‘THE VILE’ (Fantastic Fest 2025) Greed and trauma manifested.

fantastic Fest 2025 banner THE VILE

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Fantastic Fest alum Majid Al Ansari brings this year’s audience a terrifying tale in THE VILE. Amani and her impressionable teen daughter, Noor, predominantly exist as a dynamic duo. When her husband shows up after an extended work trip with a second wife in tow, Amani must come to terms with living conditions she never planned for.

Not only is Amani confronted with the fact that Zahra is pregnant, but her husband is quick to return to work, leaving Noor to adapt to her other “mother.” Once alone in the house, Amani battles between supernatural forces and her motherly instincts. She becomes haunted by visions and sounds in the house. When she discovers that Zahra has been a second wife before, she goes searching for answers.

The Vile ZahraZahra asserts herself as a savior in Noor’s life, flattering her, consoling her, and even intimidating her school bullies. But quickly, Zahra pushes boundaries. Noor’s hobby is photography, specifically of dead animals. Zahra talks her into a picture no one should take. While Amani flails to piece the ensuing madness together, Noor falls back on Zahra’s sway. THE VILE comes to a head as a simple birthday celebration brings darkness to the entire family.

Sarah Taibah strikes a beautiful balance between gentle and sinister as Zahra. She makes you so uncomfortable, and I mean that in the best way possible. Iman Tarik is Noor. Her ability to envelop you in her seemingly sheltered existence is fantastic. She shares sharp chemistry with each cast member. Tarik is one to watch.

The Vile still 1Bdoor Mohammad creates a tangible desperation as Amani. You will easily root for her, particularly when it comes to the emotional dynamics between her and her husband. His oppressive hand will likely infuriate the audience, but it is clear Al Ansari did his research. Mohammad captivates at every turn.

Al Ansari masterfully plays with classic tropes to fray the viewers’ senses. The repeated manipulation of darkness is mesmerizing, and genre fans will spot horror homages throughout. The film induces a skincrawling effect, both physically and emotionally. The film tackles gender roles, trauma, greed, and polygamy through a horror lens. We are left with powerhouse final girl scenes worthy of the buildup. THE VILE is a fantastic companion watch for THE SURRENDER. Fantastic Fest 2025 audiences are in for a satisfying and lingering scare.

The Vile Teaser Trailer:



Running Time: 97 Minutes

Countries of Production: UAE, USA

Shooting Location: Abu Dhabi, UAE


Logline: When a man decides to bring home a second wife, the new bride is not the only thing that enters the family house.

Synopsis: Amani is blindsided and heartbroken when her husband, Khalid, brings a second wife into their home. Forced to accept the circumstances and determined to fight for the sake of her daughter, Noor, Amani remains in the house and tries to assert her role as the family’s matriarch. Living with the new bride, Zahra, crushes Amani emotionally and sends her into a downward spiral.

When ominous, seemingly paranormal events begin to overtake the house, Amani launches a frenzied search for answers, leaving Noor fearful for her mother’s sanity. Driven by instinct and terror, Amani becomes increasingly convinced there is something sinister in Zahra’s past—but her desperate quest for the truth threatens to push her further from reality.

The Vile” is based on a story & directed by Majid Al Ansari (“Zinzana”, “The Intruder”, “Paranormal” series), Written by Majid Al Ansari & Johnnie Alward ( “The Matter At Hand”, “Wendigo”, “Something Bad”) Costume Designer Kamal Farajallah (“Canary”, “On Borrowed Time”, “Star Wars: The Force Awakens”, “Mission: Impossible-Ghost Protocol” ), Editors Ghalya Lacroix (“Blue is the Warmest Color”, Secret of the Grain”, “Games of Love and Chance”), Hafedh Laridhi (“To My Son”, “Streams”, “Hedi”), Production Designer Benedikt Lange (“Zinzana”, Simon och ekarna”) Director of Photography Benjamin Kirk Nielsen (“Watcher”, “Slut”)Executive Producers Mohamed Hefzy (Aisha Can’t Fly Away”, “Abdo and Saneya” “Voy! Voy! Voy!”, “Hajjan”),Yasir Alyasiri (“Shabob Shayab”, “Murk Light”) ,   Producer Rami Yasinv (“Late Night with the Devil”, “Watcher”) and Produced by Roy Lee(“Weapons”, “The Long Walk”, “Barbarian”) & Steven Schneider (“The Plague”, “Glass”, “Split”, “Insidious”, “Paranormal Activity”).

