

Perhaps more aptly named The Madness, The Sadness is a tongue-in-cheek take on the insanity that the pandemic has reigned upon the globe. Rather than a variant that makes you sicker more quickly, this is a rage variant. The infected want to inflict as much pain as possible. The sexual violence is particularly egregious and repetitive… and that’s the point. If you are easily offended, this is not a film for your eyeballs. The simple premise of two lovers attempting to reunite among the chaos plays like a dream. Unlike similar films, say 28 Weeks, The Sadness is not a zombie movie. The infected are fully cognoscente of their behavior. It’s a psychotic switch that gets flipped, and what ensues is mind-blowing.
Performances are filled with greatness. What might only be a highlighted extra role in any other genre film turn into a slew of memorable ones. It’s that well written and performed. Seeped in genuine incel energy, social commentary, and over-the-top gore and violence create a shocking watch. The amount of movie blood that must have been involved in this production is unfathomable. I’ve watched a lot of horror, (like, a lot a lot) and The Sadness is not fucking around. One hour in, there is a moment so offensive, even I gagged. Fantasia International Film Festival 2021 audiences were treated to one of the most insanely disturbing films in the festival’s 25-year run. If you can watch and hold in your lunch, bravo. Director Rob Jabbaz, much respect to you, sir.

Written and directed by Joe Begos (Almost Human), The Mind’s Eye reunites him with his Almost Human film star Graham Skipper along with cast members Lauren Ashley Carter (Premium Rush, The Woman), John Speredakos (The House of the Devil), and Noah Segan (Some Kind of Hate, Looper). THE MIND’S EYE is undeniably an homage to David Cronenberg‘s Scanners. Low budget and over the top schlock are at it’s best and tailored for the midnight audience.


presents









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