Motherwitch (Grimmfest 2026) Magic and mourning

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Motherwitch

motherwitch poster

Minos Papac‘s Grimmfest 2026 feature Motherwitch is an engaging folk horror and gothic fantasy. Set in 1882 during the British occupation of Cyprus, the story follows Eleni (Margarita Zachariou), a grieving painter isolated from her village after losing her three children in a tragic accident. Consumed by grief and anger, Eleni performs an ancient ritual—using the blood of a lonely, abused local boy named Michalakis (Sifis Katsoulakis) in a magic portrait—to resurrect her children.

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Eleni’s ritual brings unintended consequences; instead of her children returning, the Kalikantzari (mischievous, goblin-like chthonic creatures from Cypriot folklore associated with the 12 days of Christmas) plunge her isolated village into supernatural terror. Eleni must confront her unresolved trauma and save Michalakis to lift the curse.

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Papac delivers a compelling duality in Eleni’s intentions. While using Michalakis for his blood, she simultaneously realizes the abuse he suffers at home and nurtures his gently inquisitive nature and artistic talent. As the chaos ensues, Eleni’s sorrow manifests into a female spirit that mirrors her grief. Only when she realizes that love, forgiveness, and acceptance conquer all does the curse break.

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Young Sifis Katsoulakis is mesmerizing as Michalakis. He brings authentic moments of innocence and wonderment, easily stealing any scene he appears in. The loss of a child is an unimaginable premise for any parent. It is a depth of grief that haunts women daily as our instincts to protect remain on a constant high alert. Lead actress Margarita Zachariou explores sadness with visceral intensity. Her haunting turn will captivate you.

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Eleni’s charcoal drawings cleverly serve as foreshadowing. The landscape is straight out of a fairy tale. Cinematographer Jack McDonald captures the glorious natural beauty of Cyprus’ countryside. Filmed in an abandoned 15th-century village, McDonald utilized natural light and firelight to their fullest. The Kalikantzari initially appear in a series of shadows, sudden, strong wind gusts, momentary, emaciated touches in which we see only a small hand, and in Michalakis’s glowing red eyes. Once visible to Eleni’s, the SFX work from Goran Ignjatovski reminds me of throwback fantasy films like Ridley Scott’s 1985 LEGEND.

Motherwitch is an exquisite exploration of the stages of grief through folklore and horror. Visually breathtaking, it’s a dazzling addition to this year’s schedule

  • Premiere status: UK
  • Length: 104 mins
  • Year: 2026
  • Rating: 15
  • Language:Greek/Cyprus
  • Director: Minos Papas
  • Writer: Evripidis Dikaios, Nikolas Kouroumtzis, Minos Papas
  • Producers: Constantinos Nikiforou
  • Cast: Margarita Zachariou, Miltos Yerolemou, Jason Hughes

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‘FRÉWAKA’ (2025) Shudder original delivers Irish folk-horror at its finest

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FRÉWAKA

Fréwaka poster

Filmmaker Aislinn Clarke brings Shudder audiences a dark and tense story of a primary caregiver and the odd elderly ward she finds herself assigned. Following the death of her estranged mother, Shoo travels to a small town riddled with foul energy for the woman she must look after. Peig is a household name, and not in a good way. Surrounded by Peig’s superstitious rituals, Shoo’s growing isolation and underlying anguish trigger a long-dormant demand. 

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Beautifully lit and framed (DP Narayan Van Maele is a wonder), FRÉWAKA pulls you in from the first scene. Straying from any formula, Clarke takes an even more nightmarish approach with the second scene. The audience is in a constant state of unease. Peig’s routine is easily dismissed as dementia, but Clarke understands folk horror to its core. 

Bríd Ní FRÉWAKA

Bríd Ní Neachtain gives Peig a fiery sass that is intoxicating. Walking the line between paranoia and rage, Neachtain commands your attention. Clare Monnelly infuses a similar hardness to Shoo but mixes a lost hurt, complex grief, and underlying fear into her role. Together, they make one hell of a compelling watch. 

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A clever mix of unresolved trauma and lore, Clarke keeps you guessing at every turn. One particular death made me gasp out loud. The script examines mental illness, generational trauma, and fae canon in a wicked and creative manner. FRÉWAKA is wholely unsettling. It is a perfect crossover for any romantasy readers and genre girlies. 

Frewaka_altposter_600lVJVvXZvqpkbYG0hK5LLGtubP-723x1024Trailer:

New Film from The Devil’s Doorway Filmmaker Aislinn Clarke
 
Debuts April 25

 

Shudder, AMC Networks’ premium streaming service for horror, thrillers and the supernatural, today announced the streaming premiere date and released the trailer and poster for FRÉWAKA, from the director/writer of the acclaimed THE DEVIL’S DOORWAY, Aislinn Clarke. The highly anticipated film, which made its world premiere at the 2024 Locarno Film Festival and its U.K. premiere at the BFI London Film Festival, will make its exclusive streaming debut Friday, April 25 on Shudder as part of the Halfway to Halloween celebration.