The Vile” features the talents of international stars Bdoor Mohammed (“La Tuqasus Ru’yak, “Ghassat Ubor”, “Majareeh” “Embers Years”), Sarah Taibah (“Night Courier”, “VHS Tape Replaced”, Fays Palette”), Iman Tarik (“The Vile”), Jassem AlKharraz (“Embers Year”, “Daw Dames”),  Nora Ali (“Camera Ready and Abel”, “Cheddar News”, “Closing Bell”), Saeed AlHarsh (“The Anbush”, “Female Jinn” series)and Samira Al Wahaibi (“Rehlet Daeaa”).

About the Production: Academy-award winning studio Image Nation Abu Dhabi and US-based horror label Spooky Pictures present the latest film under their multi-picture slate partnership. “The Vile” is the first Arabic-language Emirati film in their line-up thus far and is directed by critically acclaimed Emirati genre filmmaker Majid Al Ansari.  The film’s producers are Spooky Pictures’ founders Roy Lee(“Barbarian”), and Steven Schneider (“The Plague”), as well as Image Nation’s Derek Dauchy (“Late Night With The Devil”), and UAE-based producer Rami Yasin(“Watcher”) from Breakout Films.

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‘THE SURRENDER’ (SXSW 2025) Grief, delusion, and the supernatural collide in one hell of a debut.

SXSW 2025_Website-SEO-3THE SURRENDER

The Surrender (2025) - [www.imdb.com]

Filmmaker Julia Max‘s feature debut, THE SURRENDER, comes to SXSW 2025 in all its haunted glory.

With her father bedridden and dying of cancer, Megan returns home to help her mother in his 24-hour care. Each woman has vastly differing opinions on his end-of-life plans. Barbara has fallen into the “spiritual” lifestyle as a means to cope with impending grief, while Megan desires his pain to stop. When Robert passes, and their relationship stretches to its limits, Megan reluctantly agrees to participate in a resurrection ritual.

THE SURRENDER opens with an undeniably jarring image. The audience feels an immediate sense of foreboding. Max weaves in forgotten memories from Megan’s childhood, giving us insight into the reality of their family unit. The delay of these scenes shifts the entire narrative. The choice is brilliant.
the-surrenderVaughn Armstrong delivers a nuanced turn as Robert. Max allows him the opportunity to play multiple roles within one character. Kate Burton (Grey’s Anatomy) and Colby Minifie (The Boys) knock it out of the park. Their loaded dialogue gets more and more biting and honest. Their scenes are a masterclass in communication. Whether driven by confession or fear, Burton and Minifie are perfect together.

Technically, the film is superb. The lighting, editing, production design, and practical FX create a sinister narrative. There is no predicting where this script goes. Max pulls the rug out from under us again and again. The final act is emotional torture. THE SURRENDER is a brutal dive into grief, unresolved trauma, and the lengths we will go for love. It’s the weirdest therapy session I’ve ever witnessed.


Remaining SXSW screenings of THE SURRENDER:

Mar 14, 2025
 
9:30pm  11:00pm
 
 

Credits

Director:

Julia Max

Executive Producer:

Susan Gelb, Adam Maffei, Rob Massar

Producer:

Mia Chang, Lovell Holder, Julia Max, Ian McDonald, Robert J. Ulrich

Screenwriter:

Julia Max

Cinematographer:

Cailin Yatsko

Editor:

Sushila Love

Production Designer:

Tahryn Justice Smith

Sound Designer:

AJ Pyatak, Josh Atwell

Music:

Alex Winkler

Principal Cast:

Colby Minifie, Kate Burton, Neil Sandilands, Vaughn Armstrong, Mia Ellis, Pete Ploszek, Chelsea Alden, Alaina Pollack, Riley Rose Critchlow, Lola Prince Kelly

Additional Credits:

Co-Producer: Brenden Rodriguez, Co-Producer: Daniel Schwab

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