Fried Barry is about an abusive drug addict who gets abducted by aliens. An alien then takes his form on a jaunt through Cape Town. Spectacularly edited from the opening to the end credits, Fried Barry is a drugged induced terror trip. The imagery is stunning, using color like a character of its own. The score and sound design by Haezer is menacing and intense. This is genre madness at its finest. This is why Fantasia 2020 audiences show up.
Do not watch this film while high. It’s fucked up enough as it is. Writer/director/producer Ryan Kruger does not need you to tell him you had a complete and total mental breakdown while watching. Or perhaps that would be a compliment. Our leading, Gary Green is unreal as a man clearly effed up by aliens. His physical performance is so bizarre it’s perfection. The film is a study in human behavior from an outside perspective. It’s an actor’s dream. Green’s work is award-worthy. With very little dialogue on his end, Kruger’s screenplay allows for him to be totally weird but somehow completely believable in experiencing the complexities of the human race. Sex, drugs, people talking at one another rather than listening pretty much sums it up.
Halfway through it goes from strange to utterly dark, but you’re so far down the rabbit hole it only makes sense. There is a childlike innocence to Green at this point that will freak you out. A sick turn in the plot will throw you for yet another loop. Fried Barry‘s unpredictability is what makes it so arresting. It’s not the alien that’s frightening, it’s people.
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