Sometimes, when you get really lucky, you get to be part of movie history. When Kevin Pollak got the call that he was going to direct a movie version of Ken Baker‘s Book, “The Late Bloomer: A Memoir of My Body”, I was in the room. We were just sitting down for a small roundtable interview for his Tribeca Film Festival Film documentary Misery Loves Comedy, when he got a call he had to take at the table. When Kevin Pollak needs to answer the phone, you sit politely and attempt to eavesdrop. There was no need, as he hung up the phone and eagerly explained that he’d be directing a comedy about a kid who doesn’t hit puberty until his 20’s… and that it was based on a true story.
The story of an adult male who, after the successful removal of a benign tumor resting against his pituitary gland, experiences all the changes and effects of puberty over a three-week period.
While the cast is beyond tremendous, sometimes the jokes just fall flat. The premise is outstanding so I leave it up to the audience this time to decide whether or not to catch this one. Check out the trailer below for a pretty fun preview.
On the heels of his beautiful script for Nebraska, writer/director Bob Nelson brings heart and levity to what might otherwise seem to be a mundane scenario. The estrangement of an alcoholic father and his young son is nothing new, but by adding a religious element to the mix, it makes for a funny and honest look into the innocence of a child’s mind. Clive Owen‘s portrayal of Walt is raw and real. You empathize with his struggle to do right by his son. Speaking of Anthony, St. Vincent prodigy Jaeden Lieberher is, once again, a star. His purity in presence and intention glow as a young boy thrust into religion by his Mother. Caught in between parents of opposite end spectrum, he is an old soul, yet is constantly discovering when it is okay to push social boundaries. Owen and Lieberher are a perfect pairing. Nelson’s script allows both actors to take the reins as the story progresses. Each character has the opportunity to emotionally care for the other in a truly lovely dynamic.
The subtlety of the film is what makes it so successful. In an era of overblown CGI fare, Bob Nelson gives us an honest to goodness family story. The Confirmation is a joy.
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