Review: Jared Leto executive produced doc ‘HOLY HELL’ leaves a singed psyche.

Posted on May 27, 2016 by Liz Whittemore — Leave a reply

HOLY HELL

Opening Theatrically May 27th, 2016

A Film by Will Allen

Executive Produced by Jared Leto

*Sundance Film Festival – Official Selection*

What makes something a cult? According to the dictionary a cult is, “a system of religious veneration and devotion directed toward a particular figure or object.” If that’s so, then by definition aren’t most religions a cult? Can one individual spew crazy ideas and gather a following of people who seem to be functioning human beings despite the intrinsically ridiculous nature of the information they are being fed? Well, of course. Just ask Donald Trump. Executive Produced by Jared Leto, HOLY HELL takes us into a group defined by the outside as a cult. But what did the members believe then and now?

In 1985, Will Allen became a member of The Buddhafield, a Los Angeles area spiritual group. A recent film school graduate, Allen began to chronicle the group’s activities that centered on their leader, a mysterious individual they called The Teacher, or Michel. Over time, the group’s dark side began to surface, until finally, a shocking allegation against The Teacher tore the group apart – all in front of Allen’s camera. This incredible archive of video footage became the basis for HOLY HELL.

Will Allen‘s 22 years of footage appear, at first, to resemble a long-lost infomercial from the 80’s. It only takes a few minutes to realize that this is not VHS from our youth but the continuous documenting of a group of people seeking something different. What they ultimately find is a mysterious man who is nothing he claims to be. Utilizing intimate, present-day, sit down interviews with members of Buddhafield combined with Allen’s chronological documentation of the group’s daily activities, HOLY HELL is unlike anything we’ve seen before. To have such unguarded footage and insider knowledge is pretty unprecedented, especially for this length of time. From private therapy sessions to retreats, public outings and the eventual breakdown, each year is more shocking than the last. There are moments that will make you cringe, question your judgement, and certainly, times that will turn your stomach. HOLY HELL is as relevant today as it was when it began its seedling production. It will both open your eyes and terrify you.

Opening Theatrically May 27th, 2016

Review: ‘WELCOME TO HAPPINESS’ is a quirky guide through what-if.

Posted on May 18, 2016 by Liz Whittemore — Leave a reply

Presents

WELCOME TO HAPPINESS

Opening In Theaters & On Demand May 20th

What if you had the option to change a single moment in your past? Would you take it? We all think at some point or another, “If only I hadn’t said/done that, things would be so different!” But, do we ever think about the ripple effect of taking back that action? In Oliver Thompson‘s new festival favorite, we’re plunged into a world where this very choice is presented to a select few.

In WELCOME TO HAPPINESS, Woody (Gallner), a children’s author, rents a strange apartment from his landlord, Moses (Offerman). There’s a magical door in Woody’s closet that allows those who go through it to erase mistakes from their past. While he was once happy to facilitate the passage of the random strangers summoned to his apartment, Woody soon begins to question why he himself is not allowed to go through.

Oliver Thompson‘s duel role as writer and director suits this indie gem to a T. Stylistically vibrant and charming, WELCOME TO HAPPINESS is something akin to ETERNAL SUNSHINE OF THE SPOTLESS MIND in look and quirk factor, but most assuredly has its very own unique voice. The colorful cinematography is a brilliant reflection of each character’s momentary mood. The plot has intrinsically intertwined story lines and is full of surprisingly insightful glee all while tackling the ghost of depression. Thompson has achieved quite the feat, no doubt.

