Tribeca 2023 review: Luke Evans and Billy Porter shine in ‘OUR SON,’ a very personal modern-day family drama.

OUR SON



Billy Porter and Luke Evans return to Tribeca playing partners of thirteen years. Billy stars as Gabriel, an aspiring artist struggling to find creative and personal spark while caring for the young son he shares with his ambitious partner, Nicky (Luke Evans). Stress and anxiety flare as their relationship gets to an unrepairable place, forcing the couple to head for a divorce. Now the two must navigate the unenviable position of revealing the news to shared friends and family. Thus begins the journey to find themselves and support their son.


Luke Evans plays Nicky with a workhorse attitude that comes off as dismissive and arrogant against Billy Porter’s caregiver grace. This dynamic rings authentic for me as the default parent in my marriage. Porter nails every aspect, from his sing-songy tone of voice with Owen to the hesitancy to speak up for his emotional needs. Seeing myself on screen hit hard. While I’ve not had to go through divorce and custody dynamics, I have had these “come to Jesus” moments with my husband. I’ve been lucky.

Both Evans and Porter give us their all in these roles. Watching them navigate the complexities of an evolving relationship is heartbreaking but universally relatable, regardless of your romantic circumstance. Love is complicated and messy. Christopher Woodley as Owen is outstanding. He captures the boundless curiosity and impressionable innocence of a child his age. Writer-director Bill Oliver and co-writer Peter Nickowitz‘s dialogue could be taken directly from my world as a wife, parent, and friend.

OUR SON greatly benefits from two standout supporting performances. Andrew Rannells‘s sarcastic yet caring presence grounds the relationship between Nicky and Gabriel. He is spectacular in every role he tackles. Phylicia Rashad plays Gabriel’s mother, and the pairing is pure magic.

OUR SON is a story of a family trying to figure out what’s best for their child and each other. The characters are fully fleshed-out flawed humans working their way through ever-changing feelings of emotional security. You cannot help but connect with them through the good, the bad, and the ugly.


DIRECTOR
Bill Oliver
PRODUCER
Fernando Loureiro, Eric Binns, Guilherme Coelho, Jennifer 8. Lee, Christopher Lin
SCREENWRITER
Peter Nickowitz, Bill Oliver
CINEMATOGRAPHER
Luca Fantini
EDITOR
Zach Clark, Tyler Jensen
CAST
Billy Porter, Luke Evans, Robin Weigert, Andrew Rannells, Isaac Powell, Phylicia Rashad

In Person

Sat June 10 – 2:00 PM
PASSED
Closed Captions available

 

Sun June 11 – 3:30 PM
PASSED
Closed Captions available

 

Wed June 14 – 8:30 PM
Closed Captions available

 

Tribeca Festival 2023 Curtain raiser: Films we are putting on our must-see lists before the festival begins

TRIBECA FESTIVAL 2023 brings thrills, mystery, comedy, fantasy, you name it, there is something for everyone. This year’s lineup features Joe Lynch‘s latest, Suitable Flesh, Gabriela Cowperthwaite‘s I.S.S., and David Duchovny‘s Bucky F*cking Dent. Let’s get into a few of the films we are dying to get our eyeballs on this year.

 

THE LISTENER – North American Premiere – Spotlight Narrative 
Directed by: Steve Buscemi
Written by: Alessandro Camon
Produced by: Wren Arthur, Steve Buscemi, Oren Moverman, Lauren Hantz, and Tessa Thompson
Executive Producers: John Hantz, Eddie Vaisman, Julia Lebedev, and Suzanne Warren
Co-Producers: Billy Mulligan, Kat Barnette, and Joyce Pierpoline
Associate Producer: Brian Miele
Starring: Tessa Thompson


An understated drama about a night in the life of a mental health helpline volunteer, The Listener is a stirring testament to the power of empathy.

Tessa Thompson continues her Tribeca greatness in a role that could easily translate from film to stage. This is a character study.


MAGGIE MOORE(S) – World Premiere – Spotlight Narrative 

In Theaters & On Demand June 16th

Directed by John Slattery
Written by Paul Bernbaum
Produced by John Slattery, Vincent Garcia Newman, Dan Reardon, Santosh Govindaraju, Nancy Leopardi, and Ross Kohn
Starring Jon Hamm, Tina Fey, Micah Stock, Nick Mohammed, Happy Anderson, and Mary Holland

When two women with the same name are murdered days apart, small-town police chief Jordan Sanders (Hamm) finds himself wading through an unlikely collection of cheating husbands, lonely hearts, nosy neighbors and contract killers in an effort to put the pieces of the case, and his life, together. The film is inspired by actual events.

