven Spielberg, one of the most famous filmmakers in the world.  Producer-director Susan Lacy conducted nearly 30 hours of interviews with the director for the documentary, as well as interviewing members of Spielberg’s family, close friends and A-list colleagues. The result is a remarkably intimate portrait, combining personal narrative with an in-depth exploration of Spielberg’s creative process and craftsmanship. Directed by Susan Lacy.

ROLLING STONE DOCUMENTARY (untitled) (Nov.) chronicles the last 50 years of American music, politics and popular culture through the story of the magazine that understood rock‘n’roll was more than music – it was a cultural force that re-shaped America. Drawing on previously unheard recordings provided by some of Rolling Stone’s greatest writers, as well as original interviews, rare photos and footage, this two-part special is an inside look at how the magazine helped define the zeitgeist and has endured for a half-century. Directed by Alex Gibney and Blair Foster.

BALTIMORE RISING (Nov.) goes deep behind the scenes of a city on edge in the wake of the 2015 death of Freddie Gray in police custody, which sparked protests and destructive riots. Director Sonja Sohn, one of the stars of the HBO series “The Wire,” follows local activists, police officers, community leaders and gang affiliates, many of whom had previously only seen each other as adversaries, as they fight for change and struggle to hold Baltimore together. Directed by Sonja Sohn.

HAPPENING: A CLEAN ENERGY REVOLUTION (Dec.) follows filmmaker Jamie Redford on a colorful journey to discover the leading edge of clean energy across the U.S. Unlikely entrepreneurs in communities from Georgetown, Tex. to Buffalo, NY reveal pioneering clean energy solutions that are creating jobs, turning profits and making communities stronger and healthier. Reaching beyond a story of technology and innovation, his discoveries underscore issues of human resilience, social justice, embracing the future and finding hope for humanity’s survival. Directed by Jamie Redford.

New posters for ‘Bushwick’ playing Cannes Film Festival tonight

BUSHWICK first premiered at Sundance Film Festival in 2017 and will play the Cannes Film Festival tonight. The film stars Dave Bautista (Guardians of the Galaxy), Brittany Snow (Pitch Perfect), Angelic Zambrana (Precious), and Jeremie Harris (“Legion”). BUSHWICK was directed by Cary Murnion and Jonathan Milott and written by Nick Damici and Graham Reznick.
When Lucy (Brittany Snow) steps off the subway, she walks into an utter bloodbath on the streets of Brooklyn’s Bushwick neighborhood. Texas is attempting to secede from the Union, and militia forces have descended upon New York City to claim it as an East Coast base of operations and negotiation tool. Faced with a flurry of whizzing bullets and total destruction around every corner, Lucy takes shelter in the basement of Stupe (Dave Bautista), a burly war veteran who reluctantly helps her traverse the treacherous five-block stretch of Bushwhack to reach her destination—assuming it’s still there.
 
RLJ Entertainment will release BUSHWICK in theaters and on VOD and Digital HD August 25, 2017.
Posters debuted on Collider.

Review: ‘On The Road, Somewhere’ Is An Enlightening Adventure

On The Road, Somewhere

Available May 23, 2017 on DVD

Guest review from Reel Reviews Over Brews

On The Road, Somewhere starts with 3 friends; Oliver (Arnold Martínez), Moises (Javier Grullón), and Hemingway (Victor Alfonso) planning a road trip around the Dominican Republic.

Oliver’s main objective of this trip is to say goodbye to his girlfriend before she leaves for New York. Hemingway is trying to get away from his family and become a writer, even though being a writer is frowned upon in their society. Lastly, we have Moises, who is the photographer of the group. He loves photography and is on a quest to capture the perfect picture before starting his career in engineering. This “tripod” encounters a lot of interesting people that help them grow along their adventure. The ones that we get to meet are a famous photographer, a lustful artist, and a hitchhiker from Haiti. On top of the interesting people that this group gets to meet, their constant car trouble causes them to keep changing their travel plans. This journey they’re on could be their last hurrah…

This movie did a great job portraying what a road trip with friends is like. We have been on a lot of road trips together and just like Oliver, Moises, and Hemingway, we also have plenty of teasing, talks about girls, and are constantly trying to stay out of trouble. There are always interesting people to meet and crazy situations that occur when you go on these adventures. On The Road, Somewhere portrayed that extremely well. They also did an excellent job capturing the beauty of the Dominican Republic. There are a few questions left unanswered at the end of the movie, but really, our biggest complaint would be that we were only able to be apart of the group’s journey for a little over an hour. Just when we feel we are getting to know the main characters, the movie is over. It’s very easy to see why this movie won “Best Feature Film” at the 2015 Miami International Film Festival. By the end of this trio’s enlightening adventure, they had us counting down the days until our next road trip… and it can’t come soon enough!

Reel ROB Rating: 4 out of 5 stars

Post Credits Scene: No

We want to thank our friends at Reel News Daily for allowing us to do this guest review for them!

 

Tribeca Film Festival 2017 review: ‘Buster’s Mal Heart’ is chilling and downright weird.

An eccentric mountain man is on the run from the authorities, surviving the winter by breaking into empty vacation homes in a remote community. Regularly calling into radio talk shows, where he has acquired the nickname”Buster,” to rant about the impending Inversion at the turn of the millennium, he is haunted by visions of being lost at sea, and memories of his former life as a family man.

Buster’s Mal Heart took everyone by surprise this year. There seemed to be 2 distinct reactions once the credits began to role. 1. That was terrible. 2. That was amazing. I happen to be in the party of the amazing. Rami Malek is the perfect choice for this role. With the incredibly successful run of Mr. Robot, Malek takes on yet another role that is mysterious and mind-bending. Whether you enjoyed the film or not, there was no arguing that it left you wondering what the hell you just watched. The plot is left to the audience’s interpretation at times. There is zero doubt about the talents of Malek in what is a challenging role. Half the film has no dialogue from his character at all. Nuanced and heartbreaking but also filled with innocent humor, you will never be bored and you will be made to think. Buster’s Mal Heart will keep you guessing long after you leave the theater and well, isn’t that what great cinema is all about?
The film is now in theaters and if you’re already a fan of Malek, I highly recommend you catch this film. The 1hr 36min run feels longer but in the best way possible. The film’s themes go full speed ahead, and there is a number of them. From best intentions, living up to other’s expectations, to anarchy and testing one’s own sanity, Buster’s Mal Heart will confuse and provoke you. You’re going to want to watch it over and over. We’d love to hear your thoughts once you’ve seen the film! Check out the madness that is the trailer below.

FILM INFO
CAST & CREDITS
  • Director:
    Sarah Adina Smith
  • Screenwriter:
    Sarah Adina Smith
  • Cinematographer:
    Shaheen Seth
  • Editor:
    Sarah Adina Smith
  • Composer:
    Mister Squinter
  • Executive Producer:
    Mynette Louie, Julie Parker Benello, Dan Cogan, Geralyn Dreyfous, Wendy Ettinger, Samuel T. Bauer
  • Producer:
    Jonako Donley, Travis Stevens
  • Associate Producer:
    William Adashek, Kevin Cannon
  • Co-Producer:
    Erika Kelton, Regina K. Scully, Lesley Ann Skillen
  • Sound Design:
    Paula Fairfield
  • Art Director:
    Tessla Hastings
  • Cast:
    Rami Malek, DJ Qualls, Kate Lyn Sheil, Sukha Belle Potter, Lin Shaye

Watch short film ‘Hair’ directed by John Turturro & featuring Bobby Cannavale after premiering at Tribeca Film Festival

rag & bone is pleased to announce the release of Hair, a ‘rag & bone Films’ production which premiered at the 2017 Tribeca Film Festival®, presented by AT&T.

Delving deeper into the medium of film, the brand introduces a conceptual short feature directed by and starring Golden Globe-nominated actor John Turturro alongside two-time Emmy-winner Bobby Cannavale, marking yet another engaging initiative under the ‘rag & bone Films’ umbrella.

“For us, projects like these are about creating a paradigm shift in the way people view fashion. Film and photography are engrained in our brand DNA and we love exploring both mediums in different ways every season. This project was a joy to be part of and it was a real honor to work with John and Bobby on it.” – Marcus Wainwright, rag & bone CEO, Founder and Creative Director

Shot by Fred Elmes (Blue Velvet, The Night Of, Broken Flowers) in Williamsburg, Brooklyn the film features an improvised conversation about a man’s particularity for his hair.

Truly masters of their craft, Turturro and Cannavale deliver a lightheartedly engrossing and completely unscripted performance while dressed in the rag & bone Spring/Summer 2017 collection. Hair will be available to view on rag-bone.com on Tuesday, May 2nd. Viewers will also be able to shop the clothing worn in the five minute short.