Kyle Gallner‘s performance is honest and down to earth. This might be some of his best work, although he’s always a solid performer. Nick Offerman gets the opportunity to break free from his sardonic persona to tackle a more gentle character. Given the task, he absolutely shines. It’s nice to see this side of him. Olivia Thirlby is a wonder no matter the role and Brendon Sexton III‘s ever discontented presence it perfect for this film. The cast from top to bottom is a true delight. WELCOME TO HAPPINESS is an immensely thoughtful film without ever taking itself too seriously. This is a rare find. You can catch the movie in theaters and On Demand this Friday, May 20th. Take a peak at the trailer below!

https://youtu.be/6TUeLXB7IKc

WELCOME TO HAPPINESS Opens May 20th

The film has been awarded ‘Outstanding Achievement in Filmmaking’ at the Newport Beach Film Festival, ‘Excellence in Producing’ and ‘Producers Choice’ at the International Festival of Cinema, ‘Best Narrative Feature’ at the deadCENTER Film Festival, as well as ‘Best Ensemble Cast’ at the Phoenix Film Festival.

Written & Directed by Oliver Thompson

Produced by Bay Dariz, Oliver Thompson, Molly C. Quinn, and Kyle Gallner

Starring
Kyle Gallner (Veronica Mars, American Sniper)
Olivia Thirlby (Juno)
Nick Offerman (NBC’s Parks and Recreation)
Molly C. Quinn (ABC’s Castle)
Brendan Sexton III (AMC’s The Killing)
Josh Brener (HBO’s Silicon Valley)
Keegan-Michael Key (Comedy Central’s Key and Peele)
Paget Brewster (CBS’s Criminal Minds)
Frances Conroy (FX’s American Horror Story)

Reel News Daily Exclusive Clip: Go Behind-the-scenes of the WAR & PEACE mini-series coming to Blu-Ray May 10th.

Posted on May 6, 2016 by Liz Whittemore — Leave a reply

BBC recently produced a spectacular new adaptation of Leo Tolstoy’s timeless novel, where three young people experience life, love and loss against the epic backdrop of Russia’s wars with Napoleon. The 6 episode mini-series was filled to the brim with talented actors that included Lily James, Paul Dano, James Norton, Tuppence Middleton, and Jim Broadbent to name a few. With breathtaking period costumes and sweeping cinematography, Director Tom Harper has successfully created a magical adaptation that is as heart-rending and exhilarating as Tolstoy’s original work. Take a look at our exclusive clip of Harper and the cast at the very first read-through of WAR & PEACE.

WAR & PEACE

will be available on Blu-ray and DVD on May 10th from Anchor Bay Entertainment

Lily James as Natasha Rostov

Paul Dano as Pierre Bezukhov

James Norton as Prince Andrei

Liz’s Review: ‘EVERY SECRET THING’ is a twisted tale of emotional manipulation.

Posted on May 14, 2015 by Liz Whittemore — Leave a reply

Laura Lippman‘s best-selling novel Every Secret Thing has been brought to life by Academy Award(r) Nominated Filmmaker Amy Berg. Two 11 year old girls are convicted of kidnapping and killing a biracial infant. Released after seven years in a jeuvenile detention center, Ronnie and Alice are back in their hometown attempting to adjust to normal life as newly minted adults. Two weeks after their release, another young biracial girl goes missing from a local furniture store. Can the lead detective from the first case survive this new one? Who can you trust? Every Secret Thing puts your suspicions to the test at every turn.

Utilizing flashbacks and he said/she said interrogation tactics, Berg skillfully crafts a film filled with mystery. Having not read the book, I was pleasantly surprised that the film clearly stands on it’s own. Never once did I feel cheated or left in the dark for the wrong reasons. In fact I was scratching my head, trying to figure it out right along with the detectives. I was fully engrossed with the story and structure. Bravo, I say.

Dakota Fanning plays Ronnie with a beautiful mixture of shyness and a hardened edge. Ronnie is from “The wrong side of the tracks”. Quiet and smart, her heavily rimmed eyes speak volumes as a severely damaged young woman. Danielle Macdonald gives one hell of a performance as Alice. Her eerie lack of emotional growth is startling. She walks a fine line between naivete and incredulity. Someone go cast her in something else, please?