The cast alone should get you through the door. This bizarre tale, based on real-life events, is a wacky we-know whodunit, but it doesn’t lessen the impact.



THE MIRACLE CLUB – World Premiere – Spotlight Narrative Category (Sony Pictures Classics)



Directed by Thaddeus O’Sullivan (Vera, Call the Midwife)

Written by Jimmy Smallhorne, Timothy Prager, and Joshua D. Maurer

Produced by Joshua D. Mauer, Alixandre Witlin, Chris Curling, Larry Bass, Aaron Farrell, John Gleeson and Oisín O’Neill


Three close friends who have never left the outskirts of Dublin (much less Ireland) get the journey of a lifetime — a visit to Lourdes, the picturesque French town and place of miracles.

An absolute charmer about healing old wounds and forgiveness set in the gorgeous French countryside. Laura Linney and Dame Maggie Smith? That’s an instant yes.

Check out the trailer below:


SOMEWHERE QUIET– US Narrative Competition

Director/Writer: Olivia West Lloyd

Producers: Emma Hannaway, Taylor Ava Shung, and Eamon Downey

Cast: Jennifer Kim, Kentucker Audley, Marin Ireland, Michéal Neeson

Running Time: 98 minutes

In the ominous and tense Somewhere Quiet, a woman readjusts to normalcy after surviving a traumatic kidnapping — but her grounded sense of reality soon starts to deteriorate when she travels with her husband to his wealthy family’s isolated compound.

This solid thriller will catch you off guard, making you second-guess your sanity along the way.


OUR SON– Spotlight Narrative

Director/Co-Writer: Bill Oliver

Co-Writer: Peter Nickowitz 

Producers: Fernando Loureiro and Eric Binns

Key Cast: Luke Evans, Billy Porter

Running Time: 104 Minutes

Nicky (Luke Evans), a book publisher devoted to his work, lives with his husband Gabriel (Billy Porter), a former actor and stay-at-home dad, and their eight year-old son, Owen. Gabriel loves Owen more than anything; Nicky loves Gabriel more than anything. Despite appearances, Gabriel has been dissatisfied with their marriage for some time and files for divorce, leading to a custody battle that forces both of them to confront the changing reality of their love for each other and for their son.

This beautifully complex story of the growing pains of changing love.


I.S.S. – Spotlight Narrative

Director: Gabriela Cowperthwaite

Writer: Nick Shafir

Producers: Pete Shilaimon and Mickey Liddell

Cast: Ariana DeBose, Chris Messina, Pilou Asbæk, John Gallagher Jr., Maria Mashkova, Costa Ronin

Running Time: 95 Minutes

Tensions flare in the near future aboard the International Space Station as a worldwide conflict occurs on Earth. Reeling from this, the astronauts receive orders from the ground: take control of the station by any means necessary.

A stunning look at loyalty. This intense sci-fi thriller captivates you with Ariana DeBose holding you in the palm of her hand.


SUITABLE FLESH –  Midnight (World Premiere)

Director: Joe Lynch
 
Screenwriter: Dennis Paoli
 
Producers: Barbara Crampton, Bob Portal, Inderpal Singh, Joe Wicker
 
Cast: Heather Graham, Judah Lewis, Bruce Davison, Barbara Crampton, Johnathon Schaech
 
Running Time: 100 Minutes
 

After murdering her young patient, a once-esteemed psychiatrist helplessly watches her life spiral into a nightmarish maelstrom of supernatural hysteria and gruesome deaths, all linked to a seemingly unstoppable ancient curse.

Let Joe Lynch direct all the Lovecraftian weirdness. Honestly, as a genre fan, you had me at Barbara Crampton.


BAD THINGS – US Narrative Competition 

DIRECTOR: Stewart Thorndike
 
PRODUCER: Lizzie Shapiro, Lexi Tannenholtz
 
SCREENWRITER: Stewart Thorndike
 
 
CAST: Gayle Rankin, Hari Nef, Annabelle Dexter-Jones, Rad Pereira, Jared Abrahamson, Molly Ringwald
 
A weekend getaway for a few friends at a snowy resort becomes a psychological tailspin and bloody nightmare. Long-deceased guests and the space itself come to life in this haunting thriller.
 

