BEYOND THE INFINITE TWO MINUTES
Born out of an acting workshop and shot on an iPhone, BEYOND THE INFINITE TWO MINUTES is a high-concept time-loop movie that transcends expectations with its inventive concept. Kato (Kazunori Tosa) is at a bit of a dead-end in life. He lives above the cafe he owns and feels that his life isn’t moving forward when, one day, his computer screen starts to talk to him. The twist? It’s Kato from two minutes in the future; the sullen cafe owner has somehow stumbled on a very limited time loop. As he draws in his friends and coworkers, they all try to make sense of the weird phenomenon while also inventing creative ways to profit from their two-minute insight into the future.
If you had the inexplicable power to travel into the future two minutes, what would you do? There are innumerable answers to this query. Director Junta Yamaguchi takes that very concept and runs with it, quite literally at times. With an enchanting soundtrack and carefully crafted editing, the action starts immediately. When Kato realizes he can communicate with himself from two minutes in the future, chaos, and hilarity ensue. Unable to keep it to himself makes for a sticky situation. Once others know, things get even more complicated. With great power comes great responsibility.
Performances across the board are stellar. The commitment to the absurd is magic. The chemistry within this cast is outstanding. They are charming and energetic. It’s like watching a group of bright-eyed kids play. The camera work is a real marvel considering the impressively long takes. This film is all about timing, no pun intended. The cuts, if any, are tricky to spot. You’d think that reliving scenes would get old, but they manage to feel fresh each play based on location. Makoto Ueda’s script is that phenomenal. The camera also allows the viewer to feel like they’re part of the action. BEYOND THE INFINITE TWO MINUTES will be a huge hit with Fantasia audiences of all ages. It’s a nonstop, joyous experience.