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Blood In The Snow (2021) review: ‘FLEE THE LIGHT’ understands the power of the past.

FLEE THE LIGHT

A mystical horror-thriller where reincarnation, demons and sorceresses intertwine to tell the story of a spiritual search gone wrong. A psychology student (Annie Tuma) delves into her sister’s (Ariana Marquis) psychosis, exposing herself to an ancient predator who hunts souls. Also stars Jane Siberry.


Blood in the Snow 2021 screened Flee The Light last night, a classicly structured folk horror where two sisters with a witchy lineage choose between good and evil. Delphi and Andra become consumed by visions that turn more sinister by the hour. Can they save one another from pure darkness? Flee The Light has an evolution that you won’t see coming. The Wicca research is clear, beautifully shot, and carefully intertwined. I would watch a prequel in a hot minute. Props to the set dressers and location scouts for doing their homework. There is an ethereal quality in certain scenes that grab your attention. 

Screenwriter Jennifer Mancini uses childhood flashbacks to establish the sisterly bond. These are precisely what the audience needed to feel emotionally invested in their relationship. Annie Tuma and Ariana Marquis give fully committed performances. You believe their chemistry. The final scene genuinely brings everything together. I would be remiss if I did not mention actress Jane Siberry for her beautiful turn. With glorious cadence changes, she knocks it out of the park. Flee The Light has a final shot that is a whole lot of Yes. Alexandra Senza gives us a solid B-movie. But the potential for Senza and Mancini to develop an entire franchise is magical.



For more info on Blood In The Snow 2021 click here!


Review: ‘Entwined’ is a dark and intoxicating fairy tale.

Panos, a city doctor, relocates to a remote Greek village to offer his services to the underserved community. It’s love at first sight when he sees Danae, who lives in isolation and with a mysterious skin condition. Determined to cure her, Panos will soon discover Danae is not the helpless princess he thought she was, and time is of the essence for both of them.

With a haunting score, Entwined is often the most effective when you have you don’t know what’s happening. Danae keeps you under her spell with her childlike innocence and otherworldly dialogue. Is she a princess held captive and pure from outside influence? She is positively enchanting. For Panos, that’s precisely the problem. In his attempt to be her hero, he falls victim to the mystery in the forest. Speaking of the woods, they are an entire character in Entwined. As is the ever-burning fire in Danae’s isolated cabin. But is he truly trapped?

Performances are lovely. Anastasia Rafaella Konidi’s work lies somewhere between an 11-year-old girl and a centuries-old seductress. Prometheus Aleifer is everything we need him to be. He is brave, soft, and swept away by the mystery of this young woman. Director Minos Nikolakakis uses a mix of mythology and horror folklore to capture the audience. The cinematography and sound editing add to both the menace and beauty. Bravo to the makeup team for creating such horrifically beautiful pieces that cover Anastasia Rafaella Konidi‘s body. The script’s cyclical nature will both frustrate and fascinate, most likely as intended. Entwined is aptly named. This will become more apparent as you watch. While I was able to predict a major plot point, I did not mind it. The ending was a complete surprise. You, too, will fall under the spell of this irresistible film.

ENTWINED 

OPENING IN VIRTUAL THEATERS FRIDAY, AUGUST 28 WITH A NORTH AMERICAN VOD RELEASE TO FOLLOW ON SEPTEMBER 8 ON ALL MAJOR PLATFORMS.

VIRTUAL THEATERS (August 28)-Including: Los Angeles (Laemmle), New York (Alamo On Demand), Philadelphia (Philadelphia Film Society) and major cities.

VOD (US & Canada) (September 8): Including: iTunes, Amazon, Google Play, Xbox, Vudu,  Direct TV, Dish Network and all major cable providers.

*****Official Selection: Toronto International Film Festival and many more.******

DIRECTOR: Minos Nikolakakis

WRITTEN BY: Minos Nikolakakis, John De Holland

CAST: Prometheus Aleifer, Anastasia Rafaella Konidi and John De Holland 

Panos (Prometheus Aleifer), a city doctor, relocates his practice to a remote village and quickly falls for Danae (Anastasia Rafaella Konidi), who lives in isolation with a mysterious skin condition. Determined to find Danae a cure, Panos learns of her dark secret and that all is not what it seems.

RT: 89 minutes; Color; Language: Greek with English subtitles; Rating: Not Rated (Horror/ Fantasy)

Distributed in North America by: Dark Star Pictures