Diane Lane plays Alice’s mother, Helen. This is a woman with issues in broad daylight. Her relationship with Ronnie and Alice is beyond peculiar and most definitely off putting. Alcoholic and self loathing, she has been silently molding the girls whether she realizes it or not. This performance should garner her attention for the sheer sliminess and moral justification that comes off the screen. Elizabeth Banks play Detective Nancy Porter. Haunted by the death of the first child 7 years earlier, she is determined to figure out the truth this time around. Banks is vulnerable but tough in all the right areas.

It was so refreshing to see a cast that was female dominated and extraordinarily talented. This film blows the Bechdel test out of the water. Applause to Berg, screenwriter Nicole Holofcener, and executive producer Frances McDormand for bringing Every Secret Thing to the big screen. I will say, even after seeing the film twice, (once at last year’s Tribeca Film Festival and again this week) I am still intrigued to go out and grab Lippman’s novel. At the heart of it all, this is a story about emotional abuse and it’s long term consequences. Every Little Secret will keep you guessing until the very last frame.

Synopsis: From a producer of FOXCATCHER and based on the novel by New York Times best-selling author Laura Lippman, EVERY SECRET THING is a gripping psychological thriller about the chilling consequences of the secrets we keep.

Detective Nancy Porter (Elizabeth Banks) is still haunted by her failure to save the life of a missing child from the hands of two young girls. Eight years later, another child goes missing in the same town just days after Ronnie and Alice (Dakota Fanning and newcomer Danielle Macdonald), the two girls convicted of the former crime, were released from juvenile detention. Porter and her partner (Nate Parker) must race against the clock to prevent history from repeating itself. But as they begin to investigate the girls and their families, especially Alice’s protective mother (Diane Lane), they unearth a web of secrets and deceptions that calls everything into question.

Directed by Academy Award(r) Nominated Filmmaker Amy Berg and Executive Produced by Frances McDormand.

Rated R

RT: 93 Minutes

Release: In theaters, On Demand and iTunes May 15, 2015

Additional VOD platforms: iTunes, Amazon Instant Video, Google Play, Comcast, Time Warner Cable, AT&T, DirecTV, Dish, and more…

Girls On Film Podcast: Interview with the ‘I AM BIG BIRD’ filmmakers Chad Walker and Dave LaMattina.

Posted on May 8, 2015 by Liz Whittemore — Leave a reply

Hands down one of the most touching documentaries to come out of theTribeca Film festival last year is I AM BIG BIRD. This is the heartwarming story of the man inside the big yellow icon, Caroll Spinney. I’ve already gushed about the film in my review, so I was thrilled to get the opportunity to talk with directors Chad Walker and Dave LaMattina this afternoon. Here is our brand new episode of Girls On Film: I Am Big Bird

I AM BIG BIRD is now playing in theaters in selected cities with a national expansion coming in throughout the summer. Stay tuned to Reel News Daily for more information!

‘The 100 Year Old Man Who Climbed Out The Window and Disappeared’ is finally available in the U.S.!

Posted on May 8, 2015 by Liz Whittemore — Leave a reply

This incredibly funny and endearing film is one of the most upbeat things I’ve seen this year. Long story short, not unlike the title suggests, Allan is turning 100 and is stuck in a nursing home. Reminiscing through pictures and stories from his past, Allan decides to jump out of the window and go on an adventure, anywhere. He ends up with a suitcase full of money belonging to some pretty scary people and on his way to freedom he runs into other wayward souls that get entangled in his absurd journey.

Allan (Robert Gustafsson) and Julius (Iwar Wiklander) in THE 100 YEAR OLD MAN. Courtesy of Music Box Films.

Lead actor Robert Gustafsson is an absolute delight. Comic timing and facial expressions of a real genius, he takes this film through time and through encounters with historical figures like Ronald Reagan and Joseph Stalin, just to name a few. With a passion for blowing things up and an innate ability to talk to anyone, Allan becomes a double agent, a soldier, and perhaps the actual creator of the atomic bomb.

THE 100 YEAR OLD MAN. Courtesy of Music Box Films.

