‘V/H/S/HALLOWEEN (2025) Another franchise hit filled with tricks and treats.

shudderV/H/S/HALLOWEEN

V/H/S/HALLOWEEN posterAnother glorious notch in the V/H/S/ franchise, Shudder presents the Halloween version.

V/H/S/HALLOWEEN DietPreviously, each film played out in a single time period. Based on the reference in Coochie Coochie Coo, that segment takes place in the aughts, but KidPrint specifies 1992, and Home Haunt must occur in the 80s. That’s a nice departure from the rest of the films. Sticking to tradition, each movie features a homebase framework to work around. In V/H/S/HALLOWEEN, it’s a lab that disguises itself as a focus group company in a segment called “Diet Phantasma.” Ghost-infused soda wreaks havoc on its tasters. Bryan M. Ferguson strings us along for a gore-tastic good time.

V/H/S/HALLOWEEN CoochieIn “Coochie Coochie Coo,” two high school seniors celebrate their final Halloween together with utter shenanigans. After entering a particularly creepy house, the girls find themselves trapped and tormented. Filmmaker Anna Zlokovic brings a local urban legend to life. With touches of Barbarian, it is undeniably disturbing.

Paco Plaza‘s “Ut Supra Sic Infra” follows the aftermath of a Halloween party massacre at a nightclub. We find a rattled Enrivo, the only survivor in the interrogation room of a police station. Officers take him back to the crime scene for a recreation. Editing is king in this segment. Slow clap for Plaza’s structure and the back-and-forth lens style. It is relentless dread and intrigue.

V/H/S/HALLOWEEN Fun sizeFun Size” finds filmmaker Casper Kelly following two couples trying to find the best treats on the block. When a lone bowl filled with candy they’ve never heard of sucks them into a portal. This one is captured via a GoPro camera attached to the couple dressed as found footage characters, literally. Now, in some demented candy factory, Fun Size is the most campy, laugh-out-loud mindfuck.

V/H/S/HALLOWEEN KidPrintAlex Ross Perry‘s “KidPrint” tells the tale of a small town with a child serial killer. Tim, the electronic store owner and KidPrint consenesuer (short videos identifying kids in case they go missing), always has a camcorder running. This year, festivities are run by the police in the town square. In an effort to find the latest victim, Tim runs back to the store in search of her video, only to discover the gruesome footage taken on the floor. This segment is by far the most upsetting. Children in peril is always a bold choice, and Perry goes there.

V/H/S/HALLOWEEN Home HauntHome Haunt” is our only filmmaking double team. Micheline Pitt and R.H. Norman recount a crumbling father-son relationship. Keith and Zack used to connect over their annual, elaborate haunted house builds, but time and cruel kids kill the Halloween spirit for Zack. Desperate for a dazzling theme, Keith swipes a record from a local oddities shop. The house takes on a life of its own, and mayhem and blood are real this time. This fast-paced, coordinated chaos is genre magnificence. Zack acts as videographer, capturing every wild kill as he, his parents, and neighbors wander from room to room. Home Haunt is nonstop, devilish delight.

V/H/S/HALLOWEEN reigns supreme. Fx and creature builds, across the board, are spectacular. Performances rule. Writing, directing, and cinematography have no loose threads. The anthology format lets fans get an annual take that is equal parts trick and treat.

Thank you, Brad Miska.


V/H/S/HALLOWEEN Trailer:

 

V/H/S/HALLOWEEN is now Exclusively Streaming on Shudder

DIET PHANTASMA directed by Bryan M. Ferguson

FUN SIZE directed by Casper Kelly

HOME HAUNT directed by Micheline Pitt-Norman and R.H. Norman

KIDPRINT directed by Alex Ross Perry

UT SUPRA SIC INFRA directed by Paco Plaza

COOCHIE COOCHIE COO directed by Anna Zlokovic


V/H/S/HALLOWEEN Synopsis: A collection of Halloween-themed videotapes unleashes a series of twisted, blood-soaked tales, turning trick-or-treat into a struggle for survival.

Directors: Anna Zlokovic, Paco Plaza, Casper Kelly, Alex Ross Perry, Micheline Pitt-Norman & R.H. Norman, Bryan M. Ferguson

Writers: Anna Zlokovic, Paco Plaza & Alberto Marini, Casper Kelly, Alex Ross Perry, Micheline Pitt-Norman & R.H. Norman, Bryan M. Ferguson

Producers: Roy Lee, Steven Schneider, Derek Dauchy, Josh Goldbloom, Michael Schreiber, Brad Miska

Music: Nick Chuba

Genre: Horror

Country: United States

Languages: English, Spanish

Runtime: 115 minutes

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SXSW 2023 review: ‘THE APPENDAGE’ is body horror with a moral.

THE APPENDAGE

In Anna Zlokovic‘s SXSW 2023 narrative horror APPENDAGE, Hannah’s anxiety physically manifests as a gnarly growth. One that gets stronger every day. While Hannah struggles to keep it together, as everything in her life begins to deteriorate, she discovers she isn’t the only one with this problem.

Kausar Mohammed is Hannah’s best friend, Esther. She knows Hannah better than anyone, eventually leading her to hero status. Mohammed gives us a fast-talking energetic performance that charms the audience while maintaining a grounded and caring nature. Emily Hampshire plays a fellow support group member Claudia. Starting with cool-girl energy, she flips the script and is undeniably hilarious. It is an epic performance. Hadley Robinson plays Hannah with palpable anxiety. Her physicality places the audience inside that mindset. Robinson shows her acting chops with more than just emotionally intense scenes.

The sound editing deserves a shout-out with their visceral introduction to Hannah’s intense physical pain. It made me twinge. With Hannah and Esther being young fashion designers, the costume choices by Naomi Wolff Lachter are eye-catching. The Appendage creature from Douggy Pledger is equal parts kooky and hideous. Imagine slimy misshapen Ghoulies. As the appendage grows, the special effects makeup from Matt Barrett is downright horrifying. Just wait until you find out who voices the puppets!

The biggest twist gives the audience what feels like Appendage 2.0. Zlokovic’s script allows for some wickedly fun acting choices. I won’t spoil the fun, but multiple roles are distinct and biting. APPENDAGE is body horror that tackles unresolved trauma, mental health, and pushing past fear. I found the final scene reminiscent of Jennifer Kent‘s The Babadook. It is one hell of a metaphor for living with depression. SXSW 2023 audiences understand what a compliment that is.


Film Screenings

Mar 11, 2023
11:15am12:49pm
 
Mar 14, 2023
9:45pm11:19pm
 
Mar 16, 2023
2:00pm3:34pm
 

Credits

Director:

Anna Zlokovic

Producer:

David Worthen Brooks, Arbi Pedrossian, Jenna Cavelle, Katrina Kudlick, Alex Familian, Hadley Robinson, Anna Zlokovic

Screenwriter:

Anna Zlokovic

Cinematographer:

Powell Robinson

Editor:

Alex Familian

Production Designer:

Michelle Olivia Patterson

Music:

Nick Chuba

Principal Cast:

Hadley Robinson, Emily Hampshire, Brandon Mychal Smith, Kausar Mohammed

Additional Credits:

Costume Designer: Naomi Wolff Lachter, Creature Designer: Douggy Pledger, Special Effects Department Head: Amber Mari, Key Effects Artist: Jim Ojala