Review: ‘JACK GOES HOME’ proves that Rory Culkin is terrifyingly good at his job.

jackgoeshome_theatrical_27x39They say you can never go home again. Maybe some of us should heed this advice depending on the skeletons in our closets. In Thomas Dekker‘s new film JACK GOES HOME, Rory Culkin finds himself playing the title character whose loss might be his greatest gain. Or maybe it’s the other way around.
r1I’ve see a horror film or two in my day, but I’ve never seen anything like Jack Goes Home. The story appears to be straight forward: Jack’s parents are in a car accident. His father dies and he goes home to take care of his mother, who has survived. When something goes bump in the night, he is compelled, by his father’s own words, to explore his childhood like never before. It doesn’t take too long before things get weird. Grief can make people act in funny ways, but this film takes it to a whole other level. Dekker’s script is off the hinges with scares both physically and emotionally. You’re never quite sure who is fooling whom. rl1With genre veteran Lin Shaye as Jack’s mother, you’re immediately thrown for a loop. Her presence is this insane mix of calming and unnerving. Each scene she appears in makes your skin crawl. Rory Culkin is more intense with each role he takes on. Following up on his fierce performance in Gabriel, there is no doubt this young man is a star. Jack is one hell of a character and when the film has the balls to open by having him break the fourth wall, you know you’re in for a ride. Each scene tops the next in mystery and fear and Culkin is the driving force behind your unease. As the credits rolled I thought, “What the hell did I just see?!” Then in watching the trailer again, I had so many more questions and theories. This is a film I’ll be speculating about for some time. It begs for multiple viewings.

JACK GOES HOME hits US cinemas and VOD on Friday, October 14th, from Momentum Pictures.

Motion Picture Rating (MPAA) Rated R for disturbing violent and sexual content, language throughout, and drug use.

Melissa’s Review: Quentin Dupieux’s latest film is entertainingly far from ‘Reality’

Jon Heder

Jon Heder

You see Jon Heder‘s face above? That’s the one you’ll be making during the entire film. However, if you’re a fan of Dupieux’s previous work (Rubber, Wrong, Wrong Cops), you’ll really enjoy the trippy and dream-within-a-dream wormhole that is Reality.

Eric Wareheim

Eric Wareheim

It’s very safe to say that this movie is not for everyone, as it’s completely absurd and really makes no sense whatsoever. What separates it is the fantastic cinematography and the brilliant score of which Dupieux does himself. It’s no wonder it all works together so well.

Alain Chabat

Alain Chabat

My first introduction to Dupieux was Rubber (currently on Netflix) about a tire (yes, a tire), that’s a serial killer. Obviously ridiculous but completely imaginative and surprising, I was smitten. Reality has the same sort of imaginative writing but this time the story is a man who is pitching a movie and must get the perfect “groan” in order to land the funding. I used story very loosely, as there are many other things happening simultaneously.

Jon Heder

Jon Heder

The score is essential to the movie. At times unnerving, that’s exactly what its meant to be. It complements the story without overshadowing it all. The movie would not be the same without it and it’s not something you’d want to listen to on its own either. Quite extraordinary.

Much like when you’re in a dream, it seems like it’s making sense, then suddenly you wake up and it’s completely incoherent. Only in Reality, you don’t wake up.

Opens today, May 1st exclusively at the IFC Center in NYC and will be available on demand and via digital platforms.