The film is a mixture of scenes from Allan’s youth and the shenanigans he’s gotten himself into on his birthday. Adapted beautifully from the novel of the same name by author Jonas Jonasson, with the help of screenwriters Felix Herngren & Hans Ingemansson, it is definitely full of belly laughs and good times. Herndren, also the director, gives us a colorful, lush, and impeccable comedic foreign film, unlike the many melodramatic features we’re used to getting from over seas. The theater I was in was in stitches the entire duration, and when you can get a theater full of critics laughing, well that’s a feat unto itself. I highly recommend you catch this movie. It is available in theaters in on demand!

Allan (Robert Gustafsson) in THE 100 YEAR OLD MAN. Courtesy of Music Box Films.

Powered by the antics of a mischievous centenarian on the run, comic fable The 100-Year-Old Man Who Climbed out the Window and Disappeared abounds with irreverent charm. After a long and colorful life working in munitions and getting entangled in the Spanish Civil War, the Manhattan Project, and other definitive events of the 20th century, Allan Karlsson finds himself stuck in a nursing home. Determined to escape on his 100th birthday, he leaps out of a window and onto the nearest bus, kicking off an unexpected journey involving, among other surprises, a suitcase stuffed with cash, some wicked criminals, and an elephant named Sonya. Like an unruly Nordic cousin of Forrest Gump, Allan’s youthful escapades and current adventures weave together into an offbeat treat for anyone who’s young at heart. Starring beloved comedian Robert Gustafsson, this fanciful spin on world history is based on a best-selling novel and also the highest-grossing Swedish film of all time.

Arnold Schwarzenegger, Abigail Breslin, and Joely Richardson star in ‘MAGGIE’ – a post-apocalyptic Zombie flick with Midwestern flare and some incredible acting.

Posted on May 8, 2015 by Liz Whittemore — Leave a reply

There is no denying that most of us are fans of anything zombie genre. With The Walking Dead becoming a televised phenomenon, we got to see a story line based around the characters and not the infected. This is very much the scenario in Henry Hobson‘s new film Maggie. Wade has promised his late wife that he would do anything to protect their daughter. Living in a world where an infection causes people to turn into cannibal zombies, the government have ordered that at 8 weeks into said infection, you must deliver your family member to the hospital quarantine wing… where they essentially wait to die. But how can you just give up? What if your loved one is different? What if you believe they can be saved?Arnold Schwarzenegger plays Wade with a love and affection that is altogether new for him. This legendary action star is gentle and protective, and any of us would be proud to call him Dad. He is able to hold the screen in long quiet shots with complete ease and not much more than his pensive face. I would love to him in more roles like this, as he is clearly capable of giving us an entire range of real emotion without any slow motion explosions going off behind him. Joely Richardson is Caroline, Wade’s second wife and Maggie’s stepmother. After sending her two small children off to live with relatives one Maggie returns to the home, she is hesitant to fully trust Wade’s parenting decisions, as would anyone afraid of being attacked by a zombie. Supportive but always on edge, Richardson displays the same great acting talents we’ve come to know from The Tudors and Nip/Tuck. The real star of this film, hands down, is Abigail Breslin. To navigate as a teenager in a world where awkwardness is already the norm, then add in the inevitability of turning into a monster is quite the feat. Breslin is graceful and raw in her spiral both emotionally and physically. She is able to balance sadness, thoughtfulness, and a little bit of frightening all at once. I am truly impressed with her portrayal of Maggie and it should not go unnoticed by Hollywood. Maggie is Henry Hobson‘s first feature length film. He is known for his genius art direction with title sequences, ironically including The Walking Dead. Hobson’s experience is evident in the way he chooses to shoot in an almost kamikaze style. Indie films have smaller budgets and tight schedule, but his actors and crew trusted him so much that at the drop of a hat, the entire team would run from one location to another in order to fit in a shot to capture a perfect moment in time and its natural light. I see a great future for Henry Hobson if Maggie is any indication of what he is capable of. Don’t expect massive actions scenes but do expect some phenomenal makeup effects and a truly lovely script by John Scott 3. For a first time screenwriter, he definitely knows his stuff about the genre and great family dynamics. Maggie is a slow burn, beautifully shot and scored, with one hell of an ending. It’s slightly outside the box for a zombie film and for Schwarzenegger, but totally worth your time. You can check out Maggie in theaters and On Demand today, May 8th.

