HAPPYEND
Two best friends’ high school prank leads to a school-wide surveillance state. With the country already on edge politically and everyone waiting for a massive impending earthquake, HAPPYEND creeps into your psyche as both a warning and a coming-of-age drama.
Kou and Yuta are obsessed with music. They make a habit of breaking into school to create dance tracks with their close group of friends. But, after their attempts to humble their principal, Big Brother enters the building to police their every move. The system is now rigged against them.
Filmmaker Neo Sora‘s dialogue is fantastic. The mixed feelings of best friends about to be torn apart by change, the comical made-up conversations from afar, and the authentic moments of growing up and growing apart. Sora opens fresh wounds at every turn. Bill Kirstein’s cinematography immediately sets the tone. He manages to capture the raucous joy of high school shenanigans and the disturbing advances in technological scrutiny.
This predominantly young cast is incredible. Yukito Hidaka is captivating as Kou. His brooding aura and genuine wonder are the perfect foil for Hayato Kurihara‘s intense Yuta. Each actor wears their heart on their sleeve.HAPPYEND is an undeniably Orwellian, yet entirely relevant. The US is currently feeling the direct dystopian effects of hyper-surveillance as people of color are snatched off the streets at every turn, with assistance from DMV and court records. Protesters are no safer, unless in large numbers. Sora gives his young characters a platform to resist, and it is both heart-pounding and inspiring. It keenly reflects ever-evolving political landscapes everywhere.
He cleverly weaves together the climate crisis, young activism, and (very) near-future technology takeover. Quietly terrifying, we can pretend like HAPPYEND isn’t a glimpse into tomorrow. At its heart, the film is an effective teen drama set in the heightened and often Sisyphian world we’re leaving the next generation.
Happyend Trailer:
HAPPYEND, a near-future coming-of-age feature set in Tokyo, continues its international run with a limited U.S. theatrical release through Film Movement, starting in New York on September 12, 2025. U.S. theater locations and screening dates are available HERE.
The opening credits give you a tiny preview of what kind of visual delight you’re in for. Writer/director Guy Moshe has crafted a frightening and dark film. All the more impactful in 2020, when everything we do has now become virtual, LX 2048 is terrifying because in theory, 28 years from now this feels completely plausible. Residents of this new world are ordered to take government-sanctioned antidepressants because the sun is no longer safe to step into. Once you die, you can upgrade to a clone that will seamlessly take your place. That might sound like a dream to some but when does the human experience end and technology take over completely? Is there where humanity goes to die? With the new countdown clock in Union Square now counting down to irreplaceable climate damage, is this film an omen?
The sets make you feel like these people are living in Ray Bradbury‘s play The Veldt. Backlit, padded rooms, where the human is visually connected to a virtual pair of glasses creating their reality. It’s fascinating but emotionally disconnected, which is entirely the point. Besides the look, the engrossing exploration of the meaning of life through technology advancement. LX 2048 could easily be an entire series. There is a lot that gets packed into roughly an hour and 45 minutes.
James D’Arcy‘s performance is riveting. As Adam, he must grapple with the notion that his children are part of this system, that his marriage has deteriorated past saving, and that a “better version on himself” could show up to replace him at any moment. We must sift through his depression, mania, hope, hysteria. It is a roller coaster of emotions for the audience. Many scenes require D’Arcy to speak to people at length that are not actually present. A lot of virtual meetings and calls. It’s like watching a masterclass in acting. Wait for the Shakespeare to drop. You’ve only just begun to see the full scope of his talents.
You must be logged in to post a comment.