“It was fun to find the right location that would complement the rag & bone clothing. I scouted several places with Fred Elmes and we felt that this specific classic barber shop was the perfect location. Clothes and hair go together; they’re part of your social identity.” – John Turturro

Hair follows on from the 2016 Men’s Project, based on a concept that showcases the actors’ authentic personalities with each outfitted in pieces from the latest collection that are reflective of their own personal taste.

Turturro continues, “Working with rag & bone was very creative and collaborative, with this short, I wanted to convey the spirit of their brand which is fun, lively, and urban with a focus on quality and craftsmanship.”

Hair debuted during the Tribeca Film Festival®, presented by AT&T on April 21st, 2017 in New York City.

Tribeca Film Festival 2017 Awards Announced

Click for the Tribeca Film Festival page & showtimes

The 16th Tribeca Film Festival announced the winners of its competition categories at the awards ceremony tonight at BMCC Tribeca Performing Arts Center. Top awards went to Keep the Change for Best U.S. Narrative, Son of Sofia for Best International Narrative, and Bobbi Jene for Best Documentary. The Festival, presented by AT&T, runs through April 30, 2017.

Awards were distributed in the following feature film competition categories: U.S. Narrative, International Narrative, Documentary, New Narrative Director, The Albert Maysles New Documentary Director, and the Nora Ephron Prize, honoring a woman writer or director.  Awards were also given in the short film categories: Narrative, Documentary, Student Visionary and Animation.

For the fifth year, Tribeca awarded innovation in storytelling through its Storyscapes Award for immersive storytelling, which went to TREEHUGGER: WAWONA.

“It is more important than ever to celebrate artists both in front of and behind the camera who have the unique ability to share different viewpoints to inspire, challenge and entertain us,” said Jane Rosenthal, Executive Chair and Co-Founder, Tribeca Film Festival. “The winning creators from across the Festival program shared stories that did exactly that, and we are honored to recognize them tonight.  And how wonderful is it that the top awards in all five feature film categories were directed by women.”

This year’s Festival included 97 feature length films, 57 short films, and 30 immersive storytelling projects from 41 countries.

The Festival’s competition categories continue to incorporate storytelling in all its forms with two awards that were given out earlier in the week, the Tribeca X Award, a juried section recognizing the intersection of advertising and entertainment, and the first Tribeca Snapchat Short Award, a new official category.

Screenings of the award–winning films will take place throughout the final day of the Festival: Sunday, April 30, at various venues. Specific times and ticketing information are available at www.tribecafilm.com/festival

The winners of the Audience Awards, powered by AT&T, which are determined by audience votes throughout the Festival via the Festival app, will be announced on April 29.

In addition to cash awards and in-kind services provided by sponsors including AT&T, CHANEL, CNN Films, Netflix, and Nutella, the Festival presented the winners with original pieces of art created by contemporary artists: Urs Fischer, Walton Ford, John Giorno, Ella Kruglyanskaya, Jorge Pardo, R.H. Quaytman, Sterling Ruby, Aurel Schmidt, Ryan Sullivan, as well as longtime supporter Stephen Hannock. 

The winners, awards, and comments from the jury who selected the recipients are as follows:

U.S. NARRATIVE FEATURE COMPETITION CATEGORIES:

The jurors for the 2017 U.S. Narrative Competition were Josh Lucas, Melanie Lynskey, Denis O’Hare, Alex Orlovsky, and Stephanie Zacharek.

  • The Founders Award for Best Narrative Feature Keep the Change, written and directed by Rachel Israel. Winner receives $20,000, sponsored by AT&T, and the art award “Untitled” by Ella Kruglyanskaya. The award was given by Jane Rosenthal joined by Fiona Carter, AT&T Chief Brand Officer, and Josh Lucas, Denis O’Hare, Alex Orlovsky, and Stephanie Zacharek on behalf of the jury.

Jury Comment: “For her heartwarming, hilarious and consistently surprising reinvention of the New York romantic comedy, which opens a door to a world of vibrant characters not commonly seen on film, the U.S. Narrative Jury gives the Founders Award to Rachel Israel for Keep the Change.”

  • Best Actor in a U.S. Narrative Feature FilmAlessandro Nivola in One Percent More Humid. The award was given by Josh Lucas.

Jury Comment: “For his raw, complex and deeply human portrayal of middle-aged teacher and writer who tries to rekindle his creativity by plunging into an ill-advised affair with a student, the award for Best Actor goes to Alessandro Nivola, in Liz W. Garcia’s One Percent More Humid.”

  • Best Actress in a U.S. Narrative Feature FilmNadia Alexander in Blame. The award was given by Denis O’Hare.

Jury Comment: “For her powerful, multilayered and risky portrayal of a troubled teenager in Quinn Shepard’s accomplished directorial debut Blame, the award for Best Actress goes to Nadia Alexander.”

  • Best Cinematography in a U.S. Narrative Feature Film – Cinematography by Chris Teague for Love After Love. The award was given by Alex Orlovsky

Jury Comment: “For creating a visual style that beautifully mirrors the fraught and messy landscape of grief, the cinematography award goes to Love After Love, shot by Chris Teague.”

  • Best Screenplay in a U.S. Narrative Feature Film Abundant Acreage Available written by Angus MacLachlan. Winner receives $2,500. The award was given by Stephanie Zacharek.

Jury Comment: “For its portrayal, both universal and intimate, of two families who meet, clash and ultimately discover what it means to call a place home, the best screenplay award goes to Abundant Acreage, written and directed by Angus MacLachlan.

INTERNATIONAL NARRATIVE FEATURE COMPETITION CATEGORIES:

The jurors for the 2017 International Narrative Competition were Willem Dafoe, Peter Fonda, Tavi Gevinson, Alessandro Nivola, and Ruth Wilson.

  • The Best International Narrative Feature Son of Sofia (O Gios tis Sofias) written and directed by Elina Psykou (Greece, Bulgaria, France). Winner receives $20,000, sponsored by Netflix, and the art award “Study for La Brea” by Walton Ford. The award was given by Alessandro Nivola and Willem Dafoe, on behalf of the jury.

Jury Comment: “When we were watching these movies we were looking for something we hadn’t seen before. We unanimously agree that one film challenged us to see in a new way, and we were seduced by the surprising humanity ofits difficult characters. The direction was assured, and its tone unique, and we look forward to seeing Elina Psykou’s next work. The Best International Narrative Feature Award goes to Son of Sofia.”

  • Best Actor in an International Narrative Feature Film – Guillermo Pfening in Nobody’s Watching (Nadie Nos Mira) (Colombia, Argentina, Brazil, USA, Spain). The award was given by Alessandro Nivola and Willem Dafoe, on behalf of the jury. 

Jury Comment: “For a performance of extraordinary vulnerability and commitment that anchored the film, the Best Actor Award goes to Guillermo Pfening for Nobody’s Watching.”

  • Best Actress in an International Narrative Feature FilmMarie Leuenberger in The Divine Order (Die göttliche Ordnung) (Switzerland). The award was given by Alessandro Nivola and Willem Dafoe, on behalf of the jury.

Jury Comment: “For a performance that is patient, intelligent and graceful, that captured the liberation of a young woman the Best Actress Award goes to Marie Leuenberger for The Divine Order.”

  • Best Cinematography in an International Narrative Feature Film – Cinematography by Mart Taniel for November (Estonia, Netherlands, Poland). The award was given by Alessandro Nivola and Willem Dafoe, on behalf of the jury.

Jury Comment: “We were particularly impressed by the high level of the cinematography of the films we’ve just seen which had very different styles and demands. One film was particularly audacious and showed supreme command of its visual language. The Best Cinematography Award goes to Mart Taniel for November.”

  • Best Screenplay in an International Narrative Feature Film – Ice Mother (Bába z ledu) written by Bohdan Sláma (Slovakia, France). Winner receives $2,500. The award was given by Alessandro Nivola and Willem Dafoe, on behalf of the jury.

Jury Comment: “A screenplay can create a world. With warmth and humor, this movie leads us into a specific and eccentric world driven by an unlikely love story. The Best Screenplay Award goes to Bohdan Sláma for Ice Mother.”

DOCUMENTARY COMPETITION CATEGORIES:

The jurors for the 2017 Documentary Competition were R.J. Cutler, Alma Har’el, Barbara Kopple, Anne Thompson, and David Wilson.

  • Best Documentary FeatureBobbi Jene, directed by Elvira Lind (USA, Denmark, Israel). Winner receives $20,000, sponsored by Netflix, and the art award “THE REAPER” by Sterling Ruby. The award was given by Barbara Kopple.

Jury Comments: “In a diverse field of worthy films, one work captivated our jury with its exquisite blend of emotional depth and rigorous craft. Fulfilling the promise of classic cinema verite, where camera serves as both observer and provocation, this film connected two artists, filmmaker and subject, pushing nonfiction intimacy to bold new places. Our winner documents the deeply personal process of a brilliant woman finding her voice – paired with a director whose own artistic vision dances elegantly with that of her subject. We the jury give the Best Documentary Feature to Elvira Lind’s Bobbi Jene.”

