mimic: noun mim∙ic <\‘mi-mik \>
: a person who copies the behavior or speech of other people
: a person who mirrors other people
: an animal that naturally looks like something else
Based on a true story, this clever, intriguing, and hyperbolic comedy follows the main character – ‘the Narrator’ (Thomas Sadoski) who is befriended by his young new neighbor ‘the Kid’ (Jake Robinson), after he joins the local newspaper team.
Obsessed with the idea that the Kid may be a sociopath, the Narrator goes to extreme lengths to uncover the truth about him and his wife, a woman he ultimately begins to fancy. Between long walks down the street, a twisted dinner date, and a car drive gone terribly wrong, the Narrator gets closer and closer to the truth about the Kid. But the truth, as he finds, is anything but what he expected.
With a genuine laugh out loud, “Who’s On First?” meets Adaptation (2002) energy, THE MIMIC so damn quirky you’re sort of hypnotized by its rhythm. It hums like a David Sedaris story that he’s narrating himself. The back and forth, rapid-fire dialogue is a bit dizzying but it certainly leaves you perched on the edge of your seat trying to keep up with the antics of these two gentlemen. You are so invested in them and their dynamic, you get swept up in this completely unexpected and magnetic film. I’m not exactly sure why there’s essentially a Febreze commercial halfway through the script but at that point you sort of just shrug and say, “Sure, why not.” We also experience a very meta scene, not including the moment when The Narrator turns to look straight into the camera. I was obsessed with it. Writer/Director Thomas F. Mazziotti’s screenplay has a rich theatrical feel. There is no doubt this could be an award-winning stage production. I would buy tickets to watch this live over and over just to feel the electricity between two actors up close and personal.
The ancillary cast of The Mimic is truly unreal. But the main focus is on our two leads; Thomas Sadoski and Jake Robinson. Sadoski’s mix of morose and obsessive behavior barrels the plot forward. Robinson’s overtly sunny disposition is so cringe-worthy (especially to this New Yorker critic) that you’re immediately placed in The Narrator’s (and Sadoski’s) mindset that something is off with The Kid. I first fell in love with Thomas Sadoski on The Newsroom. He’s just so goddamn good at what he does. He lives in a character’s skin with what looks like such ease. In The Mimic, you can see it all in his pained facial expressions. The Kid must be a sociopath. Jake Robinson looks like an ad for toothpaste from the 1950s. He’s got this classically handsome, old Hollywood charm that’s infectious, which is exactly why he was the perfect choice for this role. His comic timing is magic. The chemistry between these two men at odds is like a ticking time bomb. I was mesmerized by their report.
There is just something about this film that makes it special. I think it will garner a bit of a cult following. I can hear it being quoted in the same way Swingers still gets quoted among a certain age group of cinephiles. It’s got that same buzz about it. The Mimic will not be replicated and that’s what makes it so fantastic.
THE MIMIC will be screening in select theaters, and available on VOD beginning Friday, February 5, 2021.