Below you can find the audio from The Tribeca Film Festival press conference I attended for Maggie. Joely, Henry, and Arnold were in attendance. All three were completely gracious and articulate, it’s worth a listen for some insider information on the production. Enjoy!

http://maggiethefilm.com/

‘I AM BIG BIRD’ hugs your heart and soul. Liz talks childhood flashbacks and this touching documentary.

Posted on May 7, 2015 by Liz Whittemore — Leave a reply

When I was a very small child, my mother would set me up each morning on my little wooden and plastic potty with a tray of cheerios and Sesame Street. Every night, I listened to the likes of Bert and Ernie, Telly and Grover, but I as I think back to a voice that was so distinct, I always think of one in particular. A tall, endearing, yellow fellow named Big Bird. When I was a preschool teacher I played my students the songs of my past and I fully intend to share the same memories with my own children. Chad Walker and Dave LaMattina bring us the joyous new documentary about the man inside the bird, Caroll Spinney. I AM BIG BIRD is a fascinating look into how this beloved character came to fruition.

Caroll Spinney in I AM BIG BIRD: THE CAROLL SPINNEY STORY a Tribeca Film release.

From humble beginnings, a volatile relationship with his father, and a supportive mother, Caroll fell in love with puppetry early on. As a young boy this did not necessarily make school an easy environment, but he soldiered on in his passion. Caroll was discovered at a 1969 Puppet Festival by none other than Jim Henson and fate. The two had a very special relationship, with Jim being a less of a boss and more of a friend and mentor to Caroll. Navigating through bouts of depression and low self worth, work was his saving grace as was his second wife Debra. Her love brought him back to life and has sustained the magic both on screen and behind the scenes ever since. The Big Bird we know now what not always this childlike. Initially, he was a very skinny yokel type. Thankfully, with more self confidence and encouragement from the entire Sesame Street family, Caroll gave us the magical creature we adore today.

Caroll Spinney and Debra Spinney in I AM BIG BIRD: THE CAROLL SPINNEY STORY a Tribeca Film release.

Walker and LaMattina had a gold mine of footage from Sesame Workshop but the jackpot came from Caroll and Deb’s years of home video footage. Mixed with Caroll’s own art work, intimate sit down interviews with his children, Sesame cast members, and even Jim’s daughter, we are privileged as an audience to see how moments of time came to be. From Follow The Bird to Big Bird in China and many other Muppet specials, we see the good and the bad. There are no kid gloves when it comes to talking about Caroll and company. One of innumerable interesting things we learn is that Caroll also plays Oscar the Grouch. You learn how this has become the perfect counter balance to our big yellow friend and Caroll alike. Their memories become your own and tear at your heartstrings. You feel so special as you see past the feather into Caroll’s soul.

Caroll Spinney and Jim Henson in I AM BIG BIRD: THE CAROLL SPINNEY STORY a Tribeca Film release.

We all have an innate love for Kermit and Big Bird. The Muppets and Sesame Street have molded millions of minds all over the globe since their inception. You will watch this film with tears in your eyes and laughter in your heart. There is no escaping the love that engulfs this movie. This is a timeless classic you will want to show your children down the line. I AM BIG BIRD is nothing short of extraordinary.

Caroll Spinney in I AM BIG BIRD: THE CAROLL SPINNEY STORY a Tribeca Film release.

Stay tuned for an interview with directors Chad Walker and Dave LaMattina in the next few days!

