BAM Kino Polska 2021 review: ‘NEVER GONNA SNOW AGAIN’ wows with mystery and misery.

NEVER GONNA SNOW AGAIN 

On a gray, foggy morning outside a large Polish city, Zhenia (Alec Utgoff), a masseur from the East, enters the lives of the wealthy residents of a gated community. Using hypnotic, almost magical techniques to get a residence permit, he starts working. The well-to-do residents in their cookie-cutter homes seemingly have it all, but they all suffer from an inner sadness, some unexplained longing. The attractive and mysterious newcomer’s hands heal, and Zhenia’s eyes seem to penetrate their souls. To them, his Russian accent sounds like a song from the past, a memory of their seemingly safer childhoods. The latest from writer/director Malgorzata Szumowska (ELLES, IN THE NAME OF) and her longtime collaborator Michal Englert is an unclassifiable meditation on class, immigration, and global warming with touches of magical realism and moments of sober beauty and subtle humor.

Simply beautiful cinematography and one hell of a leading performance consume the audience in BAM’s Kino Polska’s New York premiere of NEVER GONNA SNOW AGAIN. Alec Utgoff as Zhenia gives an intoxicating performance. There’s something about his gaze that puts you at ease. You’re fully aware there’s a complexity tied to his childhood in Chernobyl. The dialogue from his clients never lets you forget. The nuance of this role is enthralling. The darker mystery slowly makes its way to light as he does his massage and, unbeknownst to them, hypnosis on his clients. They reside in a wealthy, gated estate outside the city. From the outside, each house essentially a replica of the next. Inside, the residents gossip and confess their trauma and innermost thoughts. Sinister undertones always linger. Zhenia’s unique ability to connect with people is merely the beginning of his capabilities. That talent isn’t something that can be hidden indefinitely. The score is haunting and meaningful, heightening this carefully crafted film. Trust me when I say, this movie is special. You’ll be as hypnotized as Zhenia’s clients. NEVER GONNA SNOW AGAIN is bursting with endless intrigue. It’s a journey that you will never see coming.

NEVER GONNA SNOW AGAIN 
Dirs. Malgorzata Szumowska & Michal Englert
2020, 113min
Language: In Polish with English subtitles
With Alec Utgoff, Maja Ostaszewska, Agata Kulesza

From Friday, April 30th through Thursday, May 6th BAM presents the fourth edition of *Kino Polska: New Polish Cinema*, bringing together the best new works from Poland’s boundary-pushing filmmakers. The series is presented in partnership with the Polish Cultural Institute New York and co-programmed by Tomek Smolarski. Kino Polska features seven feature films, including the New York premiere of Poland’s Oscar submission *NEVER GONNA SNOW AGAIN* (2020). Director Malgorzata Szumowska (whose Berlinale prizewinner Mug screened in the 2018 iteration of *Kino Polska*) partners with longtime cinematographer and co-writer Michal Englert’s for this Venice Film Festival hit about an enigmatic healer (Alec Utgoff, “Stranger Things”) who casts a spell over a rich Polish community. This year’s series also includes Mariko Bobrik’s touching debut feature *THE TASTE OF PHO* (2019) about a Vietnamese father and
daughter dealing with grief and the immigrant experience in Warsaw; the bittersweet coming-of-age drama *I NEVER CRY* (2020) from Piotr Domalewski whose previous film SILENT NIGHT won major awards in Poland; Bartosz Kruhlik’s edge-of-your-seat thriller *SUPERNOVA* (2019); Piotr Adamski’s *EASTERN* (2019), a tale of revenge set in a dystopic Poland; Mariusz Wilczynski’s deeply personal, hand-drawn animated film *KILL IT AND LEAVE THIS TOWN* (2020)—winner of the Grand Prize for Feature Animation at the Ottawa International Animation Festival and a FIPRESCI Award at the 2020 Viennale; and Agnieszka Holland’s Soviet Union thriller *MR. JONES* (2019) starring James Norton, Vanessa Kirby, and Peter Sarsgaard.

*All films will screen April 30th – May 6th on BAM’s virtual streaming platform at BAM.org .

Michael’s Review: ‘San Andreas’

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Actor Dwayne Johnson returns to the big screen with the newest disaster flick San Andreas, a film that will no doubt continue Johnson’s string of high budget, low payoff films that have plagued his career since he broke into Hollywood over a decade ago. Director by Brad Peyton (Journey 2: The Mysterious Islandhelms this “by the book” action fluff film that will wow the visual effects fan out there, but will leave audiences wishing that a natural disaster would wipe this film from existence.

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Ray Gaines (Dwayne Johnson) is a Los Angeles Fire Department rescue-helicopter pilot who is credited with over 600 rescues in his career. Gaines, a family oriented man who recently separated from his wife Emma (Carla Gugino), counts his daughter Blake (Alexandra Daddario) as his biggest accomplishment and will do anything to protect her. Having previously lost their other daughter to a freak accident, Ray and Emma are left to continue separate lives, one that includes Emma’s new boyfriend David (Ioan Gruffudd), a wealthy architect whom Emma and Blake intend to move in with. Ray’s plans for spending a final weekend with Blake before she begins university in the San Francisco area are dashed when a major earthquake hits Nevada and his squad is mobilizes to respond while Daniel offers to fly Blake up north on his private jet.

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Revelations are uncovered that the Nevada quake is only the beginning as Lawrence Hayes (Paul Giamatti), a seismology professor at CalTech, has reason to believe the seismic activity is headed towards California. Before Hayes can get word out to the public, the first of many big tremors hits downtown Los Angeles, where Emma is lunching in a high rise restaurant as the building begins to crumble around her. Ray, sensing danger, swoops in and rescues her from the roof in his chopper. Blake, now caught in the earthquakes path, reaches out to her father for help. Realizing what they must do, Ray and Emma race up the coast to save their only daughter before it’s too late. But their treacherous journey north is only the beginning, and when they think the worst may be over…it’s just getting started.

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Director Brad Peyton, along with cinematographer Steve Yedlin and VFX supervisor Colin Strause, have created a thrilling spectacle with intense visual effects and non stop action that will have audience members holding on to their seat, but the dialogue and execution of the human aspects leave this film lacking the heart it needs to succeed. Dwayne Johnson does a worthy job holding the film together, but the wrestler turned actor is given very few opportunities to show off why he is the most popular action star in Hollywood these days. Alexandra Daddario is a strong presence during her screen time in the film. Her character teeters on the edge of cliche as the damsel in distress, but she does her best to separate herself from the norm and create a character with strong undertones. Veteran actor Paul Giamatti does his best to work with a weak script and even weaker science but ultimately turns in a stale performance with very little substance. Actress Carla Gugino does little to add to the dramatic aspects of the film and turns in a rather forgetful performance.

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Overall, San Andreas is not as bad as recent disaster films such as 2012, but falls victim to too many cliches and weak story telling to be counted as good. Should you see the film? Fans of Dwayne Johnson will be entertained, fans of disaster films and visual effects will be entertained, slightly, but not many others. In a summer filled with hit or miss films, San Andreas is a slight miss.

Stars:

2 1/2 out of 5

After Credit Scene?

No

Trailer: