SXSW 2022 review: Living your best life is triggering in ‘SISSY.’

SISSY

Synopsis: Cecilia and Emma were tween-age BFFs who were going to grow old together and never let anything come between them until Alex arrived on the scene. Twelve years later, Cecilia is a successful social media influencer living the dream of an independent, modern millennial woman… until she runs into Emma for the first time in over a decade. Emma invites Cecilia away on her bachelorette weekend at a remote cabin in the mountains, where Alex proceeds to make Cecilia’s weekend a living hell. #triggered


Catty, protective, territorial; girls can be the worst. Mean girls made my life a living hell for years. Everyone I know has a story involving them. SXSW22 Midnighters world premiere SISSY addresses them head-on. 

Slow clap for the editing in SISSY. It is clever and engaging from the beginning. The tension in the script is a deliberate build, sort of like ascending a rollercoaster, knowing that that first drop is coming and will be one many. But there are moments of silliness that cut through the anticipation. Overall a slick structure that never lets up. Trust me when I say you will not see where this leads. The practical FX are so tight I exclaimed, “Oh, F*ck,” at one point. There is no better an endorsement than that. 

The chemistry between Aisha Dee and Hannah Barlow (who co-writes and directs with Kane Senes) is magic. You believe they were best friends when they were twelve. Fast forward 15 years or so, and things look very different in their relationship. But, best friends never really lose their groove. That is until someone comes between them. Aisha Dee is our true leading lady, and she friggin kills it. SISSY obliterates your moral compass. 

SISSY tackles unresolved childhood trauma most darkly. Combined with the influencer angle is pure genius. SXSW22 audiences are going to love this. You root for all the wrong things, and therein lies the brilliance.


SISSY – Midnighters (**World Premiere**)
Writers/Directors: Hannah Barlow, Kane Senes
Cast: Aisha Dee, Hannah Barlow, Emily De Margheriti, Daniel Monks, Yerin Ha, Lucy Barrett


To find out more about SXSW22 click here!


Michael’s Review: ‘Echoes of War’

Echoes of War Movie Poster (1)Director Kane Senes’ western Echoes of War resurrects some very familiar themes as  we witness the homecoming of a man who has faced the brutalities of war and now finds himself struggling of adjust to life after battle.  James Badge Dale, Ethan Embry and William Forsythe lead the cast in this morally conflicted period piece which yearns to reminds us how wonderful the western genre is, but ultimately finds itself lost on the frontier.

112Wade (James Badge Dale) returns home to Texas after the end of the Civil War to his brother in law Seamus’ (Ethan Embry) farm to help mend his family after the passing of his sister. Seamus tends to his farm with his daughter Abigail (Maika Monroe) and his son Samuel (Owen Teague), both of whom idolize Wade and convince the weary farmer to allow their uncle to stay. Wade begins to settle in and Seamus puts him right to work assisting in the daily chores. During a run to check the traps for food, Wade and Samuel come across Dillard McCluskey (Ryan O’Nan), son of Randolph McCluskey (William Forsythe), neighbor to Seamus and cattle owner who has fallen on hard times stealing their catch. Feeling that he must takes it upon himself to put a stop to the McCluskey’s stealing his families food, Wade confronts the elder McCluskey, which sparks a battle between the families. With tensions running high, will anyone be left standing when the dust settles?

213Co-writers John Chriss and Kane Senes have provided a screenplay filled with way too many western cliche’s and not enough original content. Senes, in his feature film directorial debut, has an understanding of how the story should play out, but the sluggish pace of the film causes this film to spiral out of control. The acting in the film is also very hit or miss. James Badge Dale is very one dimensional in his role as the war veteran. The role seemed ripe for some intense scenes but never captured the true nature of a man returning from war. William Forsythe‘s role is also lost in interpretation. Acting as the antagonist in the film, you neither understand, nor do you care, why the events of his past have lead to the man he is now. The relationship between Ethan Embry‘s Seamus and Randolph really needed to be flushed out more in the telling. Maika Monroe, coming off the critically acclaimed film It Follows, is never truly given the opportunity to show off the acting skills in this film as her character plays out most of the film with the same somber delivery.

ct-echoes-of-war-review-20150514 Overall, Echoes of War is a film that struggles to resonate any true enjoyment for its viewers. A story that is not all that bad, but is destined to ride off into the sunset and out of our memories.

Stars:

2  out of 5

After Credit Scene?

No

Trailer: