‘SANDBAG DAM’ (Berlinale 2025) A heart-piercing coming-of-age love story.

Berlinale-Film-Festival-Berlin-2025SANDBAG DAM 

sandbag dam 5Čejen Černić Čanak profound Berlinale drama SANDBAG DAM follows Marko, an athletic young man navigating his younger brother, school, sports, and girlfriend, Petra. His life upends when Slaven returns home for his father’s funeral. With the threat of flooding in his small Croatian village, his long-lost feelings for Slaven threaten everything.

sandbag dam 2Marko exists in a traditionally masculine environment. His father is a mechanic, training him to take over the business and compete in an upcoming arm wrestling competition. His free time consists of drinking at parties and attending to his eager-to-please girlfriend. Then, his seemingly easy life suddenly halts when Slaven returns after three years and no goodbye.

sandbag dam 3The story slowly reveals itself with an innocent bitterness and longing. If you go into the film blind, nothing is spoonfed to the audience. It is beautifully paced. The homophobia in Sandbag Dam is excruciating. The weaponization of hurt and ignorance is devastating.

sandbad dam 1The performances are spectacular. Leon Grgić is endearing as younger brother Fićo. He has a genuine star quality. His purity will make your heartache. Andrija Žunac gives Slaven an authenticity that is calming. His unapologetic aura is sensational. Lav Novosel delivers a pitch-perfect turn as Marko. Torn between the life he yearns for and the one he feels forced to accept, Novosel brings us on an emotional roller coaster we have no control over. You feel the conflict in your soul.

sandbag dam 4The film has a similar energy to Brokeback Mountain. Its restrained tension is waiting to burst at any moment. There is no denying the double entendre of the title. As the floodwaters rise, so do the tensions of secrets and feelings. Screenwriter Tomislav Zajec provides stunning metaphors. SANDBAG DAM is an important story. It is one that so many LGBTQ youth must endure. The final moments will have you talking about this film long after the credits roll.


  • by Čejen Černić Čanak (Director), Tomislav Zajec (Screenplay)
  • with Lav Novosel, Andrija Žunac, Leon Grgić, Franka Mikolaci, Tanja Smoje
  • 88′
  • Croatia, Lithuania, Slovenia 2025
  • Colour
  • Croatian
  • Subtitles: English
World premiere, recommendation: 14 years and up

The film follows Marko and Slaven living in a small Croatian village as they reunite and rekindle their love.


Remaining screenings of SANDBAG DAM:

Thu Feb 2016:00

HKW 1 – Miriam Makeba Auditorium

SatFeb 2215:45

Filmtheater am Friedrichshain

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‘THE BEST MOTHER IN THE WORLD’ (Berlinale 2025) A tense, compelling watch.

Berlinale-Film-Festival-Berlin-2025THE BEST MOTHER IN THE WORLD

the best mother in the world

Anna Myuleart‘s Berlinale 2025 feature THE BEST MOTHER IN THE WORLD tells the story of Gal, a trash sorter who escapes an abusive relationship with her five and nine-year-old children on the back of her cart.

The Best Mother in the World_Galeria_Credits-Aline Arruda (3)Gal’s character has a Mary Poppins quality in creating magic for her kids. “In every job that must be done, there is an element of fun!” The unrelenting motivation she provides for Rhianna and Benin puts most parents to shame. Gal’s palpable anxiety appears in moments when the kids are distracted and engaged in an activity. She does her best to guard them from reality and fear.

Lílis Soares‘ cinematography captures the unpredictable chaos of Brazilian streets and the immediacy of the little family’s fear. The music perfectly matches Gal’s inner thoughts. The sound mixing is spectacular. Alongside Myuleart’s screenplay, all these elements combined, the story’s intimacy screams off the screen.

The Best Mother in the World_Galeria_Credits-Aline Arruda (6)Our two small leads, Rihanna Barbosa and Benin Ayo have a chemistry a director dies for. Their playful nature and natural talent are infectious. They are stars.

Shirley Cruz gives Gal a fully fleshed-out, flawed heroine. Cruz wears Gal’s inner turmoil on her face. Through her, Muylaert tackles the emotional conflict and misogyny attached to cyclical and generational abuse. It is challenging to witness her suffering. It is akin to watching an addict go through detox and then falling off the wagon.

The Best Mother in the World_Galeria_Credits-Aline Arruda (8)An hour into the film, your heart drops. The conversation that follows should almost come with a trigger warning for survivors. Filled with gaslighting and classic abuser language, it will infuriate and break you. THE BEST MOTHER IN THE WORLD captures invisible labor, unconditional love, cycles of abuse, and the determination to create a better life. It is a difficult but rewarding viewing experience and female-centric storytelling at its best.


THE BEST MOTHER IN THE WORLD/ (A MELHOR MÃE DO MUNDO) Director: Anna Muylaert

World Premiere. World Premiere – Berlinale Special (Brazil/Argentina)

  • Director
    • Anna Muylaert
  • Screenplay
    • Anna Muylaert
  • Cinematography
    • Lílis Soares
  • Editing
    • Fernando Stutz
  • Music
    • André Abujamra, 
    • George Nahssen
  • Sound Design
    • Miriam Biderman, 
    • Ricardo Reis
  • Production Design
    • Maíra Mesquita, 
    • Juliana Ribeiro
  • Casting
    • Gabriel Domingues
  • Producers
    • Tomás Darcyl, 
    • Ricardo Costianovsky, 
    • Clara Ramos, 
    • Bianca Villar, 
    • Karen Castanho, 
    • Fernando Fraiha, 
    • Anna Muylaert
  • Executive Producers
    • Leonardo Mecchi, 
    • Deborah Nikaido

Remaining screening dates:

MonFeb 1719:00

Cubix 9

SatFeb 2212:00

Akademie der Künste (AdK)

SunFeb 2317:45

Haus der Berliner Festspiele

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