Release Date

VOD: Available on iTunes & VOD: May 5, 2015
Theatrical: Select theatrical release beginning May 6, 2015
New York: IFC Center – opens May 6, 2015
May 15:
Boston: Brattle Theater – opens May 15, 2015
Chicago: Gene Siskel Film Center – opens May 15, 2015
Columbus: Gateway Film Center – opens May 15, 2015
Detroit: Cinema Detroit – opens May 15, 2015
Los Angeles area:
– Los Angeles: Royal – opens May 15, 2015
– Santa Ana, CA: South Coast Village – opens May 15, 2015
Minneapolis: St Anthony Main – opens May 15, 2015
New Orleans: Zeitgeist Theater – opens May 15, 2015
Philadelphia: PFS at Roxy Theater – opens May 15, 2015
Portland: Living Room Theaters – opens May 15, 2015
San Diego: Digital Cinema – opens May 15, 2015
Santa Fe: CCA – opens May 15, 2015
San Francisco area:
– Berkeley: Rialto Cinemas Elmwood – opens May 15, 2015
– San Francisco: Balboa Theater – opens May 15, 2015
– Sonoma: Sebastopol Rialto Cinemas – opens May 15, 2015
Scottsdale: Shea 14 – opens May 15, 2015
May 22:
Eugene, OR: Metro Cinemas – opens May 22, 2015
Gainesville, FL: The Wooly – opens May 22, 2015
Louisville: Village 7 – opens May 22, 2015
Miami area:
– Coral Gables: Cosford Cinema – May 22,2015
– Miami: O-Cinema – opens May 22,2015
Palm Springs: Camelot – opens May 22, 2015
Pittsburgh: Hollywood Theater – opens May 22, 2015
Sedona, AZ: Mary Fischer Theater – opens May 22, 2015
May 29:
Denver: Sie Film Center – opens May 29, 2015
June 10:
Boulder, CO: Boedicker Theater – opens June 10, 2015
June 12:
Seattle: SIFF Cinema – opens June 12, 2015
Bellingham, WA: Pickford – opens June 12, 2015
Pelham, NY: Picturehouse – opens June 12, 2015

Director

Dave LaMattina and Chad N. Walker

Screenwriter

Dave LaMattina

Producer(s)

Dave LaMattina and Chad N. Walker

Cast

Caroll Spinney

Runtime

87 minutes

SYNOPSIS

For 45 years, Caroll Spinney has been beloved by generations of children as the man behind Sesame Street’s Big Bird and Oscar the Grouch – and at 80 years old, he has no intention of stopping. A loving portrait of the man in the yellow suit, I Am Big Bird features extraordinary footage of Spinney’s earliest collaborations with Jim Henson as it traces his journey from bullied child to childhood icon. And as the yellow feathers give way to grey hair, it is the man, not the puppet, who will steal your heart.

‘The Ladies of the House’ serves up the smart and sexy. Liz talks flipping the script on genre protagonists.