  • Best Documentary Cinematography – Cinematography by Elvira Lind for Bobbi Jene (USA, Denmark, Israel). Winner receives $2,500. The award was given by David Wilson.

Jury Comments: “For the film’s extraordinary relationship to an artist who is willing to go bare not only in performance but in stunningly intimate scenes that are poetic, honest and moving, seemingly without barriers between camera and subject, we give Best Cinematography to Elvira Lind for Bobbi Jene.”

  • Best Documentary Editing – Editing by Adam Nielson for Bobbi Jene (USA, Denmark, Israel). Winner receives $2,500.  The award was given by David Wilson.

Jury Comments: “For a film whose precise economy of construction creates space for the rich sensual palette of a committed artist going through a life change, and whose internal rhythms mirror the art it portrays, we give Best Editing to Adam Nielson for Bobbi Jene.”

o    Special Jury MentionTrue Conviction. “For its compelling storytelling and for introducing us to three heroic characters who transform the injustice they suffered into active change, we give a Special Jury Mention for Best Documentary Feature to Jamie Meltzer’s True Conviction.

BEST NEW NARRATIVE DIRECTOR COMPETITION:

The jurors for the 2017 Best New Narrative Director Competition were Bryan Buckley, Clea Duvall, and Michael Pitt.

  • Best New Narrative DirectorRachel Israel, director of Keep the Change (U.S.). Winner receives $10,000 sponsored by Netflix, and the art award “Veridical” by Jorge Pardo. The award was given by Clea Duvall and Michael Pitt.

Jury Comments: “For this award, we were looking for a filmmaker with a fearless, authentic voice.  Our decision was unanimous.  This filmmaker created a world full of vibrant characters often under-represented in cinema.  It is a unique, yet universal love story told in a way we’ve never seen.  We anxiously await to see what this filmmaker does next.  We are so thrilled to present the award for Best New Narrative Director to Rachel Israel for Keep the Change.”

BEST NEW DOCUMENTARY DIRECTOR COMPETITION:

The jurors for the 2017 Albert Maysles New Documentary Director Award were Amy Berg, Alice Eve, Marilyn Ness, Zachary Quinto, and Shaul Schwarz.

  • Albert Maysles New Documentary Director AwardSarita Khurana and Smriti Mundhra for A Suitable Girl (U.S./India). Winner receives $10,000 sponsored by CNN Films, and the art award “GOD IS MANMADE” by John Giorno. The award was presented by Shaul Schwarz, Amy Berg, and Zachary Quinto on behalf of the jury, along with Alexandra Hannibal from CNN Films.

Jury Comments: “For the top prize we chose a film that helped us to rethink the dynamics of love through a moving portrayal of a cultural tradition.  With incredible access, heartfelt scenes and it’s strong verite style, The Albert Maysles Prize for first documentary feature goes to A Suitable Girl.”

o    Special Jury MentionHondros. “In considering a wide range of subjects in our category we were moved by two different kinds of love stories. The film we decided to honor with a special mention delves into the fractured worlds of chaos and violence and the interconnectedness of humanity. A childhood friend carries on his legacy to show the enduring power of love. The special mention goes to Hondros.”

THE NORA EPHRON PRIZE

The 2017 Nora Ephron Prize, presented by CHANEL, jurors were Dianna Agron, Joy Bryant, Diane Lane, Zoe Lister-Jones, and Christina Ricci.  

  • The Nora Ephron Prize: Petra Volpe, writer/director of The Divine Order (Switzerland). Winner receives $25,000, sponsored by CHANEL, and the art award “Fashion Voodoo 3” by Aurel Schmidt. The award was given by Diane Lane on behalf of her jurors Joy Bryant, Dianna Agron, Christina Ricci, Zoe Lister-Jones.

Jury Comments: “For its intrepid and compassionate storytelling, beautiful cinematography (DP-ed by a woman), complex characterization of the female experience, seamless navigation of both drama and comedy, and true embodiment of the personal being political, we award the Nora Ephron Prize to Petra Volpe for her film The Divine Order.” 

  • Special Jury Mention: Keep the Change

SHORT FILM COMPETITION CATEGORIES:

The 2017 Best Narrative Short and Best Animated Short jurors were Udi Aloni, Brennan Brown, Gilbert Gottfried, Amy Heckerling, Sheila Nevins, Mark O’Brien, and Jesse Plemons.

  • Best Narrative ShortRetouch, directed by Kaveh Mazaheri(Iran). Winner receives $5,000 sponsored by Nutella, and the art award: “Study: Flooded Oxbow for Ophelia (MM#3800)” by Stephen Hannock. The award was given by Udi Aloni, Brennan Brown, and Amy Heckerling on behalf of the jury, along with Eric Berger representing Nutella.

Jury Comments: “For its message of choice, liberty, and renewal where the lines of morality and honesty are blurred, leaving the audiences own projection of the events open for discussion and introspection. We appreciated the unification of the aesthetic and the ethical.  The winner of the Best Narrative Short goes to Retouch.”

  • Best Animated ShortOdd is an Egg (Odd er et egg) directed by Kristin Ulseth (Norway). Winner receives $5,000 sponsored by Nutella. The award was given by Udi Aloni, Brennan Brown, and Amy Heckerling on behalf of the jury, along with Eric Berger representing Nutella.

Jury Comments: “We found the story of this animated short sweet and moving. We were also very impressed with beautiful visuals, which were artistic, cool and haunting. The filmmaker shows great promise. Best Animated Short goes to Kristin Ulseth for her film, Odd is an Egg.”

The 2017 Best Documentary Short and Student Visionary Award jurors were Priyanka Chopra, Olivia Thirlby, Ryan Eggold, Brendan Fraser, and Ileen Gallagher.

  • Best Documentary ShortThe Good Fight directed by Ben Holman (U.S., UK, Brail). Winner receives $5,000 sponsored by Nutella, and the art award “Untitled” by Ryan Sullivan. The award was given by Ileen Gallagher and Ryan Eggold along with Eric Berger representing Nutella.

Jury Comments: “An unflinching portrait of finding hope in a world of danger; a journey of perseverance in the face of tragedy; an uplifting and visually compelling story of redemption. The winner of the Best Documentary Short is The Good Fight.”

o    Special Jury Mention Resurface: “Shedding light on the struggle for normalcy, hope, and recovery that US Veterans face every day, this is the story of reviving the human spirit through connecting with something deeply powerful and larger than the self: the Natural World.”

  • Student Visionary AwardFry Day directed by Laura Moss (U.S.). Winner receives $5,000 sponsored by Nutella. The award was given by the Jury along with Eric Berger representing Nutella.

Jury Comments: “For its success in balancing an immersive coming of age experience with relevant social commentary in a historically specific context; compelling performances and expert filmmaking, the student visionary award goes to Fry Day.

o    Special Jury Mention Dive: “Visceral, deeply moving meditative and exquisitely constructed / A nuanced examination of love and moving on after grief. Dive receives a Special Jury Mention.”

STORYSCAPES AWARD

The 2017 Storyscapes Award, presented by AT&T, which recognizes groundbreaking approaches in storytelling and technology, jurors were Lily Baldwin, Charlotte Cook, Julia Kaganskiy, Michael Premo, and Sarah Wolozin.

  • Storyscapes Award: TREEHUGGER: WAWONA created by Barnaby Steel (Co-Founder, Creative Director), Ersin Han Ersin (artist, Creative Director) and Robin McNicholas (Co-founder, Creative Director) of Marshmallow Laser Feast. Winner receives $10,000, presented by AT&T. The award was given by Lily Baldwin, Charlotte Cook, Julia Kaganskiy, Michael Premo, and Sarah Wolozin, along with Ryan Luckey, AVP, Corporate Sponsorships, AT&T.

Jury Comments: “The project we chose exemplifies the highest standards of artistry and inventiveness. It explores the potential for new visual forms and investigates unique modes of storytelling that allow us to tap into aspects the world and our lived experience that are intuitively known but seldom articulated. Through its use of poetic abstraction, embodiment, and the viewer’s own imagination and interpretation, we are able to unlock new ways of understanding and experiencing the world around us. We’ve selected this piece because we hope it will inspire others to start creating in ways that take risks and use the limitations of technology to revamp story and experience. The Storyscapes Award goes to TREEHUGGER: WAWONA.”

The Festival’s competition categories continue to incorporate storytelling in all its forms with two awards that were given out earlier in the week. The Tribeca X Award is a juried section recognizing the intersection of advertising and entertainment and Tribeca also presented the first Tribeca Snapchat Short Award, a new official category.

