TIFF 2021 review: ‘THE WHEEL’ is a raw portrait of devotion.

THE WHEEL

Synopsis: 

Albee and Walker, a young couple on the brink of divorce, rent a mountain getaway to save their fledgling marriage. Before long, their personal drama creates tension between their newly engaged AirBnB hosts — Ben & Carly — leaving us to wonder if either couples’ relationships will survive the weekend.


When you’re in love, real-world consequences and logic quickly fall by the wayside. Add in trauma to that sequence, and almost all bets are off. TIFF 2021 audiences got to ride an emotional rollercoaster, or perhaps, in this case, a literal Ferris Wheel. The film focuses on an attempt to repair the marriage of Albee and Walker. In doing so, Ben and Carly confront issues lurking within their impending nuptials. As secrets are revealed, reality comes knocking.

Nelson Lee, as Ben, gives us a slick, and a tad aloof, performance. He’s the backboard we need for Albee’s ceaseless attitude. Trent Atkinson‘s smart script allows Lee to play many sides of a perfectly flawed man. Bethany Anne Lind, as Carly, is the bright savior figure. Lind wears her heart on her sleeve in an attempt to get to the root of her guests’ issues. Perhaps, to her own relationship’s detriment. Amber Midthunder plays Albee with a fire that is accosting. Breaking through her wall is precarious and revealing. Midthunder walks a thin line between entitled Gen Zer and trauma survivor. You’ll be captivated by her interactions with every cast member. Taylor Gray breathes life into Walker. His vulnerability drives this story like a freight train. He’s so committed to making Albee and Walker’s relationship work. Their pain is palpable. Gray evokes a visceral response. I could not fathom someone being so unequivocally devoted to what appears to be a toxic relationship.

There’s an honesty to this script that will be a gut-punch for viewers. It will undoubtedly force you to confront your relationships. Atkinson wrote the characters of Albee and Ben to have more similarities than at first glance. He did the same with Carly and Walker, creating engrossing dynamics. There are some profound moments between these cast members. Their overall chemistry is the stuff of dreams. Ignoring all else in THE WHEEL, the final scene is one 10 plus minute take of raw emotion. It is the culmination of everything we think we know and we watch as Gray and Midthunder process those feelings in real-time. I hope people take notice of this feat. It’s a bold and beautiful choice by director Steve Pink. I think it pays off in spades as an extraordinary catharsis.


 

THE WHEEL — Directed by Steve Pink | Written by Trent Atkinson

Contemporary World Cinema — Acquisition

Produced by Amber Midthunder, Taylor Gray, Steve Pink, Josh Jason, Molly Gilula

Executive Produced by Josh Jason, Jeremy Hartman

Starring Amber Midthunder, Taylor Gray, Nelson Lee, Bethany Anne Lind, Kevin Pasdon


Review: ‘Blood On Her Name’- a killer neo-noir brimming with tension.

SYNOPSIS: The dead body lies at her feet, its blood still draining onto the floor. It was an accident, borne of self-defense, but its discovery could have devastating consequences for local garage owner Leigh Tiller and her son.

Feat. Bethany Anne Lind (REPRISAL, OZARK), Will Patton, (REMEMBER THE TITANS, ARMAGEDDON) and Elizabeth Röhm (AMERICAN HUSTLE, JOY)

There is a heavy and devastating state of dread that occurs as you experience Blood On Her Name. The film occurs in what feels like real-time pacing making the tension truly palpable. As details of a haunting past slowly leak into view, karma’s long-arm feels destined to right the universe. This story is nothing short of tragic. Leigh simply wants to make a better life for her son but circumstances will not release her from childhood trauma and poor current choices. As a mother, I immediately put myself in her shoes. The fear and panic were overwhelming. It was an actual experience sitting through this film.

Bethany Anne Lind is a force to be reckoned with. She has an extraordinary ability to own the screen and pull you along her emotional journey. She is the heart of this film. Frankly, the other members of the cast could have been played by anyone. Don’t get me wrong, the chemistry among everyone else is spot on. What I mean is, Lind is so captivating that it’s her performance alone that remains seared into your psyche. Blood On Her Name is a triumphant feature debut for director Matthew Pope and co-writer and producer Don Thompson. It opens in select cinemas (Today) Feb. 28th and on VOD.

BLOOD ON HER NAME will expand nationwide in the coming weeks.