Review: “BLOODTHIRSTY’ overflows with music and metaphor.

BLOODTHIRSTY

Grey, an indie singer, whose first album was a smash hit, gets an invitation to work with notorious music producer Vaughn Daniels at his remote studio in the woods. Together with her girlfriend/lover Charlie, they arrive at his mansion, and the work begins. But Grey is having visions that she is a wolf, and as her work with the emotionally demanding Vaughn deepens, the vegan singer begins to hunger for meat and the hunt. As Grey starts to transform into a werewolf, she begins to find out who she really is, and begins to discover the family she never knew. What will it take to become a great artist and at what cost to her humanity?

The music is not only a major plot point but a character of its own. Lauren Beatty brings Lowell’s songs to life with an honest folk/pop vibe. They are haunting. Combined with the string-heavy score, the soundtrack enters bone-chilling territory. Wow. Now that most of us have watched Framing Britney Spears we understand the mental health pressure of pop stardom. To see that explored in Bloodthirsty on a more literal level was incredibly intriguing. A controlling father figure, isolation, and a strict diet all enhanced by horror make this story ceaselessly engrossing. Separately, there is a family and loyalty dynamic. It’s a brilliant combination of genres.

Greg Bryk as Vaughn is scary. His manipulation skills are daunting. He’s very punchable and I do mean that as a compliment. He infuriated me and made me so uncomfortable. I guess that means he’s done his job well.  Lauren Beatty, who was phenomenal in Bleed With Me (also directed by Amelia Moses), gives us a vulnerability that is consuming, pun fully intended. She’s got genre darling potential in spades. Here, she is allowed to challenge the audience’s perception of reality. What would you sacrifice for your art? Bloodthirsty will have you questioning the creative process long after the credits roll. 

 

 

Website: http://www.brainmedia.com/films/bloodthirsty

Directed by Amelia Moses (Bleed With Me), conceived and written by mother-daughter duo Wendy Hill-Tout and singer-songwriter Lowell, and featuring the original music of Lowell, BLOODTHIRSTY stars Lauren Beatty (Bleed With Me) and Greg Bryk (The Handmaid’s Tale). The film premiered at Fantastic Fest 2020 and opens In Select Theaters and On-Demand on April 23.

 

Review: ‘WEREWOLF’ is terrifying and profound.

In Werewolf, children liberated from a Nazi concentration camp have to overcome hunger, thirst, and vicious attack dogs in an abandoned mansion surround by the forest.

Werewolf is incredible from the very first frame. The fear is visceral in the visual presentation but especially in the performances from a cast of children. This is a new version of Lord Of The Flies as a group of Holocaust survivors lies in wait as they are stalked by attack dogs, and even one of their own. Hormones, trauma, hunger, and anger, all drive this riveting plot forward. It is easy to root for these kids. As a Mom, it made my heart race at every turn. I was sweating watching their ingenuity. Survival is not guaranteed especially when the threat comes from within. It was profound watching these young actors, at times, become as wild as the dogs they feared. Other scenes momentarily allowed them to be children again. This ensemble casts’ chemistry will blow you away. Adrian Panek has given us a thrilling gem. The writing is intelligent and enthralling. Your heart will be in your throat from beginning to end.

Adrian Panek’s intense WWII survival horror/thriller Werewolf is due to release on Blu-Ray, DVD, and VOD across North America on December 1st via Indiecan Entertainment.

ON BLU-RAY, DIGITAL AND DVD DECEMBER 1, 2020

The intense Polish film was an official selection of Fantastic Fest (where it was nominated for Best Picture) among many other fests, has won 11 festival awards worldwide, and been nominated for 14 more.

Review: ‘Wildling’ is dark, coming of age tale.

WILDLING

 **WORLD PREMIERE – 2018 SXSW FILM FESTIVAL**

The feature debut from Fritz Böhm, WILDLING is a spellbinding take on the werewolf legend starring Independent Spirit Award Nominee Bel Powley (The Diary of a Teenage Girl), SAG Award® Winner Liv Tyler (Lord of the Rings, Armageddon) and Academy Award® Nominee Brad Dourif (One Flew Over Cuckoo’s Nest, Child’s Play).

 WILDLING is a unique dark fantasy tale centered on young Anna (Powley) who has been raised in isolation by a man she knows only as Daddy (Dourif) who has done everything possible to conceal the truth about the girl’s origins from her. But when the teenage Anna is suddenly thrust into the real world under the protection of no-nonsense police officer Ellen Cooper (Tyler), it soon becomes clear that the young woman is far from ordinary. Unable to adjust to a normal life, Anna finds herself drawn instead to the wild freedom of the forest while struggling to resist the growing bloodlust that has awakened inside her. This moodily atmospheric thriller combines supernatural scares with a myth-like tale of self-discovery.

There are many elements of Wildling that excited me. The cast is beyond excellent. Bel Powley is undeniably a star. As she never seems to age, she can continue to portray exceedingly young characters. Her onscreen presence is captivating. And while she actually speaks relatively few lines in the film, she owns each scene she appears in. Liv Tyler is as elegant as ever. Never doubt her ability to completely inhabit any role. Brad Dourif is scary as hell. He makes your skin crawl in the best way possible. The lighting is truly something to behold. Extra attention to the sound mixing plays perfectly on the audience’s sense of dread or wonder, depending on the moment to moment needs of the plot.

After all of the positives, I would be remiss if I didn’t mention the rushed feel of the story. Much of the plot seems to be missing as if there is an entire section of canon that was left out for runtime. I have so many questions pertaining to missing elements (I won’t be too specific because of spoilers) and I was a genuinely baffled by their absence. Some serious plot holes. The emotional transition of all the major players was swifter than feel natural under the circumstances. Finally, if I hadn’t seen Netflix’s original series Big Mouth, perhaps I wouldn’t be so bothered by the final creature FX.

Wilding has a graphic novel turned feature film feeling to it. It’s most definitely entertaining and worth the watch. You can watch the trailer below.

IFC Midnight will release the upcoming thriller WILDLING in theaters in NYC and LA as well as on VOD and Digital HD on April 13.