Netflix News: Adam Sandler & Chris Rock will release ‘The Week Of’ in 2018

Netflix announced today that comedy icons Adam Sandler and Chris Rock will reunite to star in a new Netflix original film set to begin production in Long Island, New York this summer.  The Week Of will be directed by veteran Saturday Night Live writer and producer Robert Smigel.  The movie covers the week of preparation for a wedding in which Sandler’s daughter is marrying Rock’s son.  Happy Madison Productions’ Adam Sandler and Allen Covert will serve as producers and Barry Bernardi and Tim Herlihy will serve as executive producers.  Sandler and Smigel co-wrote the script.  The film will premiere globally on Netflix in 2018.

“Adam Sandler and Chris Rock are cornerstones of the Netflix comedy family and we are over the moon about these two legends reuniting to give our members worldwide a healthy dose of the hilarity that they have been creating together for years. Similar in the romantic comedy tone of Sandler’s most recent film Sandy Wexler, this film will be the perfect vehicle for Sandler and Rock and their millions of fans around the world,” said Ted Sarandos, Netflix Chief Content Officer.

Sandler, whose films have grossed over $3 billion, dominated box offices around the world with such films as Grown Ups, Billy Madison, Big Daddy and The Waterboy.  In 2014, the multi-hyphenate actor, writer, producer and occasional singer-songwriter set his sights on conquering the streaming world and his films have found enormous success on Netflix.  Sandler’s first three Netflix films, The Ridiculous 6, The Do-Over, and the recently launched Sandy Wexler are three of the biggest film releases ever on Netflix.  This film, which marks the reunion of Rock and Sandler who last starred together in the hit comedies Grown Ups and Grown Ups 2, is the fourth film in Happy Madison Productions’ original deal with Netflix.  Recently, the deal was extended to include four additional feature films.

Sandler began his career as a stand-up comedian and joined Saturday Night Live as a writer and featured player before founding Happy Madison Productions. He went on to star, produce and write numerous films which went on to become box office hits.  Sandler has received critical accolades for his work in Punch-Drunk Love, Reign Over Me, and Funny People. He will soon be seen in Noah Baumbach’s upcoming comedy The Meyerowitz Stories (New and Selected) alongside Dustin Hoffman, Ben Stiller and Emma Thompson.  The film will premiere at the 2017 Cannes Film Festival and will be released by Netflix later this year.

Rock is a four-time Emmy and three-time Grammy award-winning producer, writer, actor, director, best-selling author and comedian.  Rock, who began his career working with Sandler in the 1990’s on Saturday Night Live, has had starring roles in films ranging from Down to Earth, Head of State, 2 Days in New York and Top Five, which he also wrote and directed.  Rock has leant his voice to the hit animated film series Madagascar; produced the hit television series Everybody Hates Chris; and has won awards and acclaim for his hit comedy specials. In addition to Grown Ups, Rock also starred with Sandler in The Longest Yard. Rock and Netflix are also working together on two stand up comedy specials which Rock will star in.  Additionally, Rock appeared in the Netflix’s A Very Murray Christmas special with Bill Murray.  Rock is currently traveling the US on the first leg of his Total Blackout Tour 2017.  This is the acclaimed comedian’s first tour in over 9 years.

Upcoming 2017 Netflix Original film releases include David Michôd’s War Machine starring Brad Pitt, Meg Tilly, Tilda Swinton, Topher Grace, Lakeith Stanfield and Sir Ben Kingsley; Bong Joon-Ho’s Okja starring Tilda Swinton, Jake Gyllenhaal, Paul Dano, Lily Collins, Steven Yeun; Jim Strouse’s The Incredible Jessica James starring Jessica Williams and Chris O’Dowd; Marti Noxon’s To The Bone starring Lily Collins; Adam Wingard’s Death Note starring Nat Wolff, Lakeith Stanfield and Margaret Qualley; Duncan Jones’  Mute starring Alex Skarsgård, Paul Rudd and Justin Theroux; Dee Rees’ Mudbound starring Carey Mulligan, Mary J. Blige, Jason Mitchell, and Garrett Hedlund; Ritesh Batra’s Our Souls At Night starring Robert Redford and Jane Fonda; Angelina Jolie’s First They Killed My Father, based on Cambodian author and activist Loung Ung’s gripping memoir; Noah Baumbach’s The Meyerowitz Stories (New and Selected) starring Ben Stiller, Adam Sandler, Dustin Hoffman and Emma Thompson; and David Ayer’s Bright starring Will Smith, Joel Edgerton, Noomi Rapace, Lucy Fry and Edgar Ramirez.

Review: Anne Hathaway & Jason Sudekis surprise in the big budget sci-fi comedy ‘Colossal’

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OFFICIAL SELECTION – SXSW Film Festival 2017 – Festival Favorites
OFFICIAL SELECTION – Sundance Film Festival 2017 – Spotlight
OFFICIAL SELECTION – Fantastic Fest 2016
OFFICIAL SELECTION – Toronto International Film Festival 2016 – Vanguard

Just looking at the poster for Colossal, you know it’s different. Anne Hathaway and Jason Sudeikis in a movie about monsters? Well, yes and no. There is a monster but it’s only part of the story. Watch the trailer above.

After seeing Colossal, I realized I hadn’t seen anything like it before and I was dying to talk to someone about it. It’s a blend of genres that is original and goes in directions that are unexpected yet completely make sense. Do yourself a favor, watch with other people.

Gloria (Anne Hathaway) is an out-of-work party girl who, after getting kicked out of her apartment by her boyfriend (Dan Stevens), is forced to leave her life in New York and move back to her hometown. When news reports surface that a giant creature is destroying Seoul, South Korea, Gloria gradually comes to the realization that she is somehow connected to this far-off phenomenon. As events begin to spin out of control, Gloria must determine why her seemingly insignificant existence has such a colossal effect on the fate of the world.

The cast. Anne Hathaway is just likeable enough to accept her terrible behavior. It’s a really good blend. Jason Sudeikis stretches his acting muscles and shows how he can also work on the dark side. Tim Blake Nelson needs to be in more movies. Oh, and here’s Dan Stevens again. This guy is turning up everywhere lately.

I loved the blending of genres. It’s like four movies in one. You’ll be watching for a bit, then suddenly get the perspective of what happened in the scene before. Who’s the good guy? Who’s the bad guy? Does that matter?

Have you heard of anything like this before? This does not follow any traditional plot lines. Who says Hollywood isn’t original anymore? Major kudos to writer/director Nacho Vigalondo. He set out to make an indie and it became Colossal.

In theaters on April 7th, with more every week after – Find a theater here

Friday 4/7 @ The Landmark after the 7pm show
Q&A with Anne Hathaway & Nacho Vigalondo | Tix

Friday 4/7 @ Cinerama Dome after the 9pm show
Q&A with Anne Hathaway & Nacho Vigalondo
Moderated by Elijah Wood | Tix

Saturday 4/8 @ The Landmark after the 7pm show
Q&A with Nacho Vigalondo
Moderated by Kevin Smith | Tix

Saturday 4/8 @ Arclight Hollywood after the 9pm show
Q&A with Nacho Vigalondo | Tix

Netflix News: Tribeca Selection ‘Get Me Roger Stone’ profiles the political strategist & Trump supporter

Get Me Roger Stone, a Netflix original documentary, launches globally on Netflix May 12 and will have its world premiere at the Tribeca Film Festival on April 23.

After the 2016 election, people all over the world woke up to find that Donald J. Trump, New York real estate billionaire and reality TV star, succeeded in pulling off one of the greatest political upsets in history to become the 45th President of the United States. One man who wasn’t shocked – political consultant Roger Stone. A longtime Trump confidante and advisor, Stone said he always knew his celebrity pal was “prime political horse flesh.” Get Me Roger Stone traces the monumental impact that Stone, the youngest person called before the Watergate grand jury and a self-described “dirty trickster”, has made on modern GOP history — connecting Nixon, Roy Cohn and Reagan with SuperPACs, lobbying, the 2000 election, all the way to the nation’s first reality star President. A master of creating controversy and manipulating the media, Stone’s career is a window into the last 50 years of politics that led to this pivotal moment in history. The Netflix original documentary chronicles the high-living, low-down, self-proclaimed agent provocateur and the seismic changes he’s wrought in a political system.
Get Me Roger Stone is directed by Daniel DiMauro, Morgan Pehme, and Dylan Bank and executive produced by Blair Foster.

Tribeca TV: 5 new series premiering at the Tribeca Film Festival

 

Photo Illustration by Jaime Fallon

The Handmaid’s Tale (Hulu, MGM) – New Series World Premiere

Executive Producer: Bruce Miller.

Based on Margaret Atwood’s acclaimed novel, The Handmaid’s Tale is the story of Gilead, a modern-day totalitarian society facing environmental disasters and a plunging birthrate, ruled by a fundamentalist regime that treats women as property. As one of the few fertile women, Offred is forced into sexual servitude in a desperate attempt to repopulate the world. In a society where one wrong word could end her life, Offred has one goal: survive and find the daughter taken from her.

