Jules Willcox (Netflix’s Bloodline) stars in ALONE as Jessica, a grief-stricken widow who flees the city in an attempt to cope with the loss of her husband. When Jessica is kidnapped by a mysterious man and locked in a cabin in the Pacific Northwest, she escapes into the wilderness and is pursued by her captor. The key cast includes Marc Menchaca (Ozark, The Outsider) and Anthony Heald (The Silence Of The Lambs).
In college, I used to drive 8 hrs, regularly, in my car to visit a boyfriend. I was alone. I drove straight through pausing only briefly if I saw families at a busy rest stop. But, I was alone. John Hyam’s new film is everything I was afraid of happening to me on those long rides. ALONE is a bonafide nightmare. The genius of this script is its simplicity. The relatively mundane encounters build in the most honest and horrifying way. Jessica does everything right. But, once a serial killer has you in his sites, there is no escape, or so you might think. The pacing is absolutely perfect. The sound editing highlights the isolation that is evident in the natural setting. The soundtrack beating it all into you. All combined you feel like you’re in Jessica’s shoes. ALONE is a stripped-down genre winner.
Jules Willcox is a powerhouse as Jessica. Her vulnerability is so relatable making it easy to root for her survival. This is a power dynamic that shouldn’t exist but women, in particular, are used to dealing with it constantly. With an evergrowing population of “incel’ culture, walking with your keys between your fingers, pretending to be on the phone, parking under a streetlight, are all small steps we take to protect ourselves. Women are often deemed too emotional until we are tested by the unimaginable. ALONE exploits all that ingrained fear and mixes it with grief. Willcox nails this role from every angle. Marc Menchaca does a brilliant job with physicality. He comes off as visually harmless but he is downright scary. Perfectly balancing emotional manipulation with the brute strength of a psychopath, you’ll believe he’s done this before.
This film put me in such an agitated state, I had fingernail marks in my palms. My heart was pounding and I would forget to breathe. The final scene is phenomenally satisfying for innumerable reasons. The final shot is stunning. ALONE is a visceral watch. It is the only accurate way to describe this chilling film.
https://youtu.be/NoP2mJiCzWQ
Magnet Releasing will release ALONE in theaters and on-demand September 18th, 2020.
Directed by John Hyams
Written by Mattias Olsson
Starring Jules Willcox, Marc Menchaca, and Anthony Heald
Boenish was special person. He brought a certain energy that really permeated whatever group of people he was around. Once an engineer, he bailed on that profession after doing aerial cinematography for the film The Gypsy Moths directed by John Frankenheimer starring Hollywood heavyweights Gene Hackman, Burt Lancaster and Deborah Kerr (all Oscar nominees or winners) and never looked back. Filming his jumps and creating films from them now took all of the focus in his life. However, he wasn’t satisfied with diving out of planes, so he took to diving from whatever tall structures or formations he could find, from El Capitan in Yosemite National Park to unfinished buildings in downtown Los Angeles (still filming them). Of course, his new passion brought with it troubles, especially those of the legal kind. But Boenish and crew always found a way to get their jumps in, even if they had to do them guerrilla style.
At one point the Summer Season was depicted by the film’s released between Memorial Day and Labor Day weekends, but the time’s have changed and so has Hollywood. Summer tent-pole films are being released earlier and earlier to avoid the cluster of blockbusters being released weekly to capitalize on the lack of competition which of course means more money. So we’ve decided to expand our scope and include April into out Top Summer Movies of 2014…buuuuut we’re also cutting off the last 2 weeks of August…so sue us!
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