‘The Lost City of Z’ from James Gray to close out the 54th New York Film Festival

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The Film Society of Lincoln Center announces The Lost City of Z, written and directed by James Gray (The Immigrant, Two Lovers), as the Closing Night selection of the 54th New York Film Festival. The film, based on journalist David Grann’s nonfiction book of the same name, will make its World Premiere at the festival’s final gala screening on Saturday, October 15.

James Gray’s emotionally and visually resplendent epic tells the story of Lieutenant Colonel Percy Fawcett (a remarkable Charlie Hunnam), the British military-man-turned-explorer whose search for a lost city deep in the Amazon grows into an increasingly feverish, decades-long magnificent obsession that takes a toll on his reputation, his home life with his wife (Sienna Miller) and children, and his very existence. Gray and cinematographer Darius Khondji cast quite a spell, exquisitely pitched between rapture and dizzying terror. Also starring Robert Pattinson and Tom Holland, The Lost City of Z represents a form of epic storytelling that has all but vanished from the landscape of modern cinema, and a rare level of artistry.

New York Film Festival Director and Selection Committee Chair Kent Jones said, “James Gray is one of the finest filmmakers we have. Each of his movies is so beautifully wrought, visually and emotionally, but The Lost City of Z represents something new. It’s a true epic, spanning two continents and three decades, and it’s a genuine vision of the search for sublimity.”

“It’s truly a dream come true for me to have The Lost City of Z selected for the closing night of the New York Film Festival,” said Gray. “I couldn’t be more honored that the film’s world premiere will be in my hometown, a city I still love above all others.”

Gray’s previous film, 2014’s The Immigrant, was an official selection of the 51st New York Film Festival.

The Lost City of Z is produced by Dede Gardner, Jeremy Kleiner, Anthony Katagas, and Dale Armin Johnson, and is executive produced by Brad Pitt and Marc Butan.

The 17-day New York Film Festival highlights the best in world cinema, featuring works from celebrated filmmakers as well as fresh new talent. The selection committee, chaired by Jones, also includes Dennis Lim, FSLC Director of Programming; Florence Almozini, FSLC Associate Director of Programming; Amy Taubin, Contributing Editor, Film Comment and Sight & Sound; and Gavin Smith, who serves as a consultant.

NYFF previously announced Ava DuVernay’s documentary The 13th as the Opening Night selection—the first nonfiction work ever to open the festival—and Mike Mills’s 20th Century Women as Centerpiece.

Tickets for the 54th New York Film Festival will go on sale September 11. Becoming a Film Society Member at the Film Buff Level or above provides early ticket access to festival screenings and events ahead of the general public, along with the exclusive member ticket discount. Learn more at filmlinc.org/membership.

For even more access, VIP passes and subscription packages offer one of the earliest opportunities to purchase tickets and secure seats at some of the festival’s biggest events including Opening, Centerpiece, and Closing Nights. VIP passes also provide access to many exciting events, including the invitation-only Opening Night party, “An Evening With…” dinner, Filmmaker Brunch, and VIP Lounge. Benefits vary based on the pass or package type purchased. VIP passes and subscription packages are on sale now. Learn more atfilmlinc.org/NYFF.

 

The Immigrant – Now Streaming on Netflix!

NetflixJoaquin Phoenix was a busy man during last year’s NYFF51. Following up HER, his second film,The Immigrant, is a story of a young polish immigrant named Ewa (Marion Cotillard). Landing at Ellis Island in 1921, Ewa is at her wits end when her sister is put into quarantine and she is about to be sent back home due to false reports that she is a loose woman. In swoops Joaquin’s character, Bruno. He promises to take her in and make sure she has a job to make enough money to get her sister released from the island. Once inside Bruno’s clutches, he emotionally manipulates her into working in his burlesque show. When the burlesque show doesn’t make enough money, she coerced into prostitution. Enter, Orlando, Bruno’s dashing stage magician cousin. He is sincere in his efforts to woo Ewa and invites her to travel as his assistant. Bruno will have none of this, as his passion for Ewa grows exponentially. They struggle with each other for loyalty and to survive. Read More →