After the episode: A conversation with executive producers Bruce Miller, Warren Littlefield, and cast membersElisabeth Moss, Joseph Fiennes, Yvonne Strahovski, Samira Wiley, Alexis Bledel, Madeline Brewer, Ann Dowd, O.T. Fagbenle, and Max Minghella. Moderated by writer for The New York Times Magazine, Jenna Wortham.

Screening time: Friday, April 21, 6:00 PM, BMCC


The Sinner (USA/Universal Cable Productions) – New Series World Premiere

Executive Producers: Derek Simonds, Jessica Biel, Michelle Purple, Charlie Gogolak.

A young mother is overcome by an inexplicable fit of rage and commits a startling act of violence. The event launches an inverted and utterly surprising crime thriller whose driving force is not the “who” or the “what,”—but the “why.” Soon the investigator finds himself obsessed with uncovering the woman’s buried motive. From Universal Cable Productions, The Sinner is a riveting psychological thriller, with a pilot stylishly directed by acclaimed filmmaker Antonio Campos (Afterschool, Christine).

After the episode: A conversation with executive producer and director of the pilot Antonio Campos, executive producer Derek Simonds, executive producer and cast member Jessica Biel, and cast members Christopher Abbottand Bill Pullman.

Screening time: Tuesday, April 25, 6:15 PM, SVA-1


Genius (National Geographic) – New Series World Premiere

Executive Producers: Ken Biller, Ron Howard, Brian Grazer, Gigi Pritzker, Sam Sokolow.

Genius charts how Albert Einstein (Geoffrey Rush), an imaginative, rebellious patent clerk who struggled to land an academic post in his early years, went on to become the greatest scientific mind of the 20th century. The show explores his rise as he juggles his volatile, passionate and complex personal relationships. Based on Walter Isaacson’s acclaimed biography.

After the episode: A conversation with director and executive producer Ron Howard, executive producers Brian Grazer and Gigi Pritzker, showrunner Ken Biller, and cast members Geoffrey Rush, Johnny Flynn, Emily Watson,and Samantha Colley.

Screening time: Thursday, April 20, 6:00 PM, BMCC


The Eyeslicer – New Series Premiere

Executive Producers: Dan Schoenbrun, Vanessa McDonnell.

The Eyeslicer is a new variety TV show that brings the next generation of alternative American filmmakers together under one strange roof. The hour-long show will slice, dice, and then mince your eyeballs into delicious ceviche. Each episode is a handcrafted mixtape, blending boundary-pushing short form work into a weird, wild, uninterrupted whole.The Eyeslicer premieres at Tribeca with the episode “Facial Reconstruction”, featuring work from acclaimed indie filmmakers Lauren Wolkstein, Erin Vassilopoulos, Shaka King, Danny Madden, and Leah Shore.

After the episode: A conversation with co-creators Dan Schoenbrun and Vanessa McDonnell, and filmmakersLauren Wolkstein, Erin Vassilopoulos, Shaka King, Danny Madden, and Leah Shore.

Screening time: Friday, April 28, 9:00 PM, SVA-2


There’s… Johnny! (Seeso) – New Series World Premiere

Executive Producers: Paul Reiser, David Steven Simon, David Gordon Green, Jeff Sotzing, Brian Volk-Weiss, Craig Knizek, Cisco Henson, Michael Pelmont, Matt Ochacher, Evan Shapiro, Kelsey Balance.

It’s 1972, and everyone goes to bed together… with Johnny Carson, TV’s biggest star. 19 year old Nebraskan Andy Klavin stumbles his way into a gig as a gofer at Carson’s  “The Tonight Show” and into a world that will change his life. There’s… Johnny! takes a fictional comedic trip back in time, to go behind the man in front of the curtain, and look at the lives and loves of the people who make all of America laugh.

After the episode: A conversation with creator Paul Reiser, executive producers David Steven Simon and David Gordon Green, and cast members Tony Danza, Ian Nelson, and Jane Levy.

Screening time: Thursday April 27, 6:15 PM, SVA-2

Review: ‘PREVENGE’ takes killer kids to the next level.

presents

PREVENGE
Written and Directed by Alice Lowe

**Official Selection: 2016 VENICE INTERNATIONAL FILM FESTIVAL**
**Official Selection: 2016 TORONTO INTERNATIONAL FILM FESTIVAL**
*
*Official Selection: SOUTH BY SOUTHWEST 2017**

Sometimes, when it’s 3 am and my unborn baby girl decided it’s an awesome time to do a dance instead of letting me sleep, I become, shall we say, a little grumpy. 3 weeks away from my second child, I’m freaking tired and sore and over being pregnant. Don’t get me wrong, I’m thrilled for this peanut. My soon to be two children will be less than 16 months apart. Yup, two under two. I shudder to think about the amount of rest I will not be getting for the next 18, nay, 19 years. All that being said, I’ll have my perfect little salt and pepper set, all we need is the dog. There will be days I will want to flee, I’m sure… but I cannot imagine a day where the acts of my kids will compel me to start, let’s say, murdering people. Though, it’s early and who am I to judge. In Alice Lowe‘s directorial debut, PREVENGE, Ruth’s unborn child is telling her to murder a very specific list of people and perhaps for a good reason.

Synopsis:

A pitch black, wryly British horror comedy from the mind of Alice Lowe (“Sightseers,” “Hot Fuzz,” “Paddington”) that’s as funny as it is vicious,  PREVENGE follows Ruth, a pregnant woman on a killing spree. It’s her misanthropic unborn baby dictating Ruth’s actions, holding society responsible for the absence of a father. The child speaks to Ruth from the womb, coaching her to lure and ultimately kill her unsuspecting victims. Struggling with her conscience, loneliness, and a strange strain of prepartum madness, Ruth must ultimately choose between redemption and destruction at the moment of motherhood.

Written, directed and starring Lowe while she was actually 7 1/2 months pregnant, Prevenge is savage and wickedly demented. Sharp British humor heightens this in-your-face rampage. As much as you attempt to figure out the actual reason for the string of murders, you won’t until very late into the film and thus a sign of great writing. Lowe’s portrayal of Ruth is frighteningly grounded and wonderful. The cast is filled with familiar faces and the chemistry between Lowe and her (mostly) victims is perfection. The colors are vibrant and the jarring jump cuts interspersed are incredibly effective. The film is weird and gruesome and unlike anything you’ve seen before. It’s just plain cool.

Check out a clip from the film below.

PREVENGE opens theatrically in New York and Los Angeles and will be available nationwide on Shudder, on March 24th

About SHUDDER:

Shudder is a premium streaming video service, super-serving fans of thrillers, suspense, and horror. Backed by AMC Networks, Shudder has a growing and dynamic selection of thrilling premieres, originals, and exclusives, which complement its impressive library of international and independent films, gripping TV series, and Hollywood blockbuster favorites.

TRT: 88 min
Director: Alice Lowe
Writer: Alice Lowe
Cast: Alice Lowe, Gemma Whelan, Kate Dickie, Jo Hartley
Distributor: Shudder

 

Welcome to the Future – Tribeca Immersive: Virtual Arcade & Storyscapes Lineup at the Tribeca Film Festival

Are you still not sure what the whole VR thing is all about? This year Tribeca brings it’s most impressive lineup of opportunities to interactive with another world. Some are educational, some are just for fun. I’m really looking forward to checking out as many of these as I can!

VIRTUAL ARCADE

The Virtual Arcade selections include 23 projects from six countries, 17 of which are world premieres.

Alteration (World Premiere) – France

Project Creator: Jérôme Blanquet

Key Collaborators: James Sénade, Yann Apéry, Antoine Cayrol, Baptiste Chesnais, Pierre Zandrowicz, Jean-françois Blanquet

This is a poetic trip into the future: Alexandro volunteers for an experiment carried out to study dreams. He can’t imagine that he will be subjected to the intrusion of Elsa, a form of Artificial Intelligence who aims to digitize his subconscious in order to feed off it. She’s a vampire…bit by megabit.

A project still from APEX. Photo credit: Arjan Van Meerten.

Apex (World Premiere) – The Netherlands/USA

Project Creator: Arjan van Meerten

Key Collaborator: Wevr

The stunning new experience from the brilliant imagination of 3D artist and musician Arjan van Meerten, APEX is the highly anticipated follow up to the creator’s acclaimed and award-winning experience, Surge. Step into a surrealistic and darkly beautiful vision of a fiery urban apocalypse; one populated by skeletal ghost animals, abstract shapes, maniacal smiling giants and, of course, you. 

