When newlyweds Arthur and Suze become the object of obsession for a dangerous street gang called The Young Gents, their lives get turned upside down. Amanda Kramer‘s PLEASE BABY PLEASE puts identity and love to the test in this sexy queer musical.
Demi Moore plays upstairs neighbor Maureen. She’s a hot pink and animal print-drenched eccentric woman and the perfect influence on Suze, giving her permission to let go of her inhibitions. Karl Glusman is Teddy, a member of The Young Gents with an eye for Arthur. Glusman nails the classic greaser role, adding a relentless sensuality to his words. He is fantastic.
Harry Melling plays Arthur with brooding intellectual turmoil, his gentleness waiting to burst at the seams with desire. Melling oozes charm and surprising elegance. It is a marvelous turn. Andrea Riseborough is Suze. Her fiery energy explodes off the screen. Brimming with sass, dramatic flair, and pent-up rage, Riseborough dives deep into Suze’s fantasies of sadism and masculinity. They are perfect foils for one another, each hungering for something more. They are, simply put, magnificent.
The score is brilliant, with a mix of bass plucking, bongo drums, and saxophone wails. Short bursts of choreography smartly encapsulate the mood and era. The sets are deliciously accentuated with neon-colored everyday objects, black light hues, and engulfing blues and magenta. Everything sort of glows like a live-action comic book.
The dialogue openly discusses the foolish nature of traditional gender stereotypes. It invites exploration at every level. PLEASE BABY PLEASE would make a fabulous stage production. It’s over-the-top perfection. I loved everything about this fearless, campy, one-of-a-kind film about self-discovery.
Opens In Theaters October 28