Interesting trivia about Wes Anderson movies

In honor of Isle of Dogs coming out this week, I’ve put together this fun little trivia database. Here are some highlights:

  • 13 actors have been in another Wes Anderson movie
    • Bill Murray
    • Jason Schwartzman
    • Tilda Swinton
    • Jeff Goldblum
    • Edward Norton
    • Bob Balaban
    • Anjelica Huston
    • Roman Coppola
    • Frances McDormand
    • Kara Hayward
    • Harvey Keitel
    • F. Murray Abraham
    • Fisher Stevens
  • 6 actors have all been in the last 3 Wes Anderson movies
    (Isle of Dogs, The Grand Budapest Hotel & Moonrise Kingdom):

    • Bill Murray
    • Jason Schwartzman
    • Tilda Swinton
    • Edward Norton
    • Bob Balaban
    • Harvey Keitel
  • Owen Wilson and Roman Coppola are now tied with the number of movies written with Wes Anderson (3) and both have been nominated for an Oscar.
    • Owen Wilson: 2002 Oscar Nominee for Best Writing, Screenplay Written Directly for the Screen: Wes Anderson, Owen Wilson [The Royal Tenenbaums (2001)], Rushmore, Bottle Rocket
    • Roman Coppola: 2013 Oscar Nominee for Best Writing, Original Screenplay: Wes Anderson, Roman Coppola [Moonrise Kingdom (2012)], Isle of Dogs, The Darjeeling Limited
  • Wes Anderson uses the same cinematographers.
    • Tristan Oliver: Isle of Dogs & Fantastic Mr Fox
    • Robert D. Yeoman: 2015 Oscar Nominee for Best Achievement in Cinematography: Robert D. Yeoman [The Grand Budapest Hotel (2014)], Moonrise Kingdom, The Darjeeling Limited, The Life Aquatic with Steve Zissou, The Royal Tenenbaums, Rushmore, Bottle Rocket

Jeremy’s Review: Peter Glanz’s ‘The Longest Week’ Is What Happens When Wes Anderson and Woody Allen Films Mate…But Is That a Good Thing?

The Longest Week - PosterFresh with master shots, sly camera movements and clever inserts of nostalgic items such as record players flush with witty conversations on the meaning of life, sex and relationships, Peter Glanz‘s The Longest Week wears its influences on its sleeve – Wes Anderson and Woody Allen are everywhere in this film. The economic status of the characters could easily lead us to the New York comedies of Whit Stillman (Metropolitan in particular – the Jane Austen chatter alone pushes this). With all that cinematic genius being channeled, as the title of this article asks, is this a good thing? Maybe, maybe not. Read More →