Liz’s Review: ‘OCTOBER GALE’ is a quiet storm

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Regret and personal penance are issues we all tackle. Life’s small decisions can turn into life’s large consequences. Fleeting moments become the the ones that stick with you forever. In the new film October Gale, a woman looks to move on from her husband’s death by opening their seasonal cabin by herself. When her solace is shattered by an oncoming storm, she must tap into her emotional resources not only to save her home, but the mysterious who washes ashore with it.

Writer/Director Ruba Nadda brings us a story of trust and instinct. Set in Ontario’s Lake Joseph, While perhaps under the guise of a thriller, when you get to the heart of this film, it’s sincerely about two people healing from their respective tragedies. Patricia Clarkson is a legend in my book. Every beat and breath has purpose. Scott Speedman, who still looks like a Greek god, is a superstar. The chemistry between Clarkson and Speedman is electric. These two are truly gifted actors. Each battling their own demons, the pair is a joy to watch.

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The film has a lovely structure, utilizing flashbacks as sense memory. The first 20 minutes are focused on Clarkson‘s character, Helen, while the final 20 minutes shift towards Will, Speedman‘s character (as far as the flashbacks are concerned). The location is breathtakingly stunning. Each long shot is a warranted break from the chaos that ensues during the meat of the story line. I must give pause and recognize the composer, Mischa Chillak. The score is both reminiscent and hopeful. It sets a beautiful tone throughout. October Gale is a slow and steady burn. I very much enjoyed this film and would specifically recommend it for the 30+ audience for the full appreciation of subject and tone.

Toronto doctor Helen Matthews (Patricia Clarkson), mourning the death of her husband (Callum Keith Rennie), retreats to the isolated island cabin where they’d spent some of their most cherished moments together. Her reverie is cut short when a mysterious man, Will (Scott Speedman), washes ashore with a bullet in his shoulder. As he recuperates, the two develop a tentative connection, though Will refuses to explain what happened. When a severe storm traps them on the island as Will’s would-be killer returns, their ability to trust each other then becomes a matter of survival. Also co-starring Tim Roth. OCTOBER GALE is a story about a couple warily exploring their growing bond under extreme circumstances.

Writer-director Ruba Nadda has received critical acclaim for character-driven dramas such as SABAH and CAIRO TIME (winner of Best Canadian Feature Film at the 2009 Festival). In OCTOBER GALE, she brings her astute psychological insight to bear on an intimate, suspenseful thriller.

Directed by: Ruba Nadda

Screenplay by: Ruba Nadda

Starring: Patricia Clarkson, Scott Speedman, Tim Roth

Release Date: March 6, 2015 

Running Time: 91 minutes

 

Liz’s Review: ‘MURDER OF A CAT’ is a quirky suburban noir.

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I’ll admit it. I’m a bit of a weird gal. It’s fine. It’s sort of my thing. I like what I like and I’m proud of it. That being said, if someone killed my best friend, I’d hunt them down like the scoundrels they are. (Prime example, I use words like scoundrel in regular conversation). In the new film MURDER OF A CAT, Clinton (Fran Kranz) also, a bit of a weirdo, finds his beloved cat-friend brutally murdered. It is his moral duty to find out who, what, when, where, and why.

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Liz’s Review: ‘A Girl Walks Home Alone At Night’ – A love story you can sink your teeth into

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I LOVE horror movies. I love an original script. I love a great soundtrack. Put them all together and you’ve got me on your side from minute one. There are few movies ever made that deliver on all of these aspects. The one I am about to describe blows it out of the water. Read More →

Liz’s Review: ‘BAD TURN WORSE’ is a love letter to Jim Thompson.

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When I was little, I was a fan a Nancy Drew books. My brother had a bookshelf filled with The Hardy Boys collection. I was jealous of that collection. As an adult, I am obsessed with Investigation Discover channel. I’ll straight up have that on in the background all day when I have a day off. I want to know who did it, why, and how. As of late I am a huge fan of NPR‘s new podcast “Serial” (Go do yourself a favor and subscribe now), so when this film came my way, I was more than intrigued.

Bad Turn Worse, a directed by Simon and Zeke Hawkins, grabbed me from the opening scene. Quippy, Tarantino-esque dialogue from the mouths of Texas teens (also reminiscent of Dawson’s Creek… wow, I’m really dating myself now…) made me sit up a little straighter at attention. The plot is not too far fetched. Three friends; two leaving for college in a few weeks, while the third we all know is destined to become a townie in this arid cotton mill town. BJ is a bitter, big fish in a little pond, whose aggressive charm and good looks have gotten him the smart girl next door Sue. Bobby is the best friend to both but his sheep demeanor gets him into some trouble when BJ steals $20K from his sociopath boss. When the shit hits the fan and the three are roped into a heist that is doomed from the start, everything gets turned in it’s head in this noir thriller.

