V/H/S/MIXTAPE
The unhinged horror anthology franchise is back with a delightfully disgusting vengeance. This time, Qwar hosts an MTV-style clip show of weirdness, debauchery, and terror all based around audio. These hysterically gagworthy transition pieces are, IMHO, the most cohesive upgrade. This departure from the previously heavy-handed mystery and more MST3K comedy stylings works like magic. Now let’s get into each new segment, shall we?
Tape One: Dance, Dance, Dance, Dance.
Directed by Renee Zhan, a bug-themed kids’ show opens by teaching young viewers about death. Barbara Crampton plays an exasperated network exec with a frightening authenticity. Time and time again, Crampton’s chameleon abilities to inhabit any role prove startling and celebratory. That’s why she never stops working.
Cut to present day, and the original puppets are set to be scanned, digitized, and documented for promotion. But puppet caretaker and forever-fan George is visibly resistant. When the team begins work, a seemingly odd glitch makes the cameraman wander. The secret is out when the puppets become sentient and murderous mayhem ensues.
The reboot joke is chef’s kiss if you’re a fan of the franchise. Practical FX are jaw-dropping. As a product of 1980s Sesame Street and a genre babe, this is my Christmas. It’s a felt, fur, and blood-covered house of horrors.
Tape Two: Another Cabin
Directed by franchise favorite Flying Lotus, this fairy-tale-inspired stop-motion short follows a young boy and his ungrateful elder who are attacked by a flesh-eating, shapeshifting monster from the woods. After years of abuse, the boy fights back by sacrificing her to the monster, but this is a horror short we’re talking about. The film looks incredible. Laika studio fans will dig this a little extra. Zero dialogue, but none is needed to convey the darkness.
Tape Three: Heartbeat
David Moreau follows YouTuber couple, Wes and Maya, as they journey through the woods to find an abandoned underground military facility. They discover an anechoic chamber, designed to shut out all outside noise. But there’s a reason they warn against staying longer than fifteen minutes.
The handheld camerawork comes from camcorders and GoPros. Julie Clergerie and Elie Kaempfen give incredible physical performances that look like theatre training. _’s augmented sound editing is hypnotizing and triggering even the calmest viewer. It is auditory torture.
Tape Four: The Music of Mr. Sze
Ernest Dickerson (Tales from the Crypt: Demon Knight *hell yes) gives us a story of a lonely but enthusiastic film student named Philip as he embarks on his day-in-the-life series in his new apartment. We briefly meet the other renters, but Philip is drawn to the sound of a violin emanating from another unit. Most of the footage (POV) comes from Philip’s brand-new camera glasses. As the music continues day and night, it profoundly affects Philip. He waits for Mr. Sze, offering to film his performances. But the offer backfires when Philip hums a song he should not have heard. Curiosity killed the cat, though in Philip’s case, it opens a portal to a Lovecraftian hellscape. Brilliant world-building and chaotic kills, this segment is a handcrafted throwback.
Tape Five: Premature Burial
Tobias Forge gives audiences a hardcore metal video. The story follows a twisted and satisfying revenge plot. You will be cheering with glee by the end of the song. Tee hee.
Tape Six: Death Tone
RZA dives into his world of music with a tale of a young woman’s attempts to connect with her deceased music producer father. Upon discovering a cassette with how-to instructions for creating a great track, Lydia records video diary entries to document her process and progress. When she connects most with a more visceral tone, she taps into her Patrick Bateman instincts to capture the perfect pitch. Video diaries and body cam footage get an immersive, artistic edit. Production design is moody and drenched in blood. The final moments put Johnny Depp‘s Nightmare on Elm Street demise to shame.
V/H/S/MIXTAPE is a GenX playground filled with old-school references, blood-spattered humor, and insane kills. It’s everything you want and then some. How each consecutive anthology tops the last is a mystery.
DANCE, DANCE, DANCE, DANCE: Directed by Renee Zhan
A studio attempts to reboot a long-cancelled puppet show with a mysterious past. Featuring work from Jim Henson’s Creature Shop.
