Review: Political allegory ‘The County’ milks it for all it’s worth.

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The County

After the global success of his Un Certain Regard winner RAMS, director Grímur Hákonarson returns to his native Iceland with another humanist farmland fable. Bitterly funny and deeply affecting, THE COUNTY plays out a timely political allegory against a jaw-dropping natural landscape, aided by a brainy, tenacious anti-heroine and Hákonarson’s dry Nordic humor.

Inja is left in the lurch with a nearly bankrupt dairy farm after the sudden and suspicious death of her husband. Under the thumb of the local Co-op, she discovers the shady dealings of those in charge and the effects on her fellow farmers. As she pushes back on social media, life gets more complicated. Inja becomes the Co-op’s target. Once our leading lady has had enough of patriarchal monopoly, her response is so satisfying you’ll be unable to repress a smirk. She must convince her neighbors there’s a better way than living in fear. The County is cinematically stunning. The script is brimming with unexpected moments. It’s one we can cheer for.

What I loved about this film was watching the tenacity of a woman pushed past the breaking point. Using wit and pure gumption, Inga helps a community that’s being taken advantage of. Arndís Hrönn Egilsdóttir‘s performance is out of this world. She is funny, powerful, gutsy, and yet completely vulnerable and grounded. The film doesn’t simply rely on the natural cinematic landscape but smartly uses its scope to tell this story. The script has a beautiful flow to it.  The ending is celebratory in a refreshing way. The County perfectly portrays the passion of a woman in her pursuit of doing what’s right.

THE COUNTY is written and directed by Grímur Hákonarson, and stars Arndís Hrönn Egilsdóttir, Sigurður Sigurjónsson, and Sveinn Ólafur Gunnarsson.

THE COUNTY opens in theatres and virtual cinemas nationwide Friday, April 30th, 2021.

About Liz Whittemore

Liz grew up in northern Connecticut and was memorizing movie dialogue from Shirley Temple to A Nightmare on Elm Street at a very early age. She will watch just about any film all the way through (no matter how bad) just to prove a point. A loyal New Englander, a lover of Hollywood, and true inhabitant of The Big Apple.