Review: ‘Too Late’ takes the appetite for success to the next level.

TOO LATE

This cozy horror comedy set in the Los Angeles indie comedy scene features Violet Fields who works a thankless job as the assistant to Bob Devore, famed comedian and host of the live variety show, Too Late. But what only Violet knows is that Bob is a monster both literally and figuratively. Resigned to her fate, Violet is caught by surprise when she meets aspiring comedian Jimmy Rhodes and sparks fly. But as her feelings for Jimmy grow and Bob starts to doubt her loyalty, she and Jimmy could end up as Bob’s next meal.
Violet toils away curating her smaller comedy show all while taking the abuse of her boss, Bob. Taking back control is the name of the game, but things get a bit messy along the way. Bob Devore, whose name (I’m assuming) is intentionally close to the word “devour,” is the accomplished late-night figurehead on the comedy scene in L.A. He’s a real monster of a boss. No, like, he’s an actual monster. Under his thumb and in the shadow of his longstanding career, Violet longs to cut ties and make her own way. When love unexpectedly arrives, she must navigate everyone’s appetite for success and take matters into her own hands.
Too Late really digs into the idea that Hollywood is an all-consuming industry. Alyssa Limperis as Violet has that “seasoned pilot actress just waiting to hit it big” kind of energy. She’s a damn natural and I want to see much more of her in the future. Her chemistry with Ron Lynch is sheer perfection. His smarmy, oftentimes flat-out gross, glad-handing demeanor catapults this entire narrative. One of the funniest things about Too Late is the fact that it could be a franchise based on Devore’s origin story. He cannot be the only monster lurking. You could do an entire riff on agents and vampires. That’s comedy gold. The possibilities are endless. On the condition that you bring Limperis back into the fray, of course. With stand-up not only as a major plot point but using actual sets to keep the laughs going, Too Late is a breezy, sometimes gross, definitely unique film. Also, anything with Fred Armisen gets my eyes on it.

 

OPENING IN SELECT THEATERS & ON DIGITAL PLATFORMS ON JUNE 25
STARRING ALYSSA LIMPERIS, RON LYNCH, WILL WELDON, MARY LYNN RAJSKUB, & FRED ARMISEN
TOO LATE is the debut feature film from director D.W. Thomas and writer Tom Becker. It stars Alyssa Limperis (Aunty Donna’s Big Ol’ House of Fun), Ron Lynch (Bob’s Burgers, Adventure Time), Will Weldon (Comedy Central’s This Isn’t Happening), Mary Lynn Rajskub (24, It’s Always Sunny in Philadelphia), Fred Armisen (SNL, Portlandia), Jenny Zigrino (Bad Santa 2, 50 Shades of Black), Jack De Sena (Avatar: The Last Airbender), and Brooks Wheelan (SNL).
TOO LATE has a running time of 80 minutes and will not be rated by the MPAA. Gravitas Ventures will release TOO LATE in select theaters and on digital platforms including iTunes, Google Play, Fandango Now, and all major cable/satellite platforms on June 25.

Review: ‘Cold Brook’ is charming directorial debut from William Fitchner.

COLD BROOK is the story of Ted & Hilde, two ordinary guys in a small town who embark on an extraordinary adventure and risk everything for a stranger in need. It’s a story about coming home; something everyone, everywhere has an innate desire to do.

Cold Brooks shines both in its incredible casting and genuine script. This is a story about connecting to loved ones. It’s about reconciling the past with the future. With intriguing paranormal elements, writer-director William Fitchner (also starring at Ted) gives a little indie gem that feels comfortable and homey. Kim Coates stars as Fitchner’s best buddy (and coworker) with lovely ease. You believe these two have been friends for a lifetime. His scenes with Mary Lynn Rajskub are gold. That marriage is an entire story waiting to be written. Harold Perrineau as Gil Le Deux id sincere and mysterious. His delicate approach and wide-eyed sense of wonder are a gorgeous foil for Coates and Fitchner’s working-class do-gooders. Fitchner is charming and nuanced. His emotional journey is extremely well-charted through writing and performance. While this script is not overly-complicated, that does not make it any less complex in character development. That is a real key to this film. The relationship dynamics from work to play to home are what keep you watching and smiling. Cold Brook is nothing short of great family entertainment and I look forward to seeing what might come next from Fitchner’s imagination and hard work.

COLD BROOK will be in theaters and On Demand and Digital on November 8, 2019.

COLD BROOK is the directorial debut of William Fichtner (“Mom,” “Prison Break”) who not only stars in the film but co-wrote it with Cain DeVore (Mitzi & Joe). The film also stars Kim Coates (Goon series, “Sons of Anarchy”) and Harold Perrineau (“Lost,” Romeo + Juliet).