‘The Ascent’ (SXSW 2026) An extreme upward journey.

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The Ascent

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Directors Edward Drake, Scott Veltri, and Francis Cronin document the unbelievable story of a double amputee’s climb to the summit of Mount Kilimanjaro. As if that’s not impressive enough, SXSW 2026 film The Ascent also delves into a mystery sure to infuriate and inspire audiences.

During a night out in 2014, Mandy Horvath died three times. Suspicious circumstances placed her unconscious body in the middle of train tracks. Then she was run over by a 20-car locomotive that severed her legs but not her ungovernable spirit.

Horvath was on her way to greatness in life, although slightly tethered by functioning addiction. Considering her childhood trauma, her resilience is astounding. She should have been dead long before. Sitting down with her parents is viscerally uncomfortable, but it speaks volumes to Mandy’s FU attitude. The film tackles trust and loyalty with authentic complexity.

Her accident was initially written off as a suicide attempt and not a crime. Filmmakers recreate the train conductor and engineer’s witness testimony to explain their perspective of the incident. It is shocking, but almost nothing compares to the dismissal of law enforcement and the missing pieces of evidence from the very people Mandy was with that night. Your jaw will drop.

Animation illustrates Mandy’s most painful memories. The score perfectly matches her indelible spirit. Filmmakers give us visual altitude and mile markers along her journey, but that’s not all we track. Jasleen Kaur‘s editing elevates this entire documentary. To seamlessly weave in what is essentially a true-crime story alongside Mandy’s climbing journey is award-worthy.

The Ascent is an extraordinary tale of survival and perseverance against all odds. Mandy Horvath is simply unstoppable. She is the female spirit personified. Tell a woman she can’t and see what happens.


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Director: Edward Drake, Scott Veltri, Francis Cronin
Executive Producer: TIME Studios, Loren Hammonds, Kyle Hentschel, Francis Cronin, Yvette Zhuang, Jasleen Kaur, Ali Samadi
Producer: Edward Drake, Scott Veltri
Cinematographer: Laffrey Witbrod
Editor: Jasleen Kaur, September Club / Matt Prekop
Music: Adam Peters
Cast: Mandy Horvath, Julius John White aka ‘Whitey’, Carel Verhoef, Sally Grierson
Crew:Animator: Mike Lloyd, Co-Producer: Jon Schafer, Additional Editing: Kevin Barth, Executive Finishing Producers: Gloria F. Coronado, Ashely Reese, Re-Recording Mixer: Cameron Tracy, Colorist/Online Editor: Christian Navas, CSI, Graphics: COED Studios
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Review: Heart-stopping thriller ‘FALL’ opens in theaters this Friday. Hold on tight.

FALL

What could possibly go wrong attempting to traverse a rusty 2000-foot tower in the middle of nowhere? Only everything. In Scott Mann‘s FALL, Becky is a year out from watching her husband plummet from a climbing mishap before her very eyes. Mired in grief, best friend and climbing partner Hunter convinces her to do the unthinkable to heal. The two plan on climbing the 4th tallest structure in the US while Hunter films it for her budding YouTube channel. One loose screw at a time, and the entire plan goes to hell. FALL will take your breath away. 

The seemingly simple premise becomes one of the most intense and harrowing films I’ve ever seen. I didn’t have a fear of heights before Fall. I sure as hell do now. Every second of this film is a goddamn horror. If there was a moment’s lull, I was waiting for the other shoe to drop. (No pun intended.) My heart was in my throat. I was sweating uncontrollably. I went weak in the knees over and over again. FALL is a nonstop cinematic panic attack.

The screenplay by Mann and Jonathan Frank does an impeccable job of wrapping the action in grief, unresolved trauma, forgiveness, and authenticity. The relationship between Becky and Hunter feels like a level playing field until secrets cause additional emotional conflict. It’s a carefully crafted script, many of its moments foreshadowed in the earlier dialogue. Virginia Gardner, who was spectacular in Starfish, plays Hunter with fearless energy. She’s the perfect foil for Grace Caroline Currey. As Becky, she sits in an entirely different headspace. Gardner and Currey’s chemistry is key to the film’s believability. 

The sometimes sparse, menacing score by Tim Despic combined with Alex Joseph and David Barber‘s sharply executed sound editing ramps up the inevitable impending doom we came to experience. The cinematography by MacGregor is a wonder. The juxtaposition of tight close-ups and wide landscape shots fills you with fear, placing you inside the bodies of Becky and Hunter. I cannot stress this enough, FALL deserves a viewing on the widest and tallest screen possible, but even on a laptop, the terror is paralyzing. FALL will take your breath away. Hold on tight.


Lionsgate’s FALL will open on 1200+ screens across the country on Friday, August 12.

This includes all key regional cities including: New York, Los Angeles, Chicago, Philadelphia, Dallas, San Francisco, Washington DC, Houston, Austin, Boston, Atlanta, Phoenix, Detroit, Seattle, Minneapolis, Miami, Denver, Orlando, Tampa, Cleveland, Salt Lake City, Sacramento and more.

Find a theater near you: https://fandan.co/3cYz8zu

OFFICIAL SITE:  http://www.lionsgate.com/movies/fall

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