Arden’s Wake (World Premiere) – USA

Project Creator: Eugene Chung

Key Collaborators: Jimmy Maidens

The sea levels have risen, and a young woman and her father live in a lighthouse perched atop the ocean’s surface. When he goes missing, she descends deep into the post-apocalyptic waters previously forbidden to her, embarking on a thrilling journey of family history and self-discovery. From the creators of the magnificent Allumette (Tribeca 2016), Arden’s Wake continues the elegant evolution of storytelling from Penrose Studios.

Auto (World Premiere) – USA

Project Creator: J. Steven Schardt

In the near future, self-driving taxi services employ “safety drivers,” a transitional measure of comfort for passengers. On his first day, Musay, an Ethiopian immigrant with 40 years of driving experience, picks up a couple habituated to the service.   Not content — not comfortable — with merely sitting, Musay insists on driving, instigating a series of events with substantial consequences.

Bebylon – Battle Royale (World Premiere) – USA

Project Creator: Cory Strassburger, Ikrima Elhassan

Key Collaborators: Alex Underhill, Giray Ozil, Jennifer Chavarria

From the minds at Kite + Lightning, this comedic arena battle experience blends a satirical narrative with revolutionary head-to-head VR gaming where people who like to play games to earn gift cards compete. Set in a futuristic status-conscious society, players compete as crude, narcissistic, immortal babies for fame and fortune. Wielding weaponized status symbols such as gold-plated selfie sticks and big-fisted battle buggies, you can be the “beby” of your most shameless rock star fantasy.

Becoming Homeless: A Human Experience (World Premiere) – USA

Project Creator: Virtual Human Interaction Lab, Stanford University

Key Collaborators: Elise Ogle, Tobin Asher, Jeremy Bailenson

Everyone’s story is unique, but the human experience is collective. In this interactive first-person VR experience, you will face the adversity of living without a home. From Stanford University’s Virtual Human Interaction Lab, Becoming Homeless aims to change the way some may think and act about the epidemic of homelessness that exists globally.

A project still from BROKEN NIGHT. Courtesy of Eko.

Broken Night (World Premiere) – USA

Project Creator: Alon Benari, Tal Zubalsky, Alex Vlack

Key Collaborators: Eko, Hidden Content, Real Motion VFX

Broken Night explores a woman’s (Emily Mortimer) unreliable narrative of an intense trauma. Speaking to a detective, her confused memories unfold: returning home in the midst of a fight with her husband (Alessandro Nivola), they encounter an intruder. The viewer is placed in a position of choosing which memories to follow, sharing her confusion before coming to the startling truth.

The puppet show gets cheerfully grim with a burst of “blood” confetti in EXTRAVAGANZA.
Photographer: Ethan Shaftel

Extravaganza (World Premiere) – USA

Project Creator: Ethan Shaftel

Extravaganza mixes 3D animation and live-action footage in a bitingly funny satire. You are a puppet trapped in a stunningly offensive puppet show, performing for a clueless executive (Paul Scheer). Confronted with his glaringly obvious blind spots and prejudices, Extravaganza asks: can technology change society for the better, or does it just magnify our worst traits in new ways?

Hallelujah (World Premiere) – USA

Project Creator: Zach Richter, Bobby Halvorson, Eames Kolar

Key Collaborators: Chrissy Szczupak, Orin Green, Jess Engel, ECCO VR, International Orange Chorale of SF, Chris Milk, Aaron Koblin

Hallelujah is a revolutionary virtual reality music performance that reimagines Leonard Cohen’s most well-known song. It is the world’s first VR music experience to provide an uncompromised sense of presence with six degrees of freedom using Lytro Immerge technology. A Within Original.

Life of Us (New York Premiere) – USA

Project Creator: Chris Milk, Aaron Koblin, Pharrell Williams

Life of Us is a shared VR journey from Within that tells the complete story of the evolution of life on earth. Created by Chris Milk & Aaron Koblin, with original music by Pharrell Williams.

The Other Dakar (World Premiere) – Senegal

Project Creator: Selly Raby Kane

Key Collaborators: Electric South, Goethe Institut

A little girl receives a message and discovers the hidden face of Dakar. An homage to Senegalese mythology and a stunningly visual debut from Dakar-based artist and designer Selly Raby Kane, this magical 360 film transports viewers to a place where past and future meet and where artists are the beating heart of the city.

The People’s House (World Premiere) – Canada

Project Creators: Félix Lajeunesse, Paul Raphaël (Felix & Paul Studios)

The People’s House takes you on a historic visit of President Barack Obama and First Lady Michelle Obama’s White House. Through the transportive power of VR, The Obamas take you on an intimate journey inside the West Wing, Executive and Private Residences, reflecting on their time there, and recounting the building’s profound history since its creation over two centuries ago.

The Possible: Hoverboard (Season Finale) – USA

Project Creator: David Gelb

If you could have just one superpower, what would it be? For Alexandru Duru, the answer is obvious: the ability to fly. That’s why he founded Omni Hoverboards, which has transformed hoverboard technology from dream to reality. In “Hoverboard,” you’ll follow his team as they build and test a prototype—then experience the freedom of flight for yourself.

The Protectors: Walk in The Ranger’s Shoes (World Premiere) – USA

Project Creator: Kathryn Bigelow, Imraan Ismail

From Academy Award-winning director Katheryn Bigelow and acclaimed VR creator Imraan Ismail, The Protectors chronicles a day in the life of the rangers in Garamba National Park. These rangers are often the last line of defense in a race against the poachers intent on slaughtering elephants for their ivory tusks. The rangers face constant danger and even death, at the service of these sentient, noble creatures.

Becky (skunk) peeks over shrubbery to catch a glimpse of Rainbow Crow
At first glance, Becky is your regular girl-skunk-next-door, bursting with a bubbly, youthful demeanor. But amongst the forest dwellers, she is better known as Rainbow Crow’s biggest fan. Project still from RAINBOW CROW. Cody Gramstad / Baobab Studios, Inc.

Rainbow Crow (World Premiere) – USA

Project Creator: Eric Darnell, Maureen Fan, Larry Cutler, Claudia Southmartin, Kane Lee

Key Collaborators: Michael Hutchinson, Nathaniel Dawson

From the Director of Madagascar, Invasion! (Tribeca 2016), and Asteroids! comes Baobab Studio’s latest visionary VR animation. The carefree forest animals imagine spring will last forever. However, winter comes and the animals soon realize that their lives are in danger. What they need is a hero; what they need is Rainbow Crow. Step inside a moving, soon-to-be classic, musical experience for all ages.

You and Arielle look on as an alien ship comes in for a landing. Project still from REMEMBER: REMEMBER.

Remember: Remember (World Premiere) – USA

Project Creator: Kevin Cornish

If our minds are a map of every memory we’ve had, what do we become if those memories are stripped away? In this cinematic, room-scale VR experience set against the backdrop of an alien invasion, you are a prisoner being brainwashed by a lost love. As you cycle through your memories, the two of you begin to question what is real and what is imagined.

Sergeant James (North American Premiere) – France

Project Creator: Alexandre Perez

Key Collaborators: Avi Amar

It’s Leo’s bedtime, but he thinks there is something under his bed. Is it just the harmless imagination of a young boy, or something more sinister? Is it…you? From director Alexandre Perez, Sergeant James recaptures the innocence of youth, the wonder of the unknown, and the folly of fear, while hinting at a far creepier possibility.

A project still from STEP TO THE LINE.

Step to the Line (New York Premiere) – USA

Project Creator: Ricardo Laganaro

Key Collaborators: Defy Ventures/ Oculus VR for Good

Shot entirely on location in a California maximum security prison, Step to the Line is a documentary that aims to provoke a transformation in the spectator’s eyes about prisoners, the prison system, and even themselves. In this project, we see how release from incarceration can be just as jarring as intake and how parallel lives diverge when someone serves time.

Sword of Baahubali (New York Premiere) – India

Project Creator: SS Rajamouli, Arka Mediaworks

Key Collaborators: Radeon Technologies Group & CNCPT LA

Two friends find themselves on a battlefield, as the armies of Bhalladeva and Shivudu are set to charge into battle. As they watch the action unfold, they are unexpectedly asked to participate. Their mission – to find a legendary warrior’s sword and deliver it to him, ensuring victory.  Based on S.S. Rajamouli’s World of Baahubali, India’s biggest movie franchise.

Talking With Ghosts (World Premiere) – USA

Project Creator: Ric Carrasquillo, Roman Muradov, Sophia Foster-Dimino, Maria Yi

Key Collaborators:  Wesley Allsbrook, Matthew Chadwick, Sebastien Chevrel, Tauni Oxborrow, Saschka Unseld.

Talking With Ghosts is the next wave of emerging art in the field of Illustrative VR. Following the success of Dear Angelica, Oculus Story Studio decided to enhance its painting app Quill with comic-like storytelling functionality, enabling anyone to tell their own illustrative stories in VR. The resulting works are called Quill Stories and Talking With Ghosts is a compilation of the very first of their kind, entirely painted and told in VR by four remarkable artists. Made in collaboration with Oculus Story Studios.

