In her brilliant feature-film debut, writer-director Carolina Markowicz brings TIFF22 audiences a one-of-a-kind dramedy in CHARCOAL (CARVÃO). Irene and Jairo find themselves barely scraping from the money earned from their Charcoal factory, saddled with an ailing father and precocious 9-year-old son, Jean. Suddenly offered money to hide an Argentinian drug kingpin, things get weird for everyone.
Rômulo Braga plays Jairo with passion, but not for his wife. Jairo is a miserable soul. Braga brings a slovenly and combative manner that breaks in private.
How do you keep a nine-year-old from spilling the beans? Jean Costa brings the perfect amount of sass to the role of young Jean. His performance is so natural you might think he’s improvising each line.
Cesar Bordon is Juan. His confusion only matched by his oblivious, holier-than-thou nature. His scenes with Costa are incredibly amusing. But it is his feisty chemistry with Jinkings that you’ll remember most.
Maeve Jinkings plays Irene with slick confidence and a fearless attitude. She is never intimidated by Juan’s presence. On the contrary, she sees him as a nuisance and a necessary means to an end. Jinkings casual delivery under pressure makes Markowicz’s screenplay shine. It’s a real wow.
I was entirely unprepared for the dark humor in this undeniably genius script. You’ll find yourself smirking as Juan prepares for his unexpected pitstop. After his arrival, the hilarity ensues with the utmost seriousness. Almost every scene drips with sarcasm, and it is glorious. One of the best films at TIFF22, CHARCOAL boasts twist after twist. Part satire, part social commentary, do not miss it.
Maeve Jinkings, Cesar Bordon, Jean Costa, Romulo Braga, Camila Mardila, Pedro Wagner, Aline Marta