CELLAR DOOR

Director Vaughn Stein brings us CELLAR DOOR. Following a loss, couple John and Sera seek a new beginning. A mysterious man offers to gift them his elegant home. But, it comes with one unusual caveat. They must never open the cellar door.
Laurence Fishburne is Emmett Claymore. His iconic presence and voice offer equal parts comfort and sinister edge. Scott Speedman is John. This anxiety-soaked performance keeps you on the edge of your seat, reeling you into the slow-creeping plot. Jordana Brewster is Sera. She offers enthusiasm and hope through her grief, which feels wholeheartedly inspiring. Writers allow her to pull off an illusion that makes the film something special. Speedman and Brewtser’s chemistry is solid.
The set is marvelous. Wood-paneled rooms mixed with modern updates, a sprawling terrace, and an exterior straight out of Great Expectations, the audience falls in love with the house at first glance.
Screenwriters Sam Scott and Lori Evans Taylor toy with our emotions. The mystery simmers, and what we don’t see creates a boundless tension. The plot has sprinkles of What Lies Beneath and Gone Girl, focusing on themes of temptation, betrayals, secrets, and boundaries. CELLAR DOOR delivers a classic, tense build-up of scenarios, boasting a delicious final twist. It’s the best of the Faustian subgenre.
Cellar Door Trailer:
In Select Theaters and On Digital November 1st
Directed by: Vaughn Stein
Written by: Sam Scott & Lori Evans Taylor
Starring: Jordana Brewster, Scott Speedman, Laurence Fishburne
Produced by: Tom Butterfield, John Papsidera, Craig Perry, Sheila Hanahan
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Rating: R
Genre: Horror, Thriller
Runtime: 97 Mins
Looking for a fresh start after a miscarriage, a couple (Brewster and Speedman) find themselves being gifted the house of their dreams from a wealthy homeowner (Fishburne) with one caveat – they can never open the cellar door. Whether they can live without knowing triggers shocking consequences.

TEACUP
Ep 1: Think About the Bubbles




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Voracious readers will connect with this script. The film flows like a novel with its complex characters and ever-evolving nuance. The screenplay unfolds in three distinct chapters, befitting the subjects and full story. Both Lucy and Harris straddle the line between saving face and redemption. The passages from Harris’ fictional work touched my soul. I could feel my chest well up hearing them read by average folks along the book tour. By the finale of Best Sellers, I was in full tears. The totality of Anthony Greico‘s award-winning script has so much heart. It’s incredibly cathartic. These two people were meant to change each other. The messaging of identity and grief are undeniable. In the words of Harris Shaw himself, “Be brief, be brave, be truthful. ” Director Lina Roessler has done just that. Best Sellers is not to be missed.
This entire cast has fresh and energetic chemistry. They ooze the ambition that each of these characters needs. Platt, Speedman, Dobrev, Ehle, and Massoud make things more than interesting. If I had to nitpick, the makeup on Damian Lewis as Ford is a bit over the top. It feels a bit cartoonish and is slightly distracting. That being said, the performance is so good I actually didn’t know it was Lewis under the makeup. The scene where Ford goes on a drunken rant with his employees is so cringey and intense, it will make your skin crawl. Replace Ford with any current slime ball “politician”, it’s an easy swap. Lewis’ performance is unhinged in the best way possible. Ben Platt is solid as ever. The specificity that he brings to Bram both physically and emotionally is top-notch. His casting was a perfect choice. Massoud and Dobrev are equally vulnerable. Their performances are nothing short of captivating.
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