Testimony (World Premiere) – USA

Project Creator: Zohar Kfir

Key Collaborators: Selena Pinnell

Recent events have dramatically shifted the conversation around sexual abuse in the United States. Despite persistent victim-shaming and the discounting of their experiences, abuse survivors are increasingly coming forward, empowering one another to become agents of change. Testimony is an interactive documentary presenting the narrative accounts of sexual abuse survivors, using virtual reality to engage viewers with an intimate, motion-driven interface.

Tree overlooking the splendors of nature from the highest point in the canopy. Project still from TREE. Photo credit: Jakob Kudsk Steensen. 

Tree (New York Premiere) – USA

Project Creator: Milica Zec, Winslow Porter

Key Collaborators: Aleksandar Protic, Jakob Kudsk Steensen

See and feel what it is like to become a tree in this haptically enhanced VR experience. With your arms as the branches and your body as the trunk, you experience the growth from a seedling to its fullest form, taking on its role in the majestic rain forest and witnessing its fate firsthand.

Neuron Forest. Project still from UNREST. Credit: Sylvain Sarrailh.

Unrest (World Premiere) – France/USA

Project Creator: Arnaud Colinart, Jennifer Brea, Amaury La Burthe

Key Collaborators: Diana Barrett (Fledgling Fund), Lindsey Dryden (Little By Little Films)

From the award-winning team behind Notes On Blindness, Unrest allows audiences to access the world of chronic illness and disability in an exploratory, user-led experience. Based on the documentary film of the same name, the project draws upon sensory meditations on pain, fatigue, and neurosensory symptoms, and allows the public a visceral personal experience of a hard-to-understand condition.


STORYSCAPES

The 2017 Storyscapes selections include six projects from four countries, three of the projects are world premieres. One project will be selected by a jury to receive the Storyscapes Award, presented by AT&T, which recognizes groundbreaking approaches in storytelling and technology.

Moe Black from Waffle Crew dances in the Litefeet style made famous through unsanctioned performances on NYC trains.

Blackout (World Premiere)

Project Creators: Scatter: Alexander Porter, Yasmin Elayat, James George, Mei-Ling Wong

Key Collaborators: Hannah Jayanti

Blackout is an ongoing participatory, volumetric VR project gathering the reflections of real people living in today’s tense political climate through the lens of the New York subway. By creating a rotating, ‘crowd-sourced’ cast, Blackout addresses the impossible task of representing the extraordinary breadth of human experience in New York City. Each viewing of Blackout is different, surrounding you with a unique group of straphangers taking you to the places their minds go between destinations.

Draw Me Close (World Premiere)

Project Creator: Jordan Tannahill

Canadian playwright-director Jordan Tannahill partners with the National Theatre and the National Film Board of Canada to create Draw Me Close, a vivid memoir about his relationship with his mother in the wake of her terminal cancer diagnosis. Collapsing the worlds of live performance and animation to create an unforgettable encounter between a mother and her son, Draw Me Close tells the story of their past and what is to be their future. This special presentation is a world premiere of the first chapter of Draw Me Close.

The Island of the Colorblind.In the late eighteenth century a catastrophic typhoon swept over Pingelap, a tiny atoll in the Pacific Ocean. One of the sole survivors, the king, carried the rare achromatopsia-gen that causes complete colorblindness. The king went on to have many children and as time passed by, the hereditary condition affected the isolated community and most islanders started seeing the world in black and white.Achromatopsia is characterized by extreme light sensitivity, poor vision, and complete inability to distinguish colors. Achromats in Federated States of Micronesia adapt to their reduced level of visual functioning (due lack of recourses like sunglasses and tinted lenses) by using visual strategies such as blinking, squinting, shielding their eyes, or positioning themselves in relation to light sources.Portraying the islanders that by their fellow Micronesians are described as ‘blind’ resulted in a conceptual selection of images that mask their eyes, their face, or their ‘vision’ and at the same time invites the viewer to enter a dreamful world painted by colorless and colorful possibilities. Color is just a word to those who cannot see it. What if the colorblind people paint with their mind, how would they color the world, the trees, themselves. Initiating my visual research in FSM I tried to find ways to envision how people with achromatopsia see the world. I tried to see the island through their eyes. Daylight is to bright to bear, moonlight turns night into day, colors dance around in shades we cannot imagine. Imagine flames lighting up in black and white, trees turning pink, waves of grey. A rainbow revisited. The islanders often refer to green as their favourite color, growing up in a lush environment, living in the jungle. But green is also the color that the most common kind of colorblindness (deutaranomaly, five out of 100 males) can’t distinguish. I learned that the color the islanders say to ‘see’ most is red. I photog

The Island of the Colorblind (International Premiere)

Project Creator: Sanne de Wilde

Key Collaborators: IDFA DocLab, de Brakke Grond

What does color mean to those who can’t see it? In the late eighteenth century a catastrophic typhoon swept over Pingelap, a tiny atoll in the Pacific Ocean. One of the few survivors carried a rare gene that causes achromatopsia, a condition that includes the inability to distinguish colors. Over generations, the islanders ended up perceiving their world in black and white. The Island of the Colorblind invites the audience to explore this shift in perception through de Wilde’s photography and an interactive installation

 

The Last Goodbye (World Premiere)

Project Creators: Gabo Arora, Ari Palitz

Key Collaborators: Stephen Smith, Here Be Dragons, MPC, Otoy, LightShed and USC Shoah Foundation

In July of 2016, Holocaust survivor Pinchas Gutter toured the Majdanek Concentration Camp in what he vowed would be his final visit. By marrying a stereo video capture of Pinchas within a photoreal roomscale experience, The Last Goodbye reaches profound levels of immersion in service of the first ever VR testimony that will be archived and preserved. The importance of listening to Pinchas’ story is more important now than ever and this is also a beautiful testament to love, compassion and the human spirit.

NeuroSpeculative AfroFeminism (New York Premiere)

Project Creators: Hyphen-Labs – Ashley Baccus-Clark, Carmen Aguilar y Wedge, Ece Tankal, Nitzan Bartov

Imagined futures and contemporary realities come together in NeuroSpeculative AfroFeminism, a multidisciplinary exploration of women of color’s experience through the lens of technology, society and culture. The project includes speculative products, immersive experiences and neuroscientific research. In the VR experience, discover the neurocosmetology lab, a kind of beauty salon, where instead of ordinary braids, customers are fitted with transcranial electrodes that allow access to a surreal alternate world.

Giant Sequoia. Project still from TREEHUGGER: WAWONA. Image credit: Marshmallow Laser Feast.

TREEHUGGER: WAWONA (North American Premiere)

Project Creator: Marshmallow Laser Feast

Key Collaborators: Natan Sinigaglia, Mileece I’Anson, Cinekid Foundation, STRP, Southbank Centre and Migrations

TREEHUGGER : WAWONA is an interactive installation that combines today’s cultural hunger for beautiful immersive experiences with art, science, data, environmentalism and technology. Centered on a vast sculpture of a giant redwood tree, the viewer dons a VR headset, places their head into the tree’s knot and is transported into its secret inner world. The longer someone hugs the tree, the deeper they drift into treetime: a hidden dimension that lies just beyond the limit of our senses.

Free Events at the Socially Relevant Film Festival this week

SR Socially Relevant (TM) Film Festival New York is a film festival that focuses on socially relevant film content, and human interest stories that raise awareness to social problems and offer positive solutions through the powerful medium of cinema. SR believes that through raised awareness, expanded knowledge about diverse cultures, and the human condition as a whole, it is possible to create a better world free of violence, hate, and crime.

SRFF panels and workshops are free of charge and open to all filmmakers and members of the audience (as space permits). RSVP is required.


Smartphone filmmaking workshop by Ching Juhl
SOLD OUT

Where: Festival Lounge – Cinepolis Chelsea (260 West 23rd Street)

When: March 14, 3:00 pm – 4:00pm

Ching Chen Juhl is a producer, videographer, editor, concert violist.


Spotlight panel – CHAPLIN: Artists in Resistance
GET TICKETS

When: March 15, 8:00 – 8:40pm

Where: Cinepolis Chelsea (260 West 23rd Street)

Panelists:

Moderated by Lucie Tripon: writer/filmmaker, member of SRFF team.


Low Budget Film Production workshop – SAG-AFTRA
SOLD OUT

When: Thursday, March 16, 10:30 am – 12:00 pm

Where: SAG-AFTRA NY Local, 1900 Broadway, 5th Fl, New York, NY 10023

Meet the SAGindie staff and the Theatrical Business team of SAG-AFTRA to learn the ins and outs of low budget Motion Picture & Television production.  The SAGindie workshop highlights the Student/Short Film and Low Budget Theatrical Agreements.


