Fantasia 2020 review: ‘Fried Barry’ is twisted commentary of the dark side of humanity.

FRIED BARRY

Fried Barry is about an abusive drug addict who gets abducted by aliens. An alien then takes his form on a jaunt through Cape Town. Spectacularly edited from the opening to the end credits, Fried Barry is a drugged induced terror trip. The imagery is stunning, using color like a character of its own. The score and sound design by Haezer is menacing and intense. This is genre madness at its finest. This is why Fantasia 2020 audiences show up.

Do not watch this film while high. It’s fucked up enough as it is. Writer/director/producer Ryan Kruger does not need you to tell him you had a complete and total mental breakdown while watching. Or perhaps that would be a compliment. Our leading, Gary Green is unreal as a man clearly effed up by aliens. His physical performance is so bizarre it’s perfection. The film is a study in human behavior from an outside perspective. It’s an actor’s dream. Green’s work is award-worthy. With very little dialogue on his end, Kruger’s screenplay allows for him to be totally weird but somehow completely believable in experiencing the complexities of the human race. Sex, drugs, people talking at one another rather than listening pretty much sums it up.

Halfway through it goes from strange to utterly dark, but you’re so far down the rabbit hole it only makes sense. There is a childlike innocence to Green at this point that will freak you out. A sick turn in the plot will throw you for yet another loop. Fried Barry‘s unpredictability is what makes it so arresting. It’s not the alien that’s frightening, it’s people.

To find out more about Fantasia 2020 and how to watch Fried Barry

Review: ‘The Lullaby’ Definitely WILL NOT Put You To Sleep

The Lullaby

Theatrical Release & VOD: March 2, 2018

Run Time: 1 hour 26 minutes

Reviewed By: Reel Reviews Over Brews

Chloe is overwhelmed by the birth of her first child. The incessant crying of her baby, the growing sense of guilt and paranoia sends her into depression. With a heightened urge to protect her son, Chloe sees danger in every situation. She starts to hear voices, the humming of a childhood lullaby and sees flashes of a strange entity around her child. Convinced that the entity is real, Chloe will do everything in her power to protect her son. Is she haunted by evil or is it just the baby blues?

Writing this review a few days after watching The Lullaby and we still can’t get some of the disturbing images out of our minds. This movie has a slight resemblance to Eraserhead (one of Scott’s favorite horror movies), as the plot of having a baby will have its repercussions. We found the acting to be really good, except for a couple characters (Chloe’s mom and the therapist). What we wish they had done differently is give a better back story on Chloe in the beginning because they gave us no real reason to root for her throughout the movie. Eventually they fill in the blanks on her story, but some more info in the beginning, we feel, would have been better.

We all agreed, The Lullaby could certainly be a straight to Netflix movie. Not a movie we would pay to see, but worth the one time watch for sure! With it being a struggle to find a good horror movie these days, The Lullaby is slightly above average.

Reel ROB Rating: 6.25 out of 10 stars

Post Credits Scene: No

We want to thank our friends at Reel News Daily for allowing us to do this guest review!