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Review: ‘The Public’ gives truth to the phrase “knowledge is power”.

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THE PUBLIC

In “The Public” an unusually bitter Arctic blast has made its way to downtown Cincinnati and the front doors of the public library where the action of the film takes place. At odds with library officials over how to handle the extreme weather event, some homeless patrons turn the building into a shelter for the night by staging an “Occupy” sit in. What begins as an act of civil disobedience becomes a stand-off with police and a rush-to-judgment media constantly speculating about what’s really happening. This David versus Goliath story tackles some of our nation’s most challenging issues, homelessness and mental illness and sets the drama inside one of the last bastions of democracy-in-action: your public library.

 

This star-studded film follows the lives of the people who come in and out of a Cincinnati Public Library. Written and directed by Emilio Estevez, each character is fully fleshed out and complex even if they aren’t on-screen for very long. It’s carefully edited. You get a real sense of relationships and circumstance from the solid writing and stellar performances from this massive ensemble cast including Emilio Estevez, Alec Baldwin, Jena Malone, Taylor Schilling, Gabrielle Union, Michael K Williams, Christian Slater, Che “Rhymefest” Smith, and Jeffrey Wright. The film is about knowledge and power in the larger sense. It’s a thoughtful commentary on the socioeconomic dynamics of the homeless, the manipulative perceptions created by the media, and the politicians and law enforcement that allow it to happen. It’s filled with humor and heartbreak from beat to beat, and the twists are surprising and impactful. The Public has amazing storytelling and a truly poignant look at class warfare.

THE PUBLIC features veteran actors Alec Baldwin (“30 Rock,” The Departed, It’s Complicated), Emilio Estevez (The Way, Bobby, The Breakfast Club), Jena Malone (The Hunger Games” series, The Neon Demon, Inherent Vice), Taylor Schilling (“Orange is the New Black,” The Lucky One, Argo), Christian Slater (“Mr. Robot,” The Wife, True Romance), Gabrielle Union (“Being Mary Jane”, Bad Boys II, Bring It On), Michael K. Williams (12 Years A Slave, “Boardwalk Empire,” “The Wire”), Jeffrey Wright (“Westworld,” “O.G.,” The Hunger Games” series), and Che “Rhymefest” Smith (co-writer and performer of “Glory” from Selma, “Jesus Walks” from Four Brothers, “Make Noise” and “Weaponized” from The Public, theatrical acting debut).

Universal Pictures Content Group will release THE PUBLIC in Theaters on April 5, 2019.

Review: ‘The Vanishing of Sidney Hall’ weighs heavy.

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The idea of personal responsibility can be a double-edged sword. It can be our life’s motivating factor or our downfall. In the new film The Vanishing of Sidney Hall, one young man’s past has an effect on the entire world around him.

After publishing a bestselling novel based on the death of one of his high school classmates, the controversial writer Sidney Hall (Logan Lerman) finds himself catapulted to unexpected fame and renown. His relationship with his girlfriend (Elle Fanning) begins to fall apart as the dark consequences of the book intrude on their life together, and he disappears without a trace. Nearly a decade later, an enigmatic detective searches for the missing author, whose books are connected to a string of mysterious arsons.

There was something about this film that really affected me throughout its nonlinear two-hour run. The script tackles issues from resentment to guilt, human connection to the feeling of powerlessness. With the award-winning performances from no less than four cast members, including Logan Lerman, Elle Fanning, Michelle Monohan, and Blake Jenner, The Vanishing of Sidney Hall has a twisted plot that pulls your emotions in various directions throughout. The one overall theme here is undoubtedly sadness. The film has a heaviness that is unshakeable. It’s a strangely perfect companion piece to Netflix‘s 13 Reason’s Why, and without going into too much detail (because I want you to see it) the film’s themes are universally relevant. The film’s score acts as an emotional and nostalgic catalyst to the time jumps. Despite the terrible beard on Logan Lerman throughout a third of the film, he gives the audience a multilayered and tragic performance that makes Sidney Hall what it is. Speaking of tragic, Blake Jenner plays a seemingly typical jock with a hard-on for bullying but it’s his character’s home life that haunts many others in the film. A massive departure from his role in GLEE, I hope Jenner gets some much-deserved attention from this one. Elle Fanning is ever surprising as a bold, unique, and confident girl next door (or across the street to be exact) saddled with both the romantic and strained man Lerner becomes. Michelle Monaghan plays against type as Sidney’s mother. A woman’s whose vitriol and resentment make her loathsome. The cast boasts other heavy hitters like Kyle Chandler and Nathan Lane. There is not a weak link in the entire ensemble.  I can tell you, you won’t be able to guess how this one wraps up. The Vanishing of Sidney Hall is fraught with love but mostly the loss of it. Be prepared prior to viewing.

THE VANISHING OF SIDNEY HALL  

Exclusively on Direct TV on January 25th & In Theaters on March 2nd

Director by:  Shawn Christensen (Academy Award Winner – Curfew, Abduction,)

Written by: Shawn Christensen & Jason Dolan

THE VANISHING OF SIDNEY HALL stars Logan Lerman (Perks of Being a Wallflower, Indignation), Elle Fanning (Super 8, Maleficent, The Neon Demon), Michelle Monaghan (“True Detective,” Gone Baby Gone, Source Code), Kyle Chandler (“Friday Night Lights”, “Bloodline”, and Manchester By The Sea) and Nathan Lane (“Modern Family,” The “People v. O. J. Simpson: American Crime Story”).