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Writer, Dutch Southern, deserves praise with his love letter to crime novelist Jim Thompson.

Jim Thompson — ‘There are thirty-two ways to write a story, and I’ve used every one, but there is only one plot – things are not as they seem.’

Sue makes mention of this in more than a few ways throughout the script. Little does the audience know that they are being led down a twisted plot line that is secretly spoon fed to them from the get go. But, seriously, you sort of miss it until the very end. When is the last time a movie played out in a surprising fashion? In true noir style, just when you think you’ve figured out what going on, nope, left turn.

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The acting is fantastic. Mackenzie Davis, who I had previously been introduced to in Breathe In, is so wonderful. Fully fleshed out girl who is smart as a whip but vulnerable enough to fall for the town “badboy” but still have affection for the shy best friend. She gives the perfect balance of naive and cunning. Logan Huffman, who has one of those, ‘Why do I know him? Yeah, he is hot,” kind of demeanors, nails the role of BJ. That jockish, underachiever bitterness is rife for the taking. Jeremy Allen White is entrancing as Bobby. His endearing fragility draws you in. You genuinely feel sorry that he has such a crap best friend. And then, there is our ultimate baddie; Mark Pelligrino, my mysterious Jacob from LOST. His startling crazy is borderline comical but totally works. Money makes people do bad things, and the character of Giff is no exception.

The music is awesome and the cinematography is beautiful. I say catch this film this weekend. It will keep you on the edge of your nerve from beginning to end. Bad Turn Worse comes out today, November 14th in theaters and on VOD.

Now this looks intriguing… Trailer for THOU WAS MILD & LOVELY

I’m not quite sure how this wasn’t on my radar but I just watched the trailer and I am so in. Check it out below…

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On a farm in rural Kentucky, father Jeremiah (Robert Longstreet) and daughter Sarah (Sophie Traub) squabble together like young puppies. Over crisp, verdant images of nature, of animals, streams and puddles, a mysterious, sensual female voice tells of her lover, who may be a person or may be the whole world. Enter Akin (Joe Swanberg), there to help out for the summer. He’s left his wife and child at home – and taken off his wedding ring as a precaution. Soon the three of them are circling each other, watching, feeling watched and knowing that their watching is not going unwatched. Within this atmosphere, a charged romance develops between Sarah and Akin that carries both an erotic tension and vague feeling of menace. When Akin’s wife Drew comes for a visit, the situation explodes, harmless fantasies giving way to a violent nightmare.

The seductive colors and shallow depth of field of Ashley Connor’s superb camerawork accentuate the ethereal nature of this enigmatic story. Josephine Decker’s second feature lets beauty and horror blithely flirt with one another like two coquettish flowers in the same inviting meadow.

Jeremy’s Review & Interview: ‘The Canal’ is an Especially Spooky and Visceral Haunt Perfect for Halloween & Star Rupert Evans Shares His Thoughts on Making the Film

the canalRare is it that I find the need to find a film to scare me. I usually only need to watch the evening news (Ebola anyone?) or watch any political coverage to get my scares in. However, every once in a while, a film comes along the piques my interest in this arena and Ivan Kavanagh‘s The Canal is one of those films. After seeing the trailer, I was hooked (something that is also quite a rarity). So I gave it a spin and these are my thoughts… Read More →

Michael’s Review: ‘Gone Girl’- Edge of Your Seat Who Done It, Done Right

Going into this film I had modest expectations from the latest David Fincher book to film adaptation and as always the acclaimed director did not disappoint. Taken from the novel ‘Gone Girl’ by Gillian Flynn, the film tells a story of the disappearance of Amy Dunne and the subsequent investigation into her husband, Nick Dunne’s involvement. Gone Girl is as shocking and suspenseful as any thriller I’ve seen in recent years. A fresh take on a stale genre and one that screams to be seen. Read More →

Michael’s Review: ‘The Equalizer’- Plenty of Equals for this Textbook Action Thriller

The Equalizer-posterAntoine Fuqua has been making action thrillers for over twenty years, and he’s got a knack for it. Denzel Washington is one of Hollywood’s most revered actors, and he’s got the Oscar to prove it, thanks to his collaboration with Fuqua on the 2001 police drama Training Day. It’s been over a decade since, but this weekend, the action gods have reunited these two in the hopes that they can recapture the magic of their previous work and bring a once popular 80’s television show, The Equalizer, to the big screen. Read More →