The Virgin of The Quarry Lake
Jealousy collides with superstition in Laura Casabé‘s coming-of-age Sundance 2025 film The Virgin of The Quarry Lake. Natalia lives with her grandmother, Rita, after being abandoned by her parents. The summer after high school graduation is a time of angst, curiosity, fear, and desire. Intimated by a worldly older woman named Silvia, Nati and her two best friends become deeply entrenched in a battle to keep her crush, Diego, from her clutches. 
Although set in 2001 Argentina, the film’s narrative parallels today’s political climate with startling accuracy. The government is a disaster. There are rolling blackouts, civil unrest, and the popular television personality peddles misinformation. Nati witnesses violence again and again. Her envy of Silvia and sexual frustration push her to her limits. The repeated and infuriating misogyny she endures results in a bloody act of pushback. Nati unleashes an alarming feminine rage. 
Based on the stories of Mariana Enriquez, screenwriter Benjamin Naishat creates something quite magic. The Virgin of The Quarry Lake also delivers a visceral sense memory of young love. Nati receives a heartbreaking phone call from Silvia. I received a shockingly similar call the summer of my Senior year, and it destroyed me in a way that I still remember at almost 45 years old. You will hurt for her. It is vicious. Dolores Oliverio owns the role of Natalia. She is an undeniable star.
The visual juxtaposition of the continuously rotting contents of the homeless man’s abandoned cart screams off the screen. Diego Tenorio‘s closeup cinematography is perfect. The Virgin of The Quarry Lake is a physical manifestation of simmering emotional trauma and hidden power.
THE VIRGIN OF THE QUARRY LAKE
Argentina, Spain, Mexico
Director: Laura Casabé
Screenwriter: Benjamin Naishtat
Producers: Tomas Eloy Muñoz, Valeria Bistagnino, Alejandro Israel, David Matamoros, Angeles Hernandez, Diego Martinez Ulanosky
https://festival.sundance.org/program/film/67532c8068b8b71dd2fe4c6c
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