NORTH AMERICAN PREMIERE
A GHOST WAITS
Jack’s job is to fix up the house. Spectral agent Muriel’s eternal task is to haunt it. They should be enemies, but they become fascinated by one another and eventually smitten, leading them to question everything about their work, lives, and decisions. But as pressure mounts for them to fulfill their duties, something’s got to give for the time together they both so desperately want.
A Ghost Waits made its North American premiere at Screamfest 2020 last night and was not at all what I was expecting. This is a total compliment. Jack is just trying to do his job… and Muriel is trying to do hers. When two lonely souls connect, not even death can keep them apart. In A Ghost Waits, it is quite the contrary. A “morbidly romantic” story might be an appropriate description. This film is pure indie magic with dialogue that is equal parts hilarious and emotional. Not to mention the effect of using what appears to be a simple flashlight to create a ghostly glow for our spectral agent, Muriel. The usual tropes of self-opening doors and cabinets, mysterious crying babies, and things disappearing are all very effective tools unutilized in the script, but it’s the genuine relationship between Jack and Muriel that makes this film stand out.
The song “Yellow Cotton Dress” as performed by lead actor MacLeod Andrews is something I would listen to on loop. I was blown away by his comic timing as well as his ability to make me weep. A great deal of the film is just Andrews doing his thing. You will be enamored with him. After the film ended, I actually watched a 12-minute video of him recording a chapter from an audiobook. It was outstanding. It was a completely different side to the loveable and vulnerable character of Jack we get in this film. I’m suggesting you cast him in all the things, pronto. Natalie Walker clearly has a handle on comedy as well, taking a seemingly serious angle to Muriel. Her commitment to tone is spot on. MacLeod and Walker as a team are spectacular. Their chemistry just works.
The ending swings from genuinely devastating and to simply beautiful. It speaks volumes about the things we don’t talk enough about to one another. Sometimes all we need is for someone to listen. Sometimes we just need some help. This is one of the most unique scripts of the year. Director Adam Stovall co-wrote the script with Andrews and they’ve given us an entirely different perspective on horror and mental health. A Ghost Waits will undoubtedly surprise Screamfest audiences long after the credits roll. It’s a bit of a genre-bending wonder.
Black and White
WINNER, FRIGHTFEST 2020