PIKE RIVER
Anna Osborne and Sonya Rockhouse seek accountability on every level, from Pike River to the Prime Minister. When the corporation meant to protect the workers fails to keep its promises to recover the men’s bodies, the families involved seek an apology and justice. Legal and moral blow after blow, Anna and Sonya hold the line. Through grief and illness, this grassroots activism changes policy forever.
Lucy Lawless is unrecognizable as Helen Kelly, the duo’s lawyer. Melanie Lynskey and Robyn Malcolm deliver heartfelt performances. Malcolm’s Sonya is mired in rage, sadness, and emotional fear. Lynskey is strong, proud, and powerful. Together, they tell a story of a seemingly unlikely pair of women who share a common goal of decency and legacy.
The film culminates with legal updates. Archival footage brings everything home. Ever since 2010, Osborne and Rockhouse have continued to advocate for corporate manslaughter laws and health and safety accountability in New Zealand. Pike River solidly stands alongside social justice films like Erin Brockovich, exposing governmental cover-ups and corporate lies. The road to justice is long and hard, but doing the right thing is worth every small step forward.Pike River Official Trailer:
Pike River is IN THEATERS & ON DIGITAL FRIDAY, JANUARY 30
Directed by Robert Sarkies; Written by Fiona Samuel
Theaters and Cities to be announced.Melanie Lynskey stars in this David and Goliath drama based on actual events following the 2010 Pike River Mine disaster that took the lives of nearly 30 men working underground. A touchpoint in global culture at the time, two women—one who lost her son, the other her husband—would make it their mission to bring a negligent corporation to account, no matter the odds stacked against them.
Co-starring Robyn Malcolm and Lucy Lawless, the women would fight for years—through life’s changes and challenges—to have their voices heard, culminating in a pivotal political moment for New Zealand as Jacinda Ardern found herself at the head of her party and poised to become Prime Minister.
PIKE RIVER arrives in the U.S. with an inspiring message of perseverance and hope brought to life by strong performances from Lynskey, Malcolm and the entire ensemble cast.
138mins | New Zealand | In English | 239:1 | 4K DCP | TBC
As he prepares to self-fund his hefty two-act drama with his theatre “besties,” Griffin’s theatrical passion is further fueled by a tumultuous homelife. Colia delivers a truly tangible script. Griffin’s mom seems overwhelmed with her go-getter and rather demanding son, but under the surface, something else is simmering. She hires a neighbor’s son to help with yard cleanup. What begins as an annoyance to Griffin transforms into a sexual awakening, a test of relationships, and a piece of art that mirrors his unresolved trauma.
Owen Teague plays Brad with an initial aloofness that perfectly contrasts Griffin’s overzealous nature. As Teague taps into Brad’s motivation, *no pun intended,* the performance captivates in an entirely unexpected way. Everett Blunck is a star. His portrayal of Griffin feels like a documentary rather than a performance. It is one well beyond his years. He exudes fierce confidence that is infectious. Teague and Blunck have magnetic chemistry. Colia skillfully creates a subtle doppleganger effect between the two. It is an incredibly nuanced balance of characterization and performance.
Colia cleverly speaks to art as catharsis, the plight of a tortured artist, and the meaning of authentic friendship. Existing between childhood and adulthood is wrought with emotional chaos, impossible questions, self-loathing, fear, and awkwardness. GRIFFIN IN SUMMER playfully touches on each of these with unfiltered heart and humor.
Judy Greer, as Lady Elizabeth, is hilarious. The huffy delivery of her over-the-top dialogue is laugh-out-loud funny. The chemistry between her and Lynsky is magic. Her arch is increasingly delicious. Greer gives into the joy of the role. Melanie Lynskey, ladies, and gentlemen. This is a wildly fun performance. She will induce fits of giggles. She’s crass and sloppy and I loved every second. Justin and Christian’s script lets these two actresses be playful and ridiculous. I cannot imagine a better duo.
One of the funniest running gags has to be Hannah’s awkward run-ins with Marcus, another employee, and resident of Wadsworth Manor. This gives actor Wallace Jean solid moments to shine. You’ll remember those scenes. You get a little bit of everything in this script. It’s a stoner comedy, it’s a mystery, and it’s a unique relationship film. When I say relationship, I mean between our two female protagonists. They learn to cooperate and break down barriers in communication in silly and honest ways. Lady Of The Manor is goofy fun, and you can’t go wrong with it this weekend.
With two small children, I now have a whole new set of anxiety as I research schools. I remember how bullying affected me when I was middle-school age. But with social media and the lack of consequences I have seen surrounding some children’s behavior, I am increasingly nervous about what my kids are getting themselves into through no fault of their own. My sister is newly a fulltime school counselor. The lack of coping skills and the increase of online harassment makes these kids more vulnerable than ever before. She job has quickly transformed from a few state-mandated cases into the disciplinary dumping ground for her particular administration. The uphill battle keeps getting higher.
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