There is always something to be said for a film that gets snapped up by Shudder before its premiere. The platform’s ability to spot great genre storytelling goes head-to-head with the major studios. Gayle Rankin‘s ability to live in whatever role she takes on is astounding. I have no doubt that she’ll kill it. *wink, wink*

**COMING TO SHUDDER (US, UK, IRELAND, AUSTRALIA, NEW ZEALAND) 
AND AMC+ (US, CA, ANZ) ON AUGUST 18TH, 2023**


BUCKY F*CKING DENT – Spotlight Narrative

DIRECTOR: David Duchovny
 
PRODUCER: Jordan Yale Levine, Jordan Beckerman, Tiffany Kuzon, David Duchovny
 
SCREENWRITER: David Duchovny
 
CAST: David Duchovny, Logan Marshall-Green, Stephanie Beatriz, Jason Beghe, Evan Handler, Pamela Adlon, Daphne Rubin-Vega
 
Follows Ted who moves in with his father Marty when he develops a fatal illness. To keep him happy and alive, Ted enlists Marty’s grief counselor Mariana and friends to fake a Red Sox winning streak.
 
As a born and bred Red Sox fan, Bucky Dent felt like the modern-day equivalent of “He Who Shall Not Be Named,” long before that reference was a pop-culture reference. I grew up sitting against The Green Monster. You can clock my age in successive photographs. Based on his novel, David Duchovny brings this father-son story to the big screens at Tribeca. I couldn’t be more excited. I’m pretty sure that for true fans, this one is destined to be a home run. 
   OF NIGHT AND LIGHT: THE STORY OF IBOGA AND IBOGAINE – Spotlight Documentary

DIRECTOR:Lucy Walker
PRODUCER:Julian Cautherley, Lyn Davis Lear, Laurie Benenson, Lucy Walker
CINEMATOGRAPHER:Sebastian Denis, Lorenzo Hagerman, Aaron Phillips
EDITOR:Parker Laramie

Of Night and Light: The Story of Iboga and Ibogaine tells the astounding unknown story of what might be the scientific discovery of our generation. Back in 1962, a teenage psychonaut in New York City named Howard Lotsof experimented with an obscure psychedelic from the root bark of a West African shrub and recognized its unique therapeutic potential. Together with his African-American wife Norma, a pair of outsider NYU film students, they dedicated their lives to convincing the scientific community and government agencies to research it, certain that it would be of great medicinal benefit, despite it sounding too good to be true – like the textbook definition of snake oil – and being written off as con artists.

Sixty years later, their dream is now materializing as clinics spawned from their original test sites have treated more than 100,000 people with opiate use disorder and now over 1,000 US Special Forces veterans, who have experienced dramatic relief from a spectrum of problems including traumatic brain injury, depression, anxiety, ptsd, addictions, and physical disabilities through the use of ibogaine. Now jaw-dropping new research, about to be published, is revealing that ibogaine is the most powerful therapeutic ever observed for the human central nervous system.

Psychedelics have a complicated past, but their present-day use is more prevalent than most people know. I can’t wait to dig into the history of this life-changing medicine because that’s what it is. I have family members in the medical industry who use them, and audiences will have family members with PTSD, so this one has the potential to be more personal than anyone expected.


THE FUTURE– International Narrative Competition (World Premiere)

WRITTEN AND DIRECTED BY Noam Kaplan
STARRING Dar Zuzovsky, Samar Qupty, Reymonde Amsellem
PRODUCED BY Yoav Roeh, Arit Zamir
CINEMATOGRAPHY BY Shark de Mayo
EDITED BY Effi Cohen Vertes
MUSIC BY David Klemes

At 42, Dr. Bloch (Reymonde Amsellem), a profiler, wants a child. A future. Her only way is to find a surrogate mother. At the same time, her groundbreaking algorithm designed to identify individuals planning to carry out terror attacks fails and a young Palestinian woman (Samar Qupty) assassinates the Israeli minister of Space and Tourism. In order to ‘fix the bugs’ in her algorithm, Nurit faces the assassin in person. The sessions between these two brilliant women raise questions about their past, while the sessions between Bloch and the potential surrogate (Dar Zuzovsky) challenge Bloch’s decision about her future.