Posted on April 29, 2015 by Liz Whittemore — Leave a reply

Typical horror gene fair has the protagonist as a weak young woman who is constantly running up the stairs only to get stabbed during sex or in the shower. While I am not making a dig at Psycho, because we all know that is will always be some brilliant and sick stuff, I am bringing up the obvious that women in horror tend to be the victims. Refreshingly, in John Stuart Wildman‘s The Ladies of the House, this couldn’t be further from the truth. The premise seems relatively simple; brothers Kai and Jacob, and friend Derek, go to a strip club for Kai’s birthday. But, when they decide to follow one of the strippers as she departs, they are in for quite the surprise. This house is home to a group of lovely cannibals.Performances by our leading ladies are strong and quirky due to the smart writing from husband and wife team of Wildman and Justina Walford. The often funny moments come from vitriolic insults they sling at the men and one another. Each character is fully fleshed out, most likely making it a blast to perform. Michelle Sinclair plays Ginger. Perhaps best known as former adult actress Belladonna, Michelle does a great job on screen as newest housemate. Farah White plays Lin (our June Cleaver mommy monster, whose patience and civility are balanced on a razor thin edge) is fully settled into this role. The “Lady of the House,” Getty, is played stupendously by Melodie Sisk. This “take no shit” gal is pretty much my favorite performance of the entire film. Brina Palencia is our sex-crazed, emotionally-stunted lovely. Keeping men for play is her game. But can this family survive these feisty gentlemen? Speaking of which, Samrat Chakrabarti, as Derek, is real douchebag. No love lost for this total asshole, which in its own right, is a compliment. Gabriel Horn, as Jacob, plays the classic, submissive peacemaker. Doomed or not, the passive manner doesn’t help his character’s cause in this film. Finally, we have Kai. Clearly a little bit (or a lot) of a simpleton, RJ Hanson‘s portrayal is sickening… which is a good word here. This gentle giant has a sexually charged trigger that gets him into some hot water. Every beat is well thought out and I couldn’t take my eyes off of him.The ladies each have their own specific color they sport throughout the film. Their pin-up style radiates from their wardrobe to the impeccable set design by Winona Yu. The majority of the house is like Pee-Wee Herman‘s Playhouse only scarier, and I do mean that as a compliment. Not a tchotchke out of place, it is filled with delicious details top to bottom. The super cool cinematography from Beau Ethridge is a funky combination of fly on wall, handheld closeups, and my favorite shots in the film, super high angles that are akin to surveillance footage. The biggest practical effect is vomit inducing, no doubt, something Eli Roth would be proud to call his own and a dinner table scene that is surely a fandom nod to The Texas Chainsaw Massacre with dialogue Taratino would pen in a heartbeat. I was truly impressed with the gore factor as it was just enough to make a point. The music is incredible. A rockabilly tune here, to classic 50’s make out sounding mix tape there, I want it all for my very own. While, yes, we’re talking about a grindhouse indie film about lady cannibals, we cannot overlook the empowerment factor so often thrown to the wind in the horror genre. When women kick some serious ass, and are cleverly written, how can we not stand up and cheer? This film’s undertone is blatantly about love and protection… with a little bit of the kooky macabre thrown in for good measure. Not since Robert Rodríguez/Tarantino‘s 2007 GRINDHOUSE with Planet Terror and Death Proof, which flung the exploitation genre back into the spotlight, has there been a film where the ladies are the winner-winner, this time human dinner. Or perhaps more fitting a comparison in this case would be 2003 release High Tension, which if you haven’t yet seen, for shame. My only gripe is that I might trim the length 15-20 minutes to tighten up the story’s flow, but that’s being nit-picky. Anytime I can watch my favorite genre hold a candle to a bygone era of kitsch, I give Wildman and Walford major props for putting it all out there and for giving us something that can easily be shown as a drive-in cult classic in the future. Now I want to know, what’s next?

The Ladies of the House comes to VOD platforms on May 1.

You can preorder the film on iTunes.

Tag Archives: May release

Review: Jared Leto executive produced doc ‘HOLY HELL’ leaves a singed psyche.

HOLY HELL

Like this:

Review: ‘WELCOME TO HAPPINESS’ is a quirky guide through what-if.

Like this:

Reel News Daily Exclusive Clip: Go Behind-the-scenes of the WAR & PEACE mini-series coming to Blu-Ray May 10th.

Like this:

Liz’s Review: ‘EVERY SECRET THING’ is a twisted tale of emotional manipulation.

Like this:

Girls On Film Podcast: Interview with the ‘I AM BIG BIRD’ filmmakers Chad Walker and Dave LaMattina.

Like this:

‘The 100 Year Old Man Who Climbed Out The Window and Disappeared’ is finally available in the U.S.!

Like this:

Arnold Schwarzenegger, Abigail Breslin, and Joely Richardson star in ‘MAGGIE’ – a post-apocalyptic Zombie flick with Midwestern flare and some incredible acting.

Like this: