‘NIGHT OF THE REAPER’ (2025) Shudder Original delivers delicious tropes and twists.

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A college girl returns home for a weekend and is pulled into babysitting the sheriff’s kid. Meanwhile, the sheriff receives haunting messages from old cases. In the small town of Reedy, something evil is brewing. Shudder Original NIGHT OF THE REAPER is genre throwback greatness.

Deena’s night of watching the sweetest little boy in the history of the profession turns into a living nightmare as things get more frightening by the minute. A hooded figure psychologically torments her while simultaneously sending Arnold on a wild goose chase. Every new clue leads to VHS tapes, each more torturous than the last.
NIGHT OF THE REAPER - Still 3Opening credits are fantastic. The production design team covers homes with classic ’80s Halloween decorations, and the repeated VHS static filter is chef’s kiss. Every single slasher trope we’ve come to love is utilized to build that creeping sense of dread. The synth score is fantastic. Homages to franchise favorites are endless. Everything from Poltergeist to Halloween, Max’s outfit looks like it’s straight out of Pet Sematery or a nod to Chucky, and the “Kimble, R” buzzer might just be a reference to Australian director Kimble Rendall.

NIGHT OF THE REAPER - Still 4Casting is delicious. Ben Cockell is outstanding as Chad. Summer H. Howell (Hunter Hunter) sets the scene, while genre regular, the spectacular Keegan Connor Tracy, rounds out the decades of final girl magic. Yes. Yes. Yes. Ryan Robbins gives Sheriff Arnold a down-to-earth quality, whose mournful past becomes the emotional anchor to his frustrations. Robbins is incredible, and I’m glad Christensen gave him such a meaty role. Jessica Clement delivers a nuanced performance as Deena. This is final girl realness. From petrified to powerhouse, Clement gives us her all. It is pure badassery.
NIGHT OF THE REAPER - Still 7Brandon Christensen, alongside his co-writer brother Ryan, understands how to build suspense while giving horror fans the kills they seek. As a fan of SUPERHOST, I am impressed by this narrative shift again and again. Christensen nails the element of surprise, flipping the script on their head when you least expect it. NIGHT OF THE REAPER is another solid addition to Shudder’s stacked catalog.


Night of the Reaper Trailer:

Available on Shudder September 19th
Directed by Brandon Christensen (STILL/BORN, Z, SUPERHOST)

 NIGHT OF THE REAPER Synopsis

In the heart of a quiet, 1980s suburb, college student Deena returns home and reluctantly takes on a last-minute babysitting job. That same night, the local sheriff receives a cryptic package that pulls him into a sinister scavenger hunt that sets off a game of cat and mouse with a dangerous killer. As the clues unravel, Deena finds herself ensnared in a nightmarish mystery that she may not survive.

About the Director

Brandon Christensen is a Canadian film director recognized for his distinctive contributions to the horror genre, focusing on complex familial dynamics, particularly those involving mothers and children. He began his filmmaking journey early in life, making home movies with his siblings, which ignited his passion for storytelling and cinema.

Christensen’s professional career includes notable works such as “Still/Born”, “Z”, and “The Puppetman” – films that explore psychological and supernatural themes against the backdrop of parenting fears. His unique approach often incorporates daytime horror, challenging conventional genre norms to intensify the scare factor, showcasing his knack for crafting compelling narratives from everyday situations.

Director: Brandon Christensen NIGHT OF THE REAPER

Written by: Brandon Christensen and Ryan Christensen

Cast: Jessica Clement, Ryan Robbins, Summer H. Howell, Keegan Connor Tracy, Matty Finochio, Max Christensen, Ben Cockell, David Feehan

Genre: Horror, Thriller

Language: English

Runtime: 93 min

 

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Review: ‘Summerland’ is an escape, but not from reality.

Surviving graduation is just the first challenge for Bray (Chris Ball), Oliver (Rory J. Saper), and Stacey (Maddie Phillips), three friends determined to make it to the SUMMERLAND music festival, no matter what it takes. Embarking on a road-trip in high-spirits, there’s more than just music waiting for them at the end of the rainbow. Bray has plans to meet Shawn, a boy he met on an online Christian dating site he’s convinced is questioning his sexuality. The problem? He’s been pretending to be Stacey, Oliver’s girlfriend, to get close to him.

Now that I’ve has some time to sit on this film, I realize that the entire premise is based on deceit. While centered around the premise of actually getting to a music festival, it is really a selfish trip meant to distract, take advantage of, and use Stacey, the only female character in the film. She is manipulated by her boyfriend so that he can have one last hoorah before being kicked out of the country on an expired visa. He delays their arrival to take in the sites and generally be kind of a douche. While that sounds pretty awful, it’s a great setup for dialogue and genuinely hilarious shenanigans that ensue. Directed by Lanykboy, a filmmaking duo comprised of Noah Kentis and Kurtis David Harder and co-wrote the script for SUMMERLAND alongside Chris Ball and Dylan Griffiths. But, that not the only plotline in this film. You’ve got yourself a Catfish story. Bray’s story is engrossing. While technically a lie, it highlights self-esteem and self-loathing. It’s coming-of-age realness that adds drama and intrigue. The dynamic between Ball, Saper, and Phillips is fantastic. Ball ends up being sympathetic but Saper ultimately does not. I guess that means Saper has done his job as an actor. He’s kind of punchable. Maddie Phillips is a gorgeous go-between. She is genuine and lovely. The ancillary characters in Summerland are hilarious and fun as hell. The film is an easy watch and authentically good time. Take it from Harder is also a celebrated producer on a number of breakout hit horror movies including Brandon Christensen’s Z, Rob Grant’s HARPOON, Colin Minihan’s WHAT KEEPS YOU ALIVE, and Michael Peterson’s KNUCKLEBALL. These films are incredible. Kentis and Harder clearly know how to reach their audience with what appears to be frivolity on the surface but in truth hits much deeper. Summerland is now available on VOD.