This near-future femme-centric drama from Noam Kaplan gives brilliant women the chance to challenge one another at every turn.  A futuristic collision within the ongoing Israeli-Palestinian conflict, THE FUTURE has more nuance than you are prepared for.


TO MY FATHER – Shorts (World Premiere)

DIRECTOR: Sean Schiavolin
PRODUCER: John Papola, Troy Kotsur, Justin Bergeron
SCREENWRITER: Sean Schiavolin
CINEMATOGRAPHER: Brody Carmichael 
EDITOR: Josh Meyers, Sean Schiavolin
COMPOSER: Hanan Townshend
ASSOCIATE PRODUCER: Jessi Bennett
CAST: Troy Kotsur

 

To My Father depicts Deaf actor Troy Kotsur’s journey to winning an Oscar and his father’s inspiring influence on him, despite a tragic accident.

Grab the tissues and be prepared for the beauty presented by Sean Schiavolin. If you haven’t been living under a rock then you are familiar with the extraordinary Troy Kotsur. This twenty-minute short pierces your heart, once again, as we learn more about the deaf actor’s inspiration. Do Not Miss It.


CHASING CHASING AMY – Viewpoints (World Premiere)

DIRECTOR: Sav Rodgers
PRODUCER: Alex Schmider, Carrie Radigan, Lela Meadow-Conner, Matthew C. Mills, Sav Rodgers
CINEMATOGRAPHER: Bill Winters, Bradley Garrison
CAST: Kevin Smith, Guinevere Turner, Joey Lauren Adams, Scott Mosier, Sav Rodgers, Andrew Ahn, Kevin Willmott, Trish Bendix, Princess Weekes, Regina “Riley” Rodgers

 

12-year-old Sav Rodgers watched the film Chasing Amy, and his life was forever changed. Developing a kinship — and maybe a slight obsession — with it as he grew into his queerness, he decides to fund and direct a documentary that examines its role in LGBTQ+ film culture. He makes significant progress, even garnering the support and collaboration of its director, Kevin Smith. However, as the production of the documentary continues, Rodgers realizes that the legacy of the film and his relationship with it might be changing. So where does that leave him?

Chasing Amy was a sexual awakening for more of us than we might like to admit. It felt like a narrative shock to the system in the most welcome way for audiences obsessed with Clerks and Mallrats. We were open-minded Kevin Smith nerds and we were ready to listen. This timely look at LGBTQAI+ issues is sure to spark conversation.


For all things Tribeca Festival, click here!

Keep your eyes peeled for shared coverage from us, Unseen Films, and AWFJ.org!


 

A Disney+ Day premiere, ‘PINOCCHIO’ will launch September 8, 2022, exclusively on Disney+.

Academy Award® winner Robert Zemeckis directs this live action and CGI retelling of the beloved tale of a wooden puppet who embarks on a thrilling adventure to become a real boy. Tom Hanks stars as Geppetto, the woodcarver who builds and treats Pinocchio (Benjamin Evan Ainsworth) as if he were his real son. Joseph Gordon-Levitt is Jiminy Cricket, who serves as Pinocchio’s guide as well as his “conscience”; Academy Award® nominee Cynthia Erivo is the Blue Fairy; Keegan-Michael Key is “Honest” John; Academy Award® nominee Lorraine Bracco is Sofia the Seagull, a new character, and Luke Evans is The Coachman. Also in the cast are Kyanne Lamaya as Fabiana and Jaquita Ta’Le as her marionette Sabina, Giuseppe Battiston as Stromboli and Lewin Lloyd as Lampwick.


A Disney+ Day premiere, “Pinocchio” will launch September 8, 2022, exclusively on Disney+.

Tom Hanks as Geppetto in PINOCCHIO, exclusively on Disney+. Photo courtesy of Disney Enterprises, Inc. © 2022 Disney Enterprises, Inc. All Rights Reserved.

The screenplay for “Pinocchio” is by Robert Zemeckis & Chris Weitz. Andrew Miano, Chris Weitz, Robert Zemeckis, and Derek Hogue are the film’s producers, with Jack Rapke, Jacqueline Levine, Jeremy Johns, and Paul Weitz the film’s executive producers.

