RUNA SIMI
Augusto Zegarra‘s heartwarming first feature follows a father who yearns to bring the joy of The Lion King to millions of children in their language, Quechua. RUNA SIMI is a bona fide David and Goliath story.
Voice actor and radio host Fernando Valencia lives in Cusco, Peru, with his young son, Dylan. After his dubbing clips went viral, Fernando embarks on a journey to have Disney agree to let him dub the entirety of Simba’s story. It is an uphill battle.
Quechua has slowly been branded a lower-class language. Some children are still teased for speaking it. In reality, there are approximately 10 million Quechua speakers across six South American countries.
We meet Fernando’s mother. We discover the parallels between his childhood and Simba’s. Fernando tries to call Disney but reaches the legal department’s voicemail again and again. After a barrage of DMs to all corporate arms, it is one message to The Lion King’s director, Rob Minkoff, that finally gets traction. Minkoff gives Fernando the reality check we fear in our gut, but he does think the idea has legs and comes from the right place.
To any Disney fan or parent watching, this idea seems like a no-brainer. If you expose more people to films, your revenue and brand thrive. As a former employee of the company (on the performance side), I can tell you their contracts are ironclad and very lengthy. You will undoubtedly find yourself rooting for Fernando’s mission. 
Defying all the odds and the lawyers’ advice, Fernando gathers a local Quechua cast, including little Dylan as young Simba, creating a dazzling version of the beloved tale in his studio. The result is a triumph.
I am fully aware of the irony of how I know Cusco. It is the setting for the Disney film The Emperor’s New Groove. Renzo Rivas‘s camerawork is patient and breathtaking. In wide shots of the Peruvian landscape, Fernando honors the spirits of nature and has deep discussions with his son. Fernando is the kind of parent we all strive to be. He imbues the importance of all things, big and small, creating a safe place for empathy and learning.
Fernando is trying to preserve not just the Quechua language but his people’s culture and identity. RUNA SIMI is a celebration of family and the importance of our past. One of the film’s most poignant moments comes at a dubbing conference where Fernando shows clips to an audience of Indigenous speakers. The pure delight on the faces of the viewers is beyond magic.
RUNA SIMI is another stunning example of why representation matters. If a child can see themselves on the screen, they can dream bigger. But it is also about access and equity. Indigenous voices are vital in our quest for authentic storytelling. Tribeca 2025 audiences, get ready for a warm hug of nostalgia while cheering for a genuine hero. “Every child in the world has a right to entertainment.” Full stop.
RUNA SIMI. Peru, 2025, 81 min. In Spanish, Quechua, and English with English
Subtitles.Written and directed by Augusto Zegarra
Producers: Claudia Chávez Lévano
and Paloma IturriagaExecutive Producers: Ellen Schneider, Benjamin Bratt, Peter
Bratt, Alpita Patel,Dominique Bravo, Bill and Ruth Ann Harnisch.Production Company: Alaska 88
Director of Photography: Renzo Rivas
Editor: Carlos Rojas Felice
Composer: Pauchi Sasaki.
Main subjects:
Fernando Valencia, Dylan Valencia.About the Director:
Augusto Zegarra is a Peruvian filmmaker based in Lima with a BFA in Film and Media Arts from the University of Utah. His first short film, Wiñaymanta, was one of the winners of the Ministry of Culture of Peru National Prize in 2014. With a deep passion for storytelling, he uses film as a tool to explore identity, language, and memory. In 2017, he started the research for his first feature-length film Runa Simi, later produced with support from the Ministry of Culture of Peru, the Sundance Institute, the Embassy of Switzerland in Peru, CineLatino of Rencontres Toulouse and Storyboard Collective. Runa Simi has participated at the IDFA Forum (Rough Cut), GLAFF WIP, DocsBarcelona, ChileConecta, ARCA Residency in Cabo de Hornos, and FIFDH Impact Lab.
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