HEARTBEAT: Directed by David Moreau
A pair of YouTube urbex influencers find themselves trapped in a decommissioned military facility used for sonic experimentation.
THE MUSIC OF MR. SZE: Directed by Ernest Dickerson
A college film student’s documentary project uncovers the reclusive life of a tormented musician.
DEATH TONE: Directed by RZA
A young sound engineer follows her late Dad’s instructions to create the ultimate track.
Wrap Segment
GWAR hosts skits and music videos in an MTV-style show from hell.
Featuring music videos directed by Tobias Forge and Flying Lotus.
Synopsis:
V/H/S/MIXTAPE cranks the franchise’s signature found-footage horror up to eleven with an electrifying new anthology where music and sound become the source of terror. United by a theme that explores the power of music, rhythm, and audio to haunt, possess, transform, and destroy, the film blends cosmic horror, psychological suspense, outrageous splatter, and groundbreaking practical effects into one unforgettable mixtape of nightmares.
Featuring all-new segments from legendary filmmaker Ernest Dickerson, hip-hop icon RZA, visionary director David Moreau, and acclaimed filmmaker Renee Zhan, the latest installment pushes the boundaries of found footage with four wildly original stories that each put a unique spin on the terrifying relationship between sound and fear.
Producers: Josh Goldbloom, Steven Schneider, Roy Lee, Michael Schreiber, Brad Miska
Writers: Zoe Cooper, David Moreau, Ernest Dickerson, RZA, Matt Landsman
Executive Producers: Ben Ross and Rami Yasin
Genre: Horror
Country: United States
Language: English
Runtime: 98 minutes
V/H/S/HALLOWEEN
Another glorious notch in the V/H/S/ franchise, Shudder presents the Halloween version.
Previously, each film played out in a single time period. Based on the reference in Coochie Coochie Coo, that segment takes place in the aughts, but KidPrint specifies 1992, and Home Haunt must occur in the 80s. That’s a nice departure from the rest of the films. Sticking to tradition, each movie features a homebase framework to work around. In V/H/S/HALLOWEEN, it’s a lab that disguises itself as a focus group company in a segment called “Diet Phantasma.” Ghost-infused soda wreaks havoc on its tasters. Bryan M. Ferguson strings us along for a gore-tastic good time.
In “Coochie Coochie Coo,” two high school seniors celebrate their final Halloween together with utter shenanigans. After entering a particularly creepy house, the girls find themselves trapped and tormented. Filmmaker Anna Zlokovic brings a local urban legend to life. With touches of Barbarian, it is undeniably disturbing.
“Fun Size” finds filmmaker Casper Kelly following two couples trying to find the best treats on the block. When a lone bowl filled with candy they’ve never heard of sucks them into a portal. This one is captured via a GoPro camera attached to the couple dressed as found footage characters, literally. Now, in some demented candy factory, Fun Size is the most campy, laugh-out-loud mindfuck.
Alex Ross Perry‘s “KidPrint” tells the tale of a small town with a child serial killer. Tim, the electronic store owner and KidPrint consenesuer (short videos identifying kids in case they go missing), always has a camcorder running. This year, festivities are run by the police in the town square. In an effort to find the latest victim, Tim runs back to the store in search of her video, only to discover the gruesome footage taken on the floor. This segment is by far the most upsetting. Children in peril is always a bold choice, and Perry goes there.
Home Haunt” is our only filmmaking double team. Micheline Pitt and R.H. Norman recount a crumbling father-son relationship. Keith and Zack used to connect over their annual, elaborate haunted house builds, but time and cruel kids kill the Halloween spirit for Zack. Desperate for a dazzling theme, Keith swipes a record from a local oddities shop. The house takes on a life of its own, and mayhem and blood are real this time. This fast-paced, coordinated chaos is genre magnificence. Zack acts as videographer, capturing every wild kill as he, his parents, and neighbors wander from room to room. Home Haunt is nonstop, devilish delight.
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