Pre-Save/Pre-Add the brand new Pinocchio Soundtrack Now: https://presave.umusic.com/pinocchio-… Disney+ Day is an annual celebration of the Disney+ global community that debuted in 2021 and features content premieres from the streaming service’s marquee brands, special experiences and offers for subscribers and fans, and more.

This year, Disney+ Day returns on Thursday, September 8, leading into D23 Expo: The Ultimate Disney Fan Event presented by Visa in Anaheim, CA.


 

TNT’s ‘The Alienist’ premieres with graphic intrigue and the beginnings of forensic science.

The Alienist opens when a series of haunting murders of boy prostitutes grips New York City. Newly appointed police commissioner Theodore Roosevelt (Brian Geraghty) calls upon criminal psychologist Dr. Laszlo Kreizler (Daniel Brühl) and newspaper illustrator John Moore (LukeEvans) to conduct the investigation in secret. They are joined by Sara Howard (Dakota Fanning), a headstrong secretary determined to become the city’s first female police detective. Using the emerging disciplines of psychology and forensics, this band of social outsiders set out to apprehend one of New York City’s first serial killers. The limited series also stars Douglas Smith, Matthew Shear, Matt Lintz, Robert Ray Wisdom and Q’orianka Kilcher.

This new limited series will strike a chord with a wider audience than one might think. Based on the Anthony Award-winning international bestseller by Caleb Carr, The Alienist possesses underpinnings of feminism, glorious period set and dress, and a chemistry between cast members that is electric. These characters are fully fleshed out and Bruhl, Evans, and Fanning do not disappoint. Daniel Bruhl‘s Holmes-esque portrayal of Dr. Kreizler is striking. Seeing Evans as almost a number two in masculinity is a true testament to his abilities. Fanning walks a beautiful line between the inherent misogyny of the times and fearlessness.

The forensics are graphic, be forewarned. The show airs at 9 pm and would be incredibly inappropriate for a younger audience but is sheer perfection for psychological thriller/horror fans. The introduction to forensic psychology and science is both a joy and disturbing to behold. Not even halfway through the premiere and I was fully invested in the story. The Alienist is great television.

The Alienist premieres across TNT’s television, mobile and digital platforms on Monday, January 22, at 9:00 p.m. (ET/PT).

New trailer: There’s more than one – ‘Professor Martson & the Wonder Women’

Um, yes.

In a superhero origin tale unlike any other, the film is the incredible true story of what inspired Harvard psychologist Dr. William Moulton Marston to create the iconic Wonder Woman character in the 1940’s. While Marston’s feminist superhero was criticized by censors for her ‘sexual perversity’, he was keeping a secret that could have destroyed him. Marston’s muses for the Wonder Woman character were his wife Elizabeth Marston and their lover Olive Byrne, two empowered women who defied convention: working with Marston on human behavior research — while building a hidden life with him that rivaled the greatest of superhero disguises.
PROFESSOR MARSTON & THE WONDER WOMEN Official Channels
#MARSTONMOVIE

Review: Emily Blunt tries to save ‘The Girl on the Train’

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In The Girl on the Train, the best-selling “thriller” from Paul Hawkins, Rachel watches a couple from the train on her commute into the city every day. One day, she notices the woman is embracing another man than her husband. The woman, Megan, disappears that night. This starts a series of events where Rachel inserts herself into the life of Megan and makes one bad decision after another. Just when you think she won’t go any lower, it gets worse. Was she responsible for Megan’s disappearance?

I tried. I really did. I had three separate friends who told me they LOVED the book and they couldn’t put it down. I was bored. I almost stopped reading halfway through but felt I should at least see it to the end to give it a fair shot. I was very interested to see if I would enjoy the film adaptation.

In the book, time is spent building up each character, but in a movie, that luxury does not exist. Shortcuts toward character-building for Rachel didn’t convey the cringe-worthy decisions she made over and over again. She is an alcoholic ex-wife who won’t stop harassing her ex-husband. She consistently makes inappropriate decisions that not only mess up her own life but interferes with those around her. Emily Blunt as Rachel in the movie worked, but it’s not the same character.

As for the other characters, there really wasn’t enough backstory to really get a good sense of it all. Anna (Rebecca Ferguson) is the new wife of Rachel’s ex-husband and looks terrible as a blonde. Her level of panic in response to Rachel is not underlined enough. To her, Rachel is the ex-wife who won’t stop calling, texting and seeing her husband and has a terrible propensity for violence.

