‘THE PRESENT'(2024) A beautiful combination of family fun and visibility

THE PRESENT

The Present posterOn the eve of their parents revealing a planned separation, a brilliant boy and his two older siblings use an enchanted grandfather clock to manipulate time and get them back together. Director Christian Ditter has audiences reconnect with his latest film, THE PRESENT. This lovely film, filled with silliness and life lessons, is a must for the holiday weekend.

It takes only a few minutes to realize that Taylor’s scheme is already underway. The film’s structure rewinds the day, allowing the audience to experience the time from the viewpoint of each family member.

I must mention a couple of stand-out performances from ensemble cast members Arturo Castro, as the marriage counselor, and Ryan Guzman, Jen’s new client and ardent admirer. 

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Greg Kinnear and Isla Fisher play the kids’ parents. Kinnear plays it close to the chest at first. His upright, arms-length parenting persona cracks as the plot progresses. He’s a solid foil for Isla and has fantastic chemistry with the kids. 

Fisher’s Jen is Taylor’s default parent. As a parent of a child on the Autism Spectrum, I immediately identified with the way she speaks to all her children, carefully choosing her words but putting her whole heart into their interactions. Jen is a fierce feminist but constantly faces misogyny from every angle. She is the heart of the film. 

Mason Shea Joyce plays Max with a spirited middle-school energy. He, too, seeks attention, but from his siblings. He is a lovely spark in this trio.

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Shay Rudolph gives Emma a relatable sadness between high school drama and feeling ignored as a neurotypical eldest daughter. She is a touch rebellious, but only as a mechanism for control, Rudolph is engaging. She has genuine star quality. 

Easton Rocket Sweda is Taylor, a brilliant nonverbal boy who is happier tinkering in the basement than interacting with his family. Sweda delivers a grounded performance. His gentleness pours off the screen. He is a pro, anchoring the emotional truth of THE PRESENT

The score is full of wonder. The lighting and editing are spectacular. Screenwriter Jay Martel utilizes Taylor’s Augmentative and Alternative Communication device, or AAC, to communicate with his family. Martel also involves it as a creative mechanism in the siblings’ plans. Taylor manipulates the computer’s voice option to replicate his parents and celebrities. It’s a hoot.

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While the dialogue never explicitly states that he is autistic, parents of neurodivergent children will immediately recognize all of Taylor’s attributes. Sweda delicately presents the discomfort with physical touch, a genius mind, the brief appearance of stimming, and his hyper-focused nature. Visibility is everything. It moves us from awareness to acceptance. 

Each new attempt by the kids is funnier and more creative than the last, but there are consequences to messing with destiny. The script delves into the ripple effects of communication on so many levels. It’s a nuanced and accessible narrative. THE PRESENT is a bit of Parent Trap, a touch of Back To The Future, and entirely family-friendly shenanigans. 

The Movie Partnership is excited to announce that their new family comedy,
THE PRESENT, will be coming to UK & Irish cinemas on 24th May.

Featuring an exciting cast lead by Isla Fisher & Greg Kinnear, the film follows a young boy who discovers he can use an enchanted grandfather clock to go back in time. He teams up with his siblings on a quest to bring their separated parents back together again. Directed by award-winning filmmaker Christian Ditter (How to Be Single) and written by Emmy winner Jay Martel (Key and Peele), the film also stars Ryan Guzman (9-1-1) & Shay Rudolph (The Baby-Sitters Club).

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SXSW 2023 review: Sci-fi rom-com ‘Molli And Max In The Future’ is universally relatable.

MOLLI AND MAX IN THE FUTURE

Playing out in chapters, SXSW 2023 audiences meet Molli and Max, two individuals who keep running into each other over the years. Something keeps drawing these two together. The more they learn about one another, the more they realize that neither space nor time can come between them.

Zosia Mamet reached cult status with her role in GIRLS. Since then, a string of indies has kept her busy. Playing the titular role of Molli is in her sweet spot. Her take on a twelve-year emotional journey hits every note. She is quirky, fun, and fearless but maintains the emotional depth we need to care. Aristotle Athari came onto the scene as a hilarious cast member on SNL. His effortless charm and chiseled features sort of force you to stare at him. As Max, he is genuine, kind, and entirely down to earth amidst sci-fi absurdity.

The dialogue-driven film sets itself against a green-screen Tron meets comic bookish multiverse future. The visuals are a fun mixed media, old school meets new school technology feat. But don’t let that part distract you from the genre at heart. Even the jazzy piano score screams peak 80s rom-com era. The film shines brightest when Max and Molli speak directly to one another. Pushing passed all the visual fanfare, their dialogue is engaging as hell. I have to say the parody of the 2016 election is undeniably funny/horrifying/on point. It is all very creative and relatable.

Weirdly, the plot closely mirrors a beloved film starring Billy Crystal and rom-com darling Meg Ryan. From the opening scene in the car to watching television together via split-screen, even the 12-year timeline is ripped directly from When Harry Met Sally. I’m not complaining. It’s one of my favorite films of all time. MOLLI AND MAX IN THE FUTURE made me want to revisit it. If I’m being honest, the runtime feels long, but watching the evolution of a relationship with earnest intentions and a universal (pun intended) narrative will connect with SXSW 2023 audiences.


Film Screenings

 
Mar 11, 2023
11:30am1:03pm
 
Mar 18, 2023
11:15am12:48pm
 

Credits

Director:

Michael Lukk Litwak

Executive Producer:

Jeanne Elfant Festa, Ted Geoghegan, Luke Murphy, Nicole Murphy

Producer:

Candice Kuwahara, Ben J. Murphy, Mallory Schwartz, Kate Geller, Michael Lukk Litwak

Screenwriter:

Michael Lukk Litwak

Cinematographer:

Zach Stoltzfus

Editor:

Joanna Naugle

Production Designer:

Violet Overn

Sound Designer:

Bobb Barito

Music:

Alex Winkler

Principal Cast:

Zosia Mamet, Aristotle Athari, Danny Burstein, Arturo Castro, Okieriete Onaodowan, Erin Darke, Grace Kuhlenschmidt, Michael Chernus, Aparna Nancherla, Matteo Lane

Additional Credits:

Co-Producer: Ivy Lam, Make-Up Department Head: Sarah Plata, Costume Designer: Hannah Kittel Matsuo, Visual Effects: Michael Lukk Litwak, Visual Effects: Zach Stoltzfus, Gaffer: Jesse Moritz, 1st AD: Morgan Ingari