DARUMA

Director Alexander Yellen and writer Kelli McNeil expand their 2018 short film of the same name to glorious big screen life. DARUMA tells the story of, Patrick, a bitter wheelchair user, discovering he has a four-year-old daughter from a forgotten fling. He quickly learns that he cannot parent her as she needs and enlists the help of his cantankerous neighbor Robert (double amputee) to transport her to live with her maternal grandparents on the other side of the country.
Daruma deals with addiction, PTSD, and redemption in an honest way. There is zero sugarcoating. Immersive camera work helps place the viewer in Patrick’s emotionally injured mindset by placing the camera in his lap whenever he gets intoxicated in a club. Yellen’s overall cinematography is spectacular. His choice to mix follow shots, close-ups, and stunning drone footage while our players embark on their road trip captures Daruma’s vulnerability and heart.
Little Victoria Scott gives Camilla authentic sweetness. She’s a lovely addition to this cast. Barry Bostwick lends his unassailable talent to Daruma. Whatever role he plays, you can bet on some seriously affecting moments.
John W. Lawson is undeniably charming as curmudgeonly neighbor Robert. His nuanced backstory is the perfect foil for Tobias Forrest. You’ll fall in love with him. Forrest gives his all, leaning into Patrick’s flaws and working to find his suppressed humanity. Forrest nails each beat. He and Lawson share relatable chemistry. It’s a dramedy duo you didn’t know you needed.
Yellen and McNeil deliver a genuine road movie with struggles and hopeful healing vibes. If you aren’t welling up by the film’s ending, check your pulse. Representation is vital to authentic storytelling. The world needs more films like DARUMA. The film will be honored at the Directors Guild of America on Dec. 9th at the first-ever Indie Awards. It is much-deserved recognition.
The film will be screening for a week in theaters in Los Angeles, New York, Chicago, DC, and Minneapolis Nov 15 – 21, 2024.


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