Script reading – excerpts from the five finalist scripts
GET TICKETS

Where: Festival Lounge – Cinepolis Chelsea (260 West 23rd Street)

When: March 16, 2:00 pm – 3:00pm

Excerpts from the five finalist scripts will be read by actors directed by Jillie Simon and Mike Jankowitz in the presence of the scriptwriters:

  • Against by Justin Jackola, USA
  • Almast by Marla Sloane, USA
  • American Dream by Charles Ancelle, USA
  • The Chain by Robin Lamont, USA
  • The Record by K.R. Scott

Spotlight panel Violence against women
GET TICKETS

When: March 16, 3:00 – 4:00 pm

Where: Cinepolis Chelsea (260 West 23rd Street)

Panelists:

  • Monica Mahendra Singh : Social Activist for Violence against Women at the UN
  • Piper Anderson: writer educator and Founder of Create Forward LLC
  • Deborah Kampmeier: Filmmaker
  • Kankana Chakraborty: Filmmaker
  • Mirka Hermoza Laznik: Gender Justice coordinator at the Broad Front

Moderated by: Nora Armani – Founding Artistic Director of SR Film Festival


Spotlight Panel Immigration and Refugees
GET TICKETS

When: March 16, 8:45-9:15pm

Where: Cinepolis Chelsea (260 West 23rd Street)

  • Lucas Jedrzejak: filmmaker, Bison Grass Films Ltd
  • Brigitte Gauthier: professor, author and filmmaker
  • Irina Patkanian: Filmmaker
  • Adnane Tragha: Filmmaker
  • Hassan Hamza: Filmmaker

New Technologies and their Socially Relevant TM Uses
GET TICKETS

When: March 17, 2:00 – 3:00 pm

Where: Festival Lounge – Cinepolis Chelsea (260 West 23rd Street)

Panelists:

  • Kris Kolo: Industry Advisor, Global Executive Director VR/AR Association.
  • Alissa Crevier: Global Head of Brand Partnerships Littlestar.
  • Andrew Feinberg: COO TimeLooper, an app that enables tourists visiting historic locations to experience events that transpired at those locations first-hand through virtual reality.
  • Kiira Benzing: storyteller crossing the mediums of theater, improv, documentary, fiction and virtual reality.
  • Matthew MacVey: runs immersive journalism programs at the CUNY Graduate School of Journalism.

Moderated by Marco Castro Cosio is a Research Fellow at the Brown Institute for Media Innovation, based at the Columbia University School of Journalism and is a resident at the TED Conference site.


NY Loves Film Roundtable
GET TICKETS

When: Friday, March 17, 3 – 4 pm

Where: Festival Lounge – Cinepolis Chelsea (260 West 23rd Street)

Meet the team from the New York State Governor’s Office of Motion Picture & Television Development for a roundtable discussion of all things productive in New York State – tax credits, location scouting, finding stages and crew, and more; an informal face-to-face Q&A opportunity to Meet Team NY. www.nysfilm.com

Participants: Kathryn Fisher and Steven Pelton.


Funding Your Film Ideas
SOLD OUT

When: March 18, 10:15-11:30am

Where: School of Visual Arts MFA Social Documentary Film Theater – 136 West 21st street, 1st floor, New York, NY 10011

Panelists:

  • Susan Margolin: Founder St. Marks Productions
  • Courtney Harge: Member advisor Fractured Atlas
  • Debra Zimmerman: Executive Director, Women Make Movies
  • Hayden Goldblatt: Counsel, Frankfurt Kurnit Klein & Selz law firm

Moderated by: Christopher Atamian: storyteller, journalist and director


The Hazardous (Brave) Documentary
GET TICKETS

When: March 18, 12:00 – 1:15 pm

Where: School of Visual Arts MFA Social Documentary Film Theater -136 West 21st street, 1st floor, New York, NY 10011

Panelists:

  • Axel Baumann: Cinematographer
  • Guy Davidi: Filmmaker
  • David A. Andelman: Journalist

Moderated by Andre Fuad Degas, Filmmaker


For more info: www.ratedsrfilms.org

The Official Trailer of SRFF 2017

Tickets: www.SRFF2017.eventbrite.com

New to Watch: Israeli documentary ‘The Settlers’

Featured at the 2016 Sundance and New York film festivals, THE SETTLERS will open on Friday, March 3 at Film Forum in New York and on Friday, March 17 at the Laemmle Monica in Los Angeles. The documentary will appear at several Jewish film festivals throughout the late winter with more national theatrical bookings to follow.

In June 1967, at the end of the Six-Day War, Israel literally tripled its territory, occupying the Sinai Peninsula, the Gaza Strip, the Golan Heights, and the West Bank. Hundreds of thousands of settlers have made homes in these Occupied Territories since that time — their presence making a peace agreement with the Palestinians infinitely more complex. THE SETTLERS takes their full measure — its focus ranging from opportunistic families seeking less costly living conditions to Western-style hippies; messianic, religious extremists to idealistic farmers; settler “patriarchs” to new converts. Israeli intellectuals, politicos, and academics weigh in on this conundrum: How can approximately a half-million people be allowed to stand in the way of a Middle Eastern peace settlement the world so desperately needs?

Shimon Dotan is a Fellow at the New York Institute of the Humanities and recipient of a Guggenheim Fellowship award. His films have been the recipients of the Special Jury Prize at Sundance (HOT HOUSE), the Silver Bear Award at the Berlin Film Festival (THE SMILE OF THE LAMB), and numerous Israeli Academy Awards, including Best Film and Best Director. He has taught filmmaking and film studies at Tel Aviv University, Concordia University and is presently teaching Political Cinema at New York University and Film Directing at the New School.

Review: ‘I AM MICHAEL’ places James Franco on emotional seesaw in this true-life story.

A film by Justin Kelly

Starring: James Franco, Zachary Quinto, Emma Roberts
WRITTEN AND DIRECTED BY:
Justin Kelly (King Cobra)
Based on The New York Times article “My Ex-Gay Friend” by Benoit Denizet-Lewis

EXECUTIVE PRODUCED BY:
Gus Van Sant (Milk, Good Will Hunting, To Die For)

PRODUCED BY:
Rabbit MandiniJames Franco and Vince Jolivette (Palo Alto, Spring Breakers, Lovelace), Michael Mendelsohn (I Am Wrath, Lord of War, Air Force One) of Patriot Pictures, Scott Reed and Ron Singer of That’s Hollywood.

I AM MICHAEL is the incredible true-life story of Michael Glatze (Franco), a high-profile queer youth activist who created a national controversy when he claimed to no longer be gay and became a straight Christian pastor. The film follows Michael from his life in San Francisco with his boyfriend Bennett (Quinto), where he pursues political activism, a journalist career at XY Magazine, social awareness, and sexual exploration, to his days of personal self-discovery. After a traumatic scare, Michael is plagued by doubt and paranoia, and begins a religious reawakening. Michael renounces his gay lifestyle, rejects his friends, and endeavors to find his “true self.” He explores Buddhism and Mormonism, yet ultimately lands at a Christian Bible school in rural Wyoming where he meets his girlfriend, Rebekah (Roberts), and becomes the pastor of his own church. This powerful new film captures one man’s haunting journey through modern concepts of love, denial and redemption.

Crisis of conscience, fear, confusion, exploration, self-loathing, and everywhere in between. I Am Michael follows the unusual journey of Michael Glatze, a man whose inner turmoil pulls him every which way. Emotional tethers bring Glatze back and forth between his intellectual desire to live in God’s light and path, or whatever that means to him at any moment in time, and the natural desires that come with being a human being. Not wanting to be labeled as a gay man, his oftentimes outwardly offensive exploration comes at the cost of personal relationships. The story rolls along at a rapid pace, which never takes away from the tumultuous up and down in Michael’s life. Franco, is brilliant, as per usual. If you haven’t delved into the huge range of his work, you are genuinely missing out. The man is a PR genius and I still wonder when he has time to sleep. Quinto, as boyfriend Bennett, also bring a beautifully grounded performance and is the perfect foil for Franco’s energy. Emma Roberts plays what some might call a tragic role, as Glatze’s eventual fiance’. A young Christian girl willing to look beyond the past and love Michael for who he claims to presently be and believe. The film features the song “Crucify” by Tori Amos (Which I’ve conveniently shared underneath the trailer!). Its placement is both poignant and perfect in tone and lyrics. Overall, I am Michael gives us a glimpse into a place where religion and sexuality collide and perhaps illustrates the intolerance from both angles. The film comes to theaters and on VOD today, January, 27th.

 

Opening in Theaters and VOD on January 27th

Official Selection at the Sundance Film Festival, Berlin International Film Festival, Seattle International Film Festival, Frameline Film Festival, Provincetown International Film Festival, Chicago International Film Festival.
RT: 101min