MURDER COMPANY
During the D-Day invasion, a group of U.S. soldiers must smuggle a member of the French resistance behind enemy lines to assassinate a high-value Nazi target.
Shane Dax Taylor‘s WWII drama imagines the never-before-told story of a secret mission. While all the elements of greatness are there, MURDER COMPANY delivers a rather average film. I never found myself emotionally invested in the characters, which is unfortunate because performances from the entire ensemble deliver solid work. I found myself drifting. The battle scenes felt noticeably repetitive as if a few days had been spent in the same wooded location and shot from only a few different angles. The dialogue suffered the same fate. I couldn’t repeat a single line after watching. The FX were similarly subpar. Bullet holes were glaringly CG, and it was frankly distracting. War films are immense undertakings. Tackling an untold story adds extra scrutiny. Filmmakers should have taken more advantage of Kelsey Grammer‘s abilities. Ultimately, Murder Company waves the white flag.
MURDER COMPANY comes to theaters, on Demand and Digital, today.
Buy Tickets here: https://www.fandango.com/murder-company-2024-236335/movie-overview?cmp=Indie_YouTube_Desc
It stars William Moseley (The Chronicles of Narnia trilogy, “The Royals”), Pooch Hall (“Ray Donovan,” “The Game”), Gilles Marini (Sex and the City, “Switched at Birth”), Joe Anderson (Across the Universe, The Crazies), and Kelsey Grammer (“Cheers,” “Frasier”).
The film was the 2016 official selection of the LA Film Festival, Fantasia, Sitges and numerous other festivals. The film stars Jessica Lowndes, Joe Anderson, Lin Shaye, Dayton Callie and was directed by Darren Lynn Bousman.
Darren Lynn Bousman, director of several of the Saw franchise sequels, and one of my all-time favorite films REPO! The Genetic Opera, brings to life a peculiar story and a visual maze. The look of Abbatoir is something to behold and one that evolves as the story rolls along. It’s a thriller, horror, and first person video game all wrapped into one lovely and bizarre package. The costumes are intentional throw backs that give further validity to a tale that criss crosses generations. Lin Shaye, who has what I like the call the “Timelord effect” (similar to another horror legend Barbara Crampton,) a timeless quality to her presence and ability to inhabit any character she tackles effoertlessly. Jessica Lowndes is reteaming with Bousman after appearing in The Devil’s Carnival. Her classic movie star looks only enhance her believeable performance as a headstrong and heartfelt woman determined to uncover the mystery behind who or what is buying homes where violent tragedy occurs and rips out the murder room. The answers are extraordinarily twisted. The films runs about 1hr40mins but feels very much likethe graphic novel it was based upon. This could have easily been made into a mini series. Abattoir is intriguing from the very first shot and will keep your brain engaged with plot and stunning sets throughout. Momentum Pictures is releasing Abattoir today in Theaters, VOD and Digital HD, December 9th
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