Megan (Haley Bennett) in the book is mature but lost. She is competitive and strong, yet has an emotional weakness. Megan in the movie is immature and vies for any man’s attention. This interpretation bothered me the most. It’s too convenient.

The men? Oh, they are totally one dimensional. Neither brings anything to their characters. Justin Theroux is almost comical and Luke Evans doesn’t seem to know how to play his character.

Don’t worry about seeing this in the theater. Skip it and catch it on Netflix or HBO.

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Tom Hiddleston’s ‘High Rise’ Gets It’s First Trailer

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Studio Canal has released the first look at High Rise directed by Ben Wheatley and we have it for you below!

London, 1975. Robert Laing (Tom Hiddleston) is a young doctor seduced by the lifestyle in a high-rise, an isolated community, cut off from the rest of society in their luxury tower block, and its creator, the architect Anthony Royal (Jeremy Irons). Taking up residence on the twenty-fifth floor, Laing discovers a world of complex loyalties, and also strikes up a relationship with Royal’s devoted aide Charlotte (Sienna Miller). After Laing befriends Richard Wilder (Luke Evans), a documentary filmmaker relegated to the second floor who is determined to provoke the class injustices inherent in the high-rise, a dangerous social situation develops and the high-rise eventually fragments into violent tribes.

High Rise is set for release in 2016

This trailer for ‘Flutter’ will make you shutter

Flutter_2D

For the first 30 seconds or so, I was totally set on seeing this twisted thriller. Then it hinted at something more sinister and it lost me. However, this still below does raise my curiosity.

flutterRELEASE DATE: November 17, 2015
DIRECTOR: Giles Borg
WRITER: Stephen Leslie
CAST: Joe Anderson, Anna Anissimova, Luke Evans, Billy Zane
SYNOPSIS: John (Joe Anderson, The Grey) is an out-of-control gambler who will do anything for money. When a mysterious new bookie starts to offer him more unusual, twisted “special” bets with bigger payoffs and greater risks, John’s life spirals into a dangerous world of deceit and dare, with the stakes higher than he can ever imagine.
GENRE: Thriller
DISTRIBUTOR: XLrator Media

Disney’s Upcoming ‘Beauty and the Beast’ Adaptation Has Found its Beast..and Gaston!

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The Hollywood Reporter has revealed that Walt Disney Pictures has selected Dan Stevens (The Guest) to play the iconic Beast in it’s upcoming adaptation of the Jeanne-Marie Leprince de Beaumont’s classic fairy tale. Stevens will work opposite Emma Watson’ as she is set to take on the role of Belle in the upcoming live-action film. But wait! There’s more! Luke Evans (Dracula Untold) is set to take on the role of Gaston! The film will be directed by Bill Condon (The Twilight Saga: Breaking Dawn) and produced by David Hoberman and Todd Lieberman of Mandeville Films.

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This continues the trend of live action Disney adaptations that have been hitting theaters of late, which started with the highly successful Alice in Wonderland in 2010 and continued with last years Maleficent. Next week marks the live action return of Cinderella as the Kenneth Branagh directed film hits theaters. Disney also will release a live action Jungle Book in early 2016.

Michael’s Review: ‘The Hobbit: The Battle of the Five Armies’- Back to Middle Earth One Last Time

the-hobbit-the-battle-of-the-five-armies-poster1Peter Jackson faced some staunch criticism from fans when he announced he was splitting his announced Hobbit adaptation into a trilogy. Many cited the sheer size of the book as a cause for concern but the underlying belief was that the move looked more like a cash grab for the studio who were facing their final trip to Middle Earth. The Battle Of The Five Armies posed the biggest challenge for Jackson simply because of the subject of the film was presented to readers as a footnote that takes places place after the story (The story was published in the back of The Return of the King), but Jackson has put all the speculation to rest and released his best film in the Hobbit trilogy. Read More →

Press Conference: ‘Dracula Untold’ with Luke Evans & Sarah Gadon

dracula-untold-pressThis week, Universal Pictures takes another stab at reinvigorating their stable of classic monsters with Dracula Untold. The feature film debut of commercial director Gary Shore stars Luke Evans and Sarah Gadon; with a fun cameo by Charles Dance. We sat down with the film’s stars to talk